#avantjazz — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #avantjazz, aggregated by home.social.
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New #review today: "Sometimes you have to give up trying to make sense of the world and just accept things as they are. For example, why is there a band called #HoneyRideMeAGoat? I don’t know why they’re called that, but I do know that they’re a really interesting band, so I suppose they need a name. The group’s origins go back to 2000, when some students at Canterbury College bonded over a shared love of Captain Beefheart, Black Sabbath, and Soft Machine." #ExposeOnline #AvantJazz #AvantRock #AvantProg #CuneiformRecords http://expose.org/index.php/articles/display/honey-ride-me-a-goat-horns-hooves-2.html
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New #review today: "Sometimes you have to give up trying to make sense of the world and just accept things as they are. For example, why is there a band called #HoneyRideMeAGoat? I don’t know why they’re called that, but I do know that they’re a really interesting band, so I suppose they need a name. The group’s origins go back to 2000, when some students at Canterbury College bonded over a shared love of Captain Beefheart, Black Sabbath, and Soft Machine." #ExposeOnline #AvantJazz #AvantRock #AvantProg http://expose.org/index.php/articles/display/honey-ride-me-a-goat-horns-hooves-2.html
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New #review today: "Sometimes you have to give up trying to make sense of the world and just accept things as they are. For example, why is there a band called #HoneyRideMeAGoat? I don’t know why they’re called that, but I do know that they’re a really interesting band, so I suppose they need a name. The group’s origins go back to 2000, when some students at Canterbury College bonded over a shared love of Captain Beefheart, Black Sabbath, and Soft Machine." #ExposeOnline #AvantJazz #AvantRock #AvantProg #CuneiformRecords http://expose.org/index.php/articles/display/honey-ride-me-a-goat-horns-hooves-2.html
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New #review today: "Sometimes you have to give up trying to make sense of the world and just accept things as they are. For example, why is there a band called #HoneyRideMeAGoat? I don’t know why they’re called that, but I do know that they’re a really interesting band, so I suppose they need a name. The group’s origins go back to 2000, when some students at Canterbury College bonded over a shared love of Captain Beefheart, Black Sabbath, and Soft Machine." #ExposeOnline #AvantJazz #AvantRock #AvantProg #CuneiformRecords http://expose.org/index.php/articles/display/honey-ride-me-a-goat-horns-hooves-2.html
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New #review today: "Sometimes you have to give up trying to make sense of the world and just accept things as they are. For example, why is there a band called #HoneyRideMeAGoat? I don’t know why they’re called that, but I do know that they’re a really interesting band, so I suppose they need a name. The group’s origins go back to 2000, when some students at Canterbury College bonded over a shared love of Captain Beefheart, Black Sabbath, and Soft Machine." #ExposeOnline #AvantJazz #AvantRock #AvantProg #CuneiformRecords http://expose.org/index.php/articles/display/honey-ride-me-a-goat-horns-hooves-2.html
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:: Bahar Khazei / Jahsun / Mehgan Gilhespy + Ben Brown / Raphaël Foisy ::
Studio Error 403, Tuesday, August 25 at 07:30 PM EDT
f u z z f e s t || Small Scale Music || Mardi Spaghetti présentent / presents:
: Bahar Khazei (VAN) : piano, synth (solo + trio)
: Jahsun (MTL) : drums/batterie
: Meghan Gilhespy (MTL) : voice/voix, efx
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: Ben Brown (MTL) : drums/batterie
: Raphaël Foisy (MTL) : drums/batteriemardi 25 août / Tuesday August 25
Error 403 (email for address/pour l’addresse: [email protected])
Portes / Doors 19h30 | Show 20h00
15-20$ NOTAFLOF
les collations et les boissons sont les bienvenues / snacks and drinks are welcome (BYOB)Visuel de l’affiche / Poster art :: Fahmid Nibesh
Venue <3 Error 403 Collective
https://montreal.askapunk.net/event/bahar-khazei-jahsun-mehgan-gilhespy-ben-brown-raphael-foisy
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:: Bahar Khazei / Jahsun / Mehgan Gilhespy + Ben Brown / Raphaël Foisy ::
Studio Error 403, Tuesday, August 25 at 07:30 PM EDT
f u z z f e s t || Small Scale Music || Mardi Spaghetti présentent / presents:
: Bahar Khazei (VAN) : piano, synth (solo + trio)
: Jahsun (MTL) : drums/batterie
: Meghan Gilhespy (MTL) : voice/voix, efx
+
: Ben Brown (MTL) : drums/batterie
: Raphaël Foisy (MTL) : drums/batteriemardi 25 août / Tuesday August 25
Error 403 (email for address/pour l’addresse: [email protected])
Portes / Doors 19h30 | Show 20h00
15-20$ NOTAFLOF
les collations et les boissons sont les bienvenues / snacks and drinks are welcome (BYOB)Visuel de l’affiche / Poster art :: Fahmid Nibesh
Venue <3 Error 403 Collective
https://montreal.askapunk.net/event/bahar-khazei-jahsun-mehgan-gilhespy-ben-brown-raphael-foisy
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:: Bahar Khazei / Jahsun / Mehgan Gilhespy + Ben Brown / Raphaël Foisy ::
Studio Error 403, Tuesday, August 25 at 07:30 PM EDT
f u z z f e s t || Small Scale Music || Mardi Spaghetti présentent / presents:
: Bahar Khazei (VAN) : piano, synth (solo + trio)
: Jahsun (MTL) : drums/batterie
: Meghan Gilhespy (MTL) : voice/voix, efx
+
: Ben Brown (MTL) : drums/batterie
: Raphaël Foisy (MTL) : drums/batteriemardi 25 août / Tuesday August 25
Error 403 (email for address/pour l’addresse: [email protected])
Portes / Doors 19h30 | Show 20h00
15-20$ NOTAFLOF
les collations et les boissons sont les bienvenues / snacks and drinks are welcome (BYOB)Visuel de l’affiche / Poster art :: Fahmid Nibesh
Venue <3 Error 403 Collective
https://montreal.askapunk.net/event/bahar-khazei-jahsun-mehgan-gilhespy-ben-brown-raphael-foisy
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New #review today: "For their fifth full-length release, #LetSpin moves to #DiscusMusic, which is a very reasonable fit for their music. It’s a combination of #jazz, #funk, and noise that blends composition and improvisation seamlessly." #ExposeOnline #AvantJazz http://expose.org/index.php/articles/display/let-spin-i-am-alien-2.html
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New #review today: "For their fifth full-length release, #LetSpin moves to #DiscusMusic, which is a very reasonable fit for their music. It’s a combination of #jazz, #funk, and noise that blends composition and improvisation seamlessly." #ExposeOnline #AvantJazz http://expose.org/index.php/articles/display/let-spin-i-am-alien-2.html
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New #review today: "For their fifth full-length release, #LetSpin moves to #DiscusMusic, which is a very reasonable fit for their music. It’s a combination of #jazz, #funk, and noise that blends composition and improvisation seamlessly." #ExposeOnline #AvantJazz http://expose.org/index.php/articles/display/let-spin-i-am-alien-2.html
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New #review today: "For their fifth full-length release, #LetSpin moves to #DiscusMusic, which is a very reasonable fit for their music. It’s a combination of #jazz, #funk, and noise that blends composition and improvisation seamlessly." #ExposeOnline #AvantJazz http://expose.org/index.php/articles/display/let-spin-i-am-alien-2.html
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New #review today: "For their fifth full-length release, #LetSpin moves to #DiscusMusic, which is a very reasonable fit for their music. It’s a combination of #jazz, #funk, and noise that blends composition and improvisation seamlessly." #ExposeOnline #AvantJazz http://expose.org/index.php/articles/display/let-spin-i-am-alien-2.html
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New #review today: "#PhillipGolub is a Brooklyn-based pianist, improviser, and composer who has assembled an impressive cast of musicians for Partisan Ship, an instrumental exploration of #microtonal composition loosely depicting a crew of partisans on a quest toward a utopian future." #ExposeOnline #Jazz #MicrotonalMusic #ExperimentalMusic #AvantJazz http://expose.org/index.php/articles/display/phillip-golub-partisan-ship-6.html
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New #review today: "#PhillipGolub is a Brooklyn-based pianist, improviser, and composer who has assembled an impressive cast of musicians for Partisan Ship, an instrumental exploration of #microtonal composition loosely depicting a crew of partisans on a quest toward a utopian future." #ExposeOnline #Jazz #MicrotonalMusic #ExperimentalMusic #AvantJazz http://expose.org/index.php/articles/display/phillip-golub-partisan-ship-6.html
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New #review today: "#PhillipGolub is a Brooklyn-based pianist, improviser, and composer who has assembled an impressive cast of musicians for Partisan Ship, an instrumental exploration of #microtonal composition loosely depicting a crew of partisans on a quest toward a utopian future." #ExposeOnline #Jazz #MicrotonalMusic #ExperimentalMusic #AvantJazz http://expose.org/index.php/articles/display/phillip-golub-partisan-ship-6.html
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New #review today: "#PhillipGolub is a Brooklyn-based pianist, improviser, and composer who has assembled an impressive cast of musicians for Partisan Ship, an instrumental exploration of #microtonal composition loosely depicting a crew of partisans on a quest toward a utopian future." #ExposeOnline #Jazz #MicrotonalMusic #ExperimentalMusic #AvantJazz http://expose.org/index.php/articles/display/phillip-golub-partisan-ship-6.html
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New #review today: "#PhillipGolub is a Brooklyn-based pianist, improviser, and composer who has assembled an impressive cast of musicians for Partisan Ship, an instrumental exploration of #microtonal composition loosely depicting a crew of partisans on a quest toward a utopian future." #ExposeOnline #Jazz #MicrotonalMusic #ExperimentalMusic #AvantJazz http://expose.org/index.php/articles/display/phillip-golub-partisan-ship-6.html
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New #review today: "#LukeBainbridge is a London-based drummer and composer, and Petstep is his sophomore release, following his debut Surface Tension by five years. There is no question about it, this quartet is steeped in the #jazz idiom, driven by odd grooves and asymmetrical funkiness." #ExposeOnline #AvantJazz http://expose.org/index.php/articles/display/luke-bainbridge-petstep-3.html
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New #review today: "#LukeBainbridge is a London-based drummer and composer, and Petstep is his sophomore release, following his debut Surface Tension by five years. There is no question about it, this quartet is steeped in the #jazz idiom, driven by odd grooves and asymmetrical funkiness." #ExposeOnline #AvantJazz http://expose.org/index.php/articles/display/luke-bainbridge-petstep-3.html
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New #review today: "#LukeBainbridge is a London-based drummer and composer, and Petstep is his sophomore release, following his debut Surface Tension by five years. There is no question about it, this quartet is steeped in the #jazz idiom, driven by odd grooves and asymmetrical funkiness." #ExposeOnline #AvantJazz http://expose.org/index.php/articles/display/luke-bainbridge-petstep-3.html
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New #review today: "#LukeBainbridge is a London-based drummer and composer, and Petstep is his sophomore release, following his debut Surface Tension by five years. There is no question about it, this quartet is steeped in the #jazz idiom, driven by odd grooves and asymmetrical funkiness." #ExposeOnline #AvantJazz http://expose.org/index.php/articles/display/luke-bainbridge-petstep-3.html
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New #review today: "#LukeBainbridge is a London-based drummer and composer, and Petstep is his sophomore release, following his debut Surface Tension by five years. There is no question about it, this quartet is steeped in the #jazz idiom, driven by odd grooves and asymmetrical funkiness." #ExposeOnline #AvantJazz http://expose.org/index.php/articles/display/luke-bainbridge-petstep-3.html
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Mardi Spaghetti: 3 duos - Daisuke Terauchi & Tamaho MIikayo (Japon/Japan) - K2: Kayla Milmine & Jonathan Kay (Toronto) - Kimmie Sabio & Jason Rosenman (États-Unis/USA)
Casa Del Popolo, Tuesday, July 21 at 07:30 PM EDT
Mardi Spaghetti présente/presents:
3 Duos:
- Daisuke Terauchi & Tamaho MIikayo (Japon/Japan)
- K2: Kayla Milmine & Jonathan Kay (Toronto)
- Kimmie Sabio & Jason Rosenman (États-Unis/USA)21 Juillet 2026 / July 21st 2026
Casa del Popolo
Portes 19h30/Doors 7:30PM:
Show 20h/8PM
15-20$ Notaflof - (soyez gentils avec les groupes en tournée / be nice to the touring acts)--
Daisuke Terauchi: (Voix, flûtes à bec et quelques autres
petits instruments / Voice, recorders, and some other
small instruments)
Tamaho Miyake: (Piano & petits instruments / Piano & small instruments )https://dterauchi.com/
http://www.hi-ho.ne.jp/tamaho/Tamaho Miyake et Daisuke Terauchi sont des compositeur.ice.s et improvisateur.ice.s japonais.e.s. Lors de leurs concerts, Daisuke utilise principalement sa voix, des flûtes à bec et de petits instruments, tandis que Tamaho joue du piano et d’autres instruments. Iels se sont produits et ont collaboré
à l’échelle internationale dans le cadre de concerts, de festivals et de projets d’ensemble. Terauchi est titulaire d’un doctorat pour ses recherches sur « Cobra » de John Zorn
/
Tamaho Miyake and Daisuke Terauchi are Japanese composers and improvisers. In performance, Daisuke primarily uses voice,
recorders, and small instruments, while Tamaho performs on piano and other instruments. They have performed and collaborated
internationally in concerts, festivals, and ensemble projects.
Terauchi holds a Ph.D. for his research on John Zorn's Cobra.+
K2:
Kayla Milmine (Saxophones soprano et sopranino, ainsi qu’une collection variée de curiosités musicales / Soprano & sopranino sax and a varied trove of sound-making curiosities)
Jonathan Kay (Saxophone soprano et ténor, esraj, shakuhachi, cor tibétain et tout un arsenal d'objets sonores / Soprano & tenor sax, esraj, shakuhachi, Tibetan horn, and an arsenal of sonic artifacts)https://k2improv.bandcamp.com/
K2 est un duo d'improvisation composé de Kayla Milmine (saxophone soprano) et Jonathan Kay (saxophones soprano et ténor, esraj, shakuhachi, cor tibétain). Leur collaboration explore les pouvoirs bruts et transformateurs de la musique, créant des rituels sonores qui sont autant d'espaces nourris par l'indétermination, où les frontières ne sont pas seulement franchies, mais effacées grâce à une improvisation transculturelle et à une approche sonore résolument nomade.
/
K2 is an improvising duo by Kayla Milmine (soprano sax) and Jonathan Kay (soprano & tenor sax, esraj, shakuhachi, Tibetan horn). Their union delves into the raw, transformative powers of music, conjuring sound-rituals as sites fueled by indeterminacy, where boundaries are not just crossed but obliterated through transcultural improvisation and an unapologetically nomadic approach to sound.+
Kimmie Sabio (Trompette/Trumpet)
Jason Rosenman (Sousaphone)Kimmie Sabio is a performer, educator and arts administrator. While her training is primarily in classical Trumpet she has developed a passion for free improvisation after working closely with Joe Morris at New England Conservatory. She has started her own concert series, Fort Point Free Music Collective. She is also a member of Balkan brass band emperor Nortons Stationary Marching Band and video game music band, Magnificent Danger. She’s an active freelancer in the Boston community. Recent engagements include 25th anniversary of Non-Event celebration as well as a featured soloist at the Cape Cod Chorale.
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Jason is a low brass player and audio engineer living in Somerville, Massachusetts. They learned tuba with bands in the HONK community brass festival. Jason now plays mostly Balkan and Eastern European-inspired music with Conical Cacophony, The Velvet Dirtmunchers, and Emperor Norton’s Stationary Marching Band.
/
Kimmie Sabio est musicienne, enseignante et travailleuse culturelle. Bien qu’elle ait suivi une formation principalement axée sur la trompette classique, elle s’est découvert une passion pour l’improvisation libre après avoir travaillé en étroite collaboration avec Joe Morris au New England Conservatory. Elle dirige la série de concerts Fort Point Free Music Collective. Elle est également membre de la fanfare balkanique Emperor Nortons Stationary Marching Band et du groupe de musique de jeux vidéo Magnificent Danger. Elle mène une carrière active en tant qu’artiste indépendante au sein de la communauté de Boston. Parmi ses engagements récents, on peut citer la célébration du 25e anniversaire de Non-Event ainsi qu’une prestation en tant que soliste invitée au sein du Cape Cod Chorale.
--
Jason pratique les cuivres graves et travaille comme ingénieur·e du son. Iel vit à Somerville, au Massachusetts. Iel a appris à jouer du tuba au sein de groupes participant au festival communautaire de fanfares HONK. Aujourd’hui, Jason joue principalement de la musique d’inspiration balkanique et d’Europe de l’Est avec les ensembles Conical Cacophony, The Velvet Dirtmunchers et Emperor Norton’s Stationary Marching Band. -
Mardi Spaghetti: 3 duos - Daisuke Terauchi & Tamaho MIikayo (Japon/Japan) - K2: Kayla Milmine & Jonathan Kay (Toronto) - Kimmie Sabio & Jason Rosenman (États-Unis/USA)
Casa Del Popolo, Tuesday, July 21 at 07:30 PM EDT
Mardi Spaghetti présente/presents:
3 Duos:
- Daisuke Terauchi & Tamaho MIikayo (Japon/Japan)
- K2: Kayla Milmine & Jonathan Kay (Toronto)
- Kimmie Sabio & Jason Rosenman (États-Unis/USA)21 Juillet 2026 / July 21st 2026
Casa del Popolo
Portes 19h30/Doors 7:30PM:
Show 20h/8PM
15-20$ Notaflof - (soyez gentils avec les groupes en tournée / be nice to the touring acts)--
Daisuke Terauchi: (Voix, flûtes à bec et quelques autres
petits instruments / Voice, recorders, and some other
small instruments)
Tamaho Miyake: (Piano & petits instruments / Piano & small instruments )https://dterauchi.com/
http://www.hi-ho.ne.jp/tamaho/Tamaho Miyake et Daisuke Terauchi sont des compositeur.ice.s et improvisateur.ice.s japonais.e.s. Lors de leurs concerts, Daisuke utilise principalement sa voix, des flûtes à bec et de petits instruments, tandis que Tamaho joue du piano et d’autres instruments. Iels se sont produits et ont collaboré
à l’échelle internationale dans le cadre de concerts, de festivals et de projets d’ensemble. Terauchi est titulaire d’un doctorat pour ses recherches sur « Cobra » de John Zorn
/
Tamaho Miyake and Daisuke Terauchi are Japanese composers and improvisers. In performance, Daisuke primarily uses voice,
recorders, and small instruments, while Tamaho performs on piano and other instruments. They have performed and collaborated
internationally in concerts, festivals, and ensemble projects.
Terauchi holds a Ph.D. for his research on John Zorn's Cobra.+
K2:
Kayla Milmine (Saxophones soprano et sopranino, ainsi qu’une collection variée de curiosités musicales / Soprano & sopranino sax and a varied trove of sound-making curiosities)
Jonathan Kay (Saxophone soprano et ténor, esraj, shakuhachi, cor tibétain et tout un arsenal d'objets sonores / Soprano & tenor sax, esraj, shakuhachi, Tibetan horn, and an arsenal of sonic artifacts)https://k2improv.bandcamp.com/
K2 est un duo d'improvisation composé de Kayla Milmine (saxophone soprano) et Jonathan Kay (saxophones soprano et ténor, esraj, shakuhachi, cor tibétain). Leur collaboration explore les pouvoirs bruts et transformateurs de la musique, créant des rituels sonores qui sont autant d'espaces nourris par l'indétermination, où les frontières ne sont pas seulement franchies, mais effacées grâce à une improvisation transculturelle et à une approche sonore résolument nomade.
/
K2 is an improvising duo by Kayla Milmine (soprano sax) and Jonathan Kay (soprano & tenor sax, esraj, shakuhachi, Tibetan horn). Their union delves into the raw, transformative powers of music, conjuring sound-rituals as sites fueled by indeterminacy, where boundaries are not just crossed but obliterated through transcultural improvisation and an unapologetically nomadic approach to sound.+
Kimmie Sabio (Trompette/Trumpet)
Jason Rosenman (Sousaphone)Kimmie Sabio is a performer, educator and arts administrator. While her training is primarily in classical Trumpet she has developed a passion for free improvisation after working closely with Joe Morris at New England Conservatory. She has started her own concert series, Fort Point Free Music Collective. She is also a member of Balkan brass band emperor Nortons Stationary Marching Band and video game music band, Magnificent Danger. She’s an active freelancer in the Boston community. Recent engagements include 25th anniversary of Non-Event celebration as well as a featured soloist at the Cape Cod Chorale.
--
Jason is a low brass player and audio engineer living in Somerville, Massachusetts. They learned tuba with bands in the HONK community brass festival. Jason now plays mostly Balkan and Eastern European-inspired music with Conical Cacophony, The Velvet Dirtmunchers, and Emperor Norton’s Stationary Marching Band.
/
Kimmie Sabio est musicienne, enseignante et travailleuse culturelle. Bien qu’elle ait suivi une formation principalement axée sur la trompette classique, elle s’est découvert une passion pour l’improvisation libre après avoir travaillé en étroite collaboration avec Joe Morris au New England Conservatory. Elle dirige la série de concerts Fort Point Free Music Collective. Elle est également membre de la fanfare balkanique Emperor Nortons Stationary Marching Band et du groupe de musique de jeux vidéo Magnificent Danger. Elle mène une carrière active en tant qu’artiste indépendante au sein de la communauté de Boston. Parmi ses engagements récents, on peut citer la célébration du 25e anniversaire de Non-Event ainsi qu’une prestation en tant que soliste invitée au sein du Cape Cod Chorale.
--
Jason pratique les cuivres graves et travaille comme ingénieur·e du son. Iel vit à Somerville, au Massachusetts. Iel a appris à jouer du tuba au sein de groupes participant au festival communautaire de fanfares HONK. Aujourd’hui, Jason joue principalement de la musique d’inspiration balkanique et d’Europe de l’Est avec les ensembles Conical Cacophony, The Velvet Dirtmunchers et Emperor Norton’s Stationary Marching Band. -
Mardi Spaghetti: 3 duos - Daisuke Terauchi & Tamaho MIikayo (Japon/Japan) - K2: Kayla Milmine & Jonathan Kay (Toronto) - Kimmie Sabio & Jason Rosenman (États-Unis/USA)
Casa Del Popolo, Tuesday, July 21 at 07:30 PM EDT
Mardi Spaghetti présente/presents:
3 Duos:
- Daisuke Terauchi & Tamaho MIikayo (Japon/Japan)
- K2: Kayla Milmine & Jonathan Kay (Toronto)
- Kimmie Sabio & Jason Rosenman (États-Unis/USA)21 Juillet 2026 / July 21st 2026
Casa del Popolo
Portes 19h30/Doors 7:30PM:
Show 20h/8PM
15-20$ Notaflof - (soyez gentils avec les groupes en tournée / be nice to the touring acts)--
Daisuke Terauchi: (Voix, flûtes à bec et quelques autres
petits instruments / Voice, recorders, and some other
small instruments)
Tamaho Miyake: (Piano & petits instruments / Piano & small instruments )https://dterauchi.com/
http://www.hi-ho.ne.jp/tamaho/Tamaho Miyake et Daisuke Terauchi sont des compositeur.ice.s et improvisateur.ice.s japonais.e.s. Lors de leurs concerts, Daisuke utilise principalement sa voix, des flûtes à bec et de petits instruments, tandis que Tamaho joue du piano et d’autres instruments. Iels se sont produits et ont collaboré
à l’échelle internationale dans le cadre de concerts, de festivals et de projets d’ensemble. Terauchi est titulaire d’un doctorat pour ses recherches sur « Cobra » de John Zorn
/
Tamaho Miyake and Daisuke Terauchi are Japanese composers and improvisers. In performance, Daisuke primarily uses voice,
recorders, and small instruments, while Tamaho performs on piano and other instruments. They have performed and collaborated
internationally in concerts, festivals, and ensemble projects.
Terauchi holds a Ph.D. for his research on John Zorn's Cobra.+
K2:
Kayla Milmine (Saxophones soprano et sopranino, ainsi qu’une collection variée de curiosités musicales / Soprano & sopranino sax and a varied trove of sound-making curiosities)
Jonathan Kay (Saxophone soprano et ténor, esraj, shakuhachi, cor tibétain et tout un arsenal d'objets sonores / Soprano & tenor sax, esraj, shakuhachi, Tibetan horn, and an arsenal of sonic artifacts)https://k2improv.bandcamp.com/
K2 est un duo d'improvisation composé de Kayla Milmine (saxophone soprano) et Jonathan Kay (saxophones soprano et ténor, esraj, shakuhachi, cor tibétain). Leur collaboration explore les pouvoirs bruts et transformateurs de la musique, créant des rituels sonores qui sont autant d'espaces nourris par l'indétermination, où les frontières ne sont pas seulement franchies, mais effacées grâce à une improvisation transculturelle et à une approche sonore résolument nomade.
/
K2 is an improvising duo by Kayla Milmine (soprano sax) and Jonathan Kay (soprano & tenor sax, esraj, shakuhachi, Tibetan horn). Their union delves into the raw, transformative powers of music, conjuring sound-rituals as sites fueled by indeterminacy, where boundaries are not just crossed but obliterated through transcultural improvisation and an unapologetically nomadic approach to sound.+
Kimmie Sabio (Trompette/Trumpet)
Jason Rosenman (Sousaphone)Kimmie Sabio is a performer, educator and arts administrator. While her training is primarily in classical Trumpet she has developed a passion for free improvisation after working closely with Joe Morris at New England Conservatory. She has started her own concert series, Fort Point Free Music Collective. She is also a member of Balkan brass band emperor Nortons Stationary Marching Band and video game music band, Magnificent Danger. She’s an active freelancer in the Boston community. Recent engagements include 25th anniversary of Non-Event celebration as well as a featured soloist at the Cape Cod Chorale.
--
Jason is a low brass player and audio engineer living in Somerville, Massachusetts. They learned tuba with bands in the HONK community brass festival. Jason now plays mostly Balkan and Eastern European-inspired music with Conical Cacophony, The Velvet Dirtmunchers, and Emperor Norton’s Stationary Marching Band.
/
Kimmie Sabio est musicienne, enseignante et travailleuse culturelle. Bien qu’elle ait suivi une formation principalement axée sur la trompette classique, elle s’est découvert une passion pour l’improvisation libre après avoir travaillé en étroite collaboration avec Joe Morris au New England Conservatory. Elle dirige la série de concerts Fort Point Free Music Collective. Elle est également membre de la fanfare balkanique Emperor Nortons Stationary Marching Band et du groupe de musique de jeux vidéo Magnificent Danger. Elle mène une carrière active en tant qu’artiste indépendante au sein de la communauté de Boston. Parmi ses engagements récents, on peut citer la célébration du 25e anniversaire de Non-Event ainsi qu’une prestation en tant que soliste invitée au sein du Cape Cod Chorale.
--
Jason pratique les cuivres graves et travaille comme ingénieur·e du son. Iel vit à Somerville, au Massachusetts. Iel a appris à jouer du tuba au sein de groupes participant au festival communautaire de fanfares HONK. Aujourd’hui, Jason joue principalement de la musique d’inspiration balkanique et d’Europe de l’Est avec les ensembles Conical Cacophony, The Velvet Dirtmunchers et Emperor Norton’s Stationary Marching Band. -
CRISCO 3 – You can never please anybody
#Aut #Avantjazz #Bigoni #BittoloBon #Clarinet #Contemporaryjazz #Crisco3 #ExperimentalElectronicMusic #Improv #Improvisation #Jazz #Saxophone #Scardino #Youcanneverpleaseanybody #creativemusic #Bologna
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://autrecords.bandcamp.com/album/you-can-never-please-anybody -
CRISCO 3 – You can never please anybody
#Aut #Avantjazz #Bigoni #BittoloBon #Clarinet #Contemporaryjazz #Crisco3 #ExperimentalElectronicMusic #Improv #Improvisation #Jazz #Saxophone #Scardino #Youcanneverpleaseanybody #creativemusic #Bologna
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://autrecords.bandcamp.com/album/you-can-never-please-anybody -
CRISCO 3 – You can never please anybody
#Aut #Avantjazz #Bigoni #BittoloBon #Clarinet #Contemporaryjazz #Crisco3 #ExperimentalElectronicMusic #Improv #Improvisation #Jazz #Saxophone #Scardino #Youcanneverpleaseanybody #creativemusic #Bologna
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://autrecords.bandcamp.com/album/you-can-never-please-anybody -
CRISCO 3 – You can never please anybody
#Aut #Avantjazz #Bigoni #BittoloBon #Clarinet #Contemporaryjazz #Crisco3 #ExperimentalElectronicMusic #Improv #Improvisation #Jazz #Saxophone #Scardino #Youcanneverpleaseanybody #creativemusic #Bologna
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://autrecords.bandcamp.com/album/you-can-never-please-anybody -
CRISCO 3 – You can never please anybody
#Aut #Avantjazz #Bigoni #BittoloBon #Clarinet #Contemporaryjazz #Crisco3 #ExperimentalElectronicMusic #Improv #Improvisation #Jazz #Saxophone #Scardino #Youcanneverpleaseanybody #creativemusic #Bologna
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://autrecords.bandcamp.com/album/you-can-never-please-anybody -
New #review today: "#HilaryJeffery is a composer, arranger, teacher, and multi-instrumentalist, born in suburban England in 1971, though he is currently based in Berlin. The material on Green Prism consists of arrangements of music written by #KeithTippett in the latter part of his career, mostly drawn from a suite titled Winter’s Welcome in 2018." #ExposeOnline #DiscusMusic #AvantJazz #jazz http://expose.org/index.php/articles/display/hilary-jeffery-green-prism-music-by-keith-tippett-3.html
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New #review today: "#HilaryJeffery is a composer, arranger, teacher, and multi-instrumentalist, born in suburban England in 1971, though he is currently based in Berlin. The material on Green Prism consists of arrangements of music written by #KeithTippett in the latter part of his career, mostly drawn from a suite titled Winter’s Welcome in 2018." #ExposeOnline #DiscusMusic #AvantJazz #jazz http://expose.org/index.php/articles/display/hilary-jeffery-green-prism-music-by-keith-tippett-3.html
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New #review today: "#HilaryJeffery is a composer, arranger, teacher, and multi-instrumentalist, born in suburban England in 1971, though he is currently based in Berlin. The material on Green Prism consists of arrangements of music written by #KeithTippett in the latter part of his career, mostly drawn from a suite titled Winter’s Welcome in 2018." #ExposeOnline #DiscusMusic #AvantJazz #jazz http://expose.org/index.php/articles/display/hilary-jeffery-green-prism-music-by-keith-tippett-3.html
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New #review today: "#HilaryJeffery is a composer, arranger, teacher, and multi-instrumentalist, born in suburban England in 1971, though he is currently based in Berlin. The material on Green Prism consists of arrangements of music written by #KeithTippett in the latter part of his career, mostly drawn from a suite titled Winter’s Welcome in 2018." #ExposeOnline #DiscusMusic #AvantJazz #jazz http://expose.org/index.php/articles/display/hilary-jeffery-green-prism-music-by-keith-tippett-3.html
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New #review today: "#HilaryJeffery is a composer, arranger, teacher, and multi-instrumentalist, born in suburban England in 1971, though he is currently based in Berlin. The material on Green Prism consists of arrangements of music written by #KeithTippett in the latter part of his career, mostly drawn from a suite titled Winter’s Welcome in 2018." #ExposeOnline #DiscusMusic #AvantJazz #jazz http://expose.org/index.php/articles/display/hilary-jeffery-green-prism-music-by-keith-tippett-3.html
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Small Scale Music: 2 Trios - Lash/Shalabi/Campbell + Tamirisa/Nesbitt/Anne-f
Error 403, Sunday, July 12 at 07:30 PM EDT
Small Scale Music présente / presents:
Dominic Lash(UK): Contrebasse/Double Bass
Belinda Campbell: Piano & FX
Sam Shalabi: Guitar(e)+
Asha Tamirisa: Synth
Roxanne Nesbitt: Percussion, instruments artisanaux, piano/Percussions, artisanal instruments & piano
Anne-f: Électricité/Electricity12 Juillet 2026/July 12th 2026, @ Error 403
Musique à 20h/Music at 8 PM
15-20$ NOTAFLOF - MP pour l’adresse/DM 4 address -
Small Scale Music: 2 Trios - Lash/Shalabi/Campbell + Tamirisa/Nesbitt/Anne-f
Error 403, Sunday, July 12 at 07:30 PM EDT
Small Scale Music présente / presents:
Dominic Lash(UK): Contrebasse/Double Bass
Belinda Campbell: Piano & FX
Sam Shalabi: Guitar(e)+
Asha Tamirisa: Synth
Roxanne Nesbitt: Percussion, instruments artisanaux, piano/Percussions, artisanal instruments & piano
Anne-f: Électricité/Electricity12 Juillet 2026/July 12th 2026, @ Error 403
Musique à 20h/Music at 8 PM
15-20$ NOTAFLOF - MP pour l’adresse/DM 4 address -
Small Scale Music: 2 Trios - Lash/Shalabi/Campbell + Tamirisa/Nesbitt/Anne-f
Error 403, Sunday, July 12 at 07:30 PM EDT
Small Scale Music présente / presents:
Dominic Lash(UK): Contrebasse/Double Bass
Belinda Campbell: Piano & FX
Sam Shalabi: Guitar(e)+
Asha Tamirisa: Synth
Roxanne Nesbitt: Percussion, instruments artisanaux, piano/Percussions, artisanal instruments & piano
Anne-f: Électricité/Electricity12 Juillet 2026/July 12th 2026, @ Error 403
Musique à 20h/Music at 8 PM
15-20$ NOTAFLOF - MP pour l’adresse/DM 4 address -
New #review today: "Most of the recent #DiscusMusic label releases by #PaulDunmall that we have reviewed here featured expansive groups of six or more players: Bright Light A Joyous Celebration was a sextet, Red Hot Ice was a nonet, and the most recent, Away with Troubles and Anxieties from 2025, was an eleven-piece; one would figure from that trajectory that the next one would be a fifteen piece band, but instead he’s dialed Afraid to Speak back to a quintet for all but the closing track, which features six." #ExposeOnline #Jazz #AvantJazz http://expose.org/index.php/articles/display/paul-dunmall-afraid-to-speak-3.html
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New #review today: "Most of the recent #DiscusMusic label releases by #PaulDunmall that we have reviewed here featured expansive groups of six or more players: Bright Light A Joyous Celebration was a sextet, Red Hot Ice was a nonet, and the most recent, Away with Troubles and Anxieties from 2025, was an eleven-piece; one would figure from that trajectory that the next one would be a fifteen piece band, but instead he’s dialed Afraid to Speak back to a quintet for all but the closing track, which features six." #ExposeOnline #Jazz #AvantJazz http://expose.org/index.php/articles/display/paul-dunmall-afraid-to-speak-3.html
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New #review today: "Most of the recent #DiscusMusic label releases by #PaulDunmall that we have reviewed here featured expansive groups of six or more players: Bright Light A Joyous Celebration was a sextet, Red Hot Ice was a nonet, and the most recent, Away with Troubles and Anxieties from 2025, was an eleven-piece; one would figure from that trajectory that the next one would be a fifteen piece band, but instead he’s dialed Afraid to Speak back to a quintet for all but the closing track, which features six." #ExposeOnline #Jazz #AvantJazz http://expose.org/index.php/articles/display/paul-dunmall-afraid-to-speak-3.html
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New #review today: "Most of the recent #DiscusMusic label releases by #PaulDunmall that we have reviewed here featured expansive groups of six or more players: Bright Light A Joyous Celebration was a sextet, Red Hot Ice was a nonet, and the most recent, Away with Troubles and Anxieties from 2025, was an eleven-piece; one would figure from that trajectory that the next one would be a fifteen piece band, but instead he’s dialed Afraid to Speak back to a quintet for all but the closing track, which features six." #ExposeOnline #Jazz #AvantJazz http://expose.org/index.php/articles/display/paul-dunmall-afraid-to-speak-3.html
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New #review today: "Most of the recent #DiscusMusic label releases by #PaulDunmall that we have reviewed here featured expansive groups of six or more players: Bright Light A Joyous Celebration was a sextet, Red Hot Ice was a nonet, and the most recent, Away with Troubles and Anxieties from 2025, was an eleven-piece; one would figure from that trajectory that the next one would be a fifteen piece band, but instead he’s dialed Afraid to Speak back to a quintet for all but the closing track, which features six." #ExposeOnline #Jazz #AvantJazz http://expose.org/index.php/articles/display/paul-dunmall-afraid-to-speak-3.html
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New #review today: "Between #JoBergerMyhre's bowed double bass, eight string bass, and extended guitar techniques, plus the Iranian percussion, there is a diverse array of unusual sounds coming together across these seven tracks, such that it puts it far outside the standard #jazz idiom, in fact it’s often closer to electric chamber music." #ExposeOnline #RareNoiseRecords #AvantJazz #ChamberJazz http://expose.org/index.php/articles/display/jo-berger-myhre-penta-3.html
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New #review today: "Between #JoBergerMyhre's bowed double bass, eight string bass, and extended guitar techniques, plus the Iranian percussion, there is a diverse array of unusual sounds coming together across these seven tracks, such that it puts it far outside the standard #jazz idiom, in fact it’s often closer to electric chamber music." #ExposeOnline #RareNoiseRecords #AvantJazz #ChamberJazz http://expose.org/index.php/articles/display/jo-berger-myhre-penta-3.html
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New #review today: "Between #JoBergerMyhre's bowed double bass, eight string bass, and extended guitar techniques, plus the Iranian percussion, there is a diverse array of unusual sounds coming together across these seven tracks, such that it puts it far outside the standard #jazz idiom, in fact it’s often closer to electric chamber music." #ExposeOnline #RareNoiseRecords #AvantJazz #ChamberJazz http://expose.org/index.php/articles/display/jo-berger-myhre-penta-3.html
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New #review today: "Between #JoBergerMyhre's bowed double bass, eight string bass, and extended guitar techniques, plus the Iranian percussion, there is a diverse array of unusual sounds coming together across these seven tracks, such that it puts it far outside the standard #jazz idiom, in fact it’s often closer to electric chamber music." #ExposeOnline #RareNoiseRecords #AvantJazz #ChamberJazz http://expose.org/index.php/articles/display/jo-berger-myhre-penta-3.html
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New #review today: "Between #JoBergerMyhre's bowed double bass, eight string bass, and extended guitar techniques, plus the Iranian percussion, there is a diverse array of unusual sounds coming together across these seven tracks, such that it puts it far outside the standard #jazz idiom, in fact it’s often closer to electric chamber music." #ExposeOnline #RareNoiseRecords #AvantJazz #ChamberJazz http://expose.org/index.php/articles/display/jo-berger-myhre-penta-3.html
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New #review today: "#DiegoPiñera is a #jazz drummer originally from Uruguay, though he’s been based in Berlin for some time now, and his music certainly takes after those European artists who incorporate Classical influences into their jazz. This is especially true on Romanian Dance, where #BélaBartók is the primary reference." #ExposeOnline #AvantJazz #ChamberJazz #JohnPatitucci #DavidKikoski http://expose.org/index.php/articles/display/diego-pinera-romanian-dance-evidence-2.html
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New #review today: "#DiegoPiñera is a #jazz drummer originally from Uruguay, though he’s been based in Berlin for some time now, and his music certainly takes after those European artists who incorporate Classical influences into their jazz. This is especially true on Romanian Dance, where #BélaBartók is the primary reference." #ExposeOnline #AvantJazz #ChamberJazz #JohnPatitucci #DavidKikoski http://expose.org/index.php/articles/display/diego-pinera-romanian-dance-evidence-2.html
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New #review today: "#DiegoPiñera is a #jazz drummer originally from Uruguay, though he’s been based in Berlin for some time now, and his music certainly takes after those European artists who incorporate Classical influences into their jazz. This is especially true on Romanian Dance, where #BélaBartók is the primary reference." #ExposeOnline #AvantJazz #ChamberJazz #JohnPatitucci #DavidKikoski http://expose.org/index.php/articles/display/diego-pinera-romanian-dance-evidence-2.html
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New #review today: "#DiegoPiñera is a #jazz drummer originally from Uruguay, though he’s been based in Berlin for some time now, and his music certainly takes after those European artists who incorporate Classical influences into their jazz. This is especially true on Romanian Dance, where #BélaBartók is the primary reference." #ExposeOnline #AvantJazz #ChamberJazz #JohnPatitucci #DavidKikoski http://expose.org/index.php/articles/display/diego-pinera-romanian-dance-evidence-2.html
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New #review today: "#DiegoPiñera is a #jazz drummer originally from Uruguay, though he’s been based in Berlin for some time now, and his music certainly takes after those European artists who incorporate Classical influences into their jazz. This is especially true on Romanian Dance, where #BélaBartók is the primary reference." #ExposeOnline #AvantJazz #ChamberJazz #JohnPatitucci #DavidKikoski http://expose.org/index.php/articles/display/diego-pinera-romanian-dance-evidence-2.html
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New #review today: "We have previously encountered cellist #JanelLeppin as half of #JanelAndAnthony, as leader of #EnsembleVolcanicAsh, and as a member of Skullcap, but she’s got a lot more going on than just those releases. 2026 sees Cuneiform releasing a pair of albums under her name: Slowly Melting is a true solo effort, while Pluto in Aquarius is another album with Ensemble Volcanic Ash." #ExposeOnline #AvantJazz #AvantRock #ExperimentalMusic #AnthonyPirog #CuneiformRecords http://expose.org/index.php/articles/display/janel-leppin-slowly-melting-pluto-in-aquarius-2.html
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New #review today: "We have previously encountered cellist #JanelLeppin as half of #JanelAndAnthony, as leader of #EnsembleVolcanicAsh, and as a member of Skullcap, but she’s got a lot more going on than just those releases. 2026 sees Cuneiform releasing a pair of albums under her name: Slowly Melting is a true solo effort, while Pluto in Aquarius is another album with Ensemble Volcanic Ash." #ExposeOnline #AvantJazz #AvantRock #ExperimentalMusic #AnthonyPirog #CuneiformRecords http://expose.org/index.php/articles/display/janel-leppin-slowly-melting-pluto-in-aquarius-2.html
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New #review today: "We have previously encountered cellist #JanelLeppin as half of #JanelAndAnthony, as leader of #EnsembleVolcanicAsh, and as a member of Skullcap, but she’s got a lot more going on than just those releases. 2026 sees Cuneiform releasing a pair of albums under her name: Slowly Melting is a true solo effort, while Pluto in Aquarius is another album with Ensemble Volcanic Ash." #ExposeOnline #AvantJazz #AvantRock #ExperimentalMusic #AnthonyPirog #CuneiformRecords http://expose.org/index.php/articles/display/janel-leppin-slowly-melting-pluto-in-aquarius-2.html
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New #review today: "We have previously encountered cellist #JanelLeppin as half of #JanelAndAnthony, as leader of #EnsembleVolcanicAsh, and as a member of Skullcap, but she’s got a lot more going on than just those releases. 2026 sees Cuneiform releasing a pair of albums under her name: Slowly Melting is a true solo effort, while Pluto in Aquarius is another album with Ensemble Volcanic Ash." #ExposeOnline #AvantJazz #AvantRock #ExperimentalMusic #AnthonyPirog #CuneiformRecords http://expose.org/index.php/articles/display/janel-leppin-slowly-melting-pluto-in-aquarius-2.html
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New #review today: "We have previously encountered cellist #JanelLeppin as half of #JanelAndAnthony, as leader of #EnsembleVolcanicAsh, and as a member of Skullcap, but she’s got a lot more going on than just those releases. 2026 sees Cuneiform releasing a pair of albums under her name: Slowly Melting is a true solo effort, while Pluto in Aquarius is another album with Ensemble Volcanic Ash." #ExposeOnline #AvantJazz #AvantRock #ExperimentalMusic #AnthonyPirog #CuneiformRecords http://expose.org/index.php/articles/display/janel-leppin-slowly-melting-pluto-in-aquarius-2.html
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♬〜 Keith Jarrett Trio - My Back Pages 💿Somewhere Before
#Jazz #AvantJazz #Jarrett #JazzPiano #Piano #NowPlaying