#blaspheme — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #blaspheme, aggregated by home.social.
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Si le corps du christ est du pain...
Si il s'est relevé trois jours après sa crucifixion...
Est ce à cause du levain ?
Je demande hein, c'est pour un ami qui aime blasphémer... -
Si le corps du christ est du pain...
Si il s'est relevé trois jours après sa crucifixion...
Est ce à cause du levain ?
Je demande hein, c'est pour un ami qui aime blasphémer... -
Si le corps du christ est du pain...
Si il s'est relevé trois jours après sa crucifixion...
Est ce à cause du levain ?
Je demande hein, c'est pour un ami qui aime blasphémer... -
🕸glané sur le net🕸 Au Maroc, en prison pour blasphème, Ibtissame Lachgar risque de perdre son bras: La militante a été condamnée à deux ans et demi de prison pour avoir posté, sur X, une photo d'elle avec un T-shirt marqué du… #LibertéDexpression #Blasphème #IbtissameLachgar #JusticePourIbtissame
Au Maroc, en prison pour blasp... -
🕸glané sur le net🕸 Au Maroc, en prison pour blasphème, Ibtissame Lachgar risque de perdre son bras: La militante a été condamnée à deux ans et demi de prison pour avoir posté, sur X, une photo d'elle avec un T-shirt marqué du… #LibertéDexpression #Blasphème #IbtissameLachgar #JusticePourIbtissame
Au Maroc, en prison pour blasp... -
Le Droit de vivre Sophia Aram : "« Génocide » est devenu un mot pour faire taire" (Le Droit de vivre, Licra, été 26)
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Le Droit de vivre Sophia Aram : "« Génocide » est devenu un mot pour faire taire" (Le Droit de vivre, Licra, été 26)
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Le Droit de vivre Sophia Aram : "« Génocide » est devenu un mot pour faire taire" (Le Droit de vivre, Licra, été 26)
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Le Droit de vivre Sophia Aram : "« Génocide » est devenu un mot pour faire taire" (Le Droit de vivre, Licra, été 26)
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Collectif laïque national "L'Abandon" : "Lettre à Monsieur le ministre de l'Education nationale" (Collectif laïque national, 1er juin 26)
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Collectif laïque national "L'Abandon" : "Lettre à Monsieur le ministre de l'Education nationale" (Collectif laïque national, 1er juin 26)
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Collectif laïque national "L'Abandon" : "Lettre à Monsieur le ministre de l'Education nationale" (Collectif laïque national, 1er juin 26)
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Collectif laïque national "L'Abandon" : "Lettre à Monsieur le ministre de l'Education nationale" (Collectif laïque national, 1er juin 26)
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[Exclusif] À Nancy, un « Requiem » avec scènes sexuelles et nudité intégrale financé par l’argent public
Société L’Opéra national de Nancy-Lorraine programme une version très contemporaine de la Messa da requiem de Verdi, déconseillée…
#Nancy #FR #France #Actu #News #Europe #EU #actu #Actualités #Blasphème #europe #GrandEst #lgbt #Opéra #queer #Républiquefrançaise
https://www.europesays.com/fr/948300/ -
https://www.europesays.com/fr/948300/ [Exclusif] À Nancy, un « Requiem » avec scènes sexuelles et nudité intégrale financé par l’argent public #actu #Actualités #Blasphème #EU #europe #FR #France #GrandEst #lgbt #Nancy #News #Opéra #queer #RépubliqueFrançaise
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“Rubens, for instance, takes a gross pleasure in female flesh, rendering it truthfully from lack of imagination and analysis. Idealist painters like Bourgereau awake to the divergence between Nature and their academic standards of Beauty, falsify the facts in order to delude themselves. The greatest, like Rembrandt, paint a gallant, a hag, and a carcass with equal passion and rapture; they love the truth as it is. They do not admit that anything can be ugly or evil; its existence justifies itself. This is because they know themselves to be part of an harmonious unity; to disdain any item of it would be to blaspheme the whole.” https://library.hrmtc.com/2026/04/30/rubens-for-instance-takes-a-gross-pleasure-in-female-flesh-rendering-it-truthfully-from-lack-of-imagination-and-analysis-idealist-painters-like-bourgereau-awake-to-the-divergence-between-nature/ #academicStandards #aleisterCrowley #analysis #anyItem #asItIs #awake #beauty #blaspheme #book #carcass #deludeThemselves #disdain #divergence #doNotAdmit #equal #Evil #existence #facts #falsify #femaleFlesh #forInstance #gallant #greatest #grossPleasure #hag #harmoniousUnity #idealistPainters #inOrderTo #justifies #knowThemselves #lackOfImagination #liberLegis #love #nature #NewComment #paint #passion #PeterPaulRubens #quote #rapture #Rembrandt #rendering #takes #TheBookOfTheLaw #truth #truthfully #ugly #whole #WilliamAdolpheBouguereau -
https://www.europesays.com/fr/867329/ Non content de critiquer le pape, Trump se prend aussi (brièvement) pour le Christ #Actualité #Actualités #Blasphème #catholicisme #DonaldTrump #EtatsUnis #FR #France #GuerreEnIran #image #IntelligenceArtificielle(IA) #international #Monde #News #PapeLéonXIV #Religion #RéseauxSociaux #World
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I want to remind everybody that we have to larger than life #world #leaders that have been the death of so many humans, #Putin and #Netanyahu, that believe that they are #Divinely placed and doing #God's work. They #blaspheme. Thou shalt not kill.
RE: https://bsky.app/profile/did:plc:hc7tndm7gduompba65aps75k/post/3mgdf262vrs2l -
I want to remind everybody that we have to larger than life #world #leaders that have been the death of so many humans, #Putin and #Netanyahu, that believe that they are #Divinely placed and doing #God's work. They #blaspheme. Thou shalt not kill.
RE: https://bsky.app/profile/did:plc:hc7tndm7gduompba65aps75k/post/3mgdf262vrs2l -
La lecture du moment...un roman très corrosif qui se fout royalement de la religion, du showbiz, du narcissisme ambiant et des fatwas...Paru en 2003, mais toujours très percutant...
The reading of the moment... A very corrosive novel that doesn't give a damn about religion, showbiz, ambient narcissism and fatwas... Published in 2003, but still very powerful...
#lecture #parodie #humour #impertinence #blaspheme #satire #yb
#roman #allahsuperstar -
Port du #voile, #antisémitisme, #blasphème...
La Grande #Mosquée de #Paris va publier "un code de bonne conduite pour les #musulmans" afin de concilier #foi et #République...
#Athées, qu'en pensez-vous ?
@GenerationAthee
https://www.leparisien.fr/societe/religions/un-code-de-bonne-conduite-pour-les-musulmans-comment-la-grande-mosquee-de-paris-a-travaille-09-02-2026-CYLE5LRTC5F6FKEDGGPZZRFTLI.php -
Et un peu de respect aujourd'hui hein !
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Et un peu de respect aujourd'hui hein !
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Et un peu de respect aujourd'hui hein !
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Et un peu de respect aujourd'hui hein !
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Et un peu de respect aujourd'hui hein !
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Ce matin, j'ai été stupéfait !
A l'église, la dame à côté de moi a fumé sa clope pendant l'Office !
Ça m'a tellement choqué que j'ai failli en faire tomber ma bière 🙄 -
Ce matin, j'ai été stupéfait !
A l'église, la dame à côté de moi a fumé sa clope pendant l'Office !
Ça m'a tellement choqué que j'ai failli en faire tomber ma bière 🙄 -
Ce matin, j'ai été stupéfait !
A l'église, la dame à côté de moi a fumé sa clope pendant l'Office !
Ça m'a tellement choqué que j'ai failli en faire tomber ma bière 🙄 -
Ce matin, j'ai été stupéfait !
A l'église, la dame à côté de moi a fumé sa clope pendant l'Office !
Ça m'a tellement choqué que j'ai failli en faire tomber ma bière 🙄 -
Ce matin, j'ai été stupéfait !
A l'église, la dame à côté de moi a fumé sa clope pendant l'Office !
Ça m'a tellement choqué que j'ai failli en faire tomber ma bière 🙄 -
Le CPS lance une nouvelle offensive contre la liberté d’expression
Le CPS conteste l’annulation de la condamnation pour avoir brûlé le Coran
Aujourd’hui, en Grande-Bretagne, le blasphème n’est peut-être plus un crime, mais les gens continuent d’être poursuivis comme si c’en était un.
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BBC (traduction DeepL .com/Translator)
Une foule brûle à mort une Nigériane accusée de blasphème
De tels meurtres ne sont pas rares dans le nord du Nigeria, où le blasphème est considéré comme une infraction pénale en vertu de la loi islamique (charia), qui s’applique parallèlement à la loi laïque dans 12 États majoritairement musulmans.
https://mcinformactions.net/une-foule-brule-a-mort-une-nigeriane-accusee-de-blaspheme
#Nigeria #blaspheme #lynchage #femmes -
BBC (traduction DeepL .com/Translator)
Une foule brûle à mort une Nigériane accusée de blasphème
De tels meurtres ne sont pas rares dans le nord du Nigeria, où le blasphème est considéré comme une infraction pénale en vertu de la loi islamique (charia), qui s’applique parallèlement à la loi laïque dans 12 États majoritairement musulmans.
https://mcinformactions.net/une-foule-brule-a-mort-une-nigeriane-accusee-de-blaspheme
#Nigeria #blaspheme #lynchage #femmes -
BBC (traduction DeepL .com/Translator)
Une foule brûle à mort une Nigériane accusée de blasphème
De tels meurtres ne sont pas rares dans le nord du Nigeria, où le blasphème est considéré comme une infraction pénale en vertu de la loi islamique (charia), qui s’applique parallèlement à la loi laïque dans 12 États majoritairement musulmans.
https://mcinformactions.net/une-foule-brule-a-mort-une-nigeriane-accusee-de-blaspheme
#Nigeria #blaspheme #lynchage #femmes -
BBC (traduction DeepL .com/Translator)
Une foule brûle à mort une Nigériane accusée de blasphème
De tels meurtres ne sont pas rares dans le nord du Nigeria, où le blasphème est considéré comme une infraction pénale en vertu de la loi islamique (charia), qui s’applique parallèlement à la loi laïque dans 12 États majoritairement musulmans.
https://mcinformactions.net/une-foule-brule-a-mort-une-nigeriane-accusee-de-blaspheme
#Nigeria #blaspheme #lynchage #femmes -
🕸glané sur le net🕸 Maroc : Betty Lachgar arrêtée – Aucune religion n'est au-dessus de la critique : Rejetons les lois médiévales sur le blasphème: Ex-Muslims International dénonce la détention de la féministe marocaine, défenseure des… #Maroc #LibertéDExpression #Feminisme #Laïcité #Blasphème
Maroc : Betty Lachgar arrêtée ... -
🕸glané sur le net🕸 Maroc : Betty Lachgar arrêtée – Aucune religion n'est au-dessus de la critique : Rejetons les lois médiévales sur le blasphème: Ex-Muslims International dénonce la détention de la féministe marocaine, défenseure des… #Maroc #LibertéDExpression #Feminisme #Laïcité #Blasphème
Maroc : Betty Lachgar arrêtée ... -
🕸glané sur le net🕸 Ex-Muslims International lance la campagne #FreeBetty en amont de la Journée de l'apostasie: Ex-Muslims International, dont le Conseil des ex-musulmans de Grande-Bretagne est membre fondateur, lance une campagne… #FreeBetty #Apostasie #Blasphème #Laïcité #LibertéDeConscience
Ex-Muslims International lance... -
France24/AFP
Au Maroc, la militante féministe Ibtissame Lachgar arrêtée pour blasphème
sur les réseaux sociaux, elle apparaît avec un tee-shirt où est inscrit "Allah is lesbian"
https://mcinformactions.net/au-maroc-la-militante-feministe-ibtissame-lachgar-arretee-pour-blaspheme
#Maoc #feminisme #blaspheme #resistance #IbtissameLachgar -
France24/AFP
Au Maroc, la militante féministe Ibtissame Lachgar arrêtée pour blasphème
sur les réseaux sociaux, elle apparaît avec un tee-shirt où est inscrit "Allah is lesbian"
https://mcinformactions.net/au-maroc-la-militante-feministe-ibtissame-lachgar-arretee-pour-blaspheme
#Maoc #feminisme #blaspheme #resistance #IbtissameLachgar -
France24/AFP
Au Maroc, la militante féministe Ibtissame Lachgar arrêtée pour blasphème
sur les réseaux sociaux, elle apparaît avec un tee-shirt où est inscrit "Allah is lesbian"
https://mcinformactions.net/au-maroc-la-militante-feministe-ibtissame-lachgar-arretee-pour-blaspheme
#Maoc #feminisme #blaspheme #resistance #IbtissameLachgar -
France24/AFP
Au Maroc, la militante féministe Ibtissame Lachgar arrêtée pour blasphème
sur les réseaux sociaux, elle apparaît avec un tee-shirt où est inscrit "Allah is lesbian"
https://mcinformactions.net/au-maroc-la-militante-feministe-ibtissame-lachgar-arretee-pour-blaspheme
#Maoc #feminisme #blaspheme #resistance #IbtissameLachgar -
🕸glané sur le net🕸 Une TikTokeuse emprisonnée en Indonésie pour avoir dit à Jésus de se couper les cheveux: Une TikTokeuse indonésienne a été condamnée à près de trois ans de prison parce qu'elle aurait « parlé » à une image de Jésus… #TikTok #DroitsHumains #Indonésie #Blasphème #LibertéDExpression
Une TikTokeuse emprisonnée en ... -
🕸glané sur le net🕸 Une TikTokeuse emprisonnée en Indonésie pour avoir dit à Jésus de se couper les cheveux: Une TikTokeuse indonésienne a été condamnée à près de trois ans de prison parce qu'elle aurait « parlé » à une image de Jésus… #TikTok #DroitsHumains #Indonésie #Blasphème #LibertéDExpression
Une TikTokeuse emprisonnée en ... -
Arch Enemy – Blood Dynasty Review
By Dolphin Whisperer
Incepted as an offshoot of Carcassian lineage, early breakout albums Wages of Sin (2001) and Doomsday Machine (2005) spread like wildfire in the emerging world of digital accessibility. In particular, clips from the 2006 DVD Live Apocalypse, popped around early YouTube further quenching the thirst for the powerful live performances that the once ravenous act possessed—at least that’s my memory of how the melodeath-leaning Swedes came to be a global powerhouse. Arch Enemy’s current incarnation does not lack stage-ready talent, of course—professionals thrive on the tour. The still vicious Alissa White-Gluz (ex-The Agonist) and youthful shredder Joey Concepcion (ex-Armageddon,1 ex-The Absence) round out the strength of time-tested veterans. But with the hunger of success so satiated, what left does Arch Enemy have to fuel their 12th album, Blood Dynasty?
Succeeding primarily on the flash of sticky songs and not engrossing albums, Arch Enemy has little reason to play anything more than a bit of what their fans want and a bit of what they want. In this sense, founding guitarist and primary songwriting contributor Michael Amott feeds off of his second guitarist for energy. While Nevermore shredder Jeff Loomis2 is far from a slouch on the fretboard, his histrionic contributions seemed to follow Arch Enemy down a path of slower builds, chunkier riff platforms, and moodier atmospheres that didn’t always gel with the typically brighter appeal that cemented their lofty status. Particularly on 2022’s preceding Deceivers, the pace had grown so slow that getting to any of blistering guitar heroism—whether from Amott or Loomis—felt like a chore.
In fresh character Concepcion’s ’80s tinged trades with Amott bring a lot to the Blood Dynasty table, with Arch Enemy breezing through certain tracks with the fanciful flair of guitar pyrotechnics. Early cut “Dream Stealer” brings with it a Judas Priest-indebted whammy-to-meltdown solo tirade that highlights the axeslingers’ chemistry well. And later cuts “Don’t Look Down” and “Blood Dynasty” lead with the synth-boosted, mid-paced power/melodeath fist-pump that you’d hear in a galloping Kalmah or late era Dark Tranquillity piece. Truthfully, though, Blood Dynasty’s biggest hit, in its soulful and faithful cover of olde French heavy metal act Blaspheme’s “Vivre Libre,” comes when Arch Enemy, quite literally, is not trying to be Arch Enemy at all, White-Gluz eschewing any harsh vocal stylings for a gruff and joyful croon. But this kind of fun feels right in a late career album—quick hitters loaded with light-hearted riffage and falsetto wails (“A Million Suns,” “Paper Tiger,” respectively)—and a full load of it could have spelled well for Arch Enemy decriers.
However, true to the typical Arch Enemy experience, a number of songs still exist in the too familiar or too uneventful realm that weigh down the whole of Blood Dynasty. There’s an irony to the theme of “March of the Miscreants,” a festival-ready machination—complete with a bridge ready for “Hey! Hey! Hey! Hey” call and response—about how the underdog can’t be sold and can’t be bought, an ethos that doesn’t sit well while listening to one of the largest metal bands in the world. And between that conundrum, the alternative rock anthemics of “Illuminate the Path,” and the only slightly deathened power metal romps that close the journey (“The Pendulum,” “Liars & Thieves”), Blood Dynasty trips over its most cohesive and swaggering elements to pump out tunes that feel rollicking enough to appeal to fans of modern acts like Unleash the Archers or Frozen Crown without letting harsh vocal moments steer them too far astray. White-Gluz has a diverse and practiced voice that ensures that none of these detours ever sound unpleasant, but the frequent urge to skip these painted-with-broad-strokes cuts persists.
Arch Enemy has nothing to prove at this stage. Blood Dynasty holds a higher than expected percentage of fun-inducing tracks that should serve plenty for long-time fans—high bombast, easy-to-digest, chorus-loaded, melodic death(ish) metal. At its most offensive, Arch Enemy simply delivers repeatable words and over horns-up riffs that act as heavy metal placeholders, recognizable as aggressive noise but built to blend in. For those just dipping their toes into the world of amplified abandon, this less extreme endeavor may even be preferable, a shareable, attainable badge of honor. But if your coworker recommends you Blood Dynasty, you can likely blow their mind with something better.3
Rating: 2.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Century Media | Bandcamp
Websites: archenemy.band | archenemyofficial.bandcamp.com
Releases Worldwide: March 28th, 2025#25 #2025 #ArchEnemy #Blaspheme #BloodDynasty #CenturyMediaRecords #DarkTranquillity #HeavyMetal #JudasPriest #Kalmah #Mar25 #MelodicDeathMetal #Review #Reviews #SwedishMetal
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Arch Enemy – Blood Dynasty Review
By Dolphin Whisperer
Incepted as an offshoot of Carcassian lineage, early breakout albums Wages of Sin (2001) and Doomsday Machine (2005) spread like wildfire in the emerging world of digital accessibility. In particular, clips from the 2006 DVD Live Apocalypse, popped around early YouTube further quenching the thirst for the powerful live performances that the once ravenous act possessed—at least that’s my memory of how the melodeath-leaning Swedes came to be a global powerhouse. Arch Enemy’s current incarnation does not lack stage-ready talent, of course—professionals thrive on the tour. The still vicious Alissa White-Gluz (ex-The Agonist) and youthful shredder Joey Concepcion (ex-Armageddon,1 ex-The Absence) round out the strength of time-tested veterans. But with the hunger of success so satiated, what left does Arch Enemy have to fuel their 12th album, Blood Dynasty?
Succeeding primarily on the flash of sticky songs and not engrossing albums, Arch Enemy has little reason to play anything more than a bit of what their fans want and a bit of what they want. In this sense, founding guitarist and primary songwriting contributor Michael Amott feeds off of his second guitarist for energy. While Nevermore shredder Jeff Loomis2 is far from a slouch on the fretboard, his histrionic contributions seemed to follow Arch Enemy down a path of slower builds, chunkier riff platforms, and moodier atmospheres that didn’t always gel with the typically brighter appeal that cemented their lofty status. Particularly on 2022’s preceding Deceivers, the pace had grown so slow that getting to any of blistering guitar heroism—whether from Amott or Loomis—felt like a chore.
In fresh character Concepcion’s ’80s tinged trades with Amott bring a lot to the Blood Dynasty table, with Arch Enemy breezing through certain tracks with the fanciful flair of guitar pyrotechnics. Early cut “Dream Stealer” brings with it a Judas Priest-indebted whammy-to-meltdown solo tirade that highlights the axeslingers’ chemistry well. And later cuts “Don’t Look Down” and “Blood Dynasty” lead with the synth-boosted, mid-paced power/melodeath fist-pump that you’d hear in a galloping Kalmah or late era Dark Tranquillity piece. Truthfully, though, Blood Dynasty’s biggest hit, in its soulful and faithful cover of olde French heavy metal act Blaspheme’s “Vivre Libre,” comes when Arch Enemy, quite literally, is not trying to be Arch Enemy at all, White-Gluz eschewing any harsh vocal stylings for a gruff and joyful croon. But this kind of fun feels right in a late career album—quick hitters loaded with light-hearted riffage and falsetto wails (“A Million Suns,” “Paper Tiger,” respectively)—and a full load of it could have spelled well for Arch Enemy decriers.
However, true to the typical Arch Enemy experience, a number of songs still exist in the too familiar or too uneventful realm that weigh down the whole of Blood Dynasty. There’s an irony to the theme of “March of the Miscreants,” a festival-ready machination—complete with a bridge ready for “Hey! Hey! Hey! Hey” call and response—about how the underdog can’t be sold and can’t be bought, an ethos that doesn’t sit well while listening to one of the largest metal bands in the world. And between that conundrum, the alternative rock anthemics of “Illuminate the Path,” and the only slightly deathened power metal romps that close the journey (“The Pendulum,” “Liars & Thieves”), Blood Dynasty trips over its most cohesive and swaggering elements to pump out tunes that feel rollicking enough to appeal to fans of modern acts like Unleash the Archers or Frozen Crown without letting harsh vocal moments steer them too far astray. White-Gluz has a diverse and practiced voice that ensures that none of these detours ever sound unpleasant, but the frequent urge to skip these painted-with-broad-strokes cuts persists.
Arch Enemy has nothing to prove at this stage. Blood Dynasty holds a higher than expected percentage of fun-inducing tracks that should serve plenty for long-time fans—high bombast, easy-to-digest, chorus-loaded, melodic death(ish) metal. At its most offensive, Arch Enemy simply delivers repeatable words and over horns-up riffs that act as heavy metal placeholders, recognizable as aggressive noise but built to blend in. For those just dipping their toes into the world of amplified abandon, this less extreme endeavor may even be preferable, a shareable, attainable badge of honor. But if your coworker recommends you Blood Dynasty, you can likely blow their mind with something better.3
Rating: 2.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Century Media | Bandcamp
Websites: archenemy.band | archenemyofficial.bandcamp.com
Releases Worldwide: March 28th, 2025#25 #2025 #ArchEnemy #Blaspheme #BloodDynasty #CenturyMediaRecords #DarkTranquillity #HeavyMetal #JudasPriest #Kalmah #Mar25 #MelodicDeathMetal #Review #Reviews #SwedishMetal
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Arch Enemy – Blood Dynasty Review
By Dolphin Whisperer
Incepted as an offshoot of Carcassian lineage, early breakout albums Wages of Sin (2001) and Doomsday Machine (2005) spread like wildfire in the emerging world of digital accessibility. In particular, clips from the 2006 DVD Live Apocalypse, popped around early YouTube further quenching the thirst for the powerful live performances that the once ravenous act possessed—at least that’s my memory of how the melodeath-leaning Swedes came to be a global powerhouse. Arch Enemy’s current incarnation does not lack stage-ready talent, of course—professionals thrive on the tour. The still vicious Alissa White-Gluz (ex-The Agonist) and youthful shredder Joey Concepcion (ex-Armageddon,1 ex-The Absence) round out the strength of time-tested veterans. But with the hunger of success so satiated, what left does Arch Enemy have to fuel their 12th album, Blood Dynasty?
Succeeding primarily on the flash of sticky songs and not engrossing albums, Arch Enemy has little reason to play anything more than a bit of what their fans want and a bit of what they want. In this sense, founding guitarist and primary songwriting contributor Michael Amott feeds off of his second guitarist for energy. While Nevermore shredder Jeff Loomis2 is far from a slouch on the fretboard, his histrionic contributions seemed to follow Arch Enemy down a path of slower builds, chunkier riff platforms, and moodier atmospheres that didn’t always gel with the typically brighter appeal that cemented their lofty status. Particularly on 2022’s preceding Deceivers, the pace had grown so slow that getting to any of blistering guitar heroism—whether from Amott or Loomis—felt like a chore.
In fresh character Concepcion’s ’80s tinged trades with Amott bring a lot to the Blood Dynasty table, with Arch Enemy breezing through certain tracks with the fanciful flair of guitar pyrotechnics. Early cut “Dream Stealer” brings with it a Judas Priest-indebted whammy-to-meltdown solo tirade that highlights the axeslingers’ chemistry well. And later cuts “Don’t Look Down” and “Blood Dynasty” lead with the synth-boosted, mid-paced power/melodeath fist-pump that you’d hear in a galloping Kalmah or late era Dark Tranquillity piece. Truthfully, though, Blood Dynasty’s biggest hit, in its soulful and faithful cover of olde French heavy metal act Blaspheme’s “Vivre Libre,” comes when Arch Enemy, quite literally, is not trying to be Arch Enemy at all, White-Gluz eschewing any harsh vocal stylings for a gruff and joyful croon. But this kind of fun feels right in a late career album—quick hitters loaded with light-hearted riffage and falsetto wails (“A Million Suns,” “Paper Tiger,” respectively)—and a full load of it could have spelled well for Arch Enemy decriers.
However, true to the typical Arch Enemy experience, a number of songs still exist in the too familiar or too uneventful realm that weigh down the whole of Blood Dynasty. There’s an irony to the theme of “March of the Miscreants,” a festival-ready machination—complete with a bridge ready for “Hey! Hey! Hey! Hey” call and response—about how the underdog can’t be sold and can’t be bought, an ethos that doesn’t sit well while listening to one of the largest metal bands in the world. And between that conundrum, the alternative rock anthemics of “Illuminate the Path,” and the only slightly deathened power metal romps that close the journey (“The Pendulum,” “Liars & Thieves”), Blood Dynasty trips over its most cohesive and swaggering elements to pump out tunes that feel rollicking enough to appeal to fans of modern acts like Unleash the Archers or Frozen Crown without letting harsh vocal moments steer them too far astray. White-Gluz has a diverse and practiced voice that ensures that none of these detours ever sound unpleasant, but the frequent urge to skip these painted-with-broad-strokes cuts persists.
Arch Enemy has nothing to prove at this stage. Blood Dynasty holds a higher than expected percentage of fun-inducing tracks that should serve plenty for long-time fans—high bombast, easy-to-digest, chorus-loaded, melodic death(ish) metal. At its most offensive, Arch Enemy simply delivers repeatable words and over horns-up riffs that act as heavy metal placeholders, recognizable as aggressive noise but built to blend in. For those just dipping their toes into the world of amplified abandon, this less extreme endeavor may even be preferable, a shareable, attainable badge of honor. But if your coworker recommends you Blood Dynasty, you can likely blow their mind with something better.3
Rating: 2.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Century Media | Bandcamp
Websites: archenemy.band | archenemyofficial.bandcamp.com
Releases Worldwide: March 28th, 2025#25 #2025 #ArchEnemy #Blaspheme #BloodDynasty #CenturyMediaRecords #DarkTranquillity #HeavyMetal #JudasPriest #Kalmah #Mar25 #MelodicDeathMetal #Review #Reviews #SwedishMetal
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Arch Enemy – Blood Dynasty Review
By Dolphin Whisperer
Incepted as an offshoot of Carcassian lineage, early breakout albums Wages of Sin (2001) and Doomsday Machine (2005) spread like wildfire in the emerging world of digital accessibility. In particular, clips from the 2006 DVD Live Apocalypse, popped around early YouTube further quenching the thirst for the powerful live performances that the once ravenous act possessed—at least that’s my memory of how the melodeath-leaning Swedes came to be a global powerhouse. Arch Enemy’s current incarnation does not lack stage-ready talent, of course—professionals thrive on the tour. The still vicious Alissa White-Gluz (ex-The Agonist) and youthful shredder Joey Concepcion (ex-Armageddon,1 ex-The Absence) round out the strength of time-tested veterans. But with the hunger of success so satiated, what left does Arch Enemy have to fuel their 12th album, Blood Dynasty?
Succeeding primarily on the flash of sticky songs and not engrossing albums, Arch Enemy has little reason to play anything more than a bit of what their fans want and a bit of what they want. In this sense, founding guitarist and primary songwriting contributor Michael Amott feeds off of his second guitarist for energy. While Nevermore shredder Jeff Loomis2 is far from a slouch on the fretboard, his histrionic contributions seemed to follow Arch Enemy down a path of slower builds, chunkier riff platforms, and moodier atmospheres that didn’t always gel with the typically brighter appeal that cemented their lofty status. Particularly on 2022’s preceding Deceivers, the pace had grown so slow that getting to any of blistering guitar heroism—whether from Amott or Loomis—felt like a chore.
In fresh character Concepcion’s ’80s tinged trades with Amott bring a lot to the Blood Dynasty table, with Arch Enemy breezing through certain tracks with the fanciful flair of guitar pyrotechnics. Early cut “Dream Stealer” brings with it a Judas Priest-indebted whammy-to-meltdown solo tirade that highlights the axeslingers’ chemistry well. And later cuts “Don’t Look Down” and “Blood Dynasty” lead with the synth-boosted, mid-paced power/melodeath fist-pump that you’d hear in a galloping Kalmah or late era Dark Tranquillity piece. Truthfully, though, Blood Dynasty’s biggest hit, in its soulful and faithful cover of olde French heavy metal act Blaspheme’s “Vivre Libre,” comes when Arch Enemy, quite literally, is not trying to be Arch Enemy at all, White-Gluz eschewing any harsh vocal stylings for a gruff and joyful croon. But this kind of fun feels right in a late career album—quick hitters loaded with light-hearted riffage and falsetto wails (“A Million Suns,” “Paper Tiger,” respectively)—and a full load of it could have spelled well for Arch Enemy decriers.
However, true to the typical Arch Enemy experience, a number of songs still exist in the too familiar or too uneventful realm that weigh down the whole of Blood Dynasty. There’s an irony to the theme of “March of the Miscreants,” a festival-ready machination—complete with a bridge ready for “Hey! Hey! Hey! Hey” call and response—about how the underdog can’t be sold and can’t be bought, an ethos that doesn’t sit well while listening to one of the largest metal bands in the world. And between that conundrum, the alternative rock anthemics of “Illuminate the Path,” and the only slightly deathened power metal romps that close the journey (“The Pendulum,” “Liars & Thieves”), Blood Dynasty trips over its most cohesive and swaggering elements to pump out tunes that feel rollicking enough to appeal to fans of modern acts like Unleash the Archers or Frozen Crown without letting harsh vocal moments steer them too far astray. White-Gluz has a diverse and practiced voice that ensures that none of these detours ever sound unpleasant, but the frequent urge to skip these painted-with-broad-strokes cuts persists.
Arch Enemy has nothing to prove at this stage. Blood Dynasty holds a higher than expected percentage of fun-inducing tracks that should serve plenty for long-time fans—high bombast, easy-to-digest, chorus-loaded, melodic death(ish) metal. At its most offensive, Arch Enemy simply delivers repeatable words and over horns-up riffs that act as heavy metal placeholders, recognizable as aggressive noise but built to blend in. For those just dipping their toes into the world of amplified abandon, this less extreme endeavor may even be preferable, a shareable, attainable badge of honor. But if your coworker recommends you Blood Dynasty, you can likely blow their mind with something better.3
Rating: 2.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Century Media | Bandcamp
Websites: archenemy.band | archenemyofficial.bandcamp.com
Releases Worldwide: March 28th, 2025#25 #2025 #ArchEnemy #Blaspheme #BloodDynasty #CenturyMediaRecords #DarkTranquillity #HeavyMetal #JudasPriest #Kalmah #Mar25 #MelodicDeathMetal #Review #Reviews #SwedishMetal
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Suite 2013 : https://mastodon.social/@cobrate/113571421511185002
(2/18) ... + Poutine loi contre la «promotion des identités sexuelles non traditionnelles» + loi pénalisant le #blaspheme + intenses pressions sur Ukraine Psdt Viktor Ianoukovitch pour renoncer à simple accord association avec l'U€ + ex-athlète russe 23 ans contacte 'son mentor' Epstein pour qu'il lui paye sa double formation 'scolaire' en master à l’Institut d’État des relations ...
#climat #climate #climatechange #climatecrisis #anthropocene #year2013
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Suite 2013 : https://mastodon.social/@cobrate/113571421511185002
(2/18) ... + Poutine loi contre la «promotion des identités sexuelles non traditionnelles» + loi pénalisant le #blaspheme + intenses pressions sur Ukraine Psdt Viktor Ianoukovitch pour renoncer à simple accord association avec l'U€ + ex-athlète russe 23 ans contacte 'son mentor' Epstein pour qu'il lui paye sa double formation 'scolaire' en master à l’Institut d’État des relations ...
#climat #climate #climatechange #climatecrisis #anthropocene #year2013
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Suite 2013 : https://mastodon.social/@cobrate/113571421511185002
(2/18) ... + Poutine loi contre la «promotion des identités sexuelles non traditionnelles» + loi pénalisant le #blaspheme + intenses pressions sur Ukraine Psdt Viktor Ianoukovitch pour renoncer à simple accord association avec l'U€ + ex-athlète russe 23 ans contacte 'son mentor' Epstein pour qu'il lui paye sa double formation 'scolaire' en master à l’Institut d’État des relations ...
#climat #climate #climatechange #climatecrisis #anthropocene #year2013
-
Suite 2013 : https://mastodon.social/@cobrate/113571421511185002
(2/18) ... + Poutine loi contre la «promotion des identités sexuelles non traditionnelles» + loi pénalisant le #blaspheme + intenses pressions sur Ukraine Psdt Viktor Ianoukovitch pour renoncer à simple accord association avec l'U€ + ex-athlète russe 23 ans contacte 'son mentor' Epstein pour qu'il lui paye sa double formation 'scolaire' en master à l’Institut d’État des relations ...
#climat #climate #climatechange #climatecrisis #anthropocene #year2013
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Suite 2013 : https://mastodon.social/@cobrate/113571421511185002
(2/17) ... + Poutine loi contre la «promotion des identités sexuelles non traditionnelles» + loi pénalisant le #blaspheme + intenses pressions sur Ukraine Psdt Viktor Ianoukovitch pour renoncer à simple accord association avec l'U€ + ex-athlète russe 23 ans contacte 'son mentor' Epstein pour qu'il lui paye sa double formation 'scolaire' en master à l’Institut d’État des relations ...
#climat #climate #climatechange #climatecrisis #anthropocene #year2013
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What is the cost of blasphemy? Blasphemy is irreverence toward something considered sacred. It's based on the Greek word “blasphémos,” a derivative of the words “blaptó” (meaning “hurt”) and “phémi” (meaning “declare”). In short, blasphemy is any declaration that damages what's meant to be held as sacred or treats it with less respect than it's due.
https://theliturgicalpentecostal.wordpress.com/2024/02/05/the-cost-of-blasphemy/
#Bible #BibleTranslation #Blaspheme #Blasphemy #Christianity #Church #EnglishRevisedVersion #ERV #Faith #God #Gospel #Jesus #JustinBieber #TheGospelByGenZ #WesternChristianity
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What is the cost of blasphemy? Blasphemy is irreverence toward something considered sacred. It's based on the Greek word “blasphémos,” a derivative of the words “blaptó” (meaning “hurt”) and “phémi” (meaning “declare”). In short, blasphemy is any declaration that damages what's meant to be held as sacred or treats it with less respect than it's due.
https://theliturgicalpentecostal.wordpress.com/2024/02/05/the-cost-of-blasphemy/
#Bible #BibleTranslation #Blaspheme #Blasphemy #Christianity #Church #EnglishRevisedVersion #ERV #Faith #God #Gospel #Jesus #JustinBieber #TheGospelByGenZ #WesternChristianity
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#GLAMArchives Une vingtaine de documents d'archives de l'exposition Sacrilège ! sont désormais sur #Commons : https://commons.wikimedia.org/wiki/Category:Sacril%C3%A8ge_!_L%27Etat,_les_religions_et_le_sacr%C3%A9
Parmi eux, une version numérisée très haute définition du Typus Religionis (vers 1600), allégorie des ordres religieux, avec à leur tête les Jésuites.
Page de l'exposition : https://www.archives-nationales.culture.gouv.fr/sacrilege
#opencontent #archivesnationales #histoire #histodons #archives #religion #sacrilège #culturelibre #blasphème poke @Wikimedia_Fr @archivistodon
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#GLAMArchives Une vingtaine de documents d'archives de l'exposition Sacrilège ! sont désormais sur #Commons : https://commons.wikimedia.org/wiki/Category:Sacril%C3%A8ge_!_L%27Etat,_les_religions_et_le_sacr%C3%A9
Parmi eux, une version numérisée très haute définition du Typus Religionis (vers 1600), allégorie des ordres religieux, avec à leur tête les Jésuites.
Page de l'exposition : https://www.archives-nationales.culture.gouv.fr/sacrilege
#opencontent #archivesnationales #histoire #histodons #archives #religion #sacrilège #culturelibre #blasphème poke @Wikimedia_Fr @archivistodon
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#GLAMArchives Une vingtaine de documents d'archives de l'exposition Sacrilège ! sont désormais sur #Commons : https://commons.wikimedia.org/wiki/Category:Sacril%C3%A8ge_!_L%27Etat,_les_religions_et_le_sacr%C3%A9
Parmi eux, une version numérisée très haute définition du Typus Religionis (vers 1600), allégorie des ordres religieux, avec à leur tête les Jésuites.
Page de l'exposition : https://www.archives-nationales.culture.gouv.fr/sacrilege
#opencontent #archivesnationales #histoire #histodons #archives #religion #sacrilège #culturelibre #blasphème poke @Wikimedia_Fr @archivistodon
-
#GLAMArchives Une vingtaine de documents d'archives de l'exposition Sacrilège ! sont désormais sur #Commons : https://commons.wikimedia.org/wiki/Category:Sacril%C3%A8ge_!_L%27Etat,_les_religions_et_le_sacr%C3%A9
Parmi eux, une version numérisée très haute définition du Typus Religionis (vers 1600), allégorie des ordres religieux, avec à leur tête les Jésuites.
Page de l'exposition : https://www.archives-nationales.culture.gouv.fr/sacrilege
#opencontent #archivesnationales #histoire #histodons #archives #religion #sacrilège #culturelibre #blasphème poke @Wikimedia_Fr @archivistodon