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103 results for “fantinel”
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14 stycznia przypada rocznica urodzin Henriego Fantin-Latoura (1836–1904), francuskiego malarza, który przeszedł do historii dzięki poetyckim martwym naturom, portretom zbiorowym i fantazyjnym litografiom inspirowanym muzyką klasyczną.
(fot. Wikipedia)
#FantinLatour #malarstwo #historiasztuki -
14 stycznia przypada rocznica urodzin Henriego Fantin-Latoura (1836–1904), francuskiego malarza, który przeszedł do historii dzięki poetyckim martwym naturom, portretom zbiorowym i fantazyjnym litografiom inspirowanym muzyką klasyczną.
(fot. Wikipedia)
#FantinLatour #malarstwo #historiasztuki -
14 stycznia przypada rocznica urodzin Henriego Fantin-Latoura (1836–1904), francuskiego malarza, który przeszedł do historii dzięki poetyckim martwym naturom, portretom zbiorowym i fantazyjnym litografiom inspirowanym muzyką klasyczną.
(fot. Wikipedia)
#FantinLatour #malarstwo #historiasztuki -
14 stycznia przypada rocznica urodzin Henriego Fantin-Latoura (1836–1904), francuskiego malarza, który przeszedł do historii dzięki poetyckim martwym naturom, portretom zbiorowym i fantazyjnym litografiom inspirowanym muzyką klasyczną.
(fot. Wikipedia)
#FantinLatour #malarstwo #historiasztuki -
Fantine Harduin e Thomas Gioria in Adorazione (2019) per la regia di Fabrice Du Welz
https://www.spoileralert.eu/2024/10/22/adoration/2048/#film #movie #cinema #cinefilo #FabriceDuWelz #FantineHarduin #ThomasGioria #ManuelDacosse #Adoration #unocinema
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Fantine Harduin e Thomas Gioria in Adorazione (2019) per la regia di Fabrice Du Welz
https://www.spoileralert.eu/2024/10/22/adoration/2048/#film #movie #cinema #cinefilo #FabriceDuWelz #FantineHarduin #ThomasGioria #ManuelDacosse #Adoration #unocinema
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Fantine Harduin e Thomas Gioria in Adorazione (2019) per la regia di Fabrice Du Welz
https://www.spoileralert.eu/2024/10/22/adoration/2048/#film #movie #cinema #cinefilo #FabriceDuWelz #FantineHarduin #ThomasGioria #ManuelDacosse #Adoration #unocinema
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Fantine Harduin e Thomas Gioria in Adorazione (2019) per la regia di Fabrice Du Welz
https://www.spoileralert.eu/2024/10/22/adoration/2048/#film #movie #cinema #cinefilo #FabriceDuWelz #FantineHarduin #ThomasGioria #ManuelDacosse #Adoration #unocinema
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Fantine Harduin e Thomas Gioria in Adorazione (2019) per la regia di Fabrice Du Welz
https://www.spoileralert.eu/2024/10/22/adoration/2048/#film #movie #cinema #cinefilo #FabriceDuWelz #FantineHarduin #ThomasGioria #ManuelDacosse #Adoration #unocinema
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"Still Life with Mustard Pot," Henri Fantin-Latour, 1860.
Although a great friend of the early Impressionists, Fantin-Latour was a conservative artist himself, although there's nothing wrong with that. This early still life has a glorious simplicity and attention to detail that I find most appealing. It's almost Zen in its study of white and gray, and the colors from the cutlery are not jarring in the least. Very nice.
From the National Gallery, Washington, DC
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Today's Flick photo with the most hits: this still life by Fantin-Latour, in the Art Institute, Chicago.
It was the sugar bowl, for me 🤩
#FantinLatour #artinstituteofchicago #StillLife #painting #oils
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Thank you so much to everyone sharing the word on the recast for Fantine and Little Cosette after the original actors had an insurmountable life emergency.
We have cast an amazing mother/ daughter duo in the roles - a huge welcome to Vanessa and Faith! #fantine #cosette #lesmis #lesmiserables #brixham #brixhamdevon #torbay #actors #actress #brixhamtheatre #devonactors #britishactors #britishtheatre #casting -
https://www.twitch.tv/dewiantka
Anastazja de Fantine, w skrócie Nastka! Jestem władczynią nocy, potężną arystokratką, której uroda i moc przekraczają ludzkie pojęcie!Мало что понимаю, но голос звучит приятно 🐱☕ Например: https://www.twitch.tv/videos/2447751127 (видео на Твиче со временем удаляются, но это пока живо).
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https://www.twitch.tv/dewiantka
Anastazja de Fantine, w skrócie Nastka! Jestem władczynią nocy, potężną arystokratką, której uroda i moc przekraczają ludzkie pojęcie!Мало что понимаю, но голос звучит приятно 🐱☕ Например: https://www.twitch.tv/videos/2447751127 (видео на Твиче со временем удаляются, но это пока живо).
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https://www.twitch.tv/dewiantka
Anastazja de Fantine, w skrócie Nastka! Jestem władczynią nocy, potężną arystokratką, której uroda i moc przekraczają ludzkie pojęcie!Мало что понимаю, но голос звучит приятно 🐱☕ Например: https://www.twitch.tv/videos/2447751127 (видео на Твиче со временем удаляются, но это пока живо).
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https://www.twitch.tv/dewiantka
Anastazja de Fantine, w skrócie Nastka! Jestem władczynią nocy, potężną arystokratką, której uroda i moc przekraczają ludzkie pojęcie!Мало что понимаю, но голос звучит приятно 🐱☕ Например: https://www.twitch.tv/videos/2447751127 (видео на Твиче со временем удаляются, но это пока живо).
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https://www.twitch.tv/dewiantka
Anastazja de Fantine, w skrócie Nastka! Jestem władczynią nocy, potężną arystokratką, której uroda i moc przekraczają ludzkie pojęcie!Мало что понимаю, но голос звучит приятно 🐱☕ Например: https://www.twitch.tv/videos/2447751127 (видео на Твиче со временем удаляются, но это пока живо).
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Le point sur les classements en cours aux Archives de Lyon :
Fantine Collonge classe actuellement trois versements du service du protocole portant sur la période 2001-2021 concernant les réceptions organisées par la ville de Lyon, les cérémonies et commémorations, ils contiennent notamment des livres d'or ouverts lors des attentats du 11 septembre 2001.
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14 stycznia przypada rocznica urodzin Henriego Fantin-Latoura (1836–1904), francuskiego malarza, który przeszedł do historii dzięki poetyckim martwym naturom, portretom zbiorowym i fantazyjnym litografiom inspirowanym muzyką klasyczną.
(fot. Wikipedia)
#FantinLatour #malarstwo #historiasztuki -
"Still Life with Mustard Pot," Henri Fantin-Latour, 1860.
Although a great friend of the early Impressionists, Fantin-Latour was a conservative artist himself, although there's nothing wrong with that. This early still life has a glorious simplicity and attention to detail that I find most appealing. It's almost Zen in its study of white and gray, and the colors from the cutlery are not jarring in the least. Very nice.
From the National Gallery, Washington, DC
-
"Still Life with Mustard Pot," Henri Fantin-Latour, 1860.
Although a great friend of the early Impressionists, Fantin-Latour was a conservative artist himself, although there's nothing wrong with that. This early still life has a glorious simplicity and attention to detail that I find most appealing. It's almost Zen in its study of white and gray, and the colors from the cutlery are not jarring in the least. Very nice.
From the National Gallery, Washington, DC
-
"Still Life with Mustard Pot," Henri Fantin-Latour, 1860.
Although a great friend of the early Impressionists, Fantin-Latour was a conservative artist himself, although there's nothing wrong with that. This early still life has a glorious simplicity and attention to detail that I find most appealing. It's almost Zen in its study of white and gray, and the colors from the cutlery are not jarring in the least. Very nice.
From the National Gallery, Washington, DC
-
"Still Life with Mustard Pot," Henri Fantin-Latour, 1860.
Although a great friend of the early Impressionists, Fantin-Latour was a conservative artist himself, although there's nothing wrong with that. This early still life has a glorious simplicity and attention to detail that I find most appealing. It's almost Zen in its study of white and gray, and the colors from the cutlery are not jarring in the least. Very nice.
From the National Gallery, Washington, DC
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🎤 #podcast
La Ligue de Protection des Oiseaux #lpo et ses partenaires organisent en ce mois de mars les Nuits de la Chouette. C'est l'occasion de se familiariser avec les habitudes de ce #rapace nocturne, et de savoir pourquoi il est important de le protéger.
Luc-Etienne Mollière et Fantine Walczak de la Ligue de Protection des Oiseaux à Brest et à Rennes sont mes invités pour la #radio #rcf ici :
https://www.rcf.fr/ecologie-et-solidarite/commune-planete-bretagne?episode=566527
@LPO35 #chouette #hibou #oiseau #nature #ecologie #environnement -
De l’Abîme Naît l’Aube – Rituel : Initiation Review By TwelveAtmospheric post-black metal is quite the concept. Both titular subgenres span wide varieties of inspirations, levels of aggression, and affinities for emotion. Done well, they are gateways to catharsis and emotional storytelling. So I was intrigued when Rituel : Initiation caught my eye. This is the debut full-length release from Swiss post-black metal band De l’Abîme Naît l’Aube, recommended, or so I’m told, for fans of Alcest and Heilung. You never quite know what you’re going to get with a debut, but I was eager enough from the concept to want more. On paper, Rituel : Initiation could go anywhere.
Fortunately, the first few minutes of Rituel : Initiation act as an interesting microcosm for its whole: “Une Pleine Absence” lulls you in slowly with heavy atmosphere, wordless sighs, throat singing (I believe from lead vocalist Sébastien Defabiani), and acoustic passages, slowly building in intensity. It does this so effectively, in fact, that when the guitars do arrive, they feel overly jagged, loud, and harsh. I signed up for a post-black metal album—I expected loud. But De l’Abîme Naît l’Aube do somber atmosphere very well, and they do post and black metal well, but it’s interesting how the two can be at odds with each other in this style. Ten minutes later, this moment is forgotten, and the guitars sound as natural as anything else. “Une Pleine Absence” is still going, incorporating tremolos and depressive shrieks as a heavier atmospheric element, and you know well what to expect over the rest of Rituel : Initiation.
Rituel : Initiation by De l’Abîme Naît l’Aube
This intersection of rough-around-the-edges post metal, black metal aggression, and atmospheric melancholy seems to define both Rituel : Initiation and De l’Abîme Naît l’Aube. “Le Vertige d’une Descendance” is similar to the intro in that it starts slowly and gives bassist Valerian Burki a moment to shine. It leans more post than black, with some strong riffs that give the song groove and, if you’ll forgive a technical term, head-nod factor. “Un Sanctuaire de Cendres” is much more blackened than post, but when Fantine Schütz’s clean singing soars through the gloom, it’s a genuinely touching moment. Tremolos towards the end from guitarists Dominique Blanc and Kilian Caddoux counterbalance nicely with Valentin Boada’s frantic drumming, and here, the intersections work very well.
If I were to criticize one thing about Rituel : Initiation, it’s that the blended styles don’t allow for a ton of memorability. There are great moments throughout the five tracks—I’ve mentioned a few already, and want to highlight the slow march riffing around the midpoint of “Un Sanctuaire de Cendres” as well. But generally, Rituel : Initiation does not feel very strongly structured as an album. Songs, all but one over eleven minutes long, move from one idea to the next coherently and naturally, but in such a way as to evade hooks or moments of particular catchiness or impact. I always enjoy listening, but after the fifty-three minutes are done, I don’t have much impression of specific songs I liked; rather, it’s moments here and there that I know were early or late in the session. This makes sense of the style De l’Abîme Naît l’Aube play, but it also gives the impression of a dense album that I perhaps still need to spend more time with to truly crack.
Still, I like what De l’Abîme Naît l’Aube are doing here. Cold, regal, aggressive, anguished, and balanced on a knife’s edge—there’s some good metal here! As “Une Absolute Prèsence” builds to the album’s climactic end, I can’t help but be impressed. I wouldn’t have hated more editing—there’s a lot of metal here too—but too much of a good thing isn’t a bad thing. Rituel : Initiation is, in my mind, an exciting debut, the kind that speaks of genuine potential. Color me intrigued.
Rating: 3.0/5.0
#2026 #30 #Alcest #BlackMetal #DeLAbîmeNaîtLAube #Feb26 #Heilung #HypnoticDirgeRecords #PostMetal #Review #Reviews #RituelInitiation #SwedishMetal
DR: 7 | Format Reviewed: 192 kbps mp3
Label: Hypnotic Dirge Records
Websites: danapostmetal.bandcamp.com | facebook.com/dana.postmetal
Releases Worldwide: February 13th, 2026 -
De l’Abîme Naît l’Aube – Rituel : Initiation Review By TwelveAtmospheric post-black metal is quite the concept. Both titular subgenres span wide varieties of inspirations, levels of aggression, and affinities for emotion. Done well, they are gateways to catharsis and emotional storytelling. So I was intrigued when Rituel : Initiation caught my eye. This is the debut full-length release from Swiss post-black metal band De l’Abîme Naît l’Aube, recommended, or so I’m told, for fans of Alcest and Heilung. You never quite know what you’re going to get with a debut, but I was eager enough from the concept to want more. On paper, Rituel : Initiation could go anywhere.
Fortunately, the first few minutes of Rituel : Initiation act as an interesting microcosm for its whole: “Une Pleine Absence” lulls you in slowly with heavy atmosphere, wordless sighs, throat singing (I believe from lead vocalist Sébastien Defabiani), and acoustic passages, slowly building in intensity. It does this so effectively, in fact, that when the guitars do arrive, they feel overly jagged, loud, and harsh. I signed up for a post-black metal album—I expected loud. But De l’Abîme Naît l’Aube do somber atmosphere very well, and they do post and black metal well, but it’s interesting how the two can be at odds with each other in this style. Ten minutes later, this moment is forgotten, and the guitars sound as natural as anything else. “Une Pleine Absence” is still going, incorporating tremolos and depressive shrieks as a heavier atmospheric element, and you know well what to expect over the rest of Rituel : Initiation.
Rituel : Initiation by De l’Abîme Naît l’Aube
This intersection of rough-around-the-edges post metal, black metal aggression, and atmospheric melancholy seems to define both Rituel : Initiation and De l’Abîme Naît l’Aube. “Le Vertige d’une Descendance” is similar to the intro in that it starts slowly and gives bassist Valerian Burki a moment to shine. It leans more post than black, with some strong riffs that give the song groove and, if you’ll forgive a technical term, head-nod factor. “Un Sanctuaire de Cendres” is much more blackened than post, but when Fantine Schütz’s clean singing soars through the gloom, it’s a genuinely touching moment. Tremolos towards the end from guitarists Dominique Blanc and Kilian Caddoux counterbalance nicely with Valentin Boada’s frantic drumming, and here, the intersections work very well.
If I were to criticize one thing about Rituel : Initiation, it’s that the blended styles don’t allow for a ton of memorability. There are great moments throughout the five tracks—I’ve mentioned a few already, and want to highlight the slow march riffing around the midpoint of “Un Sanctuaire de Cendres” as well. But generally, Rituel : Initiation does not feel very strongly structured as an album. Songs, all but one over eleven minutes long, move from one idea to the next coherently and naturally, but in such a way as to evade hooks or moments of particular catchiness or impact. I always enjoy listening, but after the fifty-three minutes are done, I don’t have much impression of specific songs I liked; rather, it’s moments here and there that I know were early or late in the session. This makes sense of the style De l’Abîme Naît l’Aube play, but it also gives the impression of a dense album that I perhaps still need to spend more time with to truly crack.
Still, I like what De l’Abîme Naît l’Aube are doing here. Cold, regal, aggressive, anguished, and balanced on a knife’s edge—there’s some good metal here! As “Une Absolute Prèsence” builds to the album’s climactic end, I can’t help but be impressed. I wouldn’t have hated more editing—there’s a lot of metal here too—but too much of a good thing isn’t a bad thing. Rituel : Initiation is, in my mind, an exciting debut, the kind that speaks of genuine potential. Color me intrigued.
Rating: 3.0/5.0
#2026 #30 #Alcest #BlackMetal #DeLAbîmeNaîtLAube #Feb26 #Heilung #HypnoticDirgeRecords #PostMetal #Review #Reviews #RituelInitiation #SwedishMetal
DR: 7 | Format Reviewed: 192 kbps mp3
Label: Hypnotic Dirge Records
Websites: danapostmetal.bandcamp.com | facebook.com/dana.postmetal
Releases Worldwide: February 13th, 2026
