#retromusic — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #retromusic, aggregated by home.social.
-
Cornwall’s coast shines in new list of Britain’s best train‑accessible walks
Credit: Google Maps A popular St Ives walking route has been named Cornwall’s best train‑accessible walk and ranked…
#EuropeSays #Britain #Europe #EU #app #CornishRadio #CornishStation #Cornwall #Cornwall'sRewindRadio #DAB #Eighties #LocalRadio #LocalRadioforCornwall #Music #Nineties #Noughties #online #radio #RetroMusic #RewindRadio #SmartSpeaker
https://www.europesays.com/britain/120464/ -
https://www.europesays.com/britain/120464/ Cornwall’s coast shines in new list of Britain’s best train‑accessible walks #app #Britain #CornishRadio #CornishStation #Cornwall #Cornwall'sRewindRadio #DAB #Eighties #LocalRadio #LocalRadioForCornwall #Music #Nineties #Noughties #online #radio #RetroMusic #RewindRadio #SmartSpeaker
-
Paula Escobar, un reproductor musical para terminal inspirado en Amiga
Paula Escobar no es pariente del famoso narco ni tiene nada que ver con la desaparición del carro de Manolo, es un reproductor musical para terminal desarrollado por Adeptum Labs que, aunque no es un programa para Amiga, nace directamente de la tecnología y la escena musical de la plataforma.
El proyecto funciona de forma nativa en Linux, macOS y Windows como un único ejecutable, sin necesidad de instalar una máquina virtual de Java. Está publicado bajo licencia GPL 3 y también dispone de una versión ejecutable mediante JAR.
El reproductor es compatible con una amplia variedad de formatos musicales vinculados a la escena retro, incluyendo módulos de ProTracker y otros trackers mediante JavaMod, DigiBooster Pro 2 y 3, AHX, HivelyTracker y SID, además de Atari SAP y formatos de audio habituales.
Una parte importante del desarrollo se ha centrado en reproducir correctamente los formatos utilizados en Amiga. Los replayers de DigiBooster y AHX/HivelyTracker han sido desarrollados por el autor a partir de libdigibooster3 y hvl_replay.c. Su funcionamiento se comprueba mediante renders de referencia para garantizar que la reproducción coincide muestra por muestra con las implementaciones originales en C.
También incorpora soporte para archivos LHA y LZX, módulos comprimidos mediante XPK y archivos contenidos dentro de otros archivos comprimidos, procesándolos hasta localizar la música que contienen.
Una de las funciones más interesantes es su integración con Demozoo. Paula Escobar permite navegar por las competiciones musicales de 68 series de demoparties, incluyendo eventos como The Party, Assembly, The Gathering, Breakpoint, Revision, X o Icing, consultando los resultados año por año. Al seleccionar una entrada, el programa descarga el módulo desde scene.org, Modland o ModArchive y comienza su reproducción. También permite navegar por las listas de ModArchive.
La interfaz utiliza color de 24 bits e incluye información de la canción, instrumento activo, analizador de espectro, osciloscopios mediante puntos Braille para cada canal, waterfall y vectorscope. Además, es posible silenciar o activar individualmente los canales haciendo clic sobre sus correspondientes osciloscopios.
El desarrollador busca también colaboración de la comunidad para localizar posibles diferencias en los replayers respecto a un Amiga real o a reproductores de referencia, así como para identificar formatos de compresión o empaquetado utilizados en Amiga que todavía no sean compatibles.
Fuente: EAB
Proyecto: Paula Escobar en GitHub -
#WenkoffRetro No. 341 🎶❤️
#retromusicV sobotu uplynuly dva roky od úmrtí Sérgio Mendese. Tahle brazilská hvězda určitě stojí za připomínku.
*Sérgio Santos Mendes* (11.2.1941 - 5.9.2024) byl světově proslulý brazilský hudebník, pianista, skladatel a kapelník, který zásadním způsobem celosvětově zpopularizoval žánr *bossa nova* a latinskoamerický pop.
V 60. letech odešel z Brazílie do USA, kde založil legendární projekt *Sérgio Mendes & Brasil '66*. Proslavil se zejména chytlavou verzí skladby „Mas Que Nada“. Během své více než šest dekád trvající kariéry vydal přes 40 studiových alb a desítky singlů, získal několik cen Grammy (včetně ocenění za album Brasileiro) a spolupracoval s řadou hvězd od jazzových legend po populární skupiny. V r. 2012 byl rovněž nominovaný na Oscara za píseň k animovanému filmu Rio.
*Pro mladší generace: ne, píseň "Mas Que Nada" opravdu není od Black Eyed Peas a není z r. 2006. Ve skutečnosti ji napsal brazilský hudebník Jorge Ben a v r. 1962 ji poprvé nahrál Brazilec Zé Maria se svou skupinou. Mendesův cover ji ale teprve proslavil po celém světě.*
A teď hezky do rytmu: 🎶💃🕺
-
✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Sarah Vaughan - Interlude 🛍️ 🌑 🔔 LP Vinyl Analogue version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋
Sarah Vaughan & Her All-Stars
Interlude
Night In Tunisia
Continental Label Records 1944
- Night in Tunisia is a magnifique musical composition written by Dizzy Gillespie in 1942 while he was playing with the superb Earl Hines Band
Night in Tunisia is a Jazz standard
It is also known as "Interlude", under which title it was recorded (with lyrics) by Sarah Vaughan and Anita O'Day
Gillespie himself called the tune
Night in TunisiaAlthough the song is sometimes titled "A Night in Tunisia", the proper title is
Night in Tunisia- The complex bass line in the "A section" is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes gives the song a unique, mysterious feeling
Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections — in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
Sarah Vaughan and Her All-Stars
Dizzy Gillespie (trumpet)
Aaron Sachs (clarinet)
Georgie Auld (tenor Sax)
Jack Lesberg (Double Bass)
Chuck Wayne (guitar)
Piano/Producer: Leonard Feather (piano)
Morey Feld (drums)
Recorded in New York City on December 31 1944 (Continental Label Records)
Interlude
Lyrics
I lived in a dream for a moment
We'd loved in a midnight solitude
But I never knew at the moment
Love was just an interludeI thrill as your arms would enfold me
A kiss of surrender says the mood
Then heaven fell down when you told me
Love's a passing interludeThe magic was unsurpassed
Too good to last
The magic my heart once knew
Is dressed in blueThe shadow of night all around me
I walk in a moonlight solitude
When I thought romance really found me
Love was just an interludeThe shadow of night all around me
I walk in a moonlight solitude
When I thought romance really found me
Love was just an interludeZ
Sources
- My LP
https://en.wikipedia.org/wiki/Sarah_Vaughan?wprov=sfla1
https://en.wikipedia.org/wiki/A_Night_in_Tunisia?wprov=sfla1
https://www.youtube.com/watch?v=xxAvj2cidBs
Reaction I
You can clearly see, based on the size of the toot, that I love this song.
- For the first time I heard it on the radio the AM radio
- For the second version, which is the first computer rendering, I heard it on my Amiga computer! As a module
- When I heard it again after many decades, I didn't recognize Night in Tunisia at first, because I remembered a super fast live version that Dizzy Gillespie played.
- It was when I heard the second part, a few beats in, that I recognized the brilliance of the band and the composer
What a powerful song both fast and slow versions
You should also listen to the Art Blakey version#NowPlaying #SarahVaughan 🎶 #DizzyGillespie 🎶 #Jazz #year1942 #Saxophone #Tenor #Bass #Double 💫 #Standard #Music #Retro #RetroMusic #no #TV
-
✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Sarah Vaughan - Interlude 🛍️ 🌑 🔔 LP Vinyl Analogue version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋
Sarah Vaughan & Her All-Stars
Interlude
Night In Tunisia
Continental Label Records 1944
- Night in Tunisia is a magnifique musical composition written by Dizzy Gillespie in 1942 while he was playing with the superb Earl Hines Band
Night in Tunisia is a Jazz standard
It is also known as "Interlude", under which title it was recorded (with lyrics) by Sarah Vaughan and Anita O'Day
Gillespie himself called the tune
Night in TunisiaAlthough the song is sometimes titled "A Night in Tunisia", the proper title is
Night in Tunisia- The complex bass line in the "A section" is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes gives the song a unique, mysterious feeling
Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections — in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
Sarah Vaughan and Her All-Stars
Dizzy Gillespie (trumpet)
Aaron Sachs (clarinet)
Georgie Auld (tenor Sax)
Jack Lesberg (Double Bass)
Chuck Wayne (guitar)
Piano/Producer: Leonard Feather (piano)
Morey Feld (drums)
Recorded in New York City on December 31 1944 (Continental Label Records)
Interlude
Lyrics
I lived in a dream for a moment
We'd loved in a midnight solitude
But I never knew at the moment
Love was just an interludeI thrill as your arms would enfold me
A kiss of surrender says the mood
Then heaven fell down when you told me
Love's a passing interludeThe magic was unsurpassed
Too good to last
The magic my heart once knew
Is dressed in blueThe shadow of night all around me
I walk in a moonlight solitude
When I thought romance really found me
Love was just an interludeThe shadow of night all around me
I walk in a moonlight solitude
When I thought romance really found me
Love was just an interludeZ
Sources
- My LP
https://en.wikipedia.org/wiki/Sarah_Vaughan?wprov=sfla1
https://en.wikipedia.org/wiki/A_Night_in_Tunisia?wprov=sfla1
https://www.youtube.com/watch?v=xxAvj2cidBs
Reaction I
You can clearly see, based on the size of the toot, that I love this song.
- For the first time I heard it on the radio the AM radio
- For the second version, which is the first computer rendering, I heard it on my Amiga computer! As a module
- When I heard it again after many decades, I didn't recognize Night in Tunisia at first, because I remembered a super fast live version that Dizzy Gillespie played.
- It was when I heard the second part, a few beats in, that I recognized the brilliance of the band and the composer
What a powerful song both fast and slow versions
You should also listen to the Art Blakey version#NowPlaying #SarahVaughan 🎶 #DizzyGillespie 🎶 #Jazz #year1942 #Saxophone #Tenor #Bass #Double 💫 #Standard #Music #Retro #RetroMusic #no #TV
-
✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Sarah Vaughan - Interlude 🛍️ 🌑 🔔 LP Vinyl Analogue version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋
Sarah Vaughan & Her All-Stars
Interlude
Night In Tunisia
Continental Label Records 1944
- Night in Tunisia is a magnifique musical composition written by Dizzy Gillespie in 1942 while he was playing with the superb Earl Hines Band
Night in Tunisia is a Jazz standard
It is also known as "Interlude", under which title it was recorded (with lyrics) by Sarah Vaughan and Anita O'Day
Gillespie himself called the tune
Night in TunisiaAlthough the song is sometimes titled "A Night in Tunisia", the proper title is
Night in Tunisia- The complex bass line in the "A section" is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes gives the song a unique, mysterious feeling
Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections — in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
Sarah Vaughan and Her All-Stars
Dizzy Gillespie (trumpet)
Aaron Sachs (clarinet)
Georgie Auld (tenor Sax)
Jack Lesberg (Double Bass)
Chuck Wayne (guitar)
Piano/Producer: Leonard Feather (piano)
Morey Feld (drums)
Recorded in New York City on December 31 1944 (Continental Label Records)
Interlude
Lyrics
I lived in a dream for a moment
We'd loved in a midnight solitude
But I never knew at the moment
Love was just an interludeI thrill as your arms would enfold me
A kiss of surrender says the mood
Then heaven fell down when you told me
Love's a passing interludeThe magic was unsurpassed
Too good to last
The magic my heart once knew
Is dressed in blueThe shadow of night all around me
I walk in a moonlight solitude
When I thought romance really found me
Love was just an interludeThe shadow of night all around me
I walk in a moonlight solitude
When I thought romance really found me
Love was just an interludeZ
Sources
- My LP
https://en.wikipedia.org/wiki/Sarah_Vaughan?wprov=sfla1
https://en.wikipedia.org/wiki/A_Night_in_Tunisia?wprov=sfla1
https://www.youtube.com/watch?v=xxAvj2cidBs
Reaction I
You can clearly see, based on the size of the toot, that I love this song.
- For the first time I heard it on the radio the AM radio
- For the second version, which is the first computer rendering, I heard it on my Amiga computer! As a module
- When I heard it again after many decades, I didn't recognize Night in Tunisia at first, because I remembered a super fast live version that Dizzy Gillespie played.
- It was when I heard the second part, a few beats in, that I recognized the brilliance of the band and the composer
What a powerful song both fast and slow versions
You should also listen to the Art Blakey version#NowPlaying #SarahVaughan 🎶 #DizzyGillespie 🎶 #Jazz #year1942 #Saxophone #Tenor #Bass #Double 💫 #Standard #Music #Retro #RetroMusic #no #TV
-
With Ronnie's role with the Faces now just a memory, the co-founder of both that group and its predecessor the Small Faces, was now striding out into new territory...
#ClassicRock #RockMusic #70sMusic #MusicHistory #UKCharts #1970s #RetroMusic #BritishRock #RockHistory #Vinyl #SmallFaces #RonnieLane #SlimChance #HowCome #FacesBand #ModRock #FolkRock
-
Vamos apoyar la sele.
5 pantallas para que disfrutes del partido y luego la mejor rumba retro en Encanta Románticos de los 60s -
Vamos apoyar la sele.
5 pantallas para que disfrutes del partido y luego la mejor rumba retro en Encanta Románticos de los 60s -
Vamos apoyar la sele.
5 pantallas para que disfrutes del partido y luego la mejor rumba retro en Encanta Románticos de los 60s