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#publicdomaindaycountdown — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #publicdomaindaycountdown, aggregated by home.social.

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  1. Chris Peterson writes about plays that have recently arrived in the US #PublicDomain (one of which he's directed), as well as ones to look forward to reaching the public domain in January: onstageblog.com/editorials/202

    (You may see some of these again when we get closer to the new year. I expect to start a new #PublicDomainDayCountdown in November, and there are also a variety of other people and projects who will highlight new public domain works before and after the new year.)

  2. In celebration of Public Domain Day 2026, I've posted a coda to my #PublicDomainDayCountdown, appreciating not just the people who created the works now free for all in the public domain, but the people who share their responses to the works online: everybodyslibraries.com/2026/0

    (I was inspired in part by Elizabeth Spiers' piece on the heyday of individual blogs, when it was easier to find and engage with such responses than in an era dominated by platforms and slop: elizabethspiers.com/requiem-fo )

  3. Public Domain Day 2026: Celebrating human creativity and sharing

    I’m glad we’ve reached a new Public Domain Day, and that the works I’ve been featuring in my #PublicDomainDayCountdown, and many more, are now free to copy and reuse. I’ve been posting about works joining the public domain in the United States, which include sound recordings published in 1925, and other works published in 1930 that had maintained their copyrights. (Numerous works from 1930, and later, that had to renew their copyrights, and did not, were already in the public domain, though many of the best-known works did renew copyrights as required.) This is the eighth straight year Americans have seen a year’s worth of works join the public domain, after a 20-year freeze following a 1998 copyright extension.

    I intend my countdown not just to celebrate the works joining the public domain, but also to celebrate what people have done with those works. In some posts, I note later creations based on those works. In nearly all my posts, I link to things that people have written about those works. Like the works themselves, those responses may have flaws or quirks, but I value them as human reactions to human creations. Whether they’re reviews, personal blog posts, professionally written essays, scholarly analyses, or Wikipedia articles, they’re created by people who encountered an interesting work and cared about it enough to craft a response to it and share it with the world. Those shared responses in turn pique my interest in the writers and the works.

    It wasn’t always easy for me to find such responses online. Sometimes I’d go searching for responses to a promising-sounding work, and only find sales listings on e-commerce sites, social media posts not easily linkable or displayable without logging into a commercial platform, paywalled articles that many of my readers can’t view, or generic-sounding pages that read like they were generated by a large language model or a content farm, but not by anyone who I could clearly tell cared about or even read the work in question. Some works I initially hoped to feature got left off my countdown, replaced by other works where I could more readily link to an interesting response.

    The people publishing the responses I link to are often swimming against a strong current online. Many online writing systems– including the one I’ve been writing these posts on— are now urging their users to “improve” their posts by letting “AI” write them. Some writers may be tempted to allow it, when facing an impending deadline or writer’s block or anxiety, even when the costs can include muffling one’s own voice, signing onto falsehoods confidently stated by a stochastic text generator, or abusively exploiting existing content and services. Other writers may feel pushed to put their work behind paywalls or other access controls that makes them less likely to be plagiarized or aggressively crawled by those same “AI” systems. And most writers, myself included, find it easy to dash off a quick short take on a social media platform, be quickly gratified by some “like”s, and then have it forgotten. It’s harder to take the time to craft something longer or more thought-out that will be readable for years, and that might take much longer for us to hear appreciated. The easy alternatives can discourage people from devoting their time to better, more lasting creations.

    As I’ve noted before, both copyright and the public domain serve important purposes in encouraging the creation, dissemination, sharing, and reuse of literature and art. One reason I write my public domain posts is to promote a better balance between them, particularly in encouraging shorter copyright lengths to benefit both original creators and the public. Similarly, as I’ve noted in another recent post, I value both human creation and automated processes, but I increasingly see a need to improve the balance between those as well, especially as some corporations aggressively push “generative AI”. While I appreciate many ways in which automation can help us create and manage our work, I treasure the humanity that people thoughtfully put into the creation of literature and art of all kinds, and the human responses that those creations elicit.

    Today I’m thankful for all of the people, most no longer with us, who made the works that are joining the public domain today. I’m thankful for the new opportunities we have to share and build on those works now that they’re public domain. I’m thankful to all the people who have responded to those works, whether as brief reactions or as new works as ambitious as the works they respond to. And I hope you’ll keeping making and sharing those responses with the world when you can. I look forward to reading them, and perhaps linking to them in future posts.

    #PublicDomainDayCountdown

  4. This concludes my #PublicDomainDayCountdown to 2026. As always, there are many more interesting works than I could fit in my series, but I hope you found interesting the ones I chose (and the writings I linked to about them). You can find more works about to join the public domain discussed at some other places I linked to over the course of my series.

    I hope to say more on my blog tomorrow. For now, I look forward to the new works in the public domain, and all that you all will do with them!

  5. “Last…” will be first

    Ninety-five (or 100) years is a very long time for copyrights to last. But Olaf Stapledon saw a much longer future for us in Last and First Men (reviewed here and here). His book tells a story of successive human species over the next 2 billion years.

    Stapledon died in 1950, and his work is already public domain most places outside the US. Tomorrow a copy in Australia will be among the first books to be relisted in my new books listing, finally free for all. #PublicDomainDayCountdown

    #PublicDomainDayCountdown

  6. Soon graduating into the public domain

    Yale's 1905 commencement ceremonies included a honorary doctorate for British composer Edward Elgar, and a portion of his first "Pomp and Circumstance" march. It's been a staple of graduation processions ever since.

    By John Mark Ockerbloom

    everybodyslibraries.com/2025/1

    #music #publicDomainDayCountdown

  7. Soon graduating into the public domain

    Yale’s 1905 commencement ceremonies included a honorary doctorate for British composer Edward Elgar, and a portion of his first “Pomp and Circumstance” march. It’s been a staple of graduation processions ever since. The full suite of five marches that Elgar finished takes about 30 minutes to play, but took nearly three decades to complete. The first march has long been in the US public domain; the last, published in 1930, joins it there in two days. #PublicDomainDayCountdown

    #PublicDomainDayCountdown

  8. Two great blues musicians, and 2000 more records

    By John Mark Ockerbloom

    David Seubert writes that more than 2500 records from 1925 digitized by the UC Santa Barbara Library will soon be freely downloadable there.

    Full list is available online:
    library.ucsb.edu/1925-recordin

    #music #publicDomainDayCountdown

  9. Tintin's premiere was in my #PublicDomainDayCountdown last year, and while my blog series this year focuses on different series and artists, Sterling Dudley's account of how he found scans of the actual strips via the Wayback Machine is worth reading: blog.archive.org/2025/12/26/wa

    Pages 1-101 of the serialized _Tintin au pays des Soviets_ were published in 1929 issues of Le Petit Vingtième, and I presume are now public domain in the US. The rest of that story should be public domain here on Thursday.

  10. Two great blues musicians, and 2000 more records

    David Seubert writes that more than 2500 records from 1925 digitized by the UC Santa Barbara Library will soon be freely downloadable there. A full listing of these recordings is online (though note that recordings made in 1925 but not released that year won’t be public domain yet).

    A highlight of the collection is “St. Louis Blues”, sung by Bessie Smith with Louis Armstrong on cornet. One of the top selling records of 1925, it will be public domain in 3 days. #PublicDomainDayCountdown

    #PublicDomainDayCountdown

  11. Marlene Dietrich comes to America

    Marlene Dietrich enjoyed success on stage and screen in 1920s Berlin, but became an international star in 1930. That year she came to the United States to star in Morocco alongside Gary Cooper.

    By John Mark Ockerbloom

    everybodyslibraries.com/2025/1

    #movie #publicDomainDayCountdown

  12. Tintin, The Wayback Machine, and The Public Domain

    by Sterling Dudley

    What do a Belgian boy reporter, a forgotten 2008 webpage, and the Wayback Machine have in common? They all played a role in uncovering Tintin the Belgian detective’s earliest adventures as part of Public Domain Day 2025.

    blog.archive.org/2025/12/26/wa

    #books #publicDomainDayCountdown

  13. Marlene Dietrich comes to America

    Marlene Dietrich enjoyed success on stage and screen in 1920s Berlin, but became an international star in 1930. That year she came to the United States to star in Morocco alongside Gary Cooper. Her performance was nominated for an Academy Award. So was the direction by Josef von Sternberg, who also directed her in The Blue Angel and several other films. Morocco was inducted into the National Film Registry in 1992, and will be inducted into the public domain in 4 days. #PublicDomainDayCountdown

    #PublicDomainDayCountdown

  14. The cultural works becoming public domain in 2026, from Betty Boop to Nancy Drew

    A new year means a new parade of classic characters and works entering the public domain.

    By Rachel Treisman

    npr.org/2025/12/26/nx-s1-56493

    #books #comics #movies #publicDomainDayCountdown

  15. Banned in Texas

    Struggle over academic freedom in Texas state universities has a long history. Today it’s often over race and gender; in the 1940s, it was over things like John Dos Passos’s USA trilogy. When the University of Texas Board of Regents banned it from classrooms, university president Homer Price Rainey objected to their interference. After they fired him, thousands protested on campus. The first part of the USA trilogy, The 42nd Parallel, joins the public domain in 5 days. #PublicDomainDayCountdown

    #PublicDomainDayCountdown

  16. In the public domain soon, in libraries now

    The Penn Libraries, where I work, has first editions of many of the works featured in my #PublicDomainDayCountdown . From today through Public Domain Day, the Libraries social media will feature photos of some distinctive books from 1930.

    By John Mark Ockerbloom

    everybodyslibraries.com/2025/1

    #books #literature #publicDomainDayCountdown

  17. In the public domain soon, in libraries now

    The Penn Libraries, where I work, has first editions of many of the works featured in my #PublicDomainDayCountdown . From today through Public Domain Day, the Libraries social media will feature photos of some distinctive books from 1930.

    One of featured photos, also shown here, is of the 1930 edition of W. H. Auden‘s Poems, which made his work known to readers worldwide. Glynn Young writes about the “brilliant collection” of 30 poems, and one verse drama, joining the public domain in 6 days.

    #Bookstodon #PublicDomainDayCountdown

  18. O come, let all 4,850 of us adore him

    In 1925 the Associated Glee Clubs of America put on a concert like no other. 15 choral groups, with over 850 singers in all, came together in New York’s Metropolitan Opera House to sing a program broadcast on radio across America. Portions were electrically recorded, including “Adeste Fideles”, where the audience of 4000 joined in the carol. Lloyd Winstead writes about the record, which is now in the National Recording Registry, and joins the public domain in 7 days. #PublicDomainDayCountdown

    #PublicDomainDayCountdown

  19. The debut of a dramatic duo

    Moss Hart wrote the first draft of Once in a Lifetime, a comedy about Hollywood's transition to "talkies", as a 25-year-old unknown.

    By John Mark Ockerbloom

    everybodyslibraries.com/2025/1

    More information about it:
    en.wikipedia.org/wiki/Once_in_

    #books #literature #publicDomainDayCountdown

  20. The debut of a dramatic duo

    Moss Hart wrote the first draft of Once in a Lifetime, a comedy about Hollywood’s transition to “talkies”, as a 25-year-old unknown. Established playwright George S. Kaufman helped revise it into a Broadway hit. Steve Vineberg calls it the “the finest comedy ever written by Americans”, and discusses how it began a long successful collaboration between the two writers. Still making theatergoers laugh in the 21st century, the 1930 play joins the public domain in 8 days. #PublicDomainDayCountdown

    #PublicDomainDayCountdown

  21. See Dick and Jane free

    Given how much "Dick and Jane" have been used sardonically, one might think Zerna Sharp's schoolbook characters were already public domain.

    By John Mark Ockerbloom

    everybodyslibraries.com/2025/1

    More information about Dick and Jane:
    en.wikipedia.org/wiki/Dick_and

    #books #literature #publicDomainDayCountdown

  22. See Dick and Jane free

    Given how much “Dick and Jane” have been used sardonically, one might think Zerna Sharp’s schoolbook characters were already public domain. But you can’t copyright names, expressive style, or stock situations, and fair use allows limited copying for purposes like criticism, analysis, and parody.

    In 9 days, the 1930 Elson Basic Readers introducing Dick and Jane join the public domain, and their stories’ full texts and original artwork can be reused without limit. #PublicDomainDayCountdown

    #PublicDomainDayCountdown

  23. An impressive body of work

    Four writers get credit on the 1930 copyright registration for "Body and Soul": composer Johnny Green, and lyricists Robert Sour, Edward Heyman, and Frank Eyton. But many more artists shaped the perennial jazz standard we know today.

    By John Mark Ockerbloom

    everybodyslibraries.com/2025/1

    #art #music #publicDomainDayCountdown

  24. An impressive body of work

    Four writers get credit on the 1930 copyright registration for “Body and Soul”: composer Johnny Green, and lyricists Robert Sour, Edward Heyman, and Frank Eyton. But many more artists shaped the perennial jazz standard we know today. Among its more than 1700 recorded interpretations and variations are covers by Coleman Hawkins, Frank Sinatra, Billie Holiday, Ella Fitzgerald, Tony Bennett and Amy Winehouse. The song surrenders itself to the public domain in 10 days. #PublicDomainDayCountdown

    #PublicDomainDayCountdown

  25. A controversial bestseller

    Michael Gold's bestselling novel Jews Without Money depicts the plight of poor East European immigrants in New York. It resonated with readers in 1930 facing not-yet-fully-acknowledged impacts of the Depression.

    By John Mark Ockerbloom

    everybodyslibraries.com/2025/1

    More information:
    en.wikipedia.org/wiki/Jews_wit

    #books #literature #publicDomainDayCountdown

  26. A controversial bestseller

    Michael Gold’s bestselling novel Jews Without Money depicts the plight of poor East European immigrants in New York. It resonated with readers in 1930 facing not-yet-fully-acknowledged impacts of the Depression. Gold hoped it would counter antisemitic propaganda, but many readers grew repelled by his own Communist agitprop, and a later edition deleted his ending calling the workers’ revolution the “true Messiah”. Gold’s uncut original goes public domain in 11 days. #PublicDomainDayCountdown

    #PublicDomainDayCountdown

  27. The debut of Disney’s distinctive dog design

    Norm Ferguson joined Disney’s animation team in 1929, and quickly had a major influence on the studio’s style. In The Chain Gang, the bloodhounds he designed to chase Mickey Mouse impressed Disney with their expressiveness. Ferguson went on to animate Minnie’s dog Rover with a variant of that design in The Picnic. The two cartoons, joining the public domain in 12 days, show a clear development into the dog who Ferguson would also animate in later cartoons named Pluto. #PublicDomainDayCountdown

    #PublicDomainDayCountdown

  28. The ever transforming public domain

    The Internet Archive has multiple events in January for Public Domain Day, including a contest for film transformations of public domain works.

    Those works themselves often involved transformation. Four songs that joined the public domain in 2024 were written for the stage musical Animal Crackers, which went public domain in 2025. The film adaptation, joining the public domain in 13 days, drops all four, but adds Groucho Marx’s signature song “Hello, I Must Be Going”. #PublicDomainDayCountdown

    #PublicDomainDayCountdown

  29. Birds in hand

    HathiTrust has created a 1930 Publications Collection for Public Domain Day. It already has over 20,000 items opened, many by their Copyright Review Program, which finds works without copyright renewals.

    Over 50,000 more items will open in 14 days, including the book version of The Maltese Falcon. The serial version was in last year’s #PublicDomainDayCountdown, but I haven’t to date found its now-rare magazine issues. I thank HathiTrust and all others bringing the public domain to the public!

    #PublicDomainDayCountdown

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