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#peterbradshaw — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #peterbradshaw, aggregated by home.social.

  1. Flavours of Iraq review – vivid childhood memories of 80s Baghdad from writer in Paris exile
    By Peter Bradshaw

    Powerful animation portrays experiences of a French-Iraqi journalist Feurat Alani, with anecdotes about his father, a prominent leftist exile

    theguardian.com/film/2026/jul/

    #Film #Documentaryfilms #Animationinfilm #Iraq #France #Culture #SaddamHussein #TheGuardian #PeterBradshaw

  2. Flavours of Iraq review – vivid childhood memories of 80s Baghdad from writer in Paris exile
    By Peter Bradshaw

    Powerful animation portrays experiences of a French-Iraqi journalist Feurat Alani, with anecdotes about his father, a prominent leftist exile

    theguardian.com/film/2026/jul/

    #Film #Documentaryfilms #Animationinfilm #Iraq #France #Culture #SaddamHussein #TheGuardian #PeterBradshaw

  3. The Odyssey review – Nolan goes god-tier with breathtaking epic of men, monsters and moral metamorphosis
    By Peter Bradshaw

    Doing full justice to the Homeric legend, Christopher Nolan amasses an epic cast to convey the true cost of war with film-making of thrilling ambition

    theguardian.com/film/2026/jul/

    #Film #TheOdyssey #ChristopherNolan #Homer #MattDamon #AnneHathaway #TomHolland #LupitaNyongo #ElliotPage #SamanthaMorton #CharlizeTheron #Zendaya #RobertPattinson #Books #Culture #Dramafilms #TheGuardian #PeterBradshaw

  4. The Odyssey review – Nolan goes god-tier with breathtaking epic of men, monsters and moral metamorphosis
    By Peter Bradshaw

    Doing full justice to the Homeric legend, Christopher Nolan amasses an epic cast to convey the true cost of war with film-making of thrilling ambition

    theguardian.com/film/2026/jul/

    #Film #TheOdyssey #ChristopherNolan #Homer #MattDamon #AnneHathaway #TomHolland #LupitaNyongo #ElliotPage #SamanthaMorton #CharlizeTheron #Zendaya #RobertPattinson #Books #Culture #Dramafilms #TheGuardian #PeterBradshaw

  5. The Odyssey review – Nolan goes god-tier with breathtaking epic of men, monsters and moral metamorphosis
    By Peter Bradshaw

    Doing full justice to the Homeric legend, Christopher Nolan amasses an epic cast to convey the true cost of war with film-making of thrilling ambition

    theguardian.com/film/2026/jul/

    #Film #TheOdyssey #ChristopherNolan #Homer #MattDamon #AnneHathaway #TomHolland #LupitaNyongo #ElliotPage #SamanthaMorton #CharlizeTheron #Zendaya #RobertPattinson #Books #Culture #Dramafilms #TheGuardian #PeterBradshaw

  6. The Odyssey review – Nolan goes god-tier with breathtaking epic of men, monsters and moral metamorphosis
    By Peter Bradshaw

    Doing full justice to the Homeric legend, Christopher Nolan amasses an epic cast to convey the true cost of war with film-making of thrilling ambition

    theguardian.com/film/2026/jul/

    #Film #TheOdyssey #ChristopherNolan #Homer #MattDamon #AnneHathaway #TomHolland #LupitaNyongo #ElliotPage #SamanthaMorton #CharlizeTheron #Zendaya #RobertPattinson #Books #Culture #Dramafilms #TheGuardian #PeterBradshaw

  7. A Close Shave/A Matter of Loaf and Death review – Wallace and Gromit knit together a cracking double bill
    By Peter Bradshaw

    These two half-hour classics of stop-motion pack in nods to more earnest cinema but are never distracted from producing pristinely beguiling family entertainment

    theguardian.com/film/2026/jul/

    #Film #Animationinfilm #Aardman #WallaceGromit #Comedyfilms #Actionandadventurefilms #Thrillers #AnimationonTV #Comedy #Culture #Televisionradio #Television #TheGuardian #PeterBradshaw

  8. A Close Shave/A Matter of Loaf and Death review – Wallace and Gromit knit together a cracking double bill
    By Peter Bradshaw

    These two half-hour classics of stop-motion pack in nods to more earnest cinema but are never distracted from producing pristinely beguiling family entertainment

    theguardian.com/film/2026/jul/

    #Film #Animationinfilm #Aardman #WallaceGromit #Comedyfilms #Actionandadventurefilms #Thrillers #AnimationonTV #Comedy #Culture #Televisionradio #Television #TheGuardian #PeterBradshaw

  9. Animal Farm review – Andy Serkis’ Orwell adaptation slaughters the classic farmyard satire with sugar
    By Peter Bradshaw

    The passionate allegory on Stalinism is outrageously reduced to happy-ending panto in this defanged animation featuring the voices of Seth Rogen, Laverne Cox and Glenn Close

    theguardian.com/film/2026/jul/

    #Film #Animationinfilm #AndySerkis #Filmadaptations #GeorgeOrwell #SethRogen #GlennClose #Books #Culture #TheGuardian #PeterBradshaw

  10. Animal Farm review – Andy Serkis’ Orwell adaptation slaughters the classic farmyard satire with sugar
    By Peter Bradshaw

    The passionate allegory on Stalinism is outrageously reduced to happy-ending panto in this defanged animation featuring the voices of Seth Rogen, Laverne Cox and Glenn Close

    theguardian.com/film/2026/jul/

    #Film #Animationinfilm #AndySerkis #Filmadaptations #GeorgeOrwell #SethRogen #GlennClose #Books #Culture #TheGuardian #PeterBradshaw

  11. Animal Farm review – Andy Serkis’ Orwell adaptation slaughters the classic farmyard satire with sugar
    By Peter Bradshaw

    The passionate allegory on Stalinism is outrageously reduced to happy-ending panto in this defanged animation featuring the voices of Seth Rogen, Laverne Cox and Glenn Close

    theguardian.com/film/2026/jul/

    #Film #Animationinfilm #AndySerkis #Filmadaptations #GeorgeOrwell #SethRogen #GlennClose #Books #Culture #TheGuardian #PeterBradshaw

  12. Animal Farm review – Andy Serkis’ Orwell adaptation slaughters the classic farmyard satire with sugar
    By Peter Bradshaw

    The passionate allegory on Stalinism is outrageously reduced to happy-ending panto in this defanged animation featuring the voices of Seth Rogen, Laverne Cox and Glenn Close

    theguardian.com/film/2026/jul/

    #Film #Animationinfilm #AndySerkis #Filmadaptations #GeorgeOrwell #SethRogen #GlennClose #Books #Culture #TheGuardian #PeterBradshaw

  13. Animal Farm review – Andy Serkis’ Orwell adaptation slaughters the classic farmyard satire with sugar
    By Peter Bradshaw

    The passionate allegory on Stalinism is outrageously reduced to happy-ending panto in this defanged animation featuring the voices of Seth Rogen, Laverne Cox and Glenn Close

    theguardian.com/film/2026/jul/

    #Film #Animationinfilm #AndySerkis #Filmadaptations #GeorgeOrwell #SethRogen #GlennClose #Books #Culture #TheGuardian #PeterBradshaw

  14. The Day She Returns review – another round of slow, reflective boozing really hits the spot
    By Peter Bradshaw

    No film-maker shows more day-drinking than Hong Sang-soo, and this study of an actor returning from a career break is the same again – as mysteriously addictive as ever

    theguardian.com/film/2026/jul/

    #Film #Dramafilms #SouthKorea #AsiaPacific #Culture #Worldnews #TheGuardian #PeterBradshaw

  15. The Day She Returns review – another round of slow, reflective boozing really hits the spot
    By Peter Bradshaw

    No film-maker shows more day-drinking than Hong Sang-soo, and this study of an actor returning from a career break is the same again – as mysteriously addictive as ever

    theguardian.com/film/2026/jul/

    #Film #Dramafilms #SouthKorea #AsiaPacific #Culture #Worldnews #TheGuardian #PeterBradshaw

  16. Synthetic Sincerity review – Marc Isaacs’ AI interrogation grapples with identity and existence
    By Peter Bradshaw

    A combination of fact and fiction leaves the celebrated documentarian’s puzzling project about software training wanting for depth

    theguardian.com/film/2026/jul/

    #Film #Documentaryfilms #Dramafilms #Culture #AIartificialintelligence #Computing #Technology #TheGuardian #PeterBradshaw

  17. Synthetic Sincerity review – Marc Isaacs’ AI interrogation grapples with identity and existence
    By Peter Bradshaw

    A combination of fact and fiction leaves the celebrated documentarian’s puzzling project about software training wanting for depth

    theguardian.com/film/2026/jul/

    #Film #Documentaryfilms #Dramafilms #Culture #AIartificialintelligence #Computing #Technology #TheGuardian #PeterBradshaw

  18. Synthetic Sincerity review – Marc Isaacs’ AI interrogation grapples with identity and existence
    By Peter Bradshaw

    A combination of fact and fiction leaves the celebrated documentarian’s puzzling project about software training wanting for depth

    theguardian.com/film/2026/jul/

    #Film #Documentaryfilms #Dramafilms #Culture #AIartificialintelligence #Computing #Technology #TheGuardian #PeterBradshaw

  19. Synthetic Sincerity review – Marc Isaacs’ AI interrogation grapples with identity and existence
    By Peter Bradshaw

    A combination of fact and fiction leaves the celebrated documentarian’s puzzling project about software training wanting for depth

    theguardian.com/film/2026/jul/

    #Film #Documentaryfilms #Dramafilms #Culture #AIartificialintelligence #Computing #Technology #TheGuardian #PeterBradshaw

  20. Synthetic Sincerity review – Marc Isaacs’ AI interrogation grapples with identity and existence
    By Peter Bradshaw

    A combination of fact and fiction leaves the celebrated documentarian’s puzzling project about software training wanting for depth

    theguardian.com/film/2026/jul/

    #Film #Documentaryfilms #Dramafilms #Culture #AIartificialintelligence #Computing #Technology #TheGuardian #PeterBradshaw

  21. A Year in London review – fashion student hits it off with her professor in frothy lesbian romcom
    By Peter Bradshaw

    An Italian on an exchange to the glamorous UK capital gets involved with a sophisticated older woman in a tale of soap opera silliness

    theguardian.com/film/2026/jul/

    #Film #Romancefilms #LGBTQrights #Culture #TheGuardian #PeterBradshaw

  22. Quentin Tarantino – „Jackie Brown“ (1997)

    Mit „Jackie Brown“ lieferte Quentin Tarantino 1997 einen Film ab, der in seiner Filmografie inzwischen wirkt wie ein zurückgehaltenes, geheimes Juwel. Nach dem riesigen Erfolg von „Pulp Fiction“ (1994) entschied er sich bewusst dafür, keinen weiteren selbstgeschriebenen Pulp-Thriller zu drehen, sondern Elmore Leonards Roman „Rum Punch“ zu adaptieren. Das Ergebnis ist ein faszinierendes, fast elegisches Stück Kino, das tief in die amerikanische Popkultur der 1970er eintaucht – und zugleich ein persönliches Statement ist. (ARTE)

  23. Quentin Tarantino – „Jackie Brown“ (1997)

    Mit „Jackie Brown“ lieferte Quentin Tarantino 1997 einen Film ab, der in seiner Filmografie inzwischen wirkt wie ein zurückgehaltenes, geheimes Juwel. Nach dem riesigen Erfolg von „Pulp Fiction“ (1994) entschied er sich bewusst dafür, keinen weiteren selbstgeschriebenen Pulp-Thriller zu drehen, sondern Elmore Leonards Roman „Rum Punch“ zu adaptieren. Das Ergebnis ist ein faszinierendes, fast elegisches Stück Kino, das tief in die amerikanische Popkultur der 1970er eintaucht – und zugleich ein persönliches Statement ist. (ARTE)

  24. Quentin Tarantino – „Jackie Brown“ (1997)

    Mit „Jackie Brown“ lieferte Quentin Tarantino 1997 einen Film ab, der in seiner Filmografie inzwischen wirkt wie ein zurückgehaltenes, geheimes Juwel. Nach dem riesigen Erfolg von „Pulp Fiction“ (1994) entschied er sich bewusst dafür, keinen weiteren selbstgeschriebenen Pulp-Thriller zu drehen, sondern Elmore Leonards Roman „Rum Punch“ zu adaptieren. Das Ergebnis ist ein faszinierendes, fast elegisches Stück Kino, das tief in die amerikanische Popkultur der 1970er eintaucht – und zugleich ein persönliches Statement ist. (ARTE)

  25. Quentin Tarantino – „Jackie Brown“ (1997)

    Mit „Jackie Brown“ lieferte Quentin Tarantino 1997 einen Film ab, der in seiner Filmografie inzwischen wirkt wie ein zurückgehaltenes, geheimes Juwel. Nach dem riesigen Erfolg von „Pulp Fiction“ (1994) entschied er sich bewusst dafür, keinen weiteren selbstgeschriebenen Pulp-Thriller zu drehen, sondern Elmore Leonards Roman „Rum Punch“ zu adaptieren. Das Ergebnis ist ein faszinierendes, fast elegisches Stück Kino, das tief in die amerikanische Popkultur der 1970er eintaucht – und zugleich ein persönliches Statement ist. (ARTE)

  26. Quentin Tarantino – „Jackie Brown“ (1997)

    Mit „Jackie Brown“ lieferte Quentin Tarantino 1997 einen Film ab, der in seiner Filmografie inzwischen wirkt wie ein zurückgehaltenes, geheimes Juwel. Nach dem riesigen Erfolg von „Pulp Fiction“ (1994) entschied er sich bewusst dafür, keinen weiteren selbstgeschriebenen Pulp-Thriller zu drehen, sondern Elmore Leonards Roman „Rum Punch“ zu adaptieren. Das Ergebnis ist ein faszinierendes, fast elegisches Stück Kino, das tief in die amerikanische Popkultur der 1970er eintaucht – und zugleich ein persönliches Statement ist. (ARTE)