#bassists — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #bassists, aggregated by home.social.
-
“A fan wrote to Dave and said, ‘I hope your new stuff is faster than Metallica.’ The tempos sped up, and we became a thrash band that night”: When a fan challenged Megadeth to outpace Metallica, the band responded by cranking up the tempos
-
“When James got his first offer to play at the Troubadour, I thought it would be one gig. It turned into 20 years”: Lee Sklar looks back on his early sessions with James Taylor and Jackson Browne – and the beginnings of a legendary studio career
-
“That energy popped back like we had been playing all the time. Nobody was rusty, man. Everybody was on – like we'd just got off the J.B.’s bus!” How Bootsy Collins and his James Brown alumni brought the J.B.’s back to life for the Superbad soundtrack
-
“That energy popped back like we had been playing all the time. Nobody was rusty, man. Everybody was on – like we'd just got off the J.B.’s bus!” How Bootsy Collins and his James Brown alumni brought the J.B.’s back to life for the Superbad soundtrack
-
“That energy popped back like we had been playing all the time. Nobody was rusty, man. Everybody was on – like we'd just got off the J.B.’s bus!” How Bootsy Collins and his James Brown alumni brought the J.B.’s back to life for the Superbad soundtrack
-
“That energy popped back like we had been playing all the time. Nobody was rusty, man. Everybody was on – like we'd just got off the J.B.’s bus!” How Bootsy Collins and his James Brown alumni brought the J.B.’s back to life for the Superbad soundtrack
-
“That energy popped back like we had been playing all the time. Nobody was rusty, man. Everybody was on – like we'd just got off the J.B.’s bus!” How Bootsy Collins and his James Brown alumni brought the J.B.’s back to life for the Superbad soundtrack
-
“Plug in, pick up the bass and experience the gear that created Motörhead’s unmistakable sound”: Las Vegas Motörhead exhibition will let play through Lemmy’s bass rig
-
“Plug in, pick up the bass and experience the gear that created Motörhead’s unmistakable sound”: Las Vegas Motörhead exhibition will let play through Lemmy’s bass rig
-
“Plug in, pick up the bass and experience the gear that created Motörhead’s unmistakable sound”: Las Vegas Motörhead exhibition will let play through Lemmy’s bass rig
-
“Plug in, pick up the bass and experience the gear that created Motörhead’s unmistakable sound”: Las Vegas Motörhead exhibition will let play through Lemmy’s bass rig
-
“Plug in, pick up the bass and experience the gear that created Motörhead’s unmistakable sound”: Las Vegas Motörhead exhibition will let play through Lemmy’s bass rig
-
“Our guitarist saw an online ad where Bon Jovi was looking for a local band to open for them. She didn’t even tell us she’d applied!” How Violet Lee went from self-taught bassist to opening for Bon Jovi
-
“Our guitarist saw an online ad where Bon Jovi was looking for a local band to open for them. She didn’t even tell us she’d applied!” How Violet Lee went from self-taught bassist to opening for Bon Jovi
-
“Our guitarist saw an online ad where Bon Jovi was looking for a local band to open for them. She didn’t even tell us she’d applied!” How Violet Lee went from self-taught bassist to opening for Bon Jovi
-
“Our guitarist saw an online ad where Bon Jovi was looking for a local band to open for them. She didn’t even tell us she’d applied!” How Violet Lee went from self-taught bassist to opening for Bon Jovi
-
“Our guitarist saw an online ad where Bon Jovi was looking for a local band to open for them. She didn’t even tell us she’d applied!” How Violet Lee went from self-taught bassist to opening for Bon Jovi
-
“I was called to play on an album with Peter Gabriel, whom I didn't know of. I hadn’t even heard of Genesis”: Tony Levin on how a Peter Gabriel session changed his life – and led him to King Crimson
-
“I was called to play on an album with Peter Gabriel, whom I didn't know of. I hadn’t even heard of Genesis”: Tony Levin on how a Peter Gabriel session changed his life – and led him to King Crimson
-
“I was called to play on an album with Peter Gabriel, whom I didn't know of. I hadn’t even heard of Genesis”: Tony Levin on how a Peter Gabriel session changed his life – and led him to King Crimson
-
“I was called to play on an album with Peter Gabriel, whom I didn't know of. I hadn’t even heard of Genesis”: Tony Levin on how a Peter Gabriel session changed his life – and led him to King Crimson
-
“I was called to play on an album with Peter Gabriel, whom I didn't know of. I hadn’t even heard of Genesis”: Tony Levin on how a Peter Gabriel session changed his life – and led him to King Crimson
-
“I remember trying to sound like Chris Squire. Ozzy’s reaction was, ‘What the hell is that?’” How Geezer Butler helped define the sound of heavy metal on this eight-minute Black Sabbath opus
-
“I remember trying to sound like Chris Squire. Ozzy’s reaction was, ‘What the hell is that?’” How Geezer Butler helped define the sound of heavy metal on this eight-minute Black Sabbath opus
-
“I remember trying to sound like Chris Squire. Ozzy’s reaction was, ‘What the hell is that?’” How Geezer Butler helped define the sound of heavy metal on this eight-minute Black Sabbath opus
-
“I remember trying to sound like Chris Squire. Ozzy’s reaction was, ‘What the hell is that?’” How Geezer Butler helped define the sound of heavy metal on this eight-minute Black Sabbath opus
-
“I remember trying to sound like Chris Squire. Ozzy’s reaction was, ‘What the hell is that?’” How Geezer Butler helped define the sound of heavy metal on this eight-minute Black Sabbath opus
-
“It was a pedal designed to make your bass sound like a trombone, but I could make it sound like Jimi Hendrix”: How Ralphe Armstrong unlocked Hendrix-inspired expression on one of Jean-Luc Ponty's most adventurous recordings
-
“It was a pedal designed to make your bass sound like a trombone, but I could make it sound like Jimi Hendrix”: How Ralphe Armstrong unlocked Hendrix-inspired expression on one of Jean-Luc Ponty's most adventurous recordings
-
“It was a pedal designed to make your bass sound like a trombone, but I could make it sound like Jimi Hendrix”: How Ralphe Armstrong unlocked Hendrix-inspired expression on one of Jean-Luc Ponty's most adventurous recordings
-
“It was a pedal designed to make your bass sound like a trombone, but I could make it sound like Jimi Hendrix”: How Ralphe Armstrong unlocked Hendrix-inspired expression on one of Jean-Luc Ponty's most adventurous recordings
-
“It was a pedal designed to make your bass sound like a trombone, but I could make it sound like Jimi Hendrix”: How Ralphe Armstrong unlocked Hendrix-inspired expression on one of Jean-Luc Ponty's most adventurous recordings
-
“I got word that Chester was gone, and it just hit me so hard. I never listen to that song the same anymore”: Stone Temple Pilots bassist Rob DeLeo has experienced the death of his lead singer twice – and somehow found a way to keep playing
-
“I got word that Chester was gone, and it just hit me so hard. I never listen to that song the same anymore”: Stone Temple Pilots bassist Rob DeLeo has experienced the death of his lead singer twice – and somehow found a way to keep playing
-
“I got word that Chester was gone, and it just hit me so hard. I never listen to that song the same anymore”: Stone Temple Pilots bassist Rob DeLeo has experienced the death of his lead singer twice – and somehow found a way to keep playing
-
“I got word that Chester was gone, and it just hit me so hard. I never listen to that song the same anymore”: Stone Temple Pilots bassist Rob DeLeo has experienced the death of his lead singer twice – and somehow found a way to keep playing
-
“I got word that Chester was gone, and it just hit me so hard. I never listen to that song the same anymore”: Stone Temple Pilots bassist Rob DeLeo has experienced the death of his lead singer twice – and somehow found a way to keep playing
-
We have a brand new single today!
Disaffected Alt Rock Bass girl combines the powers of RatF and some of Nashville's finest fem songwriters to create 4 different interpretations of a song celebrating the bassists of 90s alt rock!
Check it out on Bandcamp or your favorite streaming service: https://regdarandthefighters.bandcamp.com/album/disaffected-alt-rock-bass-girl
And come here us celebrate its release on October 2 at Betty's Grill in Nashville!
#nerdRock #altRock #bassists #plunderphonics -
“I was infatuated with slide guitar. I’d use a comparable motion on my fretless by sliding up to the note”: Manning the world’s first production fretless bass, Rick Danko had to be laser-sharp in the Band
https://web.brid.gy/r/https://www.guitarworld.com/artists/bassists/rick-danko-the-band-fretless-bass
-
“I was infatuated with slide guitar. I’d use a comparable motion on my fretless by sliding up to the note”: Manning the world’s first production fretless bass, Rick Danko had to be laser-sharp in the Band
https://fed.brid.gy/r/https://www.guitarworld.com/artists/bassists/rick-danko-the-band-fretless-bass
-
“I was infatuated with slide guitar. I’d use a comparable motion on my fretless by sliding up to the note”: Manning the world’s first production fretless bass, Rick Danko had to be laser-sharp in the Band
https://web.brid.gy/r/https://www.guitarworld.com/artists/bassists/rick-danko-the-band-fretless-bass
-
“I was infatuated with slide guitar. I’d use a comparable motion on my fretless by sliding up to the note”: Manning the world’s first production fretless bass, Rick Danko had to be laser-sharp in the Band
https://web.brid.gy/r/https://www.guitarworld.com/artists/bassists/rick-danko-the-band-fretless-bass
-
“I was infatuated with slide guitar. I’d use a comparable motion on my fretless by sliding up to the note”: Manning the world’s first production fretless bass, Rick Danko had to be laser-sharp in the Band
https://web.brid.gy/r/https://www.guitarworld.com/artists/bassists/rick-danko-the-band-fretless-bass
-
“I walked out to my car, thinking I’m never going to hear from those guys again. They called me the next day and I tracked two new songs”: How bassist Zach Cooper earned a permanent place in Coheed and Cambria
-
“I walked out to my car, thinking I’m never going to hear from those guys again. They called me the next day and I tracked two new songs”: How bassist Zach Cooper earned a permanent place in Coheed and Cambria
-
“I walked out to my car, thinking I’m never going to hear from those guys again. They called me the next day and I tracked two new songs”: How bassist Zach Cooper earned a permanent place in Coheed and Cambria
-
“I walked out to my car, thinking I’m never going to hear from those guys again. They called me the next day and I tracked two new songs”: How bassist Zach Cooper earned a permanent place in Coheed and Cambria
-
“I walked out to my car, thinking I’m never going to hear from those guys again. They called me the next day and I tracked two new songs”: How bassist Zach Cooper earned a permanent place in Coheed and Cambria
-
“Snake Sabo is the master of the riff. I’ll never forget when he played me 18 and Life for the first time... We had no formula”: Skid Row’s Rachel Bolan on going solo, his ’70s inspirations, and the band’s continuing search for a new singer
-
“Snake Sabo is the master of the riff. I’ll never forget when he played me 18 and Life for the first time... We had no formula”: Skid Row’s Rachel Bolan on going solo, his ’70s inspirations, and the band’s continuing search for a new singer