home.social

#minoan — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #minoan, aggregated by home.social.

  1. What does the Minoan Wheel of the Year look like? How can we celebrate life's passages via Minoan ritual? Discover all this and more in Ariadne's Thread! Book details, including a full list of the seasonal rituals and rites of passage and plenty of places to buy the book that aren't named after a South American river: lauraperryauthor.com/ariadnes-

    #Minoan #books #bookstodon #Pagan #paganism

  2. Did you know that I write historical fiction? What was life like at the end of the Minoan era, when the Mycenaeans were occupying Knossos and the Late Bronze Age collapse was on the horizon? Experience that time through the eyes of the last priestess of Malia! More details and content warnings (spoiler: there's no happy ending) here:

    lauraperryauthor.com/the-last-

    #Minoan #HistoricalFiction #books #pagan #QueerFiction

  3. #Matriarchy May Have Prevailed in #Minoan Civilization

    By Maria Rybachuk, November 13, 2023

    Excerpt: "The Minoan civilization, among the earliest and most advanced societies in the #BronzeAge, excelled in art, trade, and the prominent role of women.

    "Women in ancient Greece were markedly disadvantaged in terms of rights, often confined to domestic and reproductive spheres. However, there were some exceptions such as ancient #Sparta. This city-state presented a fascinating departure from #patriarchal norm, showcasing women who were robust, independent, and well-educated.

    "A more enigmatic occurrence involves the portrayal of women on Bronze Age #Crete. Several scholars concur that women held a notably dominant position compared to men. Thus, John Younger, professor of classics at the University of Kansas, noted that 'this culture on Crete around 1600-1500 BCE is the closest candidate for a matriarchy.' "

    greekreporter.com/2023/11/13/m

    #AncientWomen #AncientCrete #Histodons #BronzeAgeCollapse #AncientHistory #WomensRights #MinoanWomen

  4. New interview. Rachel asked some great questions - I love it when interviewers follow their own interests instead of sticking to standard-issue questions.

    youtube.com/watch?v=kG1RNnegY3

    #Minoan #polytheism #paganism #pagan #spirituality #PaganCommunity #AriadnesTribe

  5. Timely and relevant historical fiction: that's my novel The Last Priestess of Malia. Let's imagine a world where history doesn't repeat itself, shall we?

    #book #books #bookstodon #novel #fiction #HistoricalFiction #Minoan #AncientCrete

  6. It's Shameless Promo Thursday, when I once again remind you that I write books you might like to read. This is a historical novel set in ancient Minoan Crete, and fair warning, it's a heavy read.

    * Matriarchal culture
    * Powerful priestesses
    * Pagan rituals
    * Culture clash
    * No happy ending (you've been warned)

    Details on my website (link in bio)

    #book #books #bookstodon #FediBooks #HistoricalFiction #Minoan #AncientCrete #fiction #novel

  7. #Minoan #Crete: The #WomenRulers

    27/07/2021

    In Minoan times, women had critical roles in society, holding positions of great power.

    John G. Younger, Professor of Classics at The University of Kansas, is one of the several scholars who recognize the importance of the Minoan women in ancient Crete:

    “Basically, this culture on Crete around 1600-1500 BCE is the closest candidate for a matriarchy that we have. That’s huge,” he noted. “In this culture, at this time, we have an awful lot of representations of what are obviously powerful women, single-seated women flanked by a bunch of guys.”

    Younger studied Minoan artifacts unearthed on Crete to discover that women were usually portrayed in elaborate clothing on pottery and frescoes, while men wore significantly fewer garments (a loincloth and some accessories). They were also seated, signifying a position of power:

    “In this culture, at this time, we have an awful lot of representations of what are obviously powerful women, single seated women flanked by a bunch of guys,” Younger said. “We don’t have a single representation of a seated man.”

    Barbara A. Olsen, Associate Professor of Greek and Roman Studies at the Vassar College in New York and author of “Women in Mycenaean Greece: The Linear B Tablets from Pylos and Knossos,” suggests that Minoan women had more critical roles than child rearing:

    “We see in Minoan iconography images of women in more public contexts: occupying prominent spacial positions in outdoor assemblies and processions, interacting with each other either in conversations or in dance, and acting in religious contexts either as individual worshipers or as officials involved in sacrificial rituals. Above all, emphasis is on the social rather than the biological, the public rather than the domestic.”

    Among the iconographic representations of women from the Minoan era, two stand out: the Snake Goddess and the Ladies in Blue.

    The Snake Goddess

    Sir Arthur Evans unearthed two faience figurines representing the Snake Goddess and possibly a Snake Priestess during the Knossos Palace in 1903. They date from the Neopalatial period of the Minoan civilization (circa 1750-1490 BC). The snake probably had a protective role during that time, symbolizing the household’s welfare and rebirth or the renewal of life (as the snake sheds its skin periodically, it was probably believed to be an immortal being). The Snake Goddess was also identified as a Household Goddess. Worshipers of the goddess most likely used the two faience figurines in rituals.

    “Besides the ritual function, they are among the best examples of Minoan art with its dominant features — naturalism and grace. They are presented as the ladies of the palace court, dressed in typical Minoan clothes, with a long skirt (flounced, or with an apron) and a tight open bodice,” writes Dr. Alena Trckova-Flamee.

    The garments worn by the Snake Goddess appear in other visual representations of Minoan women from that era.
    Ladies in Blue

    The Ladies in Blue are three portraits on a fresco discovered at the Palace of Knossos by Sir Arthur Evans and recreated by him to give an idea of how Minoan royalty probably dressed before the extinction of this mysterious civilization. The three ladies of the court wear lavish garments, jewelry, and elaborate hairstyles. The fresco is currently on display at the Heraklion Archaeological Museum.

    “Despite its fragmentary condition, the wall painting transmits the sense of opulence and prosperity of the royal court while reflecting the coquetry of the ladies, who gesture displaying the richness of their jewelry,” the official site of the museum notes.

    These are just some examples in art showing the importance women had in the Minoan civilization. Women ruled the land and the household, while men were fearless seafarers.

    blog.thesyntopiahotel.gr/minoa

    #Knossos #Matriarchy #AncientCrete #WomensRights #WomensStatus #History #Histodon

  8. So, written historical accounts are often written with an agenda in mind. If you want to know how people really lived, a good place to look is their household objects, art and religious artifacts.

    Art, religious artifacts support idea of #Minoan #matriarchy on ancient #Crete, researcher says

    Tue, 06/13/2017, University of Kansas

    Popular culture for several decades has focused on the ancient Minoan culture on Crete as a matriarchy, despite skepticism from the academic world.

    A University of Kansas researcher, however, in a recent publication has analyzed several pieces of archaeological evidence and art from the island and how they might support the idea that Minoan women ruled the ancient civilization.

    "Basically, this culture on Crete around 1600-1500 BCE is the closest candidate for a matriarchy that we have. That's huge," said John Younger, KU professor of classics.

    Younger, who has studied the Minoan culture for decades, said women figured prominently in art and religious artifacts and therefore probably in the administration of the Bronze Age civilization as well.

    For example, women are always clothed, while males may be nude, and paintings depict women in elaborate court-style dress.

    "In this culture, at this time, we have an awful lot of representations of what are obviously powerful women, single seated women flanked by a bunch of guys," he said. "We don't have a single representation of a seated man."

    Almost all information about Minoan women comes from art, such as figurines, seal stones and finger rings, pottery and fresco. His article "Minoan Women" appeared recently in the volume "Women Antiquity, Real Women across the Ancient World." The book summarizes 40 to 50 separate pieces of evidence.

    "It's one day in the life of a Minoan woman," Younger said.

    Women participated in activities that contemporary cultures often depicted for men, like bearing weapons as hunters and the use of swords and bows.

    One main piece of archaeological evidence he uses to argue for a Minoan matriarchal culture is the presence of large pits that appear to be shrines, called "lustral basins," in the middle of their palaces or large halls. Their makeup seems to match what anthropologists often call a "menstrual pit."

    However, in most ancient cultures, such pits are removed from the town village or often put away into a special house, indicating women were often ostracized until their menstruation period ended.

    "They're not putting them off into some house on the outskirts of the village," Younger said.

    A wall painting above one of these lustral basins also shows a girl turning toward a shrine dripping in blood, he said, inducing the cultural significance of those pits.

    Researchers have long struggled to definitively put together what actually happened in the Minoan culture on Crete for several reasons, including a lack of texts written in a language that we can understand.

    "We have texts, but we can't read them," Younger said. "The height of this culture lasted 150 years maximum, and then about 1500 BCE, there was destruction all across the island."

    The Mycenaean culture of the mainland eventually conquered the Minoan culture on the island, but Younger is researching another theory that the matriarchal Minoan society experienced a revolt either before or in anticipation of the Mycenaean takeover.

    Because basically every site, including farms and houses, on the island except for the palace itself at Knossos was destroyed, he speculates it was the work of a revolution or people destroying their own property as a revolt against the matriarchal system.

    "Some of these were huge buildings, about the size of Wescoe Hall (at KU), and an army would have to know where every site on the island is," Younger said. "Further, an invading army likely wouldn't have time to destroy everything like that."

    He said art depictions of the Minoan society also show the women wearing saffron colored clothing, which is derived from autumn crocus flower. Saffron is also a source of vitamin A, and in paintings women have the blue streaks in their eyes while the men's eyes have red streaks, possibly indicating they were deprived of vitamin A. Possibly this could have made the men angry and driven them to revolt, Younger said.

    As a matriarchal culture, it would make the Minoans unique, especially in the respect of the women being shown in important positions.

    "It gives us a glimpse of what could be different," said Younger, who is also KU's Director of Jewish Studies. "Back in the 1970s when feminism was beginning to take hold, a lot of feminist scholars looked to the ancient Greek culture and its powerful women in plays and media. Many of us began to realize that on the island of Crete, we have something different than we've ever seen. In the respect of the women being shown in important positions, that's unique."

    news.ku.edu/2017/06/09/art-rel

    #AncientCrete #WomensRights #AncientHistory #Histodon #WomenInTheAncientWorld

  9. Today's Minoan Tarot cards.

    Ace of Horns: Stay grounded and attend to the material practicalities of life. This includes your health and well-being. Slow down, be patient, and make sure you're doing what needs to be done, whether that's paying bills, finishing projects, or taking a nap.

    Two of Horns: The world is in flux, both the Big World and our own private lives. It will all even out in the end, but for now, stay focused on whatever needs to be done each day. Focus on the practicalities, and the new pattern will sort itself out soon enough.

    #Minoan #Tarot #MinoanTarot #divination #cartomancy #pagan #PaganCommunity

  10. Today's Minoan Tarot cards:

    Priestess of Rhytons: Embodying the heart-led life. Allow your empathy and your intuition to take their rightful place in your life. Your heartfelt warmth and your ability to take other people's emotions seriously help provide a safe environment for the people around you to be their true selves. This is a valuable aspect of your being. Honor it accordingly.

    Seven of Horns: Be practical and prudent with the material aspects of your life. That can be difficult at this time of year, since extravagance is so fashionable. But being careful and responsible now will give you a much brighter and more enjoyable future.

    #Minoan #Tarot #MinoanTarot #Divination #PaganCommunity #Spirituality

  11. More 3D Minoan art fun - the breakable kind this time! I have at least three more posts to make about the 3D elements in Minoan art. The more I look, the more I find. And the more I look, the more modern a lot of it feels. #minoan #MinoanArt #AncientCrete #Knossos #BronzeAge #AncientArt
    witchesandpagans.com/pagan-pat