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#secondaryeducation — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #secondaryeducation, aggregated by home.social.

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  1. Unilever Nigeria Empowers Employees’ Children With Scholarships, Boosts

    The Joint Admissions and Matriculation Board (JAMB) is working towards establishing a Unified Tertiary Matriculation Examination (UTME) centre…
    #EuropeSays #Britain #Europe #EU #Unilever #education #HumanCapitalDevelopment #Nigeria #Scholarship #SecondaryEducation #UnileverNigeria #WAEC #youthempowerment
    europesays.com/britain/140134/

  2. Union, community say $500k 'woefully inadequate' for Alice Springs College
    By Victoria Ellis, Will Regan, and Stewart Brash

    The Australian Education Union (AEU) says half a million dollars will not be enough to cover all necessary infrastructure upgrades at the new Alice Springs high school merger.

    abc.net.au/news/2026-09-30/ali

    #SecondaryEducation #PublicSchools #VictoriaEllis #WillRegan #StewartBrash

  3. Young people pushing back against artificial intelligence
    By Daniel Miles

    AI may be here to stay, but the generation that will inherit the results of the guidelines set for its use has something to say about that.

    abc.net.au/news/2026-09-19/you

    #AIEthics #SecondaryEducation #ComputerScience #Robotics #Internet #CommunityandSociety #AI #DanielMiles

  4. Western Sydney's new observatory centuries in the making
    By Nabil Al-Nashar

    Powerhouse Parramatta is now home to an observatory featuring research-grade telescopes powerful enough to see distant galaxies.

    abc.net.au/news/2026-08-30/nsw

    #Space #Telescopes #SecondaryEducation #NabilAlNashar

  5. Nazi salutes, Epstein jokes: How the 'manosphere' is affecting classrooms
    By Fiona Blackwood

    Female teachers are speaking out about how the "manosphere" is affecting classrooms, with some saying they have noticed a rise in misogynistic attitudes among students.

    abc.net.au/news/2026-08-23/tea

    #Children #ParentingChildren #Teachers #SecondaryEducation #GenderDiscrimination #FionaBlackwood

  6. Torment of Afghan fathers as daughters deprived of education

    Father after father AFP spoke to in Afghanistan about the education ban that stops their daughters going beyond…
    #NewsBeep #News #Headlines #Afghanmen #Afghanistan #primaryschool #secondaryeducation #Talibanauthorities #Talibangovernment #World
    newsbeep.com/687493/

  7. WA's NAPLAN results trigger 'concern' for year 3s
    By Kenith Png

    Western Australia's NAPLAN results show 40 per cent of year 3 students are struggling with numeracy, but year 9 students are out-performing the national average in every category this year.

    abc.net.au/news/2026-08-05/wes

    #Education #SecondaryEducation #PrimaryEducation #KenithPng

  8. 'National tragedy': Experts warn of concerning NAPLAN knowledge gaps
    By Conor Duffy

    NAPLAN test scores have revealed one-third of Australian students are not meeting "challenging but reasonable" expectations in literacy and numeracy.

    abc.net.au/news/2026-08-05/nap

    #Education #EducationalTestingandExaminations #PrimaryEducation #SecondaryEducation #ConorDuffy

  9. How Gen Z sees money — and how it drives their spending and saving
    By Dimitria Panagiotaros

    Social media and 'finfluencers' are just some of the ways Gen Z are learning about money in a changing financial world.

    abc.net.au/news/2026-08-01/gen

    #PersonalFinance #YoungPeople #ParentingTeenagers #SecondaryEducation #DimitriaPanagiotaros

  10. Indian activist on hunger strike forcibly removed by police

    Sonam Wangchuk, who began a hunger strike last month in solidarity with India's youth party after an examination scandal affected millions of students, was forced to go to hospital by court order due to his "deteriorating health condition".

    abc.net.au/news/2026-07-18/ind

    #Demonstrations #WorldPolitics #SecondaryEducation

  11. Retired teacher says year 12 marks are being inflated in 'unfair' grading system
    By Eugene Boisvert

    A retired South Australian teacher says some educators are inflating the grades of year 12 students, which she says is making the marks "unfair".

    abc.net.au/news/2026-07-17/sa-

    #EducationalGrading #Teachers #EducationalInstitutions #SecondaryEducation #EugeneBoisvert

  12. I hate to be that person, but just imagine a school that was getting Ofsteded this week, in July, so close to the end of term, in a heatwave, after half of staff and students being up all night on Sunday. And after a Yr6 Transition Evening last night. Imagine that. So, whose school might that be...? #Education #ukeducation #SecondaryEducation #Ofsted #edutoot #Edutooters

  13. Their Words, Your Classroom

    Three Oral History Assignments That Actually Work — Powered by Adobe Podcast

    There is a moment every oral historian knows: the one where the interviewee pauses, looks somewhere past the camera, and says something no textbook would ever say. That pause carries more civic education than most lesson plans I have ever written. But for years, capturing that moment in a high school classroom meant fighting against clunky equipment, inconsistent audio, and a publishing workflow that fell apart somewhere between the recording and the portfolio. Adobe Podcast changes that equation significantly, and the combination of browser-based recording with AI-powered audio enhancement makes oral history a genuinely viable cornerstone practice for secondary social studies and ELA classrooms.

    I want to walk through three distinct assignments I have built around this tool — each serving a different purpose in the classroom ecosystem, and each drawing on the traditions established by institutions like the United States Holocaust Memorial Museum’s Oral History Archive and StoryCorps. These are not hypothetical; they are what I am using, iterated through actual classroom feedback from students at The STEAM Academy in Lexington, Kentucky.

    Why Oral History? The Civic Case

    Before diving into the assignments, it is worth naming what oral history does that written work often cannot. When students conduct an interview, they are practicing active listening, formulating follow-up questions in real time, synthesizing another person’s experience against content knowledge, and — crucially — recognizing that the historical and civic record is made of people, not just dates. The USHMM’s oral history collection contains tens of thousands of testimonies, and its approach to preserving eyewitness accounts has shaped how archives around the world think about voice as evidence. StoryCorps has taken that tradition and built something radically democratic: a project where anyone’s story can land in the Library of Congress with one tap on an app.

    Both models hold a lesson for classroom practice. Oral history is not just a cute alternative assessment; it is a methodology with a rigorous tradition, and students who engage with it seriously are doing exactly the kind of primary source work that the discipline demands.

    The Tool: Adobe Podcast in Plain Language

    Adobe Podcast is a browser-based audio suite. Students do not need to download software, manage DAW files, or own a quality microphone. The platform’s Enhance Speech feature uses AI to remove background noise, echo, and room ambiance from voice recordings — which means a student recording from a kitchen table or a school hallway can produce audio that sounds like a broadcast studio. For educators who have ever cringed at a student podcast submission that sounded like it was recorded inside a vacuum cleaner, this matters.

    The Studio feature (in beta as of mid-2026) allows browser-based recording, transcription, and basic editing, with speaker-separated downloads available on the Premium plan. For most classroom purposes, the free Enhance Speech tool alone is transformative; students record on a phone, upload the file, and the platform does the heavy lifting. The workflow is approachable enough that it does not become the assignment — the interview itself remains the focus.

    A Note on Access: Adobe Podcast’s core Enhance Speech feature is available at no cost. Studio and Premium features require a paid plan. Check with your school’s technology coordinator about district Adobe licensing, as many schools already have access through Creative Cloud agreements.

    Assignment One: The Mentor Portrait — For Student Portfolios

    The first assignment is designed to live inside a student’s longitudinal portfolio. The concept is straightforward: students interview a mentor, teacher, coach, family member, or community figure who has meaningfully influenced their growth in a specific skill area. The interview is recorded, enhanced through Adobe Podcast, and submitted alongside a reflective annotation that connects what the mentor said to the student’s own documented growth.

    The Pedagogical Purpose

    Portfolio work often risks becoming a collection of artifacts without connective tissue. The Mentor Portrait solves that by requiring students to externalize their growth narrative through someone else’s eyes. When a student asks a mentor “What do you remember noticing when I first started, and what do you see now?” they are not just gathering a nice quote — they are triangulating their self-assessment against an observed account. That triangulation is a sophisticated metacognitive move, and the recorded interview gives the portfolio a human anchor.

    Assignment Structure

    • Pre-interview: Student submits a 1-page profile of the mentor, explaining the relationship and identifying 2-3 focused questions tied to a specific skill or growth area
    • Interview: Minimum 10 minutes, recorded and uploaded to Adobe Podcast for enhancement
    • Annotation: A 300-500 word written response connecting at least two specific moments from the interview to artifacts already in the portfolio
    • Audio artifact: The enhanced recording (or a curated 3-5 minute excerpt) submitted alongside the portfolio
    • Optional: A short transcript excerpt highlighting the most significant exchange

    Sample Questions to Get Students Started

    • “What is the first thing you noticed about me when we started working together?”
    • “Can you describe a moment where you saw me struggle with something and then work through it?”
    • “What do you think I still need to develop — and why?”
    • “If you had to name one thing that makes how I work distinctive, what would it be?”

    These questions work because they are retrospective and specific; they invite narrative rather than evaluation. Students often find that mentors say things they did not expect, and those surprises become the richest material for the portfolio annotation.

    Assignment Two: The End-of-Project and Semester Reflection

    The second assignment repurposes the oral history format for student reflection — not an interview with someone else, but a structured self-interview or recorded reflection at the conclusion of a major project or semester. This is particularly powerful at the end of units that involve significant collaborative or creative work, where the student has something real to look back on.

    The Pedagogical Purpose

    Written reflections are familiar to students, which can make them feel perfunctory. Asking a student to speak their reflection — and then to listen back to it, potentially editing it for clarity — changes the register. Speaking forces a different kind of organization than writing; students cannot as easily hide behind vague language when they hear themselves say it out loud. The recording also creates a time-stamped artifact that students can return to months later, which is genuinely valuable in a longitudinal portfolio context.

    Two Formats That Work Well

    Self-Interview: The student prepares 5-7 questions in advance, records themselves asking each question, pauses, and then records their response. Adobe Podcast allows simple editing so the final product reads as a coherent audio reflection rather than a raw stream of consciousness.

    Peer-to-Peer Reflection Interview: Two students who worked on different projects interview each other, asking one another to walk through their process, their struggles, and what they would do differently. This format adds the dimension of active listening and follow-up questioning, and it mirrors the collaborative intellectual culture we want to build in the classroom.

    Semester Conclusion Reflection Prompts

    • “Walk me through a moment in this semester where you were genuinely confused — and describe how you got to the other side of that confusion.”
    • “What piece of work from this semester are you most willing to defend, and why?”
    • “Describe something you believed at the start of this semester that you no longer believe, or believe differently.”
    • “If you had to name one skill you built this semester that has nothing to do with the content, what would it be?”
    • “What question do you leave this semester still carrying — something you want to keep thinking about?”

    Assessment Tip: For semester reflections, consider grading on the depth and specificity of the reflection rather than on audio quality — though the Adobe Podcast enhancement will handle most quality concerns automatically. Students who reference specific moments, cite their own work, and demonstrate changed thinking are demonstrating exactly the metacognitive habits the assignment is designed to build.

    Assignment Three: The Community Voice Project — Capturing Stories Beyond the Classroom

    The third assignment is the most ambitious and the most directly civic in its orientation. Inspired by the StoryCorps model — which invites students to interview loved ones and community members, uploading recordings with one tap to the Library of Congress — this assignment asks students to document the lived experience, expertise, or perspective of a community member outside the school. In the context of an Advanced Government or Social Studies course, this might mean interviewing a local elected official, a longtime Fayette County resident about changes they have witnessed in civic life, a civil servant who administers local programs, or a community organizer working on a current issue.

    The Pedagogical Purpose

    Civic education lives or dies by its connection to authentic civic life. When students interview a community member, they are not just practicing interview skills — they are building the muscle of genuine civic curiosity, the ability to engage with a perspective different from their own, and the recognition that civic knowledge is distributed across a community, not only housed in textbooks or classrooms. The oral history tradition, from the USHMM’s preservation of Holocaust testimony to StoryCorps’ democratic archive, is built on this insight: voices matter, and the act of preserving them is itself a civic act.

    Assignment Structure

    • Subject selection and rationale (1 paragraph): Who will you interview, and what knowledge or experience do they hold that connects to what we are studying? What is your central inquiry question?
    • Pre-interview research: Students prepare a one-page background brief on the community member and/or the issue they represent
    • Interview: Minimum 15 minutes, recorded on phone or computer and enhanced through Adobe Podcast
    • Edited audio artifact: A curated 5-8 minute excerpt with brief student-recorded introduction and conclusion contextualizing the interview within course content
    • Written companion piece: 400-600 words connecting the interviewee’s perspective to at least one primary or secondary source from the course
    • Class sharing: Brief (5-minute) presentation of the key insight from the interview and how it changed or complicated the student’s thinking

    Connecting to Lexington-Fayette County Civic Life

    For classes in Fayette County, there are particularly rich partnership opportunities here. CivicLex regularly hosts events and conversations with local civic actors; the Lexington-Fayette Urban County Government has staff across departments who engage with schools; and local organizations working on housing, transportation, public health, and environmental policy can all serve as interview sites. The interview assignment becomes a bridge between the theoretical frameworks of a Government course — separation of powers, civic participation, policy implementation — and the actual texture of how those frameworks play out in our city.

    Students who complete this assignment frequently report that it is the most memorable learning experience of the year. There is something that happens when a community member looks a student in the eye (or speaks directly into a phone) and tells them something true about how civic life actually works that no simulation or reading can replicate. The Adobe Podcast enhancement means that recording becomes something the student is proud to present, not embarrassed by.

    Putting It Together: A Progression Across the Year

    These three assignments work particularly well as a developmental progression. The Mentor Portrait, which involves someone the student already knows and trusts, is a lower-stakes entry point into the interview format — it builds the skills of question preparation, active listening, and audio submission before the stakes feel high. The End-of-Project Reflection, which turns the format inward, develops metacognitive habits and comfort with self-narration. The Community Voice Project, which reaches outward into the civic world, represents the full realization of those combined skills in an authentically public context.

    Across all three, Adobe Podcast serves as a reliable backend that removes the technical barriers without removing the intellectual ones. The platform does not make the interview easier to conduct; it makes the product easier to share. That distinction matters: the hard work — the preparation, the listening, the synthesis — remains squarely with the student.

    A Few Practical Notes Before You Launch

    • Have students practice with a 3-5 minute warm-up interview with a classmate before conducting their primary interview. The first time someone hears their own voice played back is often disorienting; better to get that over with in a low-stakes context.
    • Have a co-worker interview you as a test exemplar to help students get a feel for pacing and how to improvise during the interview. Not all great questions are prepared beforehand.
    • Build in a listening step. Before submitting, students should listen to their enhanced recording all the way through and identify their strongest moment and their weakest moment. This metacognitive layer takes ten minutes and significantly improves the reflective annotation.
    • Consent documentation is essential for community interviews. Develop a simple one-page consent form that explains how the recording will be used and have subjects sign before the interview begins.
    • If students are submitting interviews that involve minors in any capacity, consult your school’s policy on media consent and parental notification before the assignment launches.
    • Adobe Podcast’s Enhance Speech works best on voice recordings with a single speaker per track. For multi-person interviews, encourage students to record each speaker separately if possible, or accept that enhancement will be partial — still better than raw audio.

    The Archive We Are Building

    StoryCorps has spent more than two decades arguing, convincingly, that every person’s story matters and that the act of listening is itself a form of honor. The USHMM has built one of the most important archives in the world on the premise that eyewitness testimony is irreplaceable evidence. Neither institution is precious about methodology; what they share is a conviction that capturing voices is worth the effort.

    Our classrooms can be part of that tradition. When students record a mentor, reflect on their own learning out loud, or document what a community member knows about civic life in Fayette County, they are building something that did not exist before. The Adobe Podcast workflow makes that building accessible without making it trivial; the work still requires genuine preparation, genuine listening, and genuine thinking.

    That, ultimately, is what I want my students to take from this: the tools are here, the tradition is here, and the community is here. The question is whether we are willing to listen carefully enough to do justice to what we find.

    Resources Referenced in This Post

    Adobe Express

    Adobe Express highlights templates and skills for educators to find inspiration for activities. Be sure to try new challenges each month inside the app. As part of the Adobe Creative Educators (ACE) group I share these activities each month and use them in my classroom. Also learn more from the Adobe Live: K-12 Education Edition Weekly Live Chats on YouTube

    #activeListening #AdobePodcast #civicEducation #civicEngagement #communityInterviews #edtech #EducationTechnology #highSchoolClassroom #ISTE #ISTE2026 #oralHistory #projectBasedLearning #secondaryEducation #SocialStudies #StoryCorps #studentPortfolio #studentReflection
  14. The Special Education Achievement Gap: Why Students With Disabilities Fall Behind (and What Teachers Can Do)

    Three compounding system failures — not student ability — drive the special education achievement gap. Here's what the data shows and what teachers can actually do about it.

    sped-friendly.com/2026/05/09/w

  15. Around 30% of France’s teachers strike in protest against job cuts and low wages

    As many as 30% of teachers in France walked off the job on Tuesday to protest against job…
    #France #FR #Europe #EU #classclosures #FSU #MinistryofEducation #Paris #primaryeducation #secondaryeducation
    europesays.com/france/1107/

  16. The Museum Is Already in Your Classroom: Free Art Resources Every Teacher Should Know

    One of the quiet pleasures of teaching is the moment a student looks at a painting and starts asking questions you didn’t assign. That moment doesn’t happen by accident; it happens because the art is there, on the wall or the screen, doing what great art has always done: demanding a response.

    The good news is that some of the world’s most important art collections have made it remarkably easy for teachers to bring that experience into their classrooms, at no cost. Here is a rundown of the resources I’ve used to build up the digital and physical art library in my STEAM Humanities Co-Lab.

    The Art Institute of Chicago

    The Art Institute’s online collection is genuinely impressive in scale and usability. Thousands of works are available in high resolution under open licensing, meaning you can download, project, print, and use them in classroom materials without jumping through copyright hoops. Their educator resources include lesson plans and thematic image sets, which are particularly useful if you teach art history alongside literature or social studies. I’ve pulled Seurat, Hopper, and Wood from their collection for units on American identity and the Great Depression.

    The Museum of Modern Art (MoMA)

    MoMA’s educator resources lean into contemporary and modern art in ways that pair beautifully with twentieth-century history and literature. Their online portal includes curated collections, artist profiles, and classroom-ready discussion prompts. The image library is searchable by theme, medium, and time period, so you can build a visual arc through modernism without having to hunt image by image. MoMA has also hosted free educator events and professional development, so it’s worth checking their calendar if you’re looking for something beyond the digital toolkit.

    The National Gallery of Art (Washington, D.C.)

    The NGA is one of the most educator-friendly institutions in the country. Their open-access image library includes tens of thousands of works available for educational use, and the NGA’s dedicated educator resources page includes curriculum connections organized by subject and grade level. Portrait painting, landscape, and American history are particular strengths here. I’ve used their collection extensively for primary source pairings in Advanced Government, setting political portraits alongside contemporary documents to get students reading images the way they read text.

    The National Gallery (London)

    For world history and World Literature courses, the National Gallery in London is indispensable. Their collection spans seven centuries of European painting, and their online tools allow you to zoom into brushwork at a level of detail that changes how students think about craft and intention. The NG’s teaching resources are organized around themes like power, religion, trade, and identity; those categories map naturally onto both social studies and ELA frameworks.

    The Metropolitan Museum of Art (The Met)

    The Met’s Open Access initiative is one of the most significant things any museum has done for educators in recent memory. More than 400,000 works are available for free download and unrestricted use, including for printed classroom materials. The collection spans cultures and centuries in ways that make it the single most versatile source I use. If you teach globally, which a World Literature or AP Human Geography-adjacent course demands, the Met has something for nearly every unit.

    The San Francisco Museum of Modern Art (SFMOMA)

    SFMOMA is a strong resource specifically for twentieth and twenty-first century art, photography, and design. Their online collection includes works you won’t find duplicated elsewhere, and their educator materials are grounded in visual thinking strategies (VTS) that help students develop the habit of close looking. If you teach media literacy, design thinking, or contemporary issues alongside the arts, SFMOMA’s resources are worth bookmarking.

    The Getty Museum (Los Angeles)

    The Getty is one of the most generous institutions in the world when it comes to open access. Their Open Content Program makes hundreds of thousands of high-resolution images available for download and unrestricted use, including for printed classroom materials, and the quality is exceptional. The collection spans antiquities, manuscripts, drawings, photographs, and European paintings, which means the Getty is particularly valuable if you teach classical history, the Renaissance, or the history of photography alongside literature. What sets the Getty apart for classroom teachers is the depth of their contextual materials; each work comes with provenance information, conservation notes, and curatorial essays that can anchor a close-reading exercise or serve as a model text for analytical writing. I’ve used their illuminated manuscript collection for units connecting medieval Europe to questions of literacy, power, and the transmission of knowledge, and their photography archive is genuinely unmatched for a twentieth-century visual culture unit.

    The Whitney Museum of American Art (New York)

    The Whitney’s focus is narrow by design, and that specificity is exactly what makes it useful. The collection covers American art from the twentieth century forward, with particular depth in modernism, abstraction, and contemporary work by living artists. Their online collection is searchable and includes curatorial notes that give students real analytical vocabulary for talking about American visual culture. The Whitney’s educator resources lean into social and political themes, which pairs naturally with history and civics courses; their materials around artists like Edward Hopper, Georgia O’Keeffe, and Jasper Johns connect artistic movements to the broader American story in ways that complement rather than duplicate what the NGA or Met offer. I’ve found the Whitney most useful when a unit needs a distinctly American lens on the twentieth century, particularly when I want students to see how art responds to cultural upheaval rather than simply reflecting it.

    The Underrated Secret: Educator Email Lists

    Here is something I don’t hear enough teachers talk about: sign up for the educator email lists for the Smithsonian Institution and the National Gallery of Art (Washington). Both institutions periodically offer educators the chance to request high-quality printed reproductions of works from their collections, often at poster size, suitable for framing or laminating. These aren’t inkjet printouts; they’re the kind of reproductions that actually belong on a classroom wall. I’ve received several this way, and they now hang in my Humanities Co-Lab alongside digital displays. A framed Winslow Homer or a laminated Cassatt doesn’t just decorate a room; it signals to students that what happens in here is worth looking at carefully.

    How I’ve Used These Resources

    Building the STEAM Humanities Co-Lab has been a multi-year project of slow accumulation. Digital art (projected through the classroom display or embedded in Canvas materials) pulls from the Met, the NGA, and the Art Institute most heavily. Physical copies, the ones on the walls and in the binders students handle during close-looking exercises, come from a mix of educator mailings, high-quality prints ordered through the museums’ own shops, and laminated downloads sized for display.

    The goal was never to replicate a museum; it was to make sure that visual culture is part of the air students breathe in the room. Art history doesn’t live only in an art history class. A portrait of Louis XIV belongs in a unit on absolutism. A Dorothea Lange photograph belongs in a unit on the New Deal. A Kara Walker silhouette belongs in a conversation about memory and power. These collections make that kind of teaching possible for any teacher with a printer and a few hours to explore.

    Start with one institution, sign up for the newsletters, and let the collection grow over time. Your walls will thank you.

    #ArtEducation #ArtHistory #ClassroomArt #CloseLooking #creativeClassroom #CurriculumDesign #edtech #ELATeacher #FreeForTeachers #HumanitiesTeacher #MoMA #MuseumEducation #NationalGallery #OpenAccess #SecondaryEducation #Smithsonian #SocialStudiesTeacher #TeacherResources #TheMetMuseum #VisualLiteracy
  17. Should financial literacy be mandatory in schools?
    By Fiona Blackwood

    In an increasingly complex financial world of buy-now-pay-later schemes, scams, and social media marketing, there are renewed calls for financial literacy to become a mandatory part of the school curriculum.

    abc.net.au/news/2026-01-24/cal

    #SecondaryEducation #Education #PublicSchools #PrivateSchools #FinancialPlanning #FionaBlackwood

  18. Sáng 9/11, lễ khởi công xây dựng trường phổ thông nội trú liên cấp Tiểu học & THCS diễn ra đồng loạt tại các xã biên giới, được truyền hình trực tiếp và trực tuyến #giáodục #biêngiới #xâydựng #chínhTrị #BoardingSchools #PrimaryEducation #SecondaryEducation #BorderCommunes

    vietnamnet.vn/dong-loat-khoi-c

  19. How unexpected friendships formed in the garden bring joy to ageing
    By Johanna Marie

    Joan French, 92, has been spending time in the garden of her aged care home with much younger company. Life experience and shared interests make good fodder for conversation.

    abc.net.au/news/2025-08-17/veg

    #Ageing #Gardening #AgedCare #SecondaryEducation #JohannaMarie

  20. Artificial intelligence is revolutionising classroom learning but will it help or hinder students?

    Adrian Camm’s “digital twin” is uncanny, down to the voice and twitching eyebrows. The website chatbot means the…
    #NewsBeep #News #Artificialintelligence #AI #aiinclassrooms #aiineducation #ArtificialIntelligence #AU #Australia #Education #primaryeducation #schooling #secondaryeducation #students #teaching #Technology #university
    newsbeep.com/au/64594/

  21. NDIS-registered beekeeping program has school students buzzing
    By Courtney Wilson

    A couple who started a business to help their daughter's eczema now manage 450 hives and run inclusive beekeeping programs for schools and NDIS participants.

    abc.net.au/news/2025-08-13/inc

    #Beekeeping #PeopleWithDisability #PrimaryEducation #SecondaryEducation #CourtneyWilson

  22. How should kids be taught to write better? The answer might surprise you
    By Conor Duffy

    New resources launched by Australia's Education Research Organisation will arm all teachers with the skills to teach writing.

    abc.net.au/news/2025-06-26/tea

    #Education #PrimaryEducation #SecondaryEducation #ConorDuffy

  23. Court stops bid to keep Sydney private school for males students only
    By Tony Ibrahim

    The Supreme Court says a 162-year-old school originally for male students in Sydney's inner west can now accept females, following backlash from some alumni.

    abc.net.au/news/2025-05-28/syd

    #SecondaryEducation #GenderEquality #TonyIbrahim

  24. Heritage-listed prison building set to become Montessori school
    By Emile Pavlich, Rebecca Norman, and Fiona Parker

    The Old Castlemaine Gaol in Central Victoria has been purchased by an alternative education provider and will become a secondary school.

    abc.net.au/news/2025-05-02/old

    #SecondaryEducation #EmilePavlich #RebeccaNorman # #FionaParker

  25. Survived a first whole week at school. Already been lectured at (not quite sure that's the right verb, but that's what I'm leaning towards) about the next three sets of exams that are coming up within the next 6 weeks - Yr9/Yr8/*Second* set of Yr11 mocks this academic year. These poor kids. Us poor teachers. Sorry - very overwhelmed by workload, already. Just me? #Teaching #Teacher #SecondaryEducation #Edutooter #EnglishTeacher #GCSE @edutooters

  26. There are a lot of proprietary tools to make screen video recordings. When you want to make a tutorial for users, Or you want to make a video of yourself using a webcam. Adobe Premiere Pro is a tool that also shares YOUR data with Adobe. Why not use a #foss #floss tool like Open Broadcasting Studio OBS (obsproject.com/). #HigherEducation  #EducationalChallenges #EUEducation #SecondaryEducation #LearningJourney  #CreatingOpportunities #TakingAction #SelfDevelopment #OvercomingStruggles #C

  27. I'm very lucky to be going to spend the day tomorrow at one of the UK's most famous and prestigious private schools. I'm just fascinated by how they do things - and how similar or different it is to a state school education, and what we can actually magpie and use in our own setting. Any profound/insightful questions I should be asking...? #Education #Teaching #Edutooter #SecondaryEducation @edutooters

  28. I described in the past that the skills shortage will persist for an uncomfortably long time. The shortage is essentially universal but in some professions the shortage worries me more than in others. The fact that we are running out of teachers is terrible and has terrible downstream consequences in our knowledge economy.

    Read my full column here (no pay wall): lnkd.in/guwG6Acp

    #education #secondaryeducation #teachertraining #demographics #skillsshortage

  29. Members of the National Education Union (NEU) in schools in England have voted for two further days of strike action this term on July 5 and 7.
    Teachers in England to take fresh strike action in July
  30. Marymount Univ in Arlington, VA announced its proposal to eliminate 9 #undergraduate #majors & 1 graduate program. In statement from univ board of trustees, the school announced elimination of its bachelor’s degree programs for #art, #economics, #English, #history, #math, #philosophy, #sociology, #SecondaryEducation, #theology and #ReligiousStudies, and Master’s degree program for English and #humanities.These courses of study include the background of how many of us - raise your hands - & WTF!

  31. The #beamline for #schools is one of the most fantastic opportunities #secondaryEducation #students can get: Do your #science research at an #accelerator! Co-organised by #CERN and #DESY successful students can do their own experiment, themselves (with help if needed). So much fun, and every year such great projects!

    You can read more about it here: beamline-for-schools.web.cern. #outreach #science #ScienceMastodon #STEM #physics #school #sciencecommunication #scicomm

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