#theatredesign — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #theatredesign, aggregated by home.social.
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A year ago today we had a dawn blessing with Te Arawa for SHMC, in preparation for the venue being opened to audience for the 2022 Aria’s grand finale.
Today the Aria’s grand finale is once again in the venue.
A bunch of things have gotten better.
Some worse.
Many have stayed the same
(Not me, I left)So I thought a wee thread while I’ve got 45 minutes might be quite nice. Or at least interesting 😂
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A year ago today we had a dawn blessing with Te Arawa for SHMC, in preparation for the venue being opened to audience for the 2022 Aria’s grand finale.
Today the Aria’s grand finale is once again in the venue.
A bunch of things have gotten better.
Some worse.
Many have stayed the same
(Not me, I left)So I thought a wee thread while I’ve got 45 minutes might be quite nice. Or at least interesting 😂
-
A year ago today we had a dawn blessing with Te Arawa for SHMC, in preparation for the venue being opened to audience for the 2022 Aria’s grand finale.
Today the Aria’s grand finale is once again in the venue.
A bunch of things have gotten better.
Some worse.
Many have stayed the same
(Not me, I left)So I thought a wee thread while I’ve got 45 minutes might be quite nice. Or at least interesting 😂
-
A year ago today we had a dawn blessing with Te Arawa for SHMC, in preparation for the venue being opened to audience for the 2022 Aria’s grand finale.
Today the Aria’s grand finale is once again in the venue.
A bunch of things have gotten better.
Some worse.
Many have stayed the same
(Not me, I left)So I thought a wee thread while I’ve got 45 minutes might be quite nice. Or at least interesting 😂
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Progress.
How do you build your plan?
I like to start with the backlight. For me the backlight shapes everything else. Then I switch between dropping in the big moments and the general, so that the generals are working along side the specials as much as possible.Then I inevitably get in the room and move stuff. Cos I'm never happy.
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Progress.
How do you build your plan?
I like to start with the backlight. For me the backlight shapes everything else. Then I switch between dropping in the big moments and the general, so that the generals are working along side the specials as much as possible.Then I inevitably get in the room and move stuff. Cos I'm never happy.
-
Progress.
How do you build your plan?
I like to start with the backlight. For me the backlight shapes everything else. Then I switch between dropping in the big moments and the general, so that the generals are working along side the specials as much as possible.Then I inevitably get in the room and move stuff. Cos I'm never happy.
-
Progress.
How do you build your plan?
I like to start with the backlight. For me the backlight shapes everything else. Then I switch between dropping in the big moments and the general, so that the generals are working along side the specials as much as possible.Then I inevitably get in the room and move stuff. Cos I'm never happy.
-
Progress.
How do you build your plan?
I like to start with the backlight. For me the backlight shapes everything else. Then I switch between dropping in the big moments and the general, so that the generals are working along side the specials as much as possible.Then I inevitably get in the room and move stuff. Cos I'm never happy.
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The next thing I'm pointing lights at is Tink at Tobacco Factory #Theatre in #Bristol. If you're nearby come and see it!
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The next thing I'm pointing lights at is Tink at Tobacco Factory #Theatre in #Bristol. If you're nearby come and see it!
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The next thing I'm pointing lights at is Tink at Tobacco Factory #Theatre in #Bristol. If you're nearby come and see it!
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The next thing I'm pointing lights at is Tink at Tobacco Factory #Theatre in #Bristol. If you're nearby come and see it!
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Thought I'd share more of my theatre costuming from a production of "Eurydice" by Sarah Ruhl, a magical piece done in a myriad of different ways.
Our Stones (whom Orpheus made cry) were earthen clowns, based on Igneous, Sedimentary, and Metamorphic rocks. The bright red period suit was also built specifically for the show.
Director--Lisa Berger
Set Design--Robin Sanford Roberts
Lighting Design--Nate Parde -
Thought I'd share more of my theatre costuming from a production of "Eurydice" by Sarah Ruhl, a magical piece done in a myriad of different ways.
Our Stones (whom Orpheus made cry) were earthen clowns, based on Igneous, Sedimentary, and Metamorphic rocks. The bright red period suit was also built specifically for the show.
Director--Lisa Berger
Set Design--Robin Sanford Roberts
Lighting Design--Nate Parde -
Thought I'd share more of my theatre costuming from a production of "Eurydice" by Sarah Ruhl, a magical piece done in a myriad of different ways.
Our Stones (whom Orpheus made cry) were earthen clowns, based on Igneous, Sedimentary, and Metamorphic rocks. The bright red period suit was also built specifically for the show.
Director--Lisa Berger
Set Design--Robin Sanford Roberts
Lighting Design--Nate Parde -
Hi there. An intro!
I am a queer arts professional of #Essex
and #Jewish heritage. My work is mainly focused on #theatredesign and interactive #installations with a digital element, though I also run Daedalus Theatre Company (and its #EastStorytelling and #MobileIncitement projects). I’m based in #TowerHamlets with a studio in Bow.I’m involved in activism around the #ClimateEmergency and #LGBTQ rights, and I’m an officer in my local #GreenParty.
I play the violin semi-professionally, with a particular interest English and E European #FolkMusic, and am the fiddler in The Black Smock Band. I also work for #Angkriz - a language school in Bangkok run by my partner LG.
Still getting my head round Mastodon.
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Hi there. An intro!
I am a queer arts professional of #Essex
and #Jewish heritage. My work is mainly focused on #theatredesign and interactive #installations with a digital element, though I also run Daedalus Theatre Company (and its #EastStorytelling and #MobileIncitement projects). I’m based in #TowerHamlets with a studio in Bow.I’m involved in activism around the #ClimateEmergency and #LGBTQ rights, and I’m an officer in my local #GreenParty.
I play the violin semi-professionally, with a particular interest English and E European #FolkMusic, and am the fiddler in The Black Smock Band. I also work for #Angkriz - a language school in Bangkok run by my partner LG.
Still getting my head round Mastodon.
-
Hi there. An intro!
I am a queer arts professional of #Essex
and #Jewish heritage. My work is mainly focused on #theatredesign and interactive #installations with a digital element, though I also run Daedalus Theatre Company (and its #EastStorytelling and #MobileIncitement projects). I’m based in #TowerHamlets with a studio in Bow.I’m involved in activism around the #ClimateEmergency and #LGBTQ rights, and I’m an officer in my local #GreenParty.
I play the violin semi-professionally, with a particular interest English and E European #FolkMusic, and am the fiddler in The Black Smock Band. I also work for #Angkriz - a language school in Bangkok run by my partner LG.
Still getting my head round Mastodon.
-
Hi there. An intro!
I am a queer arts professional of #Essex
and #Jewish heritage. My work is mainly focused on #theatredesign and interactive #installations with a digital element, though I also run Daedalus Theatre Company (and its #EastStorytelling and #MobileIncitement projects). I’m based in #TowerHamlets with a studio in Bow.I’m involved in activism around the #ClimateEmergency and #LGBTQ rights, and I’m an officer in my local #GreenParty.
I play the violin semi-professionally, with a particular interest English and E European #FolkMusic, and am the fiddler in The Black Smock Band. I also work for #Angkriz - a language school in Bangkok run by my partner LG.
Still getting my head round Mastodon.