#femmesalgeriennes — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #femmesalgeriennes, aggregated by home.social.
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🅱️🅱️ BondyBlog 🅱️🅱️ « Parmi ces femmes, très actives pendant la guerre d’Algérie, aucune n’occupe le devant de la scène après 1962 »: À l’occasion du ciné-débat qui aura lieu samedi 24 mai, Raphaël Pillosio, le réalisateur du film… #guerredAlgérie #femmesAlgériennes #cinéma #histoire #indépendance
« Parmi ces femmes, très activ... -
« Ce #documentaire d’#AlexandraDols retrace des engagements de femmes dans les luttes pour l'Indépendance de l'#Algérie au sein du #FLN - #ALN à travers des récits de vie d'anciennes combattantes. »
diffusion sur le site de #LeMédiaTV le 20 mai à 21h HAEC 15h HAE, suivie d'un entretien avec la réalisatrice : https://www.lemediatv.fr/direct
#GuerreDAlgérie #cinéma #CinémaEngagé #FemmesAlgériennes #GuerreDIndépendanceAlgérienne #LuttesAnticoloniales #cinéastes -
Femmes Algériennes, 1960
As a young man Marc Garanger had put off his departure for the French army as long as possible, hoping that the war in Algeria, which he objected to, would soon end. When his luck ran out he was asigned a position as regiment photographer.
The French army destroyed mountain villages where they suspected Algerian resistance, transfering the population to regroupment villages - concentration camps. Here the military determined that the displaced people would be required to have identity cards.
"Either I refused and went to prison, or I accepted. I understood my luck: it was to be a witness, to make pictures of what I saw that mirrored my opposition to the war. I saw that I could use what I was forced to do, and have the pictures tell the opposite of what the authorities wanted them to tell.”
The women, Berber or Muslim, had never had contact with Europeans. They were made to sit on a stool in front a wall without their veils, exposing their hair and tattoos.
"In a period of ten days, I made two thousand portraits, two hundred a day. The women had no choice in the matter. Their only way of protesting was through their look.”
#femmesalgériennes #algerianwomen #marcgaranger #frenchphotographer #photography #photographer #algeria #berber #algerianwar #fotografia #fotografie #bwphoto #blancoynegro #blancetnoir #warcrimes #women #facesofprotest #facesofwar #blackandwhite #blackandwhitephotography
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Femmes Algériennes, 1960
As a young man Marc Garanger had put off his departure for the French army as long as possible, hoping that the war in Algeria, which he objected to, would soon end. When his luck ran out he was asigned a position as regiment photographer.
The French army destroyed mountain villages where they suspected Algerian resistance, transfering the population to regroupment villages - concentration camps. Here the military determined that the displaced people would be required to have identity cards.
"Either I refused and went to prison, or I accepted. I understood my luck: it was to be a witness, to make pictures of what I saw that mirrored my opposition to the war. I saw that I could use what I was forced to do, and have the pictures tell the opposite of what the authorities wanted them to tell.”
The women, Berber or Muslim, had never had contact with Europeans. They were made to sit on a stool in front a wall without their veils, exposing their hair and tattoos.
"In a period of ten days, I made two thousand portraits, two hundred a day. The women had no choice in the matter. Their only way of protesting was through their look.”
#femmesalgériennes #algerianwomen #marcgaranger #frenchphotographer #photography #photographer #algeria #berber #algerianwar #fotografia #fotografie #bwphoto #blancoynegro #blancetnoir #warcrimes #women #facesofprotest #facesofwar #blackandwhite #blackandwhitephotography