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#transmediale — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #transmediale, aggregated by home.social.

  1. If you are at #transmediale tomorrow at #hkw_berlin #hkw hit me up for coffee - would be good to say hello !

  2. However, much looking forward to tomorrow:

    The #Nettime Listening Post

    A get-together and reflection on one of the oldest net politics and net art communities: nettime-l.

    "The workshop invites writers, lurkers, and non-members of the list to an open discussion about platforms and formats, individual online habits and collective strategies, text-generating humans, bots, and LLMs, and the collective future of the mailing list."

    transmediale.de/en/2024/event/ #Transmediale

  3. Am running an #erasmus #bip funded design workshop at #CODEuniversity with staff and students from #elisava in Barcelona, #tue in Eindhoven and #iade in Lisbon - then taking them to #transmediale - cycled across #berlin in the sun to #silentgreen in Wedding to pick up all the tickets and wristbands

  4. Tomorrow! Cezar Mocan: Arcadia Inc.
    panke.gallery/event/arcadia-in
    · presented in the frame of the #Vorspiel / #transmediale & #CTM at /rosa
    vorspiel.berlin/events/arcadia
    opening: Friday, 19 January 2024 at 7 pm
    exhibition: 19 January – 3 February 2024
    Venue: /rosa
    Rosa-Luxemburg-Str. 35, 10178 Berlin

  5. This Friday at /rosa ➠ Cezar Mocan: Arcadia Inc.
    panke.gallery/event/arcadia-in
    presented in the frame of the #Vorspiel / #transmediale & #CTM
    vorspiel.berlin/events/arcadia

    opening: Friday, 19 January 2024 at 7 pm
    exhibition: 19 January – 3 February 2024
    ㄴ open Fridays & Saturdays, 3–7 pm

    Venue: /rosa
    Rosa-Luxemburg-Str. 35, 10178 Berlin

    Arcadia Inc. is a work of speculative fiction which investigates the commodification of nature through computer-generated landscape photography. In observing context erasure as the main mechanism behind re-programming images with new meanings, the work proposes a new model for obtaining the type of nature imagery meant for brand-based visual communication: a group of virtual beings which photograph scenic beauty in a real-time simulation. In an era when visual culture is created increasingly through technological automation, the work raises important questions about the future of image making.

    arcadia.photography

    Cezar Mocan is a Lisbon-based artist and computer programmer interested in the interplay between technology and the natural landscape. Using narrative generative systems—animated videos of infinite duration, real-time simulations built in game engines or other software—he creates worlds that recontextualize aspects of digital culture we take for granted, often in absurd ways, while investigating the power structures which mediate our relationship with technology. Drawing on media archaeology and art history, his research process traces the origins of our current thought patterns around (technological) progress.

    cezar.io

    Some of his past works have been exhibited with Inter/Access (Toronto), Office Impart (Berlin), Onassis ONX Studio (NY) SPRING BREAK Art Show (New York), Currents New Media (Center for Contemporary Art Santa Fe), BASE (Istanbul), Romanian Design Week (Bucharest) and The Wrong Biennale.

  6. Arcadia Inc. by Cezar Mocan
    panke.gallery/event/arcadia-in

    · presented in the frame of the #Vorspiel / #transmediale & #CTM at /rosa
    vorspiel.berlin/events/arcadia

    opening: Friday, 19 January 2024 at 7 pm
    exhibition: 19 January – 3 February 2024
    ㄴ open Fridays & Saturdays, 3–7 pm

    Venue: /rosa
    Rosa-Luxemburg-Str. 35, 10178 Berlin

  7. Trust Your Technolust · works by LaTurbo Avedon
    panke.gallery/exhibition/trust

    · presented in the frame of the #Vorspiel / #transmediale & #CTM at panke.gallery
    vorspiel.berlin/events/trust-y

    opening: Friday, 26 January 2024 at 7 pm
    exhibition: 26 January – 17 February 2024
    ㄴ open Wed-Sat, 3–7 pm

    Venue: panke.gallery
    Gerichtstr. 23, Hof 5, 13347 Berlin

    Avatar-artist LaTurbo Avedon's first solo exhibition in Berlin. Trust Your Technolust examines the wavering promises of virtual worlds through the installation of augmented reality sculptures and projection.
    LaTurbo invites viewers to explore past and present works from Club Rothko, a virtual nightclub rendered at the end of the metaverse.

    laturboavedon.com

    LaTurbo Avedon is an avatar and artist, creating work that emphasizes the practice of non-physical identity and authorship. Avedon has spent the past decade developing a body of work that illuminates the ever-growing intensity between users and the virtual, pursuing creative environments that deepen the meaning of immaterial experiences. They curate and design Panther Modern, a file-based exhibition space that encourages artists to create site-specific installations for the Internet.

  8. Cezar Mocan: Arcadia Inc.
    panke.gallery/event/arcadia-in

    · presented in the frame of the #Vorspiel / #transmediale & #CTM at /rosa
    vorspiel.berlin/events/arcadia

    opening: Friday, 19 January 2024 at 7 pm
    exhibition: 19 January – 3 February 2024
    ㄴ open Fridays & Saturdays, 3–7 pm

    Venue: /rosa
    Rosa-Luxemburg-Str. 35, 10178 Berlin

    Arcadia Inc. is a work of speculative fiction which investigates the commodification of nature through computer-generated landscape photography. In observing context erasure as the main mechanism behind re-programming images with new meanings, the work proposes a new model for obtaining the type of nature imagery meant for brand-based visual communication: a group of virtual beings which photograph scenic beauty in a real-time simulation. In an era when visual culture is created increasingly through technological automation, the work raises important questions about the future of image making.

    arcadia.photography

    Cezar Mocan is a Lisbon-based artist and computer programmer interested in the interplay between technology and the natural landscape. Using narrative generative systems—animated videos of infinite duration, real-time simulations built in game engines or other software—he creates worlds that recontextualize aspects of digital culture we take for granted, often in absurd ways, while investigating the power structures which mediate our relationship with technology. Drawing on media archaeology and art history, his research process traces the origins of our current thought patterns around (technological) progress.

    cezar.io

    Some of his past works have been exhibited with Inter/Access (Toronto), Office Impart (Berlin), Onassis ONX Studio (NY) SPRING BREAK Art Show (New York), Currents New Media (Center for Contemporary Art Santa Fe), BASE (Istanbul), Romanian Design Week (Bucharest) and The Wrong Biennale. His real-time simulation work, Arcadia Inc. was recognized as a 2021 winner of the Lumen Prize in Art and Technology.

  9. Aksioma & transmediale present a new book: 𝗔 𝗦𝗵𝗼𝗿𝘁 𝗜𝗻𝗰𝗼𝗺𝗽𝗹𝗲𝘁𝗲 𝗛𝗶𝘀𝘁𝗼𝗿𝘆 𝗼𝗳 𝗧𝗲𝗰𝗵𝗻𝗼𝗹𝗼𝗴𝗶𝗲𝘀 𝗧𝗵𝗮𝘁 𝗦𝗰𝗮𝗹𝗲. ✨

    #AsiaBazdyrieva #RanjodhSinghDhaliwal #AnthonyDowney #FRAUD #ChrisLee #JussiParikka and #LauraTripaldi expand our understanding of scale to the more-than-human, trace its movements and frictions through histories, and question the way scale generates political power.

    Edited by #NóraÓMurchú & #JanezFakinJanša.

    𝗣𝗿𝗲𝗼𝗿𝗱𝗲𝗿: aksioma.org/scale-book

    #aksioma #transmediale #scale

  10. PostScriptUM issue "Micro, Meso, Macro" by #AsiaBazdyrieva now in printed version too! 💛 The essay illustrates the problematic narratives surrounding Russia's invasion of Ukraine. Available in our web shop.

    More at: aksioma.org/micro-meso-macro

    #aksioma #tacticspractice #transmediale #scale #postscriptum

  11. New #PostScriptUM issue! "Micro, Meso, Macro", an essay by art historian #AsiaBazdyrieva about her experiencing two "realms", her native Ukraine invaded by Russia and peaceful Western countries.

    Read at: aksioma.org/micro-meso-macro

    #aksioma #tacticspractice #scale #transmediale

  12. Der Fluss der Daten wäre nicht möglich ohne ressourcenfressende Maschinen. Davon erzählt auch die Transmediale-Ausstellung in Berlin.
    Kunst und Medienwelt: Lasst alle Hoffnung fahren!