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#bef — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #bef, aggregated by home.social.

  1. #FortnightFridayMusic
    Oct 31 2025:: #Electric

    British Electric Foundation - “Ball of Confusion” feat. Tina Turner, 1982

    ...or, How a Couple of Noodly English Synth Boys Helped a Struggling Rock and Roll Powerhouse Come Back Better than Ever Before

    British Electric Foundation (B.E.F.) was a band/production company formed by former Human League members Martyn Ware and Ian Craig Marsh. In 1982 they crafted “Music Of Quality And Distinction (Volume One),” an album featuring a variety of vocalists, including some of their favorites from prior generations, covering classic songs from the 60s and 70s, backed with their own synth stylings.

    They invited Tina Turner, struggling at the time to establish herself independent of ex-husband Ike, to cover The Temptations’ “Ball of Confusion.” The track became a hit in Norway and only Norway, oddly enough, but that was enough to get the attention of Capitol Records, who promptly signed her.

    Ware and Marsh’s subsequent recording of Tina covering of Al Green’s “Let’s Stay Together” became a hit across the globe and was the starting point for Tina’s comeback album Private Dancer. The rest, as they say, is history.

    youtube.com/watch?v=hsDsbZChSdo

    #BritishElectricFoundation #BEF #Heaven17 #HumanLeague #MartynWare #IanCraigMarsh #synth #SynthPop #TinaTurner #TheTemptations #BallOfConfusion #AlGreen #LetsStayTogether #PrivateDancer #80s #80sMusic

  2. #FortnightFridayMusic
    Oct 31 2025:: #Electric

    British Electric Foundation - “Ball of Confusion” feat. Tina Turner, 1982

    ...or, How a Couple of Noodly English Synth Boys Helped a Struggling Rock and Roll Powerhouse Come Back Better than Ever Before

    British Electric Foundation (B.E.F.) was a band/production company formed by former Human League members Martyn Ware and Ian Craig Marsh. In 1982 they crafted “Music Of Quality And Distinction (Volume One),” an album featuring a variety of vocalists, including some of their favorites from prior generations, covering classic songs from the 60s and 70s, backed with their own synth stylings.

    They invited Tina Turner, struggling at the time to establish herself independent of ex-husband Ike, to cover The Temptations’ “Ball of Confusion.” The track became a hit in Norway and only Norway, oddly enough, but that was enough to get the attention of Capitol Records, who promptly signed her.

    Ware and Marsh’s subsequent recording of Tina covering of Al Green’s “Let’s Stay Together” became a hit across the globe and was the starting point for Tina’s comeback album Private Dancer. The rest, as they say, is history.

    youtube.com/watch?v=hsDsbZChSdo

    #BritishElectricFoundation #BEF #Heaven17 #HumanLeague #MartynWare #IanCraigMarsh #synth #SynthPop #TinaTurner #TheTemptations #BallOfConfusion #AlGreen #LetsStayTogether #PrivateDancer #80s #80sMusic

  3. #FortnightFridayMusic
    Oct 31 2025:: #Electric

    British Electric Foundation - “Ball of Confusion” feat. Tina Turner, 1982

    ...or, How a Couple of Noodly English Synth Boys Helped a Struggling Rock and Roll Powerhouse Come Back Better than Ever Before

    British Electric Foundation (B.E.F.) was a band/production company formed by former Human League members Martyn Ware and Ian Craig Marsh. In 1982 they crafted “Music Of Quality And Distinction (Volume One),” an album featuring a variety of vocalists, including some of their favorites from prior generations, covering classic songs from the 60s and 70s, backed with their own synth stylings.

    They invited Tina Turner, struggling at the time to establish herself independent of ex-husband Ike, to cover The Temptations’ “Ball of Confusion.” The track became a hit in Norway and only Norway, oddly enough, but that was enough to get the attention of Capitol Records, who promptly signed her.

    Ware and Marsh’s subsequent recording of Tina covering of Al Green’s “Let’s Stay Together” became a hit across the globe and was the starting point for Tina’s comeback album Private Dancer. The rest, as they say, is history.

    youtube.com/watch?v=hsDsbZChSdo

    #BritishElectricFoundation #BEF #Heaven17 #HumanLeague #MartynWare #IanCraigMarsh #synth #SynthPop #TinaTurner #TheTemptations #BallOfConfusion #AlGreen #LetsStayTogether #PrivateDancer #80s #80sMusic

  4. #FortnightFridayMusic
    Oct 31 2025:: #Electric

    British Electric Foundation - “Ball of Confusion” feat. Tina Turner, 1982

    ...or, How a Couple of Noodly English Synth Boys Helped a Struggling Rock and Roll Powerhouse Come Back Better than Ever Before

    British Electric Foundation (B.E.F.) was a band/production company formed by former Human League members Martyn Ware and Ian Craig Marsh. In 1982 they crafted “Music Of Quality And Distinction (Volume One),” an album featuring a variety of vocalists, including some of their favorites from prior generations, covering classic songs from the 60s and 70s, backed with their own synth stylings.

    They invited Tina Turner, struggling at the time to establish herself independent of ex-husband Ike, to cover The Temptations’ “Ball of Confusion.” The track became a hit in Norway and only Norway, oddly enough, but that was enough to get the attention of Capitol Records, who promptly signed her.

    Ware and Marsh’s subsequent recording of Tina covering of Al Green’s “Let’s Stay Together” became a hit across the globe and was the starting point for Tina’s comeback album Private Dancer. The rest, as they say, is history.

    youtube.com/watch?v=hsDsbZChSdo

    #BritishElectricFoundation #BEF #Heaven17 #HumanLeague #MartynWare #IanCraigMarsh #synth #SynthPop #TinaTurner #TheTemptations #BallOfConfusion #AlGreen #LetsStayTogether #PrivateDancer #80s #80sMusic

  5. #FortnightFridayMusic
    Oct 31 2025:: #Electric

    British Electric Foundation - “Ball of Confusion” feat. Tina Turner, 1982

    ...or, How a Couple of Noodly English Synth Boys Helped a Struggling Rock and Roll Powerhouse Come Back Better than Ever Before

    British Electric Foundation (B.E.F.) was a band/production company formed by former Human League members Martyn Ware and Ian Craig Marsh. In 1982 they crafted “Music Of Quality And Distinction (Volume One),” an album featuring a variety of vocalists, including some of their favorites from prior generations, covering classic songs from the 60s and 70s, backed with their own synth stylings.

    They invited Tina Turner, struggling at the time to establish herself independent of ex-husband Ike, to cover The Temptations’ “Ball of Confusion.” The track became a hit in Norway and only Norway, oddly enough, but that was enough to get the attention of Capitol Records, who promptly signed her.

    Ware and Marsh’s subsequent recording of Tina covering of Al Green’s “Let’s Stay Together” became a hit across the globe and was the starting point for Tina’s comeback album Private Dancer. The rest, as they say, is history.

    youtube.com/watch?v=hsDsbZChSdo

    #BritishElectricFoundation #BEF #Heaven17 #HumanLeague #MartynWare #IanCraigMarsh #synth #SynthPop #TinaTurner #TheTemptations #BallOfConfusion #AlGreen #LetsStayTogether #PrivateDancer #80s #80sMusic

  6. Talk about cool! I just learned my good friend @bef wrote and illustrated a Superman story for the upcoming “Superman World” compilation!

    Guess I’m gonna need another autograph from him 😜

    #Comics #Superman #SupermanWorld #Beforama #Bef

  7. Nos vemos mañana, sábado 22 de marzo, para la #presentación de la nueva #NovelaGráfica de #Bef. La cita es a las 15:00 en la FILIAZ, en el lugar de la antigua #feria de Chapultepec en la CDMX.

    #eventos #libros #LibrosRecomendados #RexRegum

  8. The social class and wealth disparity between the 80's British synth pop acts and their European idols from a decade earlier has always astonished me. Good to see Martyn Ware make it explicit.

    "Heaven 17's Martyn Ware: "Kraftwerk were only brilliant because they were rich!"

    musicradar.com/news/heaven-17s

    #MartinWare #TheHumanLeague #BEF #Heaven17 #Kraftwerk

  9. The social class and wealth disparity between the 80's British synth pop acts and their European idols from a decade earlier has always astonished me. Good to see Martyn Ware make it explicit.

    "Heaven 17's Martyn Ware: "Kraftwerk were only brilliant because they were rich!"

    musicradar.com/news/heaven-17s

    #MartinWare #TheHumanLeague #BEF #Heaven17 #Kraftwerk

  10. The social class and wealth disparity between the 80's British synth pop acts and their European idols from a decade earlier has always astonished me. Good to see Martyn Ware make it explicit.

    "Heaven 17's Martyn Ware: "Kraftwerk were only brilliant because they were rich!"

    musicradar.com/news/heaven-17s

    #MartinWare #TheHumanLeague #BEF #Heaven17 #Kraftwerk

  11. The social class and wealth disparity between the 80's British synth pop acts and their European idols from a decade earlier has always astonished me. Good to see Martyn Ware make it explicit.

    "Heaven 17's Martyn Ware: "Kraftwerk were only brilliant because they were rich!"

    musicradar.com/news/heaven-17s

    #MartinWare #TheHumanLeague #BEF #Heaven17 #Kraftwerk

  12. The social class and wealth disparity between the 80's British synth pop acts and their European idols from a decade earlier has always astonished me. Good to see Martyn Ware make it explicit.

    "Heaven 17's Martyn Ware: "Kraftwerk were only brilliant because they were rich!"

    musicradar.com/news/heaven-17s

    #MartinWare #TheHumanLeague #BEF #Heaven17 #Kraftwerk