#quotefromapioneerday — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #quotefromapioneerday, aggregated by home.social.
-
Eliane Radigue: "Time doesn’t matter. All that counts is the duration needed for smooth development. My music evolves organically. It is like a plant. We never see a plant move, but it is continually growing. Like the plants, immobile but always growing, it is my never-stable music. It is always changing. But the changes are so slight that they are almost unnoticeable, only becoming apparent after the fact. This music, as I conceive it, cannot contain any cuts, so the structure is quite simple, based on fades – fade in, fade out and crossfade.”
from her essay “ Le temps n’a pas d’importance (Time is of no importance)” in in a collection called Spectres
#electronicmusicpioneers #pioneersofelectronicmusic #quotefromapioneerday #elianeradigue #radigue
https://talktothechip.podbean.com/e/eliane-radigues-lile-re-sonante/
-
Eliane Radigue: "Time doesn’t matter. All that counts is the duration needed for smooth development. My music evolves organically. It is like a plant. We never see a plant move, but it is continually growing. Like the plants, immobile but always growing, it is my never-stable music. It is always changing. But the changes are so slight that they are almost unnoticeable, only becoming apparent after the fact. This music, as I conceive it, cannot contain any cuts, so the structure is quite simple, based on fades – fade in, fade out and crossfade.”
from her essay “ Le temps n’a pas d’importance (Time is of no importance)” in in a collection called Spectres
#electronicmusicpioneers #pioneersofelectronicmusic #quotefromapioneerday #elianeradigue #radigue
https://talktothechip.podbean.com/e/eliane-radigues-lile-re-sonante/
-
Eliane Radigue: "Time doesn’t matter. All that counts is the duration needed for smooth development. My music evolves organically. It is like a plant. We never see a plant move, but it is continually growing. Like the plants, immobile but always growing, it is my never-stable music. It is always changing. But the changes are so slight that they are almost unnoticeable, only becoming apparent after the fact. This music, as I conceive it, cannot contain any cuts, so the structure is quite simple, based on fades – fade in, fade out and crossfade.”
from her essay “ Le temps n’a pas d’importance (Time is of no importance)” in in a collection called Spectres
#electronicmusicpioneers #pioneersofelectronicmusic #quotefromapioneerday #elianeradigue #radigue
https://talktothechip.podbean.com/e/eliane-radigues-lile-re-sonante/
-
Eliane Radigue: "Time doesn’t matter. All that counts is the duration needed for smooth development. My music evolves organically. It is like a plant. We never see a plant move, but it is continually growing. Like the plants, immobile but always growing, it is my never-stable music. It is always changing. But the changes are so slight that they are almost unnoticeable, only becoming apparent after the fact. This music, as I conceive it, cannot contain any cuts, so the structure is quite simple, based on fades – fade in, fade out and crossfade.”
from her essay “ Le temps n’a pas d’importance (Time is of no importance)” in in a collection called Spectres
#electronicmusicpioneers #pioneersofelectronicmusic #quotefromapioneerday #elianeradigue #radigue
https://talktothechip.podbean.com/e/eliane-radigues-lile-re-sonante/
-
Eliane Radigue: "Time doesn’t matter. All that counts is the duration needed for smooth development. My music evolves organically. It is like a plant. We never see a plant move, but it is continually growing. Like the plants, immobile but always growing, it is my never-stable music. It is always changing. But the changes are so slight that they are almost unnoticeable, only becoming apparent after the fact. This music, as I conceive it, cannot contain any cuts, so the structure is quite simple, based on fades – fade in, fade out and crossfade.”
from her essay “ Le temps n’a pas d’importance (Time is of no importance)” in in a collection called Spectres
#electronicmusicpioneers #pioneersofelectronicmusic #quotefromapioneerday #elianeradigue #radigue
https://talktothechip.podbean.com/e/eliane-radigues-lile-re-sonante/
-
I’ll add this https://tldr.nettime.org/@elifyalvac/116097468579265245 thread here in my #quotefromapioneerday thread although I will not copy and paste any quotes from this book that I just received. Best for it to be supported by more and then shared. Instead I’ll leave this 1972 video excerpt from RAI Archives (Italian national broadcast) where Marino Zuccheri shows the main capabilities of Milan Phonology Studio's equipment. (English subtitles available)
-
I’ll add this https://tldr.nettime.org/@elifyalvac/116097468579265245 thread here in my #quotefromapioneerday thread although I will not copy and paste any quotes from this book that I just received. Best for it to be supported by more and then shared. Instead I’ll leave this 1972 video excerpt from RAI Archives (Italian national broadcast) where Marino Zuccheri shows the main capabilities of Milan Phonology Studio's equipment. (English subtitles available)
-
I’ll add this https://tldr.nettime.org/@elifyalvac/116097468579265245 thread here in my #quotefromapioneerday thread although I will not copy and paste any quotes from this book that I just received. Best for it to be supported by more and then shared. Instead I’ll leave this 1972 video excerpt from RAI Archives (Italian national broadcast) where Marino Zuccheri shows the main capabilities of Milan Phonology Studio's equipment. (English subtitles available)
-
I’ll add this https://tldr.nettime.org/@elifyalvac/116097468579265245 thread here in my #quotefromapioneerday thread although I will not copy and paste any quotes from this book that I just received. Best for it to be supported by more and then shared. Instead I’ll leave this 1972 video excerpt from RAI Archives (Italian national broadcast) where Marino Zuccheri shows the main capabilities of Milan Phonology Studio's equipment. (English subtitles available)
-
I’ll add this https://tldr.nettime.org/@elifyalvac/116097468579265245 thread here in my #quotefromapioneerday thread although I will not copy and paste any quotes from this book that I just received. Best for it to be supported by more and then shared. Instead I’ll leave this 1972 video excerpt from RAI Archives (Italian national broadcast) where Marino Zuccheri shows the main capabilities of Milan Phonology Studio's equipment. (English subtitles available)
-
Maryanne Amacher “[My audiences] discover they are producing a tonal dimension of the music which interacts melodically, rhythmically, and spatially with the tones in the room. Tones ‘dance’ in the immediate space of their body, around them like a sonic wrap, cascade inside ears, and out to space in front of their eyes … Do not be alarmed! Your ears are not behaving strange or being damaged! … these virtual tones are a natural and very real physical aspect of auditory perception, similar to the fusing of two images resulting in a third three dimensional image in binocular perception… I want to release this music which is produced by the listener…”
#amacher #maryanneamacher #talktothechip #pioneersofelectronicmusic #quotefromapioneerday #soundart #spatialaudio
Source: https://sonicacts.com/archive/extremities-maryanne-amacher
Talk to the Chip episode on “Sound Character (Making the Third Ear) https://talktothechip.podbean.com/e/maryanne-amacher-sound-characters-making-the-third-ear/
-
This will be a series of posts sharing a quote from a pioneer of electronic music with a reference to read and, where applicable, an episode to listen to from my podcast “Talk To The Chip" on the subject with Jono Podmore , featuring a piece from that pioneer. I don’t intend to spam or broadcast, and I’m not a regular content creator. It can hopefully be informative and inspiring for fellow members in our dearest tldr.nettime instance, and broader fediverse, especially lurkers and my friends who love sound.
Quotes from pioneering composers of electronic music
Quote 1: Let’s start with the great Daphne Oram: “You take a sound, any sound, record it and then change its nature by a multiplicity of operations”…."You record it at different speeds; you play it backwards; you add it to itself over and over again. You adjust filters, echoes, acoustic qualities…you produce a vast and subtle symphony. It’s a sort of modern magic. We think there’s something in it. Some musicians believe it may become an art form in its own right….” (Oram, from a 1957 BBC production https://www.ableton.com/en/blog/studio-as-an-instrument-part-1/)
#daphneoram #bbcradiophonicworkshop #talktothechip #quotefromapioneerday
Reading: Oram’s "An Individual Note of Music, Sound and Electronics’ https://www.daphneoram.org/anindividualnote/
Episode to listen to Oramics https://talktothechip.podbean.com/e/daphne-oram-oramics-part-1/