Ca fait bizarre de devoir remercier Bardella pour ca, si qq'un en sait plus sur le pourquoi du comment, eclairez nous!
@saskiabricmont.bsky.social https://bsky.brid.gy/r/https://bsky.app/profile/did:plc:k5rku3etcxicjvb2sycrrwc6/post/3myhfiw4p3s2k
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4 results for “SaskiaG”
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Uit het netwerk: internationale AI-conferentie Fantastic Futures komt naar Rijksmuseum in 2027
Fantastic Futures vond onlangs plaats in Washington. In 2027 komt de conferentie van AI4LAM naar het Rijksmuseum. Saskia Scheltjens, hoofd Research Services bij het Rijksmuseum, deelt haar inzichten van de 2026-editie.
‘De fixatie op AI is best oppervlakkig. Het gaat mij meer om hoe wij als erfgoedsector technologie gebruiken. Ik pleit voor een zelfbewuste, kritische én constructieve houding.’
In 'Uit het netwerk' delen collega's uit het Netwerk Digitaal Erfgoed hoe zij bijdragen aan de Nationale Strategie Digitaal Erfgoed.
Lees het artikel: https://netwerkdigitaalerfgoed.nl/nieuws/uit-het-netwerk-internationale-ai-conferentie-fantastic-futures-komt-in-2027-naar-het-rijksmuseum/
Foto: Monique Kooijmans
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Conference: Stop Violence Against Women
Tolhuistuin, Thursday, November 26 at 07:30 PM GMT+1
TalkOn Thursday, November 26, HTIB and VON are hosting an inspiring international conference with Tolhuistuin on the prevention of violence against women, as part of the global Orange the World campaign and the International Day for the Elimination of Violence against Women. Leading journalists and experts from the Netherlands and Türkiye, including Saskia Beleman, Banu Güven, and Şirin Payzın, will address early prevention, victim support, and the social empowerment of women. Attendees can actively participate during the Q&A sessions and network during the closing reception.
Saskia Belleman is a court reporter and crime journalist at De Telegraaf. In 2024, she was named Journalist of the Year by Villamedia, partly in recognition of her podcast Zij is van mij (She Is Mine), which explores femicide in the Netherlands. Her book of the same name was published in 2025. Through her work, she sheds light on how the Dutch criminal justice system deals with violence against women.
Banu Güven is a prominent Turkish journalist, news anchor, and columnist with a master's degree in International Relations from Boğaziçi University. She spent more than 14 years at NTV, producing and presenting influential news programmes, and has written for publications such as Milliyet and Radikal. She later produced programmes for İMC TV, DW Türkçe, and WDR Cosmo. Today, she contributes to independent digital media platforms, including İlke TV and Kısa Dalga, focusing on current social issues, press freedom, and human rights in Turkey and Germany.
Şirin Payzın is an experienced Turkish journalist, diplomatic correspondent, and television presenter who studied at New York University and is fluent in English and French. She became widely known as a senior diplomatic correspondent and host of the influential debate programme Ne Oluyor? (What's Happening?) on CNN Türk. She has received awards for her interview with Gaddafi and her documentary on honour killings (Hepsi Birer Güldünya). Following her work at Halk TV, she now produces incisive social and political commentary, in-depth interviews, and international affairs analysis for the independent news platform T24.
Songül Mutluer is a member of the Dutch House of Representatives, serving since 2022, initially for the Labour Party (PvdA) and later for GroenLinks-PvdA and PRO. A trained lawyer, she previously served as an alderwoman in the municipality of Zaanstad. In Parliament, she advocates for women's rights and measures to combat femicide. Her parents came to the Netherlands from Turkey as migrant workers.
Özlem Bulgan is the moderator for this event; she is the social media editor at Amnesty International and a co-organizer of the Amsterdam Kurdish Film Festival.
Programme Schedule
HTIB (Turkish Workers' Association in the Netherlands)
Since 1974, HTIB has been dedicated to promoting the emancipation, integration, and social participation of the Turkish community in the Netherlands. Guided by its core values of inclusion, respect, and empowerment, the organisation builds bridges within society through education and intercultural dialogue. It also actively advocates for equal rights and works to combat violence against women.
VON (Refugee Organisations Netherlands)
VON is the national network of and for refugee organisations in the Netherlands. The organisation represents the interests of refugees and communities with a background of political migration, promoting their social participation, empowerment, and the protection of fundamental human rights.
About the collaboration
Through this conference, HTIB and VON join forces to foster the international exchange of knowledge and experiences on women's rights, strengthen connections between civil society organisations in the Netherlands and Turkey, and ensure that the prevention of violence against women remains a long-term priority.
Galerijhttps://offbeat.amsterdam/event/conference-stop-violence-against-women
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Burka Band - Burka Blue (2002)
Why are burqas actually blue? It all started with this question, back in 2002. A trip to Afghanistan, a workshop at the Institute of Learning Music there. At the invitation of the Goethe-Institut, Frank Fenstermacher and Kurt Dahlke from Fehlfarben and “a certain frank,” along with drummer Saskia von Klitzing—also from Fehlfarben—were set to teach the basics of pop music. But almost no one wanted to learn to play the drums—except for the only woman who happened to be there, Nargis. A few drumbeats later, she was born: Afghanistan’s first girl band, Burka Band. With Klitzing, Fenstermacher, and Dahlke as her midwives.
The lyrics for their first single, “Burka Blue,” were written during a trip to the countryside. Questions from the German guests began to shake their certainties: “You accept many things as they are, but you don’t question them anymore,” says Nargis. Why is the burka blue? How do you know who’s underneath it? And why do you actually have to wear it? Back in Kabul, the lyrics were written and a video was quickly shot—and it became a worldwide sensation, with airplay on major music TV channels, a performance at Popkomm before Fehlfarben and Blumfeld, and reports about Burka Band all over the world.
What remains? A vision of what could be. Because given the so-called peace negotiations with the Taliban, it remains unclear what the future holds for Afghanistan. “In politics, the first thing people tend to do is cut back on ‘luxuries’ like women’s rights,” Nargis fears. Nevertheless, she hopes that something will remain from the developments of recent years and the memory of the Burka Band: “I hope that we can take everything...and to question religion and culture, and for men to stop dictating everything to women. No one should tell another person what to do. Whether here—or over there in Afghanistan!”