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80 results for “fantinel”
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"Wir können nicht ausgeräumt werden!" - Sagt man so, um möglichst keine Kunden zu verlieren. #Schließfach
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Eine interessante Podcastfolge, die das Thema Atomkraft behandelt. https://podcasts.apple.com/de/podcast/bto-der-%C3%B6konomie-podcast-von-dr-daniel-stelter/id1561142763?i=1000719739819 #Stelter
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Eine interessante Podcastfolge, die das Thema Atomkraft behandelt. https://podcasts.apple.com/de/podcast/bto-der-%C3%B6konomie-podcast-von-dr-daniel-stelter/id1561142763?i=1000719739819 #Stelter
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The Lady Gaga Mayhem Requiem thing on Apple Music is fucking awesome
That woman can do anything
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Und ich denke bei der Schlagzeile an das "Haus der Neugier" und den völlig runter gerocktem Bushof. #Prioritäten #Aachen
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Eu ODEIO o Pará Lanches
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Die Übertragung des HU-Status erfolgt also nicht annähernd in Echtzeit an das Kraftfahrtbundesamts.
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Cool Link: Better fluid sizing with round()
by Ahmad ShadeedI’ve been using clamp() for fluid text sizing for a while, and this article highlights the pros of using the round() CSS function to make the fluidity more predictable! I love the card height examples too, as that’s something that’s consistently a pain in almost every project I work on.
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Cool Link: Artemis II Photo Timeline
by Hank GreenA nicely put-together timeline with a lot (all?) of the photos from the Artemis II mission that orbited around the Moon. The sequence of the spacecraft approaching the Moon is breathtaking!
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Cool Link: Old'aVista
by Eric MackrodtThis is like a landing page + search engine for the old internet! It allows you to search for stuff on the Internet Archive without having to necessarily know the URL of every website you wanna visit.
I found some forum threads from 1998 of people discussing the imminent launch of Zelda Ocarina of Time. Fascinating stuff.
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The Temptation of Saint Anthony 1660-1908
https://fed.brid.gy/r/https://eclecticlight.co/2025/12/14/the-temptation-of-saint-anthony-1660-1908/
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We might have understood and admired in him protest in the name of legality and liberty, proud opposition, legitimate but perilous resistance to the all-powerful Napoleon. But what pleases us in the treatment of those on their way up is less pleasing in the treatment of those on their way down. We approve of fighting only so long as there is danger, and in any case only those who fought in the first instance have the right to be exterminators at the last. He who has not been a persistent opponent in times of prosperity should remain silent when the downfall comes. Challenging success gives the only legitimacy to prosecuting failure.
[Nous eussions compris et admiré la protestation au nom du droit et de la liberté, l’opposition fière, la résistance périlleuse et juste à Napoléon tout-puissant. Mais ce qui nous plaît vis-à-vis de ceux qui montent nous plaît moins vis-à-vis de ceux qui tombent. Nous n’aimons le combat que tant qu’il y a du danger ; et, dans tous les cas, les combattants de la première heure ont seuls le droit d’être les exterminateurs de la dernière. Qui n’a pas été accusateur opiniâtre pendant la prospérité doit se taire devant l’écroulement. Le dénonciateur du succès est le seul légitime justicier de la chute.]Victor Hugo (1802-1885) French writer
Les Misérables, Part 1 “Fantine,” Book 1 “An Upright Man,” ch. 11 (1.1.11) (1862) [tr. Donougher (2013)]More info about (and translations of) this quote: wist.info/hugo-victor/78713/
#quote #quotes #quotation #qotd #victorhugo #lesmiserables #lesmiz #bandwagon #challenge #danger #opposition #power #protest #punchingdown #punchingup #risk #risktaking #truthtopower #stakes
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De l’Abîme Naît l’Aube – Rituel : Initiation Review By TwelveAtmospheric post-black metal is quite the concept. Both titular subgenres span wide varieties of inspirations, levels of aggression, and affinities for emotion. Done well, they are gateways to catharsis and emotional storytelling. So I was intrigued when Rituel : Initiation caught my eye. This is the debut full-length release from Swiss post-black metal band De l’Abîme Naît l’Aube, recommended, or so I’m told, for fans of Alcest and Heilung. You never quite know what you’re going to get with a debut, but I was eager enough from the concept to want more. On paper, Rituel : Initiation could go anywhere.
Fortunately, the first few minutes of Rituel : Initiation act as an interesting microcosm for its whole: “Une Pleine Absence” lulls you in slowly with heavy atmosphere, wordless sighs, throat singing (I believe from lead vocalist Sébastien Defabiani), and acoustic passages, slowly building in intensity. It does this so effectively, in fact, that when the guitars do arrive, they feel overly jagged, loud, and harsh. I signed up for a post-black metal album—I expected loud. But De l’Abîme Naît l’Aube do somber atmosphere very well, and they do post and black metal well, but it’s interesting how the two can be at odds with each other in this style. Ten minutes later, this moment is forgotten, and the guitars sound as natural as anything else. “Une Pleine Absence” is still going, incorporating tremolos and depressive shrieks as a heavier atmospheric element, and you know well what to expect over the rest of Rituel : Initiation.
Rituel : Initiation by De l’Abîme Naît l’Aube
This intersection of rough-around-the-edges post metal, black metal aggression, and atmospheric melancholy seems to define both Rituel : Initiation and De l’Abîme Naît l’Aube. “Le Vertige d’une Descendance” is similar to the intro in that it starts slowly and gives bassist Valerian Burki a moment to shine. It leans more post than black, with some strong riffs that give the song groove and, if you’ll forgive a technical term, head-nod factor. “Un Sanctuaire de Cendres” is much more blackened than post, but when Fantine Schütz’s clean singing soars through the gloom, it’s a genuinely touching moment. Tremolos towards the end from guitarists Dominique Blanc and Kilian Caddoux counterbalance nicely with Valentin Boada’s frantic drumming, and here, the intersections work very well.
If I were to criticize one thing about Rituel : Initiation, it’s that the blended styles don’t allow for a ton of memorability. There are great moments throughout the five tracks—I’ve mentioned a few already, and want to highlight the slow march riffing around the midpoint of “Un Sanctuaire de Cendres” as well. But generally, Rituel : Initiation does not feel very strongly structured as an album. Songs, all but one over eleven minutes long, move from one idea to the next coherently and naturally, but in such a way as to evade hooks or moments of particular catchiness or impact. I always enjoy listening, but after the fifty-three minutes are done, I don’t have much impression of specific songs I liked; rather, it’s moments here and there that I know were early or late in the session. This makes sense of the style De l’Abîme Naît l’Aube play, but it also gives the impression of a dense album that I perhaps still need to spend more time with to truly crack.
Still, I like what De l’Abîme Naît l’Aube are doing here. Cold, regal, aggressive, anguished, and balanced on a knife’s edge—there’s some good metal here! As “Une Absolute Prèsence” builds to the album’s climactic end, I can’t help but be impressed. I wouldn’t have hated more editing—there’s a lot of metal here too—but too much of a good thing isn’t a bad thing. Rituel : Initiation is, in my mind, an exciting debut, the kind that speaks of genuine potential. Color me intrigued.
Rating: 3.0/5.0
#2026 #30 #Alcest #BlackMetal #DeLAbîmeNaîtLAube #Feb26 #Heilung #HypnoticDirgeRecords #PostMetal #Review #Reviews #RituelInitiation #SwedishMetal
DR: 7 | Format Reviewed: 192 kbps mp3
Label: Hypnotic Dirge Records
Websites: danapostmetal.bandcamp.com | facebook.com/dana.postmetal
Releases Worldwide: February 13th, 2026 -
Thank you so much to everyone sharing the word on the recast for Fantine and Little Cosette after the original actors had an insurmountable life emergency.
We have cast an amazing mother/ daughter duo in the roles - a huge welcome to Vanessa and Faith! #fantine #cosette #lesmis #lesmiserables #brixham #brixhamdevon #torbay #actors #actress #brixhamtheatre #devonactors #britishactors #britishtheatre #casting -
🎤 #podcast
La Ligue de Protection des Oiseaux #lpo et ses partenaires organisent en ce mois de mars les Nuits de la Chouette. C'est l'occasion de se familiariser avec les habitudes de ce #rapace nocturne, et de savoir pourquoi il est important de le protéger.
Luc-Etienne Mollière et Fantine Walczak de la Ligue de Protection des Oiseaux à Brest et à Rennes sont mes invités pour la #radio #rcf ici :
https://www.rcf.fr/ecologie-et-solidarite/commune-planete-bretagne?episode=566527
@LPO35 #chouette #hibou #oiseau #nature #ecologie #environnement -
We might have understood and admired in him protest in the name of legality and liberty, proud opposition, legitimate but perilous resistance to the all-powerful Napoleon. But what pleases us in the treatment of those on their way up is less pleasing in the treatment of those on their way down. We approve of fighting only so long as there is danger, and in any case only those who fought in the first instance have the right to be exterminators at the last. He who has not been a persistent opponent in times of prosperity should remain silent when the downfall comes. Challenging success gives the only legitimacy to prosecuting failure.
[Nous eussions compris et admiré la protestation au nom du droit et de la liberté, l’opposition fière, la résistance périlleuse et juste à Napoléon tout-puissant. Mais ce qui nous plaît vis-à-vis de ceux qui montent nous plaît moins vis-à-vis de ceux qui tombent. Nous n’aimons le combat que tant qu’il y a du danger ; et, dans tous les cas, les combattants de la première heure ont seuls le droit d’être les exterminateurs de la dernière. Qui n’a pas été accusateur opiniâtre pendant la prospérité doit se taire devant l’écroulement. Le dénonciateur du succès est le seul légitime justicier de la chute.]Victor Hugo (1802-1885) French writer
Les Misérables, Part 1 “Fantine,” Book 1 “An Upright Man,” ch. 11 (1.1.11) (1862) [tr. Donougher (2013)]More info about (and translations of) this quote: wist.info/hugo-victor/78713/
#quote #quotes #quotation #qotd #victorhugo #lesmiserables #lesmiz #bandwagon #challenge #danger #opposition #power #protest #punchingdown #punchingup #risk #risktaking #truthtopower #stakes
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We might have understood and admired in him protest in the name of legality and liberty, proud opposition, legitimate but perilous resistance to the all-powerful Napoleon. But what pleases us in the treatment of those on their way up is less pleasing in the treatment of those on their way down. We approve of fighting only so long as there is danger, and in any case only those who fought in the first instance have the right to be exterminators at the last. He who has not been a persistent opponent in times of prosperity should remain silent when the downfall comes. Challenging success gives the only legitimacy to prosecuting failure.
[Nous eussions compris et admiré la protestation au nom du droit et de la liberté, l’opposition fière, la résistance périlleuse et juste à Napoléon tout-puissant. Mais ce qui nous plaît vis-à-vis de ceux qui montent nous plaît moins vis-à-vis de ceux qui tombent. Nous n’aimons le combat que tant qu’il y a du danger ; et, dans tous les cas, les combattants de la première heure ont seuls le droit d’être les exterminateurs de la dernière. Qui n’a pas été accusateur opiniâtre pendant la prospérité doit se taire devant l’écroulement. Le dénonciateur du succès est le seul légitime justicier de la chute.]Victor Hugo (1802-1885) French writer
Les Misérables, Part 1 “Fantine,” Book 1 “An Upright Man,” ch. 11 (1.1.11) (1862) [tr. Donougher (2013)]More info about (and translations of) this quote: wist.info/hugo-victor/78713/
#quote #quotes #quotation #qotd #victorhugo #lesmiserables #lesmiz #bandwagon #challenge #danger #opposition #power #protest #punchingdown #punchingup #risk #risktaking #truthtopower #stakes
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We might have understood and admired in him protest in the name of legality and liberty, proud opposition, legitimate but perilous resistance to the all-powerful Napoleon. But what pleases us in the treatment of those on their way up is less pleasing in the treatment of those on their way down. We approve of fighting only so long as there is danger, and in any case only those who fought in the first instance have the right to be exterminators at the last. He who has not been a persistent opponent in times of prosperity should remain silent when the downfall comes. Challenging success gives the only legitimacy to prosecuting failure.
[Nous eussions compris et admiré la protestation au nom du droit et de la liberté, l’opposition fière, la résistance périlleuse et juste à Napoléon tout-puissant. Mais ce qui nous plaît vis-à-vis de ceux qui montent nous plaît moins vis-à-vis de ceux qui tombent. Nous n’aimons le combat que tant qu’il y a du danger ; et, dans tous les cas, les combattants de la première heure ont seuls le droit d’être les exterminateurs de la dernière. Qui n’a pas été accusateur opiniâtre pendant la prospérité doit se taire devant l’écroulement. Le dénonciateur du succès est le seul légitime justicier de la chute.]Victor Hugo (1802-1885) French writer
Les Misérables, Part 1 “Fantine,” Book 1 “An Upright Man,” ch. 11 (1.1.11) (1862) [tr. Donougher (2013)]More info about (and translations of) this quote: wist.info/hugo-victor/78713/
#quote #quotes #quotation #qotd #victorhugo #lesmiserables #lesmiz #bandwagon #challenge #danger #opposition #power #protest #punchingdown #punchingup #risk #risktaking #truthtopower #stakes
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We might have understood and admired in him protest in the name of legality and liberty, proud opposition, legitimate but perilous resistance to the all-powerful Napoleon. But what pleases us in the treatment of those on their way up is less pleasing in the treatment of those on their way down. We approve of fighting only so long as there is danger, and in any case only those who fought in the first instance have the right to be exterminators at the last. He who has not been a persistent opponent in times of prosperity should remain silent when the downfall comes. Challenging success gives the only legitimacy to prosecuting failure.
[Nous eussions compris et admiré la protestation au nom du droit et de la liberté, l’opposition fière, la résistance périlleuse et juste à Napoléon tout-puissant. Mais ce qui nous plaît vis-à-vis de ceux qui montent nous plaît moins vis-à-vis de ceux qui tombent. Nous n’aimons le combat que tant qu’il y a du danger ; et, dans tous les cas, les combattants de la première heure ont seuls le droit d’être les exterminateurs de la dernière. Qui n’a pas été accusateur opiniâtre pendant la prospérité doit se taire devant l’écroulement. Le dénonciateur du succès est le seul légitime justicier de la chute.]Victor Hugo (1802-1885) French writer
Les Misérables, Part 1 “Fantine,” Book 1 “An Upright Man,” ch. 11 (1.1.11) (1862) [tr. Donougher (2013)]More info about (and translations of) this quote: wist.info/hugo-victor/78713/
#quote #quotes #quotation #qotd #victorhugo #lesmiserables #lesmiz #bandwagon #challenge #danger #opposition #power #protest #punchingdown #punchingup #risk #risktaking #truthtopower #stakes
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Fantine Harduin e Thomas Gioria in Adorazione (2019) per la regia di Fabrice Du Welz
https://www.spoileralert.eu/2024/10/22/adoration/2048/#film #movie #cinema #cinefilo #FabriceDuWelz #FantineHarduin #ThomasGioria #ManuelDacosse #Adoration #unocinema
