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#touchoscapp — Public Fediverse posts

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  1. chamber music for accordion w/ electronics and cello / svetlana maraš. 2020

    Svetlana Maraš (1985) is a composer and sound artist from Serbia. She works at the intersection of experimental music, sound art and new media. Her musical work is finding adequate form of expression in different media, genres and representational contexts and encompasses live electronic music performance, electro-acoustic composition, radiophonic art, sound and media installations.

    In this piece, the composer utilized the electronics as an extension of the accordion sonic and technical possibilities. Equipment: Ableton Live, TouchOsc app, MIDI foot controller and a tablet.

    Premiered and recorded on March 10, 2020 at the Belgrade Philharmonics Hall.

    Aleksandar Latković, cello
    Branko Džinović, accordion

    Video: Marija Radanović
    Sound: Goran Gordić

    https://www.svetlanamaras.com/
    https://www.brankodzinovic.com

    #AbletonLive #accordion #AleksandarLatković #BelgradePhilharmonicsHall #BrankoDžinović #electroAcousticComposition #electronicMusicPerformance #experimentalMusic #GoranGordić #MarijaRadanović #MIDIFootController #music #musica #musicaDiRicerca #musicaSperimentale #radiophonicArt #researchMusic #SvetlanaMaraš #tablet #TouchOscApp
  2. chamber music for accordion w/ electronics and cello / svetlana maraš. 2020

    Svetlana Maraš (1985) is a composer and sound artist from Serbia. She works at the intersection of experimental music, sound art and new media. Her musical work is finding adequate form of expression in different media, genres and representational contexts and encompasses live electronic music performance, electro-acoustic composition, radiophonic art, sound and media installations.

    In this piece, the composer utilized the electronics as an extension of the accordion sonic and technical possibilities. Equipment: Ableton Live, TouchOsc app, MIDI foot controller and a tablet.

    Premiered and recorded on March 10, 2020 at the Belgrade Philharmonics Hall.

    Aleksandar Latković, cello
    Branko Džinović, accordion

    Video: Marija Radanović
    Sound: Goran Gordić

    https://www.svetlanamaras.com/
    https://www.brankodzinovic.com

    #AbletonLive #accordion #AleksandarLatković #BelgradePhilharmonicsHall #BrankoDžinović #electroAcousticComposition #electronicMusicPerformance #experimentalMusic #GoranGordić #MarijaRadanović #MIDIFootController #music #musica #musicaDiRicerca #musicaSperimentale #radiophonicArt #researchMusic #SvetlanaMaraš #tablet #TouchOscApp
  3. chamber music for accordion w/ electronics and cello / svetlana maraš. 2020

    Svetlana Maraš (1985) is a composer and sound artist from Serbia. She works at the intersection of experimental music, sound art and new media. Her musical work is finding adequate form of expression in different media, genres and representational contexts and encompasses live electronic music performance, electro-acoustic composition, radiophonic art, sound and media installations.

    In this piece, the composer utilized the electronics as an extension of the accordion sonic and technical possibilities. Equipment: Ableton Live, TouchOsc app, MIDI foot controller and a tablet.

    Premiered and recorded on March 10, 2020 at the Belgrade Philharmonics Hall.

    Aleksandar Latković, cello
    Branko Džinović, accordion

    Video: Marija Radanović
    Sound: Goran Gordić

    https://www.svetlanamaras.com/
    https://www.brankodzinovic.com

    #AbletonLive #accordion #AleksandarLatković #BelgradePhilharmonicsHall #BrankoDžinović #electroAcousticComposition #electronicMusicPerformance #experimentalMusic #GoranGordić #MarijaRadanović #MIDIFootController #music #musica #musicaDiRicerca #musicaSperimentale #radiophonicArt #researchMusic #SvetlanaMaraš #tablet #TouchOscApp
  4. chamber music for accordion w/ electronics and cello / svetlana maraš. 2020

    Svetlana Maraš (1985) is a composer and sound artist from Serbia. She works at the intersection of experimental music, sound art and new media. Her musical work is finding adequate form of expression in different media, genres and representational contexts and encompasses live electronic music performance, electro-acoustic composition, radiophonic art, sound and media installations.

    In this piece, the composer utilized the electronics as an extension of the accordion sonic and technical possibilities. Equipment: Ableton Live, TouchOsc app, MIDI foot controller and a tablet.

    Premiered and recorded on March 10, 2020 at the Belgrade Philharmonics Hall.

    Aleksandar Latković, cello
    Branko Džinović, accordion

    Video: Marija Radanović
    Sound: Goran Gordić

    https://www.svetlanamaras.com/
    https://www.brankodzinovic.com

    #AbletonLive #accordion #AleksandarLatković #BelgradePhilharmonicsHall #BrankoDžinović #electroAcousticComposition #electronicMusicPerformance #experimentalMusic #GoranGordić #MarijaRadanović #MIDIFootController #music #musica #musicaDiRicerca #musicaSperimentale #radiophonicArt #researchMusic #SvetlanaMaraš #tablet #TouchOscApp
  5. chamber music for accordion w/ electronics and cello / svetlana maraš. 2020

    Svetlana Maraš (1985) is a composer and sound artist from Serbia. She works at the intersection of experimental music, sound art and new media. Her musical work is finding adequate form of expression in different media, genres and representational contexts and encompasses live electronic music performance, electro-acoustic composition, radiophonic art, sound and media installations.

    In this piece, the composer utilized the electronics as an extension of the accordion sonic and technical possibilities. Equipment: Ableton Live, TouchOsc app, MIDI foot controller and a tablet.

    Premiered and recorded on March 10, 2020 at the Belgrade Philharmonics Hall.

    Aleksandar Latković, cello
    Branko Džinović, accordion

    Video: Marija Radanović
    Sound: Goran Gordić

    https://www.svetlanamaras.com/
    https://www.brankodzinovic.com

    #AbletonLive #accordion #AleksandarLatković #BelgradePhilharmonicsHall #BrankoDžinović #electroAcousticComposition #electronicMusicPerformance #experimentalMusic #GoranGordić #MarijaRadanović #MIDIFootController #music #musica #musicaDiRicerca #musicaSperimentale #radiophonicArt #researchMusic #SvetlanaMaraš #tablet #TouchOscApp