#visualethnomusicology — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #visualethnomusicology, aggregated by home.social.
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*🧵14/14
Another lovely surprise: #HopaLide has been reviewed in Ethnomusicology by my dear colleague Jana Belišová – an ethnomusicologist and one of the leading experts on Romani music. I'm grateful she devoted so much care to the film, and, like David Verbuč before her, she also raises thoughtful critical points. I genuinely appreciate reviews that don't stop at praise.
The review is here:
https://doi.org/10.5406/21567417.70.2.13(PM me if you don't have access)
-
*🧵14/14
Another lovely surprise: #HopaLide has been reviewed in Ethnomusicology by my dear colleague Jana Belišová – an ethnomusicologist and one of the leading experts on Romani music. I'm grateful she devoted so much care to the film, and, like David Verbuč before her, she also raises thoughtful critical points. I genuinely appreciate reviews that don't stop at praise.
The review is here:
https://doi.org/10.5406/21567417.70.2.13(PM me if you don't have access)
-
*🧵14/14
Another lovely surprise: #HopaLide has been reviewed in Ethnomusicology by my dear colleague Jana Belišová – an ethnomusicologist and one of the leading experts on Romani music. I'm grateful she devoted so much care to the film, and, like David Verbuč before her, she also raises thoughtful critical points. I genuinely appreciate reviews that don't stop at praise.
The review is here:
https://doi.org/10.5406/21567417.70.2.13(PM me if you don't have access)
-
*🧵14/14
Another lovely surprise: #HopaLide has been reviewed in Ethnomusicology by my dear colleague Jana Belišová – an ethnomusicologist and one of the leading experts on Romani music. I'm grateful she devoted so much care to the film, and, like David Verbuč before her, she also raises thoughtful critical points. I genuinely appreciate reviews that don't stop at praise.
The review is here:
https://doi.org/10.5406/21567417.70.2.13(PM me if you don't have access)
-
*🧵13/14
One of the highlights was a wonderful screening at the Romani Music between Heritage and Politics summer school in #Budapest. Such an engaged group of students, full of thoughtful questions and discussions.
And the venue? The #CEU Rooftop. I'm not entirely convinced there's a better open-air cinema anywhere (cf. pictures attached) 🙂
-
*🧵13/14
One of the highlights was a wonderful screening at the Romani Music between Heritage and Politics summer school in #Budapest. Such an engaged group of students, full of thoughtful questions and discussions.
And the venue? The #CEU Rooftop. I'm not entirely convinced there's a better open-air cinema anywhere (cf. pictures attached) 🙂
-
*🧵13/14
One of the highlights was a wonderful screening at the Romani Music between Heritage and Politics summer school in #Budapest. Such an engaged group of students, full of thoughtful questions and discussions.
And the venue? The #CEU Rooftop. I'm not entirely convinced there's a better open-air cinema anywhere (cf. pictures attached) 🙂
-
*🧵13/14
One of the highlights was a wonderful screening at the Romani Music between Heritage and Politics summer school in #Budapest. Such an engaged group of students, full of thoughtful questions and discussions.
And the venue? The #CEU Rooftop. I'm not entirely convinced there's a better open-air cinema anywhere (cf. pictures attached) 🙂
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The Analytical Approaches to World Musics (AAWM) Journal invites ongoing submissions of documentary films, audiovisual essays, and multimedia works exploring music and sound cultures worldwide.
Submissions may include documentaries, performance analyses, interviews, audiovisual installations, experimental films, and more.
Rolling submissions
#Ethnomusicology #WorldMusic #MusicResearch #Audiovisual #DocumentaryFilm #VisualEthnomusicology #VisualAnthropology
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The Analytical Approaches to World Musics (AAWM) Journal invites ongoing submissions of documentary films, audiovisual essays, and multimedia works exploring music and sound cultures worldwide.
Submissions may include documentaries, performance analyses, interviews, audiovisual installations, experimental films, and more.
Rolling submissions
#Ethnomusicology #WorldMusic #MusicResearch #Audiovisual #DocumentaryFilm #VisualEthnomusicology #VisualAnthropology
-
The Analytical Approaches to World Musics (AAWM) Journal invites ongoing submissions of documentary films, audiovisual essays, and multimedia works exploring music and sound cultures worldwide.
Submissions may include documentaries, performance analyses, interviews, audiovisual installations, experimental films, and more.
Rolling submissions
#Ethnomusicology #WorldMusic #MusicResearch #Audiovisual #DocumentaryFilm #VisualEthnomusicology #VisualAnthropology
-
The Analytical Approaches to World Musics (AAWM) Journal invites ongoing submissions of documentary films, audiovisual essays, and multimedia works exploring music and sound cultures worldwide.
Submissions may include documentaries, performance analyses, interviews, audiovisual installations, experimental films, and more.
Rolling submissions
#Ethnomusicology #WorldMusic #MusicResearch #Audiovisual #DocumentaryFilm #VisualEthnomusicology #VisualAnthropology
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And just a reminder that the film #HopaLide is available online – you can watch it here =>
https://hopalide.nuska.me/en/#watch-the-film
Best of all? It streams on #PeerTube, so no ads, no tracking –> just the film!
Enjoy!
🧵11/11
-
And just a reminder that the film #HopaLide is available online – you can watch it here =>
https://hopalide.nuska.me/en/#watch-the-film
Best of all? It streams on #PeerTube, so no ads, no tracking –> just the film!
Enjoy!
🧵11/11
-
And just a reminder that the film #HopaLide is available online – you can watch it here =>
https://hopalide.nuska.me/en/#watch-the-film
Best of all? It streams on #PeerTube, so no ads, no tracking –> just the film!
Enjoy!
🧵11/11
-
And just a reminder that the film #HopaLide is available online – you can watch it here =>
https://hopalide.nuska.me/en/#watch-the-film
Best of all? It streams on #PeerTube, so no ads, no tracking –> just the film!
Enjoy!
🧵11/11
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The previous month, I also reconnected with fellow ethnomusicologist–filmmakers at the conference "New Perspectives in Audiovisual Ethnomusicology: Between Archives and New Technologies" in Cagliari. I revisited an older project there – the database=> https://visual.ethnomusicology.net
Seeing so many exciting initiatives reminded me how much I miss making ethnomusicological films. The #RomaniChords project keeps me busy now, but I hope to return to it someday.
#HopaLide #VisualEthnomusicology
🧵10/11
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The previous month, I also reconnected with fellow ethnomusicologist–filmmakers at the conference "New Perspectives in Audiovisual Ethnomusicology: Between Archives and New Technologies" in Cagliari. I revisited an older project there – the database=> https://visual.ethnomusicology.net
Seeing so many exciting initiatives reminded me how much I miss making ethnomusicological films. The #RomaniChords project keeps me busy now, but I hope to return to it someday.
#HopaLide #VisualEthnomusicology
🧵10/11
-
The previous month, I also reconnected with fellow ethnomusicologist–filmmakers at the conference "New Perspectives in Audiovisual Ethnomusicology: Between Archives and New Technologies" in Cagliari. I revisited an older project there – the database=> https://visual.ethnomusicology.net
Seeing so many exciting initiatives reminded me how much I miss making ethnomusicological films. The #RomaniChords project keeps me busy now, but I hope to return to it someday.
#HopaLide #VisualEthnomusicology
🧵10/11
-
The previous month, I also reconnected with fellow ethnomusicologist–filmmakers at the conference "New Perspectives in Audiovisual Ethnomusicology: Between Archives and New Technologies" in Cagliari. I revisited an older project there – the database=> https://visual.ethnomusicology.net
Seeing so many exciting initiatives reminded me how much I miss making ethnomusicological films. The #RomaniChords project keeps me busy now, but I hope to return to it someday.
#HopaLide #VisualEthnomusicology
🧵10/11
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Those interested in the musical landscape of #HopaLide might also enjoy my earlier short film, "Rooted Musicians from #Klenovec". I recently had the pleasure of presenting it in Bratislava at a photo exhibition by Claude and Marie-José Carret – dear friends and photographers whose work lies at the heart of the film.
You can watch it here =>
https://www.youtube.com/watch?v=2q0G9lB8JXM
#VisualEthnomusicology #Photography #DocumentaryPhotography
🧵9/11
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Those interested in the musical landscape of #HopaLide might also enjoy my earlier short film, "Rooted Musicians from #Klenovec". I recently had the pleasure of presenting it in Bratislava at a photo exhibition by Claude and Marie-José Carret – dear friends and photographers whose work lies at the heart of the film.
You can watch it here =>
https://www.youtube.com/watch?v=2q0G9lB8JXM
#VisualEthnomusicology #Photography #DocumentaryPhotography
🧵9/11
-
Those interested in the musical landscape of #HopaLide might also enjoy my earlier short film, "Rooted Musicians from #Klenovec". I recently had the pleasure of presenting it in Bratislava at a photo exhibition by Claude and Marie-José Carret – dear friends and photographers whose work lies at the heart of the film.
You can watch it here =>
https://www.youtube.com/watch?v=2q0G9lB8JXM
#VisualEthnomusicology #Photography #DocumentaryPhotography
🧵9/11
-
Those interested in the musical landscape of #HopaLide might also enjoy my earlier short film, "Rooted Musicians from #Klenovec". I recently had the pleasure of presenting it in Bratislava at a photo exhibition by Claude and Marie-José Carret – dear friends and photographers whose work lies at the heart of the film.
You can watch it here =>
https://www.youtube.com/watch?v=2q0G9lB8JXM
#VisualEthnomusicology #Photography #DocumentaryPhotography
🧵9/11
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For those who prefer listening to reading, here is a recording from the recent Between Research and Activism: Futures of Music and Minority Studies symposium, organised by my dear colleagues at the Music and Minorities Research Center in Vienna. In the talk, I reflect on making music videos grounded in ethnography and what I have learned from the creative processes behind it.
*photos from the event here=> https://lydianaomiknoebl.pic-time.com/-mmrcsymposium2026/gallery
#HopaLide #VisualEthnomusicology
🧵8/11
-
For those who prefer listening to reading, here is a recording from the recent Between Research and Activism: Futures of Music and Minority Studies symposium, organised by my dear colleagues at the Music and Minorities Research Center in Vienna. In the talk, I reflect on making music videos grounded in ethnography and what I have learned from the creative processes behind it.
*photos from the event here=> https://lydianaomiknoebl.pic-time.com/-mmrcsymposium2026/gallery
#HopaLide #VisualEthnomusicology
🧵8/11
-
For those who prefer listening to reading, here is a recording from the recent Between Research and Activism: Futures of Music and Minority Studies symposium, organised by my dear colleagues at the Music and Minorities Research Center in Vienna. In the talk, I reflect on making music videos grounded in ethnography and what I have learned from the creative processes behind it.
*photos from the event here=> https://lydianaomiknoebl.pic-time.com/-mmrcsymposium2026/gallery
#HopaLide #VisualEthnomusicology
🧵8/11
-
For those who prefer listening to reading, here is a recording from the recent Between Research and Activism: Futures of Music and Minority Studies symposium, organised by my dear colleagues at the Music and Minorities Research Center in Vienna. In the talk, I reflect on making music videos grounded in ethnography and what I have learned from the creative processes behind it.
*photos from the event here=> https://lydianaomiknoebl.pic-time.com/-mmrcsymposium2026/gallery
#HopaLide #VisualEthnomusicology
🧵8/11
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And one more for those who enjoy reading: a new open-access review of #HopaLide by David Verbuč has just been published in Music & Minorities. It stands out for its close scene-by-scene analysis and engagement with the film’s broader academic afterlife, while also offering fair and thoughtful critique.
Read it here =>
https://mm.publia.org/mm/article/view/59/95
#VisualEthnomusicology #EthnographicFilm #OpenAccess
🧵7/11
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And one more for those who enjoy reading: a new open-access review of #HopaLide by David Verbuč has just been published in Music & Minorities. It stands out for its close scene-by-scene analysis and engagement with the film’s broader academic afterlife, while also offering fair and thoughtful critique.
Read it here =>
https://mm.publia.org/mm/article/view/59/95
#VisualEthnomusicology #EthnographicFilm #OpenAccess
🧵7/11
-
And one more for those who enjoy reading: a new open-access review of #HopaLide by David Verbuč has just been published in Music & Minorities. It stands out for its close scene-by-scene analysis and engagement with the film’s broader academic afterlife, while also offering fair and thoughtful critique.
Read it here =>
https://mm.publia.org/mm/article/view/59/95
#VisualEthnomusicology #EthnographicFilm #OpenAccess
🧵7/11
-
And one more for those who enjoy reading: a new open-access review of #HopaLide by David Verbuč has just been published in Music & Minorities. It stands out for its close scene-by-scene analysis and engagement with the film’s broader academic afterlife, while also offering fair and thoughtful critique.
Read it here =>
https://mm.publia.org/mm/article/view/59/95
#VisualEthnomusicology #EthnographicFilm #OpenAccess
🧵7/11
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Bonus tip: if you want to experience the argument about movement to the fullest, try this HTML version of the preprint. It includes embedded multimedia that *actually* move. (Could this be the first moving preprint in the history of academia? Possibly! Either way, here it is =>)
https://hopalide.nuska.me/in-motion/preprint/
#HopaLide #VisualEthnomusicology
🧵6/11
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Bonus tip: if you want to experience the argument about movement to the fullest, try this HTML version of the preprint. It includes embedded multimedia that *actually* move. (Could this be the first moving preprint in the history of academia? Possibly! Either way, here it is =>)
https://hopalide.nuska.me/in-motion/preprint/
#HopaLide #VisualEthnomusicology
🧵6/11
-
Bonus tip: if you want to experience the argument about movement to the fullest, try this HTML version of the preprint. It includes embedded multimedia that *actually* move. (Could this be the first moving preprint in the history of academia? Possibly! Either way, here it is =>)
https://hopalide.nuska.me/in-motion/preprint/
#HopaLide #VisualEthnomusicology
🧵6/11
-
Bonus tip: if you want to experience the argument about movement to the fullest, try this HTML version of the preprint. It includes embedded multimedia that *actually* move. (Could this be the first moving preprint in the history of academia? Possibly! Either way, here it is =>)
https://hopalide.nuska.me/in-motion/preprint/
#HopaLide #VisualEthnomusicology
🧵6/11
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The article proposes thinking about ethnographic filmmaking through different forms of movement and – using Hopa lide as a case study – traces both the history and contemporary practice of movement in ethnographic film. It also invites filmmakers and researchers to reflect more critically on how movement shapes anthropological knowledge.
#OpenAccess preprint =>
https://works.hcommons.org/records/v1ha1-nz987
CC @hello
#HopaLide #VisualEthnomusicology
🧵5/11
-
The article proposes thinking about ethnographic filmmaking through different forms of movement and – using Hopa lide as a case study – traces both the history and contemporary practice of movement in ethnographic film. It also invites filmmakers and researchers to reflect more critically on how movement shapes anthropological knowledge.
#OpenAccess preprint =>
https://works.hcommons.org/records/v1ha1-nz987
CC @hello
#HopaLide #VisualEthnomusicology
🧵5/11
-
The article proposes thinking about ethnographic filmmaking through different forms of movement and – using Hopa lide as a case study – traces both the history and contemporary practice of movement in ethnographic film. It also invites filmmakers and researchers to reflect more critically on how movement shapes anthropological knowledge.
#OpenAccess preprint =>
https://works.hcommons.org/records/v1ha1-nz987
CC @hello
#HopaLide #VisualEthnomusicology
🧵5/11
-
The article proposes thinking about ethnographic filmmaking through different forms of movement and – using Hopa lide as a case study – traces both the history and contemporary practice of movement in ethnographic film. It also invites filmmakers and researchers to reflect more critically on how movement shapes anthropological knowledge.
#OpenAccess preprint =>
https://works.hcommons.org/records/v1ha1-nz987
CC @hello
#HopaLide #VisualEthnomusicology
🧵5/11
-
If one academic article is not enough, you may enjoy another piece just published in Visual Studies. The article approaches filmmaking through the lens of movement, exploring how camera mobility shapes ethnographic knowledge in the film Hopa lide.
You can access the article here =>
https://doi.org/10.1080/1472586X.2026.2640141#HopaLide #VisualEthnomusicology
🧵4/11
-
If one academic article is not enough, you may enjoy another piece just published in Visual Studies. The article approaches filmmaking through the lens of movement, exploring how camera mobility shapes ethnographic knowledge in the film Hopa lide.
You can access the article here =>
https://doi.org/10.1080/1472586X.2026.2640141#HopaLide #VisualEthnomusicology
🧵4/11
-
If one academic article is not enough, you may enjoy another piece just published in Visual Studies. The article approaches filmmaking through the lens of movement, exploring how camera mobility shapes ethnographic knowledge in the film Hopa lide.
You can access the article here =>
https://doi.org/10.1080/1472586X.2026.2640141#HopaLide #VisualEthnomusicology
🧵4/11
-
If one academic article is not enough, you may enjoy another piece just published in Visual Studies. The article approaches filmmaking through the lens of movement, exploring how camera mobility shapes ethnographic knowledge in the film Hopa lide.
You can access the article here =>
https://doi.org/10.1080/1472586X.2026.2640141#HopaLide #VisualEthnomusicology
🧵4/11
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The article also reflects on what I call the hegemony of the story in contemporary #documentary filmmaking – the expectation that films revolve around strong protagonists and clear narrative arcs. Hopa lide deliberately resists this logic, experimenting with a multi-chapter ethnographic form with no clearly defined #story.
#OpenAccess preprint available here => https://osf.io/preprints/socarxiv/s35nq_v2
#HopaLide #VisualEthnomusicology
🧵3/11
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The article also reflects on what I call the hegemony of the story in contemporary #documentary filmmaking – the expectation that films revolve around strong protagonists and clear narrative arcs. Hopa lide deliberately resists this logic, experimenting with a multi-chapter ethnographic form with no clearly defined #story.
#OpenAccess preprint available here => https://osf.io/preprints/socarxiv/s35nq_v2
#HopaLide #VisualEthnomusicology
🧵3/11
-
The article also reflects on what I call the hegemony of the story in contemporary #documentary filmmaking – the expectation that films revolve around strong protagonists and clear narrative arcs. Hopa lide deliberately resists this logic, experimenting with a multi-chapter ethnographic form with no clearly defined #story.
#OpenAccess preprint available here => https://osf.io/preprints/socarxiv/s35nq_v2
#HopaLide #VisualEthnomusicology
🧵3/11
-
The article also reflects on what I call the hegemony of the story in contemporary #documentary filmmaking – the expectation that films revolve around strong protagonists and clear narrative arcs. Hopa lide deliberately resists this logic, experimenting with a multi-chapter ethnographic form with no clearly defined #story.
#OpenAccess preprint available here => https://osf.io/preprints/socarxiv/s35nq_v2
#HopaLide #VisualEthnomusicology
🧵3/11
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First, my article on the making of the ethnographic film Hopa lide and the question of Romani representation in documentary cinema has been published in Visual Anthropology Review.
The article explores collaborative filmmaking as a response to dominant portrayals of Roma and examines how audiovisual practice can generate anthropological knowledge. Free access for #ResearchGate users.
#HopaLide #VisualEthnomusicology
🧵2/11
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First, my article on the making of the ethnographic film Hopa lide and the question of Romani representation in documentary cinema has been published in Visual Anthropology Review.
The article explores collaborative filmmaking as a response to dominant portrayals of Roma and examines how audiovisual practice can generate anthropological knowledge. Free access for #ResearchGate users.
#HopaLide #VisualEthnomusicology
🧵2/11
-
First, my article on the making of the ethnographic film Hopa lide and the question of Romani representation in documentary cinema has been published in Visual Anthropology Review.
The article explores collaborative filmmaking as a response to dominant portrayals of Roma and examines how audiovisual practice can generate anthropological knowledge. Free access for #ResearchGate users.
#HopaLide #VisualEthnomusicology
🧵2/11
-
First, my article on the making of the ethnographic film Hopa lide and the question of Romani representation in documentary cinema has been published in Visual Anthropology Review.
The article explores collaborative filmmaking as a response to dominant portrayals of Roma and examines how audiovisual practice can generate anthropological knowledge. Free access for #ResearchGate users.
#HopaLide #VisualEthnomusicology
🧵2/11
-
This summer marks three years since the premiere of my ethnographic film #HopaLide.
That is usually the moment when films start to feel a little old. In academia, however, they often gain a second life thanks to slower publication timelines. That second life is now unfolding through academic outputs reflecting on the film.
Enough, in fact, for a whole thread. Let’s dive in 👇
🧵1/11
-
This summer marks three years since the premiere of my ethnographic film #HopaLide.
That is usually the moment when films start to feel a little old. In academia, however, they often gain a second life thanks to slower publication timelines. That second life is now unfolding through academic outputs reflecting on the film.
Enough, in fact, for a whole thread. Let’s dive in 👇
🧵1/11
-
This summer marks three years since the premiere of my ethnographic film #HopaLide.
That is usually the moment when films start to feel a little old. In academia, however, they often gain a second life thanks to slower publication timelines. That second life is now unfolding through academic outputs reflecting on the film.
Enough, in fact, for a whole thread. Let’s dive in 👇
🧵1/11
-
This summer marks three years since the premiere of my ethnographic film #HopaLide.
That is usually the moment when films start to feel a little old. In academia, however, they often gain a second life thanks to slower publication timelines. That second life is now unfolding through academic outputs reflecting on the film.
Enough, in fact, for a whole thread. Let’s dive in 👇
🧵1/11
-
*Annual reminder*
Call for Diego Carpitella Scholarship is open again!
Interested in #VisualEthnomusicology and/or having an idea for #EthnographicFilm on music? Apply to join this ever-growing family of #VisualEthnomusicology filmmakers!
Deadline: 15/04/2026
https://www.cini.it/en/cini_news/call-for-applications-diego-carpitella-2026/
-
*Annual reminder*
Call for Diego Carpitella Scholarship is open again!
Interested in #VisualEthnomusicology and/or having an idea for #EthnographicFilm on music? Apply to join this ever-growing family of #VisualEthnomusicology filmmakers!
Deadline: 15/04/2026
https://www.cini.it/en/cini_news/call-for-applications-diego-carpitella-2026/
-
*Annual reminder*
Call for Diego Carpitella Scholarship is open again!
Interested in #VisualEthnomusicology and/or having an idea for #EthnographicFilm on music? Apply to join this ever-growing family of #VisualEthnomusicology filmmakers!
Deadline: 15/04/2026
https://www.cini.it/en/cini_news/call-for-applications-diego-carpitella-2026/
-
*Annual reminder*
Call for Diego Carpitella Scholarship is open again!
Interested in #VisualEthnomusicology and/or having an idea for #EthnographicFilm on music? Apply to join this ever-growing family of #VisualEthnomusicology filmmakers!
Deadline: 15/04/2026
https://www.cini.it/en/cini_news/call-for-applications-diego-carpitella-2026/