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#audreyflack — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #audreyflack, aggregated by home.social.

  1. Poznaj niezwykłe dzieło Audrey Flack – „Macarena of Miracles” ✨ Ta inspirowana barokiem i fotorealizmem Madonna nawiązuje do tradycji hiszpańskiej rzeźbiarki Luisy Roldán. Odkryj, jak Flack ukazała potęgę kobiecych postaci w sztuce! #AudreyFlack #WomensHistoryMonth #sztuka 🎨🔍 met.org/4bkJsw3
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    facebook.com/980524677453520/p

  2. Poznaj niezwykłe dzieło Audrey Flack – „Macarena of Miracles” ✨ Ta inspirowana barokiem i fotorealizmem Madonna nawiązuje do tradycji hiszpańskiej rzeźbiarki Luisy Roldán. Odkryj, jak Flack ukazała potęgę kobiecych postaci w sztuce! #AudreyFlack #WomensHistoryMonth #sztuka 🎨🔍 met.org/4bkJsw3
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    facebook.com/980524677453520/p

  3. Poznaj niezwykłe dzieło Audrey Flack – „Macarena of Miracles” ✨ Ta inspirowana barokiem i fotorealizmem Madonna nawiązuje do tradycji hiszpańskiej rzeźbiarki Luisy Roldán. Odkryj, jak Flack ukazała potęgę kobiecych postaci w sztuce! #AudreyFlack #WomensHistoryMonth #sztuka 🎨🔍 met.org/4bkJsw3
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    facebook.com/980524677453520/p

  4. Poznaj niezwykłe dzieło Audrey Flack – „Macarena of Miracles” ✨ Ta inspirowana barokiem i fotorealizmem Madonna nawiązuje do tradycji hiszpańskiej rzeźbiarki Luisy Roldán. Odkryj, jak Flack ukazała potęgę kobiecych postaci w sztuce! #AudreyFlack #WomensHistoryMonth #sztuka 🎨🔍 met.org/4bkJsw3
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    facebook.com/980524677453520/p

  5. Poznaj niezwykłe dzieło Audrey Flack – „Macarena of Miracles” ✨ Ta inspirowana barokiem i fotorealizmem Madonna nawiązuje do tradycji hiszpańskiej rzeźbiarki Luisy Roldán. Odkryj, jak Flack ukazała potęgę kobiecych postaci w sztuce! #AudreyFlack #WomensHistoryMonth #sztuka 🎨🔍 met.org/4bkJsw3
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    facebook.com/980524677453520/p

  6. RIP #AudreyFlack, a fascinating, varied artist who did a lot of things in her long career.

    This print by her, "Macarena Esperanza," is on view a little longer in our galleries. She made it for a portfolio of prints published as part of Documenta 5 (which our museum bought in 1974). Former curator of paintings Donald Keyes wrote that it "establishes a tension between the forms as real objects and as abstract patterns."

    nytimes.com/2024/07/03/arts/au

  7. RIP #AudreyFlack, a fascinating, varied artist who did a lot of things in her long career.

    This print by her, "Macarena Esperanza," is on view a little longer in our galleries. She made it for a portfolio of prints published as part of Documenta 5 (which our museum bought in 1974). Former curator of paintings Donald Keyes wrote that it "establishes a tension between the forms as real objects and as abstract patterns."

    nytimes.com/2024/07/03/arts/au

  8. RIP #AudreyFlack, a fascinating, varied artist who did a lot of things in her long career.

    This print by her, "Macarena Esperanza," is on view a little longer in our galleries. She made it for a portfolio of prints published as part of Documenta 5 (which our museum bought in 1974). Former curator of paintings Donald Keyes wrote that it "establishes a tension between the forms as real objects and as abstract patterns."

    nytimes.com/2024/07/03/arts/au

  9. RIP #AudreyFlack, a fascinating, varied artist who did a lot of things in her long career.

    This print by her, "Macarena Esperanza," is on view a little longer in our galleries. She made it for a portfolio of prints published as part of Documenta 5 (which our museum bought in 1974). Former curator of paintings Donald Keyes wrote that it "establishes a tension between the forms as real objects and as abstract patterns."

    nytimes.com/2024/07/03/arts/au

  10. RIP #AudreyFlack, a fascinating, varied artist who did a lot of things in her long career.

    This print by her, "Macarena Esperanza," is on view a little longer in our galleries. She made it for a portfolio of prints published as part of Documenta 5 (which our museum bought in 1974). Former curator of paintings Donald Keyes wrote that it "establishes a tension between the forms as real objects and as abstract patterns."

    nytimes.com/2024/07/03/arts/au