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#hughhopper — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #hughhopper, aggregated by home.social.

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  1. New #review today: "As a bassist and composer, #HughHopper’s legacy is assured by the work he did in #SoftMachine and elsewhere, but there was another side to his creativity. He was ever pushing the boundaries of how he made music, and these two albums represent a very different kind of process than the spontaneity he was known for. Jazzloops (2003) and The Stolen Hour (2004) were more assembled than played." #ExposeOnline #AvantJazz #jazz expose.org/index.php/articles/

  2. New #review today: "As a bassist and composer, #HughHopper’s legacy is assured by the work he did in #SoftMachine and elsewhere, but there was another side to his creativity. He was ever pushing the boundaries of how he made music, and these two albums represent a very different kind of process than the spontaneity he was known for. Jazzloops (2003) and The Stolen Hour (2004) were more assembled than played." #ExposeOnline #AvantJazz #jazz expose.org/index.php/articles/

  3. New #review today: "As a bassist and composer, #HughHopper’s legacy is assured by the work he did in #SoftMachine and elsewhere, but there was another side to his creativity. He was ever pushing the boundaries of how he made music, and these two albums represent a very different kind of process than the spontaneity he was known for. Jazzloops (2003) and The Stolen Hour (2004) were more assembled than played." #ExposeOnline #AvantJazz #jazz expose.org/index.php/articles/

  4. New today: "As a bassist and composer, ’s legacy is assured by the work he did in and elsewhere, but there was another side to his creativity. He was ever pushing the boundaries of how he made music, and these two albums represent a very different kind of process than the spontaneity he was known for. Jazzloops (2003) and The Stolen Hour (2004) were more assembled than played." expose.org/index.php/articles/

  5. New #review today: "As a bassist and composer, #HughHopper’s legacy is assured by the work he did in #SoftMachine and elsewhere, but there was another side to his creativity. He was ever pushing the boundaries of how he made music, and these two albums represent a very different kind of process than the spontaneity he was known for. Jazzloops (2003) and The Stolen Hour (2004) were more assembled than played." #ExposeOnline #AvantJazz #jazz expose.org/index.php/articles/