home.social

#whywrite — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #whywrite, aggregated by home.social.

fetched live
  1. I don't know anyone who's in it for the $, but it can help to know "what success actually looks like"

    Industry secrets are keeping #authors from knowing how much to ask for
    usatoday.com/story/money/2026/

    #writing #amwriting #publishing #sales #royalties #whywrite #writingtips

  2. I don't know anyone who's in it for the $, but it can help to know "what success actually looks like"

    Industry secrets are keeping #authors from knowing how much to ask for
    usatoday.com/story/money/2026/

    #writing #amwriting #publishing #sales #royalties #whywrite #writingtips

  3. I don't know anyone who's in it for the $, but it can help to know "what success actually looks like"

    Industry secrets are keeping #authors from knowing how much to ask for
    usatoday.com/story/money/2026/

    #writing #amwriting #publishing #sales #royalties #whywrite #writingtips

  4. I don't know anyone who's in it for the $, but it can help to know "what success actually looks like"

    Industry secrets are keeping #authors from knowing how much to ask for
    usatoday.com/story/money/2026/

    #writing #amwriting #publishing #sales #royalties #whywrite #writingtips

  5. I don't know anyone who's in it for the $, but it can help to know "what success actually looks like"

    Industry secrets are keeping #authors from knowing how much to ask for
    usatoday.com/story/money/2026/

    #writing #amwriting #publishing #sales #royalties #whywrite #writingtips

  6. Why do you write fiction? ✍️

    For those of you who write fiction, what got you started? What motivates you now? Why do you want to keep doing it?

    I write for the same reason I wrote my first stories as a little kid: I love the rush of living in a fictional dream -- plus the joy of bringing that dream alive in another person's mind. It's a natural high -- plus validation. A heady mix. 🤩

    What about you?

    #writer #writers #writing #writingcommunity #whywrite #NovelWriting #storytelling

  7. What should a #writer do, given the imperatives to earn sufficient to eat, live indoors & wear clothes? Accept reality. Only a very few will earn from writing, & even fewer will create a "franchise" which sustains prolonged interest. Instead, ask questions interesting or important to you, & then - if you have, or would like to explore, answers to these questions - answer them. #WhyWrite #writing

  8. What should a #writer do, given the imperatives to earn sufficient to eat, live indoors & wear clothes? Accept reality. Only a very few will earn from writing, & even fewer will create a "franchise" which sustains prolonged interest. Instead, ask questions interesting or important to you, & then - if you have, or would like to explore, answers to these questions - answer them. #WhyWrite #writing

  9. What should a #writer do, given the imperatives to earn sufficient to eat, live indoors & wear clothes? Accept reality. Only a very few will earn from writing, & even fewer will create a "franchise" which sustains prolonged interest. Instead, ask questions interesting or important to you, & then - if you have, or would like to explore, answers to these questions - answer them. #WhyWrite #writing

  10. What should a #writer do, given the imperatives to earn sufficient to eat, live indoors & wear clothes? Accept reality. Only a very few will earn from writing, & even fewer will create a "franchise" which sustains prolonged interest. Instead, ask questions interesting or important to you, & then - if you have, or would like to explore, answers to these questions - answer them. #WhyWrite #writing

  11. What should a #writer do, given the imperatives to earn sufficient to eat, live indoors & wear clothes? Accept reality. Only a very few will earn from writing, & even fewer will create a "franchise" which sustains prolonged interest. Instead, ask questions interesting or important to you, & then - if you have, or would like to explore, answers to these questions - answer them. #WhyWrite #writing

  12. Each subsequent issue in the series must then return to the beginning, repeating & repeating, never answering its question, never coherent, never holding to its premise, until the reader is spent. It is a waste. It is not as if creativity is in finite supply, or that people will not invest in countless diversity of stories. Nevertheless, commercial victory is to the few & the instinct to live in that moment is overwhelming. #WhyWrite #writing

  13. Each subsequent issue in the series must then return to the beginning, repeating & repeating, never answering its question, never coherent, never holding to its premise, until the reader is spent. It is a waste. It is not as if creativity is in finite supply, or that people will not invest in countless diversity of stories. Nevertheless, commercial victory is to the few & the instinct to live in that moment is overwhelming. #WhyWrite #writing

  14. Each subsequent issue in the series must then return to the beginning, repeating & repeating, never answering its question, never coherent, never holding to its premise, until the reader is spent. It is a waste. It is not as if creativity is in finite supply, or that people will not invest in countless diversity of stories. Nevertheless, commercial victory is to the few & the instinct to live in that moment is overwhelming. #WhyWrite #writing

  15. Each subsequent issue in the series must then return to the beginning, repeating & repeating, never answering its question, never coherent, never holding to its premise, until the reader is spent. It is a waste. It is not as if creativity is in finite supply, or that people will not invest in countless diversity of stories. Nevertheless, commercial victory is to the few & the instinct to live in that moment is overwhelming. #WhyWrite #writing

  16. Each subsequent issue in the series must then return to the beginning, repeating & repeating, never answering its question, never coherent, never holding to its premise, until the reader is spent. It is a waste. It is not as if creativity is in finite supply, or that people will not invest in countless diversity of stories. Nevertheless, commercial victory is to the few & the instinct to live in that moment is overwhelming. #WhyWrite #writing

  17. The challenge for these two forms is when commercial or creative limits are imposed. Then you get the dreaded series, where the story does not end. Instead the author messes with their premise, producing short stories without questions, or novels where there is no answer to the original premise. Coherence is lost. Instead the words run out, left suspended on a cliffhanger which discards the original question entirely. #WhyWrite #writing

  18. The challenge for these two forms is when commercial or creative limits are imposed. Then you get the dreaded series, where the story does not end. Instead the author messes with their premise, producing short stories without questions, or novels where there is no answer to the original premise. Coherence is lost. Instead the words run out, left suspended on a cliffhanger which discards the original question entirely. #WhyWrite #writing

  19. The challenge for these two forms is when commercial or creative limits are imposed. Then you get the dreaded series, where the story does not end. Instead the author messes with their premise, producing short stories without questions, or novels where there is no answer to the original premise. Coherence is lost. Instead the words run out, left suspended on a cliffhanger which discards the original question entirely. #WhyWrite #writing

  20. The challenge for these two forms is when commercial or creative limits are imposed. Then you get the dreaded series, where the story does not end. Instead the author messes with their premise, producing short stories without questions, or novels where there is no answer to the original premise. Coherence is lost. Instead the words run out, left suspended on a cliffhanger which discards the original question entirely. #WhyWrite #writing

  21. The challenge for these two forms is when commercial or creative limits are imposed. Then you get the dreaded series, where the story does not end. Instead the author messes with their premise, producing short stories without questions, or novels where there is no answer to the original premise. Coherence is lost. Instead the words run out, left suspended on a cliffhanger which discards the original question entirely. #WhyWrite #writing

  22. A #novel must answer the question posed by its premise. Its objective is to offer guidance (at least in terms of its author's biases & preconceptions) & establish a complete & coherent world in which plot holes are filled, causation is obeyed, & a sort of "logical" (within the boundaries established by the author) progression plays out. To achieve this objective, a novel must end. #WhyWrite #writing

  23. A #novel must answer the question posed by its premise. Its objective is to offer guidance (at least in terms of its author's biases & preconceptions) & establish a complete & coherent world in which plot holes are filled, causation is obeyed, & a sort of "logical" (within the boundaries established by the author) progression plays out. To achieve this objective, a novel must end. #WhyWrite #writing

  24. A #novel must answer the question posed by its premise. Its objective is to offer guidance (at least in terms of its author's biases & preconceptions) & establish a complete & coherent world in which plot holes are filled, causation is obeyed, & a sort of "logical" (within the boundaries established by the author) progression plays out. To achieve this objective, a novel must end. #WhyWrite #writing

  25. A #novel must answer the question posed by its premise. Its objective is to offer guidance (at least in terms of its author's biases & preconceptions) & establish a complete & coherent world in which plot holes are filled, causation is obeyed, & a sort of "logical" (within the boundaries established by the author) progression plays out. To achieve this objective, a novel must end. #WhyWrite #writing

  26. A #novel must answer the question posed by its premise. Its objective is to offer guidance (at least in terms of its author's biases & preconceptions) & establish a complete & coherent world in which plot holes are filled, causation is obeyed, & a sort of "logical" (within the boundaries established by the author) progression plays out. To achieve this objective, a novel must end. #WhyWrite #writing

  27. A #ShortStory asks a question it does not need to answer. Its objective is not to offer guidance, but to challenge preconceptions. To shatter informed reality, whether that be accepted privilege or notions of self-aware intelligence, or anything. A short story can be contradictory, filled with plot holes & inconsistencies, but - as long as the question it asks is a good one - it can be a good story. #WhyWrite #writing

  28. A #ShortStory asks a question it does not need to answer. Its objective is not to offer guidance, but to challenge preconceptions. To shatter informed reality, whether that be accepted privilege or notions of self-aware intelligence, or anything. A short story can be contradictory, filled with plot holes & inconsistencies, but - as long as the question it asks is a good one - it can be a good story. #WhyWrite #writing

  29. A #ShortStory asks a question it does not need to answer. Its objective is not to offer guidance, but to challenge preconceptions. To shatter informed reality, whether that be accepted privilege or notions of self-aware intelligence, or anything. A short story can be contradictory, filled with plot holes & inconsistencies, but - as long as the question it asks is a good one - it can be a good story. #WhyWrite #writing

  30. A #ShortStory asks a question it does not need to answer. Its objective is not to offer guidance, but to challenge preconceptions. To shatter informed reality, whether that be accepted privilege or notions of self-aware intelligence, or anything. A short story can be contradictory, filled with plot holes & inconsistencies, but - as long as the question it asks is a good one - it can be a good story. #WhyWrite #writing

  31. A #ShortStory asks a question it does not need to answer. Its objective is not to offer guidance, but to challenge preconceptions. To shatter informed reality, whether that be accepted privilege or notions of self-aware intelligence, or anything. A short story can be contradictory, filled with plot holes & inconsistencies, but - as long as the question it asks is a good one - it can be a good story. #WhyWrite #writing

  32. Every story explores a world, inviting a reader to experience themselves as an other in an other place. Their reasons to trust the author, to go into that liminal space at all, will be deeply personal but the writer is only doing one of two things: asking a question, or answering it. Whether superficial, commercial, literary or esoterically strange, there are only these two things. #WhyWrite #writing

  33. Every story explores a world, inviting a reader to experience themselves as an other in an other place. Their reasons to trust the author, to go into that liminal space at all, will be deeply personal but the writer is only doing one of two things: asking a question, or answering it. Whether superficial, commercial, literary or esoterically strange, there are only these two things. #WhyWrite #writing

  34. Every story explores a world, inviting a reader to experience themselves as an other in an other place. Their reasons to trust the author, to go into that liminal space at all, will be deeply personal but the writer is only doing one of two things: asking a question, or answering it. Whether superficial, commercial, literary or esoterically strange, there are only these two things. #WhyWrite #writing

  35. Every story explores a world, inviting a reader to experience themselves as an other in an other place. Their reasons to trust the author, to go into that liminal space at all, will be deeply personal but the writer is only doing one of two things: asking a question, or answering it. Whether superficial, commercial, literary or esoterically strange, there are only these two things. #WhyWrite #writing

  36. Every story explores a world, inviting a reader to experience themselves as an other in an other place. Their reasons to trust the author, to go into that liminal space at all, will be deeply personal but the writer is only doing one of two things: asking a question, or answering it. Whether superficial, commercial, literary or esoterically strange, there are only these two things. #WhyWrite #writing