#ngoni — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #ngoni, aggregated by home.social.
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Salif Keita – Nou Pas Bouger revisité
https://amf.didiermary.fr/salif-keita-nous-pas-bouger-revisite/
2 versions du célèbre titre de Salif Keita, une chanson qui traite de l’immigration. “Nous pas bouger revisité” par des groupes de Rap.
Ce titre est repris en 2006 avec son compatriote et maître du N’goni, Moriba Koïta et le groupe afro-rap sénégalais Daara J.
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Salif Keita – Nou Pas Bouger revisité
https://amf.didiermary.fr/salif-keita-nous-pas-bouger-revisite/
2 versions du célèbre titre de Salif Keita, une chanson qui traite de l’immigration. “Nous pas bouger revisité” par des groupes de Rap.
Ce titre est repris en 2006 avec son compatriote et maître du N’goni, Moriba Koïta et le groupe afro-rap sénégalais Daara J.
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Salif Keita – Nou Pas Bouger revisité
https://amf.didiermary.fr/salif-keita-nous-pas-bouger-revisite/
2 versions du célèbre titre de Salif Keita, une chanson qui traite de l’immigration. “Nous pas bouger revisité” par des groupes de Rap.
Ce titre est repris en 2006 avec son compatriote et maître du N’goni, Moriba Koïta et le groupe afro-rap sénégalais Daara J.
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Salif Keita – Nou Pas Bouger revisité
https://amf.didiermary.fr/salif-keita-nous-pas-bouger-revisite/
2 versions du célèbre titre de Salif Keita, une chanson qui traite de l’immigration. “Nous pas bouger revisité” par des groupes de Rap.
Ce titre est repris en 2006 avec son compatriote et maître du N’goni, Moriba Koïta et le groupe afro-rap sénégalais Daara J.
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Salif Keita – Nou Pas Bouger revisité
https://amf.didiermary.fr/salif-keita-nous-pas-bouger-revisite/
2 versions du célèbre titre de Salif Keita, une chanson qui traite de l’immigration. “Nous pas bouger revisité” par des groupes de Rap.
Ce titre est repris en 2006 avec son compatriote et maître du N’goni, Moriba Koïta et le groupe afro-rap sénégalais Daara J.
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Anansy Cissé – Aïgouna
https://amf.didiermary.fr/anansy-cisse-mali-desert-blues/
Anansy Cissé re-works the West African Desert Blues genre with a new, agitated attitude and souped-up guitar distortions.
Featuring the soku fiddle playing of Zoumana Tereta and accompanied by n’goni, bass and calabash, Cissé’s sound harnesses musical traditions and spits it out anew, taking us into “Mali Overdrive” (2014).
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Nfaly Diakité – Mogote Diabeye
https://amf.didiermary.fr/nfaly-diakite-mogote-diabeye/
“Hunter Folk Vol 1: Tribute to Toumani Koné” is the first solo album by Nfaly Diakité, recorded in Bamako in June 2020. On the album, Nfaly is the only singer, providing backing vocals and playing the donso ngoni and keregne. The album is a tribute to the storyteller and poet Toumani Koné, the greatest donso […]
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Super11 – raw Desert Blues
https://amf.didiermary.fr/super-onze-raw-desert-blues/
If you like pure raw desert blues, this video is for you, as it’s a perfect origin for so many contemporary artists from the Sahel region.
“Super Onze are the real roots of desert blues – Mali’s equivalent of Congotronics. This is how it all sounded before the electric guitar came in to the equation: […]
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Bassekou Kouyaté & Ngoni Ba – Siran Fen
https://amf.didiermary.fr/bassekou-kouyate-ngoni-ba-siran-fen/
Bassekou Kouyaté & Ngoni Ba’s fourth album “Ba Power” (2015) is a striking, career defining record marked by mesmerizing songs, razor-sharp riffs and full-throttle emotions. Following two years of worldwide touring for the much heralded Jama Ko album, Bassekou’s band, Ngoni Ba, has turned up the volume and dynamics significantly [...]
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Bassekou Kouyate & Ngoni Ba – Jama Ko
https://amf.didiermary.fr/ngoni-ba-jama-ko-bassekou-kouyate-2013/
After his celebrated debut album “Segu Blue” and the Grammy nominated follow up “I speak Fula,” hundreds of concerts all over the globe, performing as headliner in the AfroCubism project, Bassekou Kouyaté released “Jama Ko” in 2013, a cry for tolerance and peace. […]
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Al Bilali Soudan – Djaba
https://amf.didiermary.fr/al-bilali-soudan-djaba/
Al Bilali Soudan are griots from the Tombouctou (Timbuktu) region of Mali. This is a family orchestra of fathers and sons, uncles and cousins, led by Abellow Yattara, a master of the tehardent – the Tamasheq word for the three-stringed n’goni.Yattara has been a prominent figure for over 40 years. He played on Ali Farka […]
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Kanazoé Orkestra – Folikadi
https://amf.didiermary.fr/kanazoe-orkestra-folikadi/
Seydou Diabate dit “Kanazoé”, né au Burkina Faso dans une célèbre famille de griots est un multi-instrumentiste.
Il joue les balafons pentatoniques dioula, sambla et toussian, le balafon diatonique (djelibalan ou balafon guinéen) ainsi que le kamele n’goni, une harpe pentatonique.
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Kanazoé Orkestra – Folikadi
https://amf.didiermary.fr/kanazoe-orkestra-folikadi/
Seydou Diabate dit “Kanazoé”, né au Burkina Faso dans une célèbre famille de griots est un multi-instrumentiste.
Il joue les balafons pentatoniques dioula, sambla et toussian, le balafon diatonique (djelibalan ou balafon guinéen) ainsi que le kamele n’goni, une harpe pentatonique.
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Kanazoé Orkestra – Folikadi
https://amf.didiermary.fr/kanazoe-orkestra-folikadi/
Seydou Diabate dit “Kanazoé”, né au Burkina Faso dans une célèbre famille de griots est un multi-instrumentiste.
Il joue les balafons pentatoniques dioula, sambla et toussian, le balafon diatonique (djelibalan ou balafon guinéen) ainsi que le kamele n’goni, une harpe pentatonique.
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Kanazoé Orkestra – Folikadi
https://amf.didiermary.fr/kanazoe-orkestra-folikadi/
Seydou Diabate dit “Kanazoé”, né au Burkina Faso dans une célèbre famille de griots est un multi-instrumentiste.
Il joue les balafons pentatoniques dioula, sambla et toussian, le balafon diatonique (djelibalan ou balafon guinéen) ainsi que le kamele n’goni, une harpe pentatonique.
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Kanazoé Orkestra – Folikadi
https://amf.didiermary.fr/kanazoe-orkestra-folikadi/
Seydou Diabate dit “Kanazoé”, né au Burkina Faso dans une célèbre famille de griots est un multi-instrumentiste.
Il joue les balafons pentatoniques dioula, sambla et toussian, le balafon diatonique (djelibalan ou balafon guinéen) ainsi que le kamele n’goni, une harpe pentatonique.
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Section Jazz de l’Orchestre National du Sénégal – Xanju Ou Tutu
https://amf.didiermary.fr/section-jazz-orchestre-national-senegal-xanju-ou-tutu/
An homage to Miles Davis, by “Jazz On”, part of Orchestre National du Sénégal (ONS) in 2012.
If you’ve never seen/heard a N’goni played in a Jazz Ensemble…
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Baba Commandant – Juguya
https://amf.didiermary.fr/baba-commandant-juguya/
Baba Commandant est un personnage atypique et respecté de la scène Burkinabè, une sorte de punk hardcore et militant pour la musique traditionnelle mandingue.
Né Sanou Mamadou à Bobo Dioulasso en 1973, il intègre comme danseur une troupe traditionnelle de son ethnie Bobo en 1981. De 98 à 2010, il est chanteur dans plusieurs groupes […]
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Praktika – Fôli Folle Feat. Ko Saba
https://amf.didiermary.fr/praktika-foli-folle-ko-saba/
Ko Saba est une formation malienne de 6 musiciens de différentes couches sociales, fédérée par Barou Diassana, qui propose de la musique tradi-moderne métissée.
“Fôli” veut dire “musique” en Bambara. Aïda, jeune femme malienne amoureuse de danse contemporaine se retrouve embarquée dans une course effrénée dans les rues de Bamako. [...]
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Praktika – Fôli Folle Feat. Ko Saba
https://amf.didiermary.fr/praktika-foli-folle-ko-saba/
Ko Saba est une formation malienne de 6 musiciens de différentes couches sociales, fédérée par Barou Diassana, qui propose de la musique tradi-moderne métissée.
“Fôli” veut dire “musique” en Bambara. Aïda, jeune femme malienne amoureuse de danse contemporaine se retrouve embarquée dans une course effrénée dans les rues de Bamako. [...]
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Praktika – Fôli Folle Feat. Ko Saba
https://amf.didiermary.fr/praktika-foli-folle-ko-saba/
Ko Saba est une formation malienne de 6 musiciens de différentes couches sociales, fédérée par Barou Diassana, qui propose de la musique tradi-moderne métissée.
“Fôli” veut dire “musique” en Bambara. Aïda, jeune femme malienne amoureuse de danse contemporaine se retrouve embarquée dans une course effrénée dans les rues de Bamako. [...]
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Praktika – Fôli Folle Feat. Ko Saba
https://amf.didiermary.fr/praktika-foli-folle-ko-saba/
Ko Saba est une formation malienne de 6 musiciens de différentes couches sociales, fédérée par Barou Diassana, qui propose de la musique tradi-moderne métissée.
“Fôli” veut dire “musique” en Bambara. Aïda, jeune femme malienne amoureuse de danse contemporaine se retrouve embarquée dans une course effrénée dans les rues de Bamako. [...]
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Bazoumana, the Djeli and his N’goni
https://amf.didiermary.fr/bazoumana-djeli-ngoni/
Bazoumana, or Banzumana, Sissoko (1890-1987) – aka the « old lion » – was a n’goni player, a Malian national treasure as well as a djeli (jeli) or griot.
"The quintessential n’goni player was the late Banzumana Sissoko, perhaps the most revered and beloved Malian griot of the century. Until his death in 1987, he […]
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Samba Diabaré Samb
https://amf.didiermary.fr/samba-diabare-samb/
Pour ce 1500ème billet, rendons hommage à El Hadji Samba Diabaré Samb, griot, maitre du xalam, élevé à la dignité de Trésor humain vivant par l’Unesco. […]
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Kamele N’goni…
https://amf.didiermary.fr/kamele-ngoni/
J’assiste depuis un certain temps à l’éclosion “soudaine” dans le monde musical, d’un instrument hautement traditionnel, voire mystique, le Kamele N’goni (ou Kamale Ngoni).
Cet instrument traditionnel fait partie d’une […]
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Mama Sissoko – Sekechi
https://amf.didiermary.fr/mama-badema-sissoko-sekechi/
In the 1970s, the Malian waves were largely influenced by American music, and Mama Sissoko affirmed his affinity for Blues and Soul music, and in particular that of Otis Redding. He is friends with Ali Farka Touré from the mid-80s, they meet and play together amicably. 20 years later, Ali Farka was a world star […]
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Toumani Diabaté’s Symmetric Orchestra
https://amf.didiermary.fr/symmetric-orchestra-toumani-diabate/
Toumani Diabaté‘s Symmetric Orchestra released “Boulevard de l’Indépendance” in 2006.
Nick Gold and the World Circuit team started recording a three-part series called “The Hotel Mandé Sessions,” at Bamako, Mali’s Hotel Mandé.
In July 2006, after “In the Heart of the Moon” and “Savane,” [...]#AfroCuban #BurkinaFaso #CoteDIvoire #Guinea #Kora #Mali #Ngoni #Senegal #Global
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In a "previous" life, 15 years ago, I worked with African musicians... and produced a few albums.
Here's a video of Djeli Moussa Diawara rehearsing Yasimika in 2010. This is a song he first recorded in 1982 for his famous eponym album and that was revisited and rerecorded at the time.
https://www.youtube.com/watch?v=CnhXjmsLabU&list=PLEC15F65D21EEBAB2&index=2There are more videos in this playlist and on DMD's YouTube channel.
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In a "previous" life, 15 years ago, I worked with African musicians... and produced a few albums.
Here's a video of Djeli Moussa Diawara rehearsing Yasimika in 2010. This is a song he first recorded in 1982 for his famous eponym album and that was revisited and rerecorded at the time.
https://www.youtube.com/watch?v=CnhXjmsLabU&list=PLEC15F65D21EEBAB2&index=2There are more videos in this playlist and on DMD's YouTube channel.
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In a "previous" life, 15 years ago, I worked with African musicians... and produced a few albums.
Here's a video of Djeli Moussa Diawara rehearsing Yasimika in 2010. This is a song he first recorded in 1982 for his famous eponym album and that was revisited and rerecorded at the time.
https://www.youtube.com/watch?v=CnhXjmsLabU&list=PLEC15F65D21EEBAB2&index=2There are more videos in this playlist and on DMD's YouTube channel.
-
In a "previous" life, 15 years ago, I worked with African musicians... and produced a few albums.
Here's a video of Djeli Moussa Diawara rehearsing Yasimika in 2010. This is a song he first recorded in 1982 for his famous eponym album and that was revisited and rerecorded at the time.
https://www.youtube.com/watch?v=CnhXjmsLabU&list=PLEC15F65D21EEBAB2&index=2There are more videos in this playlist and on DMD's YouTube channel.
-
In a "previous" life, 15 years ago, I worked with African musicians... and produced a few albums.
Here's a video of Djeli Moussa Diawara rehearsing Yasimika in 2010. This is a song he first recorded in 1982 for his famous eponym album and that was revisited and rerecorded at the time.
https://www.youtube.com/watch?v=CnhXjmsLabU&list=PLEC15F65D21EEBAB2&index=2There are more videos in this playlist and on DMD's YouTube channel.
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“Keita returns with an unusually sparse sound featuring #guitar, #ngoni, #calabash, #tama and #cello.” www.theguardian.com/music/2025/a... #SalifKeita #music #GoldenVoiceofAfrica #AfricanMusic
Salif Keita: So Kono review – ... -
“Keita returns with an unusually sparse sound featuring #guitar, #ngoni, #calabash, #tama and #cello.” www.theguardian.com/music/2025/a... #SalifKeita #music #GoldenVoiceofAfrica #AfricanMusic
Salif Keita: So Kono review – ... -
“Keita returns with an unusually sparse sound featuring #guitar, #ngoni, #calabash, #tama and #cello.” www.theguardian.com/music/2025/a... #SalifKeita #music #GoldenVoiceofAfrica #AfricanMusic
Salif Keita: So Kono review – ... -
“Keita returns with an unusually sparse sound featuring #guitar, #ngoni, #calabash, #tama and #cello.” www.theguardian.com/music/2025/a... #SalifKeita #music #GoldenVoiceofAfrica #AfricanMusic
Salif Keita: So Kono review – ... -
“Keita returns with an unusually sparse sound featuring #guitar, #ngoni, #calabash, #tama and #cello.” www.theguardian.com/music/2025/a... #SalifKeita #music #GoldenVoiceofAfrica #AfricanMusic
Salif Keita: So Kono review – ... -
https://audiomack.com/emptunes/song/ada-nma-preview #traditionalmusic #gaelicsinger #tradmusic #folkmusic #futureyouthflow #traditionalmusicinstrument #traditionalinstrument #celticmusic #gàidhlig #scottishmusic #gnaouamusic #ancienttrance #aboudiarra #fiddlemusic #elainepaige #gnaouaculture #indianclassicalmusicthings #fiddle #irishmusic #drehleier #gnaouafestival #fiddler #hiphopafrica #guembri #ghrap #guimbarde #ngoni #etnikmüzik #zanfona #worldmusic
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Super Onze: They broke all our instruments
https://amf.didiermary.fr/super-onze-gao-broke-all-instruments-mali/
The Mali War is (still) an ongoing conflict that started in January 2012 between the northern and southern parts of Mali in Africa. That year, separatist rebels and Islamic groups seized two-thirds of the country and imposed a brutal form of Sharia law, targeting women in particular and banning any expression of art. In 2012, the music stopped. […]
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🎶🎶 Al Bilali Soudan – Djaba
🔗 https://amf.didiermary.fr/al-bilali-soudan-djaba/
Al Bilali Soudan are griots from the Tombouctou (Timbuktu) region of Mali. This is a family orchestra of fathers and sons, uncles and cousins, led by Abellow Yattara, a master of the tehardent – the Tamasheq word for the three-stringed n’goni.
Yattara has been a prominent figure for over 40 years. He played on Ali Farka Touré‘s first cassette recordings and with Orchestre de Tombouctou in the 70s.- Abellou Yattara – lead tehardent
- Aboubacrine Yattara – bass tehardent
- Mohamed Abellaw – rhythm tehardent
- Ibrahim “Tchiale” Ag Aboubacrine – calabash
- Hamadoun Guindo – calabash
Led by Abellaw Yattara, the group on this recording includes his uncle Aboubacrine Yattara and their sons Mohamed Ag Abellaw and Tchiale Ag Aboubacrine and Hamadoun Guindo sitting in on the Tombouctou album tracks.
Also on:
This is traditional music played on traditional instruments, tehardent / ngoni / guitar and percussion / calabash. In performance, the sound of the stringed instruments is compressed to create an electric, dynamic sound. Their repertoire is based on traditional themes within which they improvise and adapt.
The Yattaras can be heard on many recordings from Mali. Family members are featured on some of the earliest recorded examples of music from Timbuktu. Today, Al Bilali Soudan can be heard frequently at celebrations and festivals in Timbuktu. -
🎶🎶 Section Jazz de l’Orchestre National du Sénégal – Xanju Ou Tutu
🔗 https://amf.didiermary.fr/section-jazz-orchestre-national-senegal-xanju-ou-tutu/
An homage to Miles Davis, by “Jazz On”, part of Orchestre National du Sénégal (ONS) in 2012. If you’ve never seen/heard a N’goni played in a Jazz Ensemble…
Also on: