#darkroom — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #darkroom, aggregated by home.social.
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When it’s a Tuesday white is the only reasonable choice 🤍
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When it’s a Tuesday white is the only reasonable choice 🤍
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The saga continues... and the new tone curve is now almost perfect too! 🤩 Kallitype has such small value ranges for both dark shadows and (even more so) in the upper highlights, so it's quite tricky trying to retain as much detail as possible in bright low-contrast situations. To retain more fine control, also chemically, I've started experimenting with 4x weaker/diluted contrast agent, which allows me to vary the number of drops mixed in and thus avoiding (to some extent) having to re-print expensive negatives for just tiny changes to highlights.
(Image credit and cc/ @pyrenaicus)
#AltProcess #Kallitype #Darkroom #PrintMaking #FineArt #LandscapePhotography
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The saga continues... and the new tone curve is now almost perfect too! 🤩 Kallitype has such small value ranges for both dark shadows and (even more so) in the upper highlights, so it's quite tricky trying to retain as much detail as possible in bright low-contrast situations. To retain more fine control, also chemically, I've started experimenting with 4x weaker/diluted contrast agent, which allows me to vary the number of drops mixed in and thus avoiding (to some extent) having to re-print expensive negatives for just tiny changes to highlights.
(Image credit and cc/ @pyrenaicus)
#AltProcess #Kallitype #Darkroom #PrintMaking #FineArt #LandscapePhotography
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The saga continues... and the new tone curve is now almost perfect too! 🤩 Kallitype has such small value ranges for both dark shadows and (even more so) in the upper highlights, so it's quite tricky trying to retain as much detail as possible in bright low-contrast situations. To retain more fine control, also chemically, I've started experimenting with 4x weaker/diluted contrast agent, which allows me to vary the number of drops mixed in and thus avoiding (to some extent) having to re-print expensive negatives for just tiny changes to highlights.
(Image credit and cc/ @pyrenaicus)
#AltProcess #Kallitype #Darkroom #PrintMaking #FineArt #LandscapePhotography
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The saga continues... and the new tone curve is now almost perfect too! 🤩 Kallitype has such small value ranges for both dark shadows and (even more so) in the upper highlights, so it's quite tricky trying to retain as much detail as possible in bright low-contrast situations. To retain more fine control, also chemically, I've started experimenting with 4x weaker/diluted contrast agent, which allows me to vary the number of drops mixed in and thus avoiding (to some extent) having to re-print expensive negatives for just tiny changes to highlights.
(Image credit and cc/ @pyrenaicus)
#AltProcess #Kallitype #Darkroom #PrintMaking #FineArt #LandscapePhotography
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The saga continues... and the new tone curve is now almost perfect too! 🤩 Kallitype has such small value ranges for both dark shadows and (even more so) in the upper highlights, so it's quite tricky trying to retain as much detail as possible in bright low-contrast situations. To retain more fine control, also chemically, I've started experimenting with 4x weaker/diluted contrast agent, which allows me to vary the number of drops mixed in and thus avoiding (to some extent) having to re-print expensive negatives for just tiny changes to highlights.
(Image credit and cc/ @pyrenaicus)
#AltProcess #Kallitype #Darkroom #PrintMaking #FineArt #LandscapePhotography
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Here's an example of what I currently have on Darkroom
(lofi but heartfelt photos of NYC from January, 2017)
Adding more collections as I sift thru all my many, many SD cards and old phones etc
#darkroom #digicam #photos
https://9life.darkroom.com/ -
Here's an example of what I currently have on Darkroom
(lofi but heartfelt photos of NYC from January, 2017)
Adding more collections as I sift thru all my many, many SD cards and old phones etc
#darkroom #digicam #photos
https://9life.darkroom.com/ -
Here's an example of what I currently have on Darkroom
(lofi but heartfelt photos of NYC from January, 2017)
Adding more collections as I sift thru all my many, many SD cards and old phones etc
#darkroom #digicam #photos
https://9life.darkroom.com/ -
Here's an example of what I currently have on Darkroom
(lofi but heartfelt photos of NYC from January, 2017)
Adding more collections as I sift thru all my many, many SD cards and old phones etc
#darkroom #digicam #photos
https://9life.darkroom.com/ -
Here's an example of what I currently have on Darkroom
(lofi but heartfelt photos of NYC from January, 2017)
Adding more collections as I sift thru all my many, many SD cards and old phones etc
#darkroom #digicam #photos
https://9life.darkroom.com/ -
If u wanna support my SFW side of things, while I try to get my moving fund going:
Ko-fi: https://ko-fi.com/ryderk
(has a free zine in shop)Insta: https://www.instagram.com/rydersummerwing
Darkroom: https://9life.darkroom.com/
(digicam photo prints)Twitch (hiatus): https://wingsummer.twitch.tv/
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If u wanna support my SFW side of things, while I try to get my moving fund going:
Ko-fi: https://ko-fi.com/ryderk
(has a free zine in shop)Insta: https://www.instagram.com/rydersummerwing
Darkroom: https://9life.darkroom.com/
(digicam photo prints)Twitch (hiatus): https://wingsummer.twitch.tv/
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If u wanna support my SFW side of things, while I try to get my moving fund going:
Ko-fi: https://ko-fi.com/ryderk
(has a free zine in shop)Insta: https://www.instagram.com/rydersummerwing
Darkroom: https://9life.darkroom.com/
(digicam photo prints)Twitch (hiatus): https://wingsummer.twitch.tv/
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If u wanna support my SFW side of things, while I try to get my moving fund going:
Ko-fi: https://ko-fi.com/ryderk
(has a free zine in shop)Insta: https://www.instagram.com/rydersummerwing
Darkroom: https://9life.darkroom.com/
(digicam photo prints)Twitch (hiatus): https://wingsummer.twitch.tv/
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The quest for the perfect print is ongoing...
(Doing a print swap with @pyrenaicus and this wonderful image is one of his and I want to give it my best! So over the past 2 weeks I've been going through different variations, whilst also updating and re-calibrating my workflow, curves & equipment... still some more to try out!)
#AltProcess #Kallitype #Darkroom #PrintMaking #LandscapePhotography #Monochrome #Pyrenees #Mountains
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The quest for the perfect print is ongoing...
(Doing a print swap with @pyrenaicus and this wonderful image is one of his and I want to give it my best! So over the past 2 weeks I've been going through different variations, whilst also updating and re-calibrating my workflow, curves & equipment... still some more to try out!)
#AltProcess #Kallitype #Darkroom #PrintMaking #LandscapePhotography #Monochrome #Pyrenees #Mountains
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The quest for the perfect print is ongoing...
(Doing a print swap with @pyrenaicus and this wonderful image is one of his and I want to give it my best! So over the past 2 weeks I've been going through different variations, whilst also updating and re-calibrating my workflow, curves & equipment... still some more to try out!)
#AltProcess #Kallitype #Darkroom #PrintMaking #LandscapePhotography #Monochrome #Pyrenees #Mountains
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The quest for the perfect print is ongoing...
(Doing a print swap with @pyrenaicus and this wonderful image is one of his and I want to give it my best! So over the past 2 weeks I've been going through different variations, whilst also updating and re-calibrating my workflow, curves & equipment... still some more to try out!)
#AltProcess #Kallitype #Darkroom #PrintMaking #LandscapePhotography #Monochrome #Pyrenees #Mountains
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The quest for the perfect print is ongoing...
(Doing a print swap with @pyrenaicus and this wonderful image is one of his and I want to give it my best! So over the past 2 weeks I've been going through different variations, whilst also updating and re-calibrating my workflow, curves & equipment... still some more to try out!)
#AltProcess #Kallitype #Darkroom #PrintMaking #LandscapePhotography #Monochrome #Pyrenees #Mountains
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Hey #believeinfilm friends,
In today's guide, John Jones explains the F-Stop darkroom printing workflow:
https://www.analog.cafe/r/f-stop-printing-the-complete-darkroom-workflow-aujf
Unlike timed intervals, the F-Stop method relies on the same math we use on our cameras and offers a much easier way to see the best option in your test strips.
John also talks about dodging and burning via F-Stop and a few tools (including his own) for making the math easier.
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Hey #believeinfilm friends,
In today's guide, John Jones explains the F-Stop darkroom printing workflow:
https://www.analog.cafe/r/f-stop-printing-the-complete-darkroom-workflow-aujf
Unlike timed intervals, the F-Stop method relies on the same math we use on our cameras and offers a much easier way to see the best option in your test strips.
John also talks about dodging and burning via F-Stop and a few tools (including his own) for making the math easier.
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Hey #believeinfilm friends,
In today's guide, John Jones explains the F-Stop darkroom printing workflow:
https://www.analog.cafe/r/f-stop-printing-the-complete-darkroom-workflow-aujf
Unlike timed intervals, the F-Stop method relies on the same math we use on our cameras and offers a much easier way to see the best option in your test strips.
John also talks about dodging and burning via F-Stop and a few tools (including his own) for making the math easier.
-
Hey #believeinfilm friends,
In today's guide, John Jones explains the F-Stop darkroom printing workflow:
https://www.analog.cafe/r/f-stop-printing-the-complete-darkroom-workflow-aujf
Unlike timed intervals, the F-Stop method relies on the same math we use on our cameras and offers a much easier way to see the best option in your test strips.
John also talks about dodging and burning via F-Stop and a few tools (including his own) for making the math easier.
-
Hey #believeinfilm friends,
In today's guide, John Jones explains the F-Stop darkroom printing workflow:
https://www.analog.cafe/r/f-stop-printing-the-complete-darkroom-workflow-aujf
Unlike timed intervals, the F-Stop method relies on the same math we use on our cameras and offers a much easier way to see the best option in your test strips.
John also talks about dodging and burning via F-Stop and a few tools (including his own) for making the math easier.
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Following up on the curves I posted earlier, I had Claude write Python to turn the S curves into Photoshop-style curves, and animate them from softest to hardest. The results were not what I expected -- not at all a "smooth" evolution from first to last. The "deviation animation" shows how the brightness at each input point differs from an ideal linear 1:1 conversion
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Following up on the curves I posted earlier, I had Claude write Python to turn the S curves into Photoshop-style curves, and animate them from softest to hardest. The results were not what I expected -- not at all a "smooth" evolution from first to last. The "deviation animation" shows how the brightness at each input point differs from an ideal linear 1:1 conversion
-
Following up on the curves I posted earlier, I had Claude write Python to turn the S curves into Photoshop-style curves, and animate them from softest to hardest. The results were not what I expected -- not at all a "smooth" evolution from first to last. The "deviation animation" shows how the brightness at each input point differs from an ideal linear 1:1 conversion
-
Following up on the curves I posted earlier, I had Claude write Python to turn the S curves into Photoshop-style curves, and animate them from softest to hardest. The results were not what I expected -- not at all a "smooth" evolution from first to last. The "deviation animation" shows how the brightness at each input point differs from an ideal linear 1:1 conversion
-
Following up on the curves I posted earlier, I had Claude write Python to turn the S curves into Photoshop-style curves, and animate them from softest to hardest. The results were not what I expected -- not at all a "smooth" evolution from first to last. The "deviation animation" shows how the brightness at each input point differs from an ideal linear 1:1 conversion
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Your photography history post for today: by Eugène Atget (1857-1927), “Boulevard de Strasbourg,” 1912. #photography #PhotographyHistory #vintagephotography #darkroomphotography #darkroom #blackandwhitephotography
From the International Center of Photography “Eugène Atget was a French photographer best known for his photographs of the architecture and streets of Paris. He took up photography in the late 1880s and supplied studies for painters, architects, and stage designers. Atget began shooting Paris in 1898 using a large format view camera to capture the city in detail. His photographs, many of which were taken at dawn, are notable for their diffuse light and wide views that give a sense of space and ambience. They also document Paris and its rapid changes; many of the areas Atget photographed were soon to be razed as part of massive modernization projects.
Atget’s photographs drew the admiration of a variety of artists, most notably Man Ray, Henri Matisse, and Pablo Picasso. Man Ray even used one of Atget’s photographs for the cover of his surrealist magazine la Révolution surréaliste. The photographer Berenice Abbott preserved Atget’s prints and negatives and was the first person to exhibit Atget’s work outside of France.”
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Your photography history post for today: by Eugène Atget (1857-1927), “Boulevard de Strasbourg,” 1912. #photography #PhotographyHistory #vintagephotography #darkroomphotography #darkroom #blackandwhitephotography
From the International Center of Photography “Eugène Atget was a French photographer best known for his photographs of the architecture and streets of Paris. He took up photography in the late 1880s and supplied studies for painters, architects, and stage designers. Atget began shooting Paris in 1898 using a large format view camera to capture the city in detail. His photographs, many of which were taken at dawn, are notable for their diffuse light and wide views that give a sense of space and ambience. They also document Paris and its rapid changes; many of the areas Atget photographed were soon to be razed as part of massive modernization projects.
Atget’s photographs drew the admiration of a variety of artists, most notably Man Ray, Henri Matisse, and Pablo Picasso. Man Ray even used one of Atget’s photographs for the cover of his surrealist magazine la Révolution surréaliste. The photographer Berenice Abbott preserved Atget’s prints and negatives and was the first person to exhibit Atget’s work outside of France.”
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Your photography history post for today: by Eugène Atget (1857-1927), “Boulevard de Strasbourg,” 1912. #photography #PhotographyHistory #vintagephotography #darkroomphotography #darkroom #blackandwhitephotography
From the International Center of Photography “Eugène Atget was a French photographer best known for his photographs of the architecture and streets of Paris. He took up photography in the late 1880s and supplied studies for painters, architects, and stage designers. Atget began shooting Paris in 1898 using a large format view camera to capture the city in detail. His photographs, many of which were taken at dawn, are notable for their diffuse light and wide views that give a sense of space and ambience. They also document Paris and its rapid changes; many of the areas Atget photographed were soon to be razed as part of massive modernization projects.
Atget’s photographs drew the admiration of a variety of artists, most notably Man Ray, Henri Matisse, and Pablo Picasso. Man Ray even used one of Atget’s photographs for the cover of his surrealist magazine la Révolution surréaliste. The photographer Berenice Abbott preserved Atget’s prints and negatives and was the first person to exhibit Atget’s work outside of France.”
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Your photography history post for today: by Eugène Atget (1857-1927), “Boulevard de Strasbourg,” 1912. #photography #PhotographyHistory #vintagephotography #darkroomphotography #darkroom #blackandwhitephotography
From the International Center of Photography “Eugène Atget was a French photographer best known for his photographs of the architecture and streets of Paris. He took up photography in the late 1880s and supplied studies for painters, architects, and stage designers. Atget began shooting Paris in 1898 using a large format view camera to capture the city in detail. His photographs, many of which were taken at dawn, are notable for their diffuse light and wide views that give a sense of space and ambience. They also document Paris and its rapid changes; many of the areas Atget photographed were soon to be razed as part of massive modernization projects.
Atget’s photographs drew the admiration of a variety of artists, most notably Man Ray, Henri Matisse, and Pablo Picasso. Man Ray even used one of Atget’s photographs for the cover of his surrealist magazine la Révolution surréaliste. The photographer Berenice Abbott preserved Atget’s prints and negatives and was the first person to exhibit Atget’s work outside of France.”
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Your photography history post for today: by Eugène Atget (1857-1927), “Boulevard de Strasbourg,” 1912. #photography #PhotographyHistory #vintagephotography #darkroomphotography #darkroom #blackandwhitephotography
From the International Center of Photography “Eugène Atget was a French photographer best known for his photographs of the architecture and streets of Paris. He took up photography in the late 1880s and supplied studies for painters, architects, and stage designers. Atget began shooting Paris in 1898 using a large format view camera to capture the city in detail. His photographs, many of which were taken at dawn, are notable for their diffuse light and wide views that give a sense of space and ambience. They also document Paris and its rapid changes; many of the areas Atget photographed were soon to be razed as part of massive modernization projects.
Atget’s photographs drew the admiration of a variety of artists, most notably Man Ray, Henri Matisse, and Pablo Picasso. Man Ray even used one of Atget’s photographs for the cover of his surrealist magazine la Révolution surréaliste. The photographer Berenice Abbott preserved Atget’s prints and negatives and was the first person to exhibit Atget’s work outside of France.”
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#photography #filmphotography #darkroom
I did a series of split-grade density test strips. I tried grade 00 at 20 seconds, plus grade 5 at 5, 7.1, 10, 14.1, 20, 28.3 and 40 ses (half-stop sequence). The results are interesting. You get a range of "paper grades" from about 0 to about 3, but with much different toes (highlight separation is increased) and shoulders (shadow separation is reduced), compared to the base curves.
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#photography #filmphotography #darkroom
I did a series of split-grade density test strips. I tried grade 00 at 20 seconds, plus grade 5 at 5, 7.1, 10, 14.1, 20, 28.3 and 40 ses (half-stop sequence). The results are interesting. You get a range of "paper grades" from about 0 to about 3, but with much different toes (highlight separation is increased) and shoulders (shadow separation is reduced), compared to the base curves.
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#photography #filmphotography #darkroom
I did a series of split-grade density test strips. I tried grade 00 at 20 seconds, plus grade 5 at 5, 7.1, 10, 14.1, 20, 28.3 and 40 ses (half-stop sequence). The results are interesting. You get a range of "paper grades" from about 0 to about 3, but with much different toes (highlight separation is increased) and shoulders (shadow separation is reduced), compared to the base curves.
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#photography #filmphotography #darkroom
I did a series of split-grade density test strips. I tried grade 00 at 20 seconds, plus grade 5 at 5, 7.1, 10, 14.1, 20, 28.3 and 40 ses (half-stop sequence). The results are interesting. You get a range of "paper grades" from about 0 to about 3, but with much different toes (highlight separation is increased) and shoulders (shadow separation is reduced), compared to the base curves.