#storytellingpsa — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #storytellingpsa, aggregated by home.social.
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I use "not only this - but also" for dramatic effect when I want to grab the audience's attention. The pause and the anticipation refocuses listeners.
I could go on, but you get the idea.
When I write, I like to bring the stories alive as if I'm telling them. A lot of storytellers do this in their books. And now people are like "don't do this if you don't want to be flagged as AI"???
We were here first, dammit.
-
I use "not only this - but also" for dramatic effect when I want to grab the audience's attention. The pause and the anticipation refocuses listeners.
I could go on, but you get the idea.
When I write, I like to bring the stories alive as if I'm telling them. A lot of storytellers do this in their books. And now people are like "don't do this if you don't want to be flagged as AI"???
We were here first, dammit.
-
I use "not only this - but also" for dramatic effect when I want to grab the audience's attention. The pause and the anticipation refocuses listeners.
I could go on, but you get the idea.
When I write, I like to bring the stories alive as if I'm telling them. A lot of storytellers do this in their books. And now people are like "don't do this if you don't want to be flagged as AI"???
We were here first, dammit.
-
I use "not only this - but also" for dramatic effect when I want to grab the audience's attention. The pause and the anticipation refocuses listeners.
I could go on, but you get the idea.
When I write, I like to bring the stories alive as if I'm telling them. A lot of storytellers do this in their books. And now people are like "don't do this if you don't want to be flagged as AI"???
We were here first, dammit.
-
I use "not only this - but also" for dramatic effect when I want to grab the audience's attention. The pause and the anticipation refocuses listeners.
I could go on, but you get the idea.
When I write, I like to bring the stories alive as if I'm telling them. A lot of storytellers do this in their books. And now people are like "don't do this if you don't want to be flagged as AI"???
We were here first, dammit.
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I keep seeing a lot of advice for writers saying "don't use this, don't use that" because it will show up as AI written.
I hate it. It makes me worried. A lot of the "AI" traits in writing overlap with storytelling language. Spoken language.
When I write, as a storyteller, I use em dash when I would take a breath or a pause on stage, instead of finishing a thought. I use triple adjectives because in spoken word they add to the rhythm.
1/2
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I keep seeing a lot of advice for writers saying "don't use this, don't use that" because it will show up as AI written.
I hate it. It makes me worried. A lot of the "AI" traits in writing overlap with storytelling language. Spoken language.
When I write, as a storyteller, I use em dash when I would take a breath or a pause on stage, instead of finishing a thought. I use triple adjectives because in spoken word they add to the rhythm.
1/2
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Because the stories we tell matter. The stories we highlight matter. The heroes of those stories matter. And the canon needs to expand.
#women #epics #WomensEpics #WomensHistory #storytelling #StorytellingPSA #books #literature
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#FolktaleMoment of the day:
Reading a legend about how emperor Franz Joseph's wife was a witch who used to turn him into a horse and ride him every night.
As a reminder that traditional storytellers often used everyday spoken language, here is what the wise advisor says when the Emperor confides in him about the matter:
"F*** hell, Joe..."
:D