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#pioneersofelectronicmusic — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #pioneersofelectronicmusic, aggregated by home.social.

  1. Recorded next 2 episodes of Talk to the Chip with prof @Jono_Podmore in Risbourugh Street/Resonance FM earlier today. Expect talks on “studio de fonología “ and Buchla (silver apples of the moon context) in episodes 29 and 30

    Each episode is dedicated to a piece by a pioneer of electronic music. Resonance FM versions have full piece edits to listen to! Stay tuned, every month -> resonancefm.com/programmes

    #talktothechip #pioneersofelectronicmusic #resonancefm

  2. Eliane Radigue: "Time doesn’t matter. All that counts is the duration needed for smooth development. My music evolves organically. It is like a plant. We never see a plant move, but it is continually growing. Like the plants, immobile but always growing, it is my never-stable music. It is always changing. But the changes are so slight that they are almost unnoticeable, only becoming apparent after the fact. This music, as I conceive it, cannot contain any cuts, so the structure is quite simple, based on fades – fade in, fade out and crossfade.”

    from her essay “ Le temps n’a pas d’importance (Time is of no importance)” in in a collection called Spectres

    #electronicmusicpioneers #pioneersofelectronicmusic #quotefromapioneerday #elianeradigue #radigue

    talktothechip.podbean.com/e/el

  3. Eliane Radigue: "Time doesn’t matter. All that counts is the duration needed for smooth development. My music evolves organically. It is like a plant. We never see a plant move, but it is continually growing. Like the plants, immobile but always growing, it is my never-stable music. It is always changing. But the changes are so slight that they are almost unnoticeable, only becoming apparent after the fact. This music, as I conceive it, cannot contain any cuts, so the structure is quite simple, based on fades – fade in, fade out and crossfade.”

    from her essay “ Le temps n’a pas d’importance (Time is of no importance)” in in a collection called Spectres

    #electronicmusicpioneers #pioneersofelectronicmusic #quotefromapioneerday #elianeradigue #radigue

    talktothechip.podbean.com/e/el

  4. Eliane Radigue: "Time doesn’t matter. All that counts is the duration needed for smooth development. My music evolves organically. It is like a plant. We never see a plant move, but it is continually growing. Like the plants, immobile but always growing, it is my never-stable music. It is always changing. But the changes are so slight that they are almost unnoticeable, only becoming apparent after the fact. This music, as I conceive it, cannot contain any cuts, so the structure is quite simple, based on fades – fade in, fade out and crossfade.”

    from her essay “ Le temps n’a pas d’importance (Time is of no importance)” in in a collection called Spectres

    #electronicmusicpioneers #pioneersofelectronicmusic #quotefromapioneerday #elianeradigue #radigue

    talktothechip.podbean.com/e/el

  5. Eliane Radigue: "Time doesn’t matter. All that counts is the duration needed for smooth development. My music evolves organically. It is like a plant. We never see a plant move, but it is continually growing. Like the plants, immobile but always growing, it is my never-stable music. It is always changing. But the changes are so slight that they are almost unnoticeable, only becoming apparent after the fact. This music, as I conceive it, cannot contain any cuts, so the structure is quite simple, based on fades – fade in, fade out and crossfade.”

    from her essay “ Le temps n’a pas d’importance (Time is of no importance)” in in a collection called Spectres

    #electronicmusicpioneers #pioneersofelectronicmusic #quotefromapioneerday #elianeradigue #radigue

    talktothechip.podbean.com/e/el

  6. Eliane Radigue: "Time doesn’t matter. All that counts is the duration needed for smooth development. My music evolves organically. It is like a plant. We never see a plant move, but it is continually growing. Like the plants, immobile but always growing, it is my never-stable music. It is always changing. But the changes are so slight that they are almost unnoticeable, only becoming apparent after the fact. This music, as I conceive it, cannot contain any cuts, so the structure is quite simple, based on fades – fade in, fade out and crossfade.”

    from her essay “ Le temps n’a pas d’importance (Time is of no importance)” in in a collection called Spectres

    #electronicmusicpioneers #pioneersofelectronicmusic #quotefromapioneerday #elianeradigue #radigue

    talktothechip.podbean.com/e/el

  7. Maryanne Amacher “[My audiences] discover they are producing a tonal dimension of the music which interacts melodically, rhythmically, and spatially with the tones in the room. Tones ‘dance’ in the immediate space of their body, around them like a sonic wrap, cascade inside ears, and out to space in front of their eyes … Do not be alarmed! Your ears are not behaving strange or being damaged! … these virtual tones are a natural and very real physical aspect of auditory perception, similar to the fusing of two images resulting in a third three dimensional image in binocular perception… I want to release this music which is produced by the listener…”

    #amacher #maryanneamacher #talktothechip #pioneersofelectronicmusic #quotefromapioneerday #soundart #spatialaudio

    Source: sonicacts.com/archive/extremit

    Talk to the Chip episode on “Sound Character (Making the Third Ear) talktothechip.podbean.com/e/ma