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#lovecraftian — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #lovecraftian, aggregated by home.social.

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  1. #alphabetchallenge #ttrpg L - The Laundry - Cubicle 7 Games - Based on Charles Stross's stories, covert ops and cosmic horror combine with underfunded beuracracy to save the world. Math is magic! #cosmichorror #lovecraftian #espionage #SpyCraft #urbanfantasy #bureaucracy #ttrpgpodcast k-squareproductions.com/gmbc

  2. It is a midweek special review on Deep Cuts in a Lovecraftian Vein as we look at EL CONVENTO INFERNAL by Ignacio Noé & Ricardo Barreiro, an erotic nunsploitation graphic novel which invokes the Cthulhu Mythos.

    deepcuts.blog/2026/10/07/el-co

    #nsfw #cthulhumythos #graphicnovel #review #Satanic #Satanism #Lovecraftian #erotic

  3. "A room with a view." Digital photo-montage and frame-by-frame animation, featuring the silhouette of one of my Cthulhu sculptures. #lovecraftian #weird
    youtu.be/DOjZP9HvePk

  4. #Lovecraftian horror is a type of horror story that emphasizes cosmic dread, forbidden knowledge, inhuman influences, religion, unnatural phenomena, and much more. Lovecraft-esque books aren’t out to shock you; they are here to creep you out with the incomprehensible things that the author describes.

    #bookblog 📚 #bookstodon

  5. "A fall sunset on Kadath."
    Digital photomontages and frame-by-frame animation, featuring my Cthulhu sculptures. youtube.com/video/HK3XnvJAeEs

    #lovecraftian #weird

  6. "Many of the artifacts brought back by the 1930–31 Pabodie Antarctic Expedition are still awaiting cataloging in the storage facilities at Miskatonic University."
    Antarctic Find #1, sandstone bas-relief, cm. 30x20(x2).
    #weird #lovecraftian #atthemountainsofmadness

  7. "To me, the best #adaptation of #Lovecraft is Ridley Scott’s #Alien, which is basically Mountains of Madness,” del Toro says. “Second-best adaptation for me is #TheThing. I know it’s not Lovecraft, but it’s very #Lovecraftian in its makeup effects language." reactormag.com/best-lovecra...

    The Best Lovecraft Movie “Adap...

  8. Hello everyone,

    I have created a video of a reading for my work in progress #screenplay. It is a #lovecraftian inspired #horror #movie set in 1930's #Newfoundland. Please give it a watch/listen and let me know your thought. I really want feedback.

    Thank you

    youtu.be/DgWRVHiktqY?si=r5XbO4

  9. "My great-grandfather and relatives in Innsmouth, around 1900."
    Digital photomontage and frame-by-frame animation, featuring one of my Cthulhu sculptures. And, for the record, the man on the right really is my maternal great-grandfather, pictured here with his brother and cousins. #lovecraftian #weird
    youtube.com/video/-_xs0ESqzOE

  10. "My great-grandparents in Innsmouth, about 1900."
    Digital photomontage and frame-by-frame animation, featuring one of my Cthulhu sculptures. And, for the record, the two people in the original photo really are my maternal great-grandparents.
    #lovecraftian #weird
    youtube.com/video/Vfm3DEM_7Hc

  11. Got no choice but to reach the lever only to be teleported to the rails. 🤷‍♂️

    #meme #darkart #surreal #gnosticism #lovecraftian #trolleyproblem

  12. So, I've been wanting to do a #HorrorShortFilm fest online somehow. Are folks able to watch #YouTubeVideos ? I have curated playlists that we could watch at the same time. OR, I could try and post individual videos and delete them afterwards.

    Which option would work best for folks?

    (And yeah, #PeerTube isn't an option ATM.)

    #Lovecraftian #HorrorShorts #CosmicHorror #SpookyForests #HauntedHouses #WatchParty #HorrorShortWatchParty

  13. Well, I didn't make it to the beach today, so instead, I'm watching #TheBeachHouse!

    "A romantic getaway for two troubled college sweethearts turns into a struggle for survival when unexpected guests - and the surrounding environment - exhibit signs of a mysterious infection."

    imdb.com/title/tt10843306/

    #HorrorMovies #Lovecraftian

  14. @VisualInspiration

    [Typos edited.]

    “So they disembarked and started the last part of their voyage. ‘We should have taken sledges and dogs with us’, said Hansen. But the Duke said, ‘That won’t be necessary. We’re not far.‘“

    “But it would be useful. They all had dogs with them on their expeditions – and finally ate them up...“

    “Nobody gets eaten in this story. At least no dog.“ Grandma giggled and continued:

    “And indeed, they had a short walk of no more than half a day, but the treasure hunters were shivering because of the cold in the ice cave and their mood became more and more depressed with every step they made towards the south pole. Their compasses...“

    “Grandma? What if they have to pee? Wouldn’t it – you know – freeze?“

    “Nobody had to. They looked at their compasses instead. The magnetic needles were turning crazily. Around and around and around, some clockwise, some counter-clockwise.“

    “You know, it’s the magnetic…“

    “‘North pole in the Antarctic’, said Hansen, the party’s wiseacre, as there is always someone who has to speak out such a thing in a most inconvenient moment. But that did not save him, because right in this moment the Duke pointed to a hole in the icy ground and shouted, ‘Finally, I made it! We’re here!‘ and he started to laugh diabolically and to chant absurd phrases like ‘Ya-naai ga-phmp! Iä! Iä! Ph'nglui mglw'nafh…‘ and while he sang the men saw his eyes burning madly and his body slowly transforming into an amorphous hump with slimy excrescences all over its skin. His companions turned around in terror but they wouldn’t escape. All of a sudden, the light in the ice cave turned green, and from all around, slightly humanoid creatures with dog-like heads and arms resembling poisonous snakes, were apppoaching, half walking, half crouching, their snouts effusing the disgusting stench of hell! The noises they made… Oh, look – there! – One of the monster’s tentacles is coming out ouf your blanket and – help! It’s … coming for… No!“

    Grandma’s face turned normal again. Both children had passed out. She pulled the blankets up to the children’s shoulders, stood up and headed for the door.

    “This was fast. Sleep well, my darlings!“

    #microfiction #bedtimestory #lovecraftian

  15. Internal illustrations for the Italian Cthulhu Mythos anthology "Cthulhu Savoia: Racconti di fantarcheologia lovecraftiana" #weird #lovecraftian
    straniaeoni.blogspot.com/2026/
    amazon.it/dp/B0GS1PVZ5W/

  16. “The Dealings of Daniel Kesserich”, by Fritz Leiber

    The very immensity of the desert impressed me more than I had expected. Being on the edge of the little town of Smithville seemed to me like being on the boundary between the finite and the fearful infinite.

    The Dealings of Daniel Kesserich was published for the first time in 1997 — five years after Fritz Leiber’s death, and sixty years after it was written. The manuscript was lost in the 1950s and resurfaced in the 1990s.

    In this novella, George Kramer receives a letter from longtime friend John Ellis, who lives in the small desert town of Smithville. In the letter, Ellis tells of the death of his wife, Mary, and Kramer decides to visit his old friend. Upon his arrival, strange things start to happen.

    This is a gem of a book, and it belongs on the shelf of every weird fiction reader. Adding to the appeal are the illustrations by Jason Van Hollander (see below for an example).

    Enjoy!
    Mike Davis

    art by Jason Van Hollander

    “There are an infinite number of directions in the desert.” #books #horror #lovecraft #lovecraftian #reading #timeTravel #weirdFiction
  17. Confirmed: I mentioned to AI the three Lovecraft's that were in my mind when I watched The Blair Witch Project.
    I hope this AI infor works for u !

    chatgpt.com/s/t_6a533b092c8081

    #Lovecraft #Lovecraftian #CosmicHorror #BlairWitch

  18. Confirmed: I mentioned to AI the three Lovecraft's that were in my mind when I watched The Blair Witch Project.
    I hope this AI infor works for u !

    https://chatgpt.com/s/t_6a533b092c80819182523d38a110dc34

    #Lovecraft #Lovecraftian #CosmicHorror #BlairWitch

  19. "The Advent of the Great Old Ones."
    Digital photo-montages and frame-by-frame animation, featuring one of my Cthulhu sculptures.
    #lovecraft #lovecraftian #cthulhu #cthulhumythos #weird #cosmichorror
    youtube.com/video/QG3J4YYmOb4

  20. New discoveries every day:

    Ringu actually has Lovecraftian elements even though Koji Suzuki had no interest in H.P. Lovecraft.
    Sadako, born from a human and an ocean demon, reminds me of the Deep Ones. Her origin place feels straight out of The Shadow Over Innsmouth.
    I love it !

    #Japan #JapaneseBooks #CosmicHorror #Lovecraftian #SuzujiKoji #YamamuraSadako #JapaneseMovies #JapaneseHorror #Reading

  21. New discoveries every day:

    Ringu actually has Lovecraftian elements even though Koji Suzuki had no interest in H.P. Lovecraft.
    Sadako, born from a human and an ocean demon, reminds me of the Deep Ones. Her origin place feels straight out of The Shadow Over Innsmouth.
    I love it !

    #Japan #JapaneseBooks #CosmicHorror #Lovecraftian #SuzujiKoji #YamamuraSadako #JapaneseMovies #JapaneseHorror #Reading

  22. Author Spotlight: Contemporary Lovecraftian Thriller author A.M. Shilling

    A. M. Shilling (she/her) is an avid storyteller and artist interested in morally questionable people, their terrible circumstances, and how they manage to love one another despite it all. When she’s not contemplating her favorite villains like a sommelier appreciating fine wine, she enjoys roleplaying games and watching cooking shows with her husband.

    AUTHOR LINKS:

    Website: amshilling.com

    Bluesky: @gunsmile.bsky.social
    Instagram: @amshillingwrites

    Read a Sample of The Devouring: amshilling.com/books/the-devouring

    Read a Sample of The Devouring: amshilling.com/books/the-devouring

    Your novel The Devouring came out in April this year (2026), a blend of crime thriller and cosmic horror. What inspired you to merge these genres, and have an assassin and his wife, a coroner, at the heart of a cosmic horror mystery?

    I’ve always loved the two genres separately and thought it would be fun to combine my favorite ideas and tropes from both of them into my first novel. I wanted to write a story that I’d love to read if I saw it on the shelf, so The Devouring is very much a reflection of my particular tastes in fiction.

    I knew the main characters had to be a certain way, too—not only to support such a dark storyline and themes, but also to appropriately represent the two genres. The assassin was an easy choice, but it took some brainstorming before I settled on a doctor for the second main character.

    What are your main influences in the thriller and horror genres, and, if you use comparisons to market, what comps do you use for The Devouring and why?

    My biggest inspiration in the cosmic horror genre will always be the work of one of its original authors, H. P. Lovecraft. The combination of existential dread and horrific inevitability that now defines the genre, as well as his Cthulhu Mythos, captivated me as a teenager. They continue to influence my writing and worldbuilding today.

    I wrote The Devouring partially as a homage to the genre. I also love a good action thriller, especially about criminals. They’re just plain fun. In particular, I love John Wick. Its fantastical lore about an international organization of assassins inspired the criminal underworld in my own story, though I did try to make mine more realistic compared to what we see in those movies.

    I use John Wick as one of my comps when marketing, paired alongside Lovecraft’s short story, “The Colour Out of Space.” I picked it because the eldritch god in The Devouring has some similarities to the entity in “Colour.” Unfortunately, I can’t reveal any more beyond that.

    Introduce us to your main characters, Jason and Ayana. How did they each develop, and how did you put yourself into their respective mindsets while writing?

    Jason and Ayana (and a third character, Jason’s brother) were actually inspired by characters my friends and I wrote as part of a small roleplaying forum a few years ago. When I left the forum to pursue my own creative projects, I knew I would miss my character too much if I stopped writing him. He eventually became Jason.

    As for Ayana, while she shares a couple of traits with her inspiration, she developed into a very different character. I brainstormed numerous iterations of potential character arcs for both Jason and Ayana until they became the protagonists the story needed. Putting myself into their respective mindsets was an interesting exercise, but also a lot of fun!

    I did extensive research into antisocial personality disorder (ASPD), including reading anecdotes from individuals with ASPD and their partners, to get a better understanding of the typical mindset. When writing Jason’s POV chapters, I had to think like him and view the world the way he would, avoiding specific trains of thought and emotional reactions in the narration. It was easier with Ayana, who is more like the average person. She is the character who’s most like me, so I was able to draw from and amplify my own perspectives and personality traits. Of course, there are many points where our mindsets diverge; how she views Jason and their marriage is one such example.

    One of the perhaps more surprising themes for a thriller/horror is love, and all the different ways it can be expressed. Can you talk us through how that central theme came about, and did you try writing Jason and Ayana’s marriage dynamics in different ways before you felt you got it right, or was this dynamic something that you envisioned right from the start?

    It’s very common in horror fiction for married couples to have some deep, interpersonal issue, or for one of the spouses to be the villain in the relationship. Instead of writing that, I wanted to depict a married couple working together to overcome the external conflicts of the plot without suffering any interpersonal ones.

    This required a very specific dynamic between Jason and Ayana, so I knew from the start that their relationship had to be a certain way. One thing to keep in mind, too, is that Jason’s nature prevents him from feeling empathy. He is incapable of viewing other humans as people. This is what ultimately raises the question of how one might define love in the first place. Can his behavior in the book be considered acts of love, regardless of his mindset and motivations? That’s what I want readers to ask themselves.

    How did you go about creating the cult in the background of the story whose manipulations are the driving force of the plot, and what did you draw upon to design its power structure, motivations and goals?

    I don’t want to give away too many details about this cult, because I think it’s more fun for readers to put the puzzle pieces together themselves. What I will say is that the power structure, motivations, and goals are commonly depicted in other horror fiction. Because The Devouring is meant to be a homage, I didn’t want to stray far from certain familiar and beloved tropes. However, I did include a plot twist that I don’t think fans of cosmic horror will expect.

    Describe your target audience – who would love this? If you’ve had any reviews/feedback you’re especially pleased about, let us know here!

    Fans of cosmic horror will definitely love The Devouring, but anyone who enjoys dark storylines, morally gray characters, fast-paced action, and high-stakes thrillers would have a good time reading it. Reviewers love Jason and Ayana for their nuance and complexity despite their questionable morals, and everyone who’s read the book has raved about how un-put-downable it is.

    Add to Goodreads

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    Meet Mark N. Drake and his Lovecraftian Weird Fiction series, Darkisle!

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    Meet Miranda Kate/MK Boers, an indie author originally from Surrey, UK, and now based in the Netherlands. Miranda writes horror, dark fantasy, dystopian worlds, and psychological thrillers.

    by cmrosensJune 6, 2025February 3, 2026

    My Own Author Interview!

    Reblogging from the lovely Chaos Gays and TeaTrays – if you’re liking the author spotlight series, you should definitely check out CGTT as well. My book THIRTEENTH is now out (again) and you can grab it from the bookstores and eBookstores of your choosing. The podcast remains up, so you can listen to the whole…

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    A #TuesdayBookBlog round up of my author interviews and book reviews so far! #ReviewMay

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    Subscribe to my newsletter to stay updated! I send newsletters around once a month. You can also subscribe to my site so you don't miss a post, but I also do a post round-up in my monthly newsletters, along with what I've been working on, what I've been reading, and what I've been watching. I will often update newsletter subscribers first with news, so stay ahead of the game with my announcements and discount codes, etc!

    #AuthorInterview #AuthorSpotlight #lovecraftian #thrillers #weirdFiction
  23. Black Wings of Cthulhu by S.T. Joshi

    I just discovered there’s a whole collection of Lovecraftian horror tales!
    Apparently around seven volumes… I need to explore them soon. More books for my shelf!

    #Lovecraft #Lovecraftian #STJoshi #CosmicHorror #Books #Readers #BooksToRead

  24. Black Wings of Cthulhu by S.T. Joshi

    I just discovered there’s a whole collection of Lovecraftian horror tales!
    Apparently around seven volumes… I need to explore them soon. More books for my shelf!

    #Lovecraft #Lovecraftian #STJoshi #CosmicHorror #Books #Readers #BooksToRead

  25. The principal exception to my dislike of #Fantasy is where #Magic is left alone and allowed to be itself—its fundamental irrationality is recognized and maybe even celebrated, those who wield it either embrace the psychosis or define good and evil on the basis of giving in to the psychosis

    I suppose that’s a very #Lovecraftian opinion, though, so I’m admitting I want Fantasy to be #Horror and I know that

    #Fiction #Genres #Opinion

  26. CW: A writing and 3D rendering dyptich with potentially NSFW depictions of demonic+vampire traits (Lilith) and blaspheme references (dark twist on Eucharist) in non-pornographic no-nudity kink semiotics ("giantess" and "vore" semiotics, although involving a skeleton)

    If you're an artist who draws/choreographs/writes surreal scenes: have you ever looked at your scene and wondered for a fleeting second, from where did this scene emerge? Have you ever wondered if the scene, seemingly too surreal to exist, seemingly born from your creativity, would be some kind of actual place somewhere in another realm/dimension?

    Because I look at some of the scenes I've been doing and... it feels like I've been drawing, now choreographing (which adds way more realism and details), an actual realm.

    Some people would call this realm by names... "hell", "inferno", "Tartarus", "Sheol", the underworld... maybe it is, maybe it isn't.

    But then, this realm, it seems such a mesmerizing place... An endless place where the Sun never dares to shine, not even Lucifer can stand to bear His light there. There's no Moon either: the Moon is actually sitting on the throne. A red throne made of an otherworldly material as dangerous and metallic as vanadinite, tough and shiny as ruby. You can't really look at the One who's sitting there, or you would be rendered blind: everything you'd see is Her and nothing else.

    And, then, you realize, the distance and perspective have been fooling your eyes: sizes and lengths aren't exactly what it seemed, the realm is bigger than the entire universe you once knew. You realize this way too late, as an owl swoops down onto you and takes you to this uncanny Eucharist: your meat is the bread, the bread to be shared among the owls; your blood is the wine, the wine to be poured out in love for Her; your bones are the pillars, sustaining your love for Her, for eternity.

    Time behaves strangely in this realm: you are faced by the Queen holding the chalice, and you see your own corpse already inside while you're standing underneath Her throne: you can feel as She sips your blood; you see the owl perched on Her head, and then you look at both of their eyes and see no difference: the depth of their eyes somehow reveal the owl is The Owl, they're the same, even though they look like separate beings; you still feel the talons taking a grip of your neck and hitching you to the cosmic skies, but you also feel the vampire fangs digging through your bones, except they're spanning across your whole skeleton and consuming all your 206 bones in a single bite.

    Deep down, you still wonder if you could humanly love Her more than you already do. Turns out, you can't love Her enough, nor you can bleed enough to fill the chalice. "Don't worry: we got the entire eternity", you hear, unable to tell if this was your own inner monologue, Her the owl or Her The Owl.

    #ArsRitualisTemplii #3dmodeling #Blender #surreal #lovecraftian #writing #story

  27. DESERT RADIO: “Pontypool meets Lost Highway filtered through a cosmic horror lens”

    Desert Radio by Pamela M. Durgin. Published by Word Horde.

    “Desert Radio is one of the most mature and affecting cosmic horror novels I’ve read this side of Laird Barron and Gemma Files. This book is an apprehension engine creating images and sounds (yes, sounds!) that will burrow under all the layers of your skin.” —Paul Tremblay, author of A Head Full of Ghosts and Dead But Dreaming of Electric Sheep

    Ross Lockhart sent me an email a while back with a list of upcoming Word Horde books. As I was scrolling the list, Desert Radio by Pamela M. Durgin caught my eye. The book synopsis pushed many of my buttons: a 1990s desert setting, night radio, and of course, cosmic horror. I asked Ross to send it to me, which he kindly did.

    While I waited for my copy to arrive in the mail, I kept wondering if this book could possibly live up to my expectations. Well, it didn’t; it blew them away. This is a novel that every fan of weird fiction, cosmic horror, and, frankly, horror in general needs to read.

    Pre-order it; you’ll thank me, I promise.

    (On that note: If you think you’re going to read this book, don’t wait to order it until it comes out. Pre-orders really help publishers and writers to gauge interest. It’s one of the best things you can do for a writer, second only to reviewing it.)

    Get Desert Radio here.

    Book synopsis:

    The California desert hides a lot of things. For Gloria, it is a place to get away from her past and her addictions. Gloria expected to find a quiet place, where salt flats and dunes stretch on and the night sky is littered with stars. What she didn’t expect to find was an oasis, a community, and a job as a late-night DJ on a rock-and-roll radio station.

    There is strangeness in the desert. Missing persons. Ancient petroglyphs. Distorted voices on the radio. Ghostly dogs. And more. Government conspiracies, weird rituals, and unfathomable entities that have been visiting the area for centuries.

    Sure, the people in the desert are little bit strange, a little bit paranoid. But they’re survivors, just like Gloria.

    Things are about to get very weird.

    Get Desert Radio here.

    Here’s what others had to say:

    “Desert Radio is a complex novel with grand weirdness that taps into the curiosity we have as human beings, as well as our many vulnerabilities. The uncanny, the liminal, and the wondrous unfold in so many fascinating ways. It’s Pontypool meets Lost Highway filtered through a cosmic horror lens. One of my favorite authors writing today.”
    —Richard Thomas, author of Transubstantiate

    “Here’s a PSA for you: Pamela Durgin knows secrets. She knows the great deserts of the American West are as weird as the ancient forests of the North—and she knows these deserts come alive at night. She knows the slow, soft tread of the tarantula, and the scorpion’s sudden sting—and she knows these are not the strangest creatures moving through the dark. Not even close. She knows that the key to so much of the best Weird Fiction—from Blackwood and Hodgson right up till now—is atmosphere. And she knows how to build it. She also knows when to strike. And where. Pamela Durgin knows secrets. Maybe more than she should. In Desert Radio she’ll share them with you. Maybe more than you’re ready to learn.”
    —Scott Nicolay, author of And At My Back I Always Hear

    “Outré radio transmissions. Clandestine government experiments. Otherworldly beings. Cults and occult rituals. A desert town whose blistering heat incubates dark secrets. Pamela Durgin’s fantastic debut novel Desert Radio reads like Banshee Chapter meets From Beyond.
    —Matthew M. Bartlett, author of Gateways to Abomination and Dangerous Creeps

    “A shimmering descent into madness. This is a tale of betrayal drenched in a beautiful weirdness. Atmospheric, tense, and delicious, Durgin makes the heat and grit of the desert feel like pleasure.”
    —S.L. Coney, author of Wild Spaces, an Esquire Best of Horror 2023 pick

    “Pamela Durgin’s debut is a dust devil of fantastic weird fiction and liminal high-strangeness dialed to eleven. Government conspiracy, MK ULTRA, Crowley, & numbers stations all converge in a tale I simply couldn’t put down. Highly recommended.”
    —Todd Keisling, Bram Stoker Award-nominated author of Devil’s Creek and The Sundowner’s Dance

    #bookReview #bookReviews #books #cosmicHorror #fiction #horror #lovecraft #lovecraftian #reading #weirdFiction
  28. "It feels as if a dark yearning for creativity has been planted within me. A compulsion so strong that it shatters my own boundaries and propels my art to new heights, but also into unforeseen depths."

    #horrorArt #digitalArt #MastoArt #artistsOnMastodon #kingInYellow #lovecraftian

  29. #PitchYaGame

    Let's go on a journey beyond the stars like nothing you've ever seen before.
    ⭐️⭐️⭐️⭐️⭐️⭐️
    Strategy Tactical game mixed with action and space thene and a dash of #Lovecraftian #scifi horror

    #indiegame

  30. Thinking of writing a Cthulhu mythos story that takes place circa 2000. I kind of want an updated one. Perhaps they were contemporary when Lovecraft wrote them, but the mythos always feels like a period piece to me, so an updated telling also needs to be in the past.

    I know how I want to end it. An ending to strike untold horror in the hearts of anyone that remembers the turn of the millennium… a Nokia 3310 cellphone… BROKEN IN HALF!!!!!

    #cthulhu #lovecraftian

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