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  1. fromoldbooks.org/Ecke-Meryon/p

    Another of these fabulous etchings by Charles Meryon. The fac simile i have is some 100 years old itself, and uses collotype to reproduce the pictures, with no halftone screen needed. I tried to leave something of the quality of the paper.

    This picture shows a gallery, i think at roof level? at the Nôtre Dame. There is a crow flying between the columns.

    #CharlesMeryon #Meryon #notreDame #gothicArchitaecture #fobo #vintageArt #GIMP #Gimp_3 #GIMP3 #etching

  2. here's one more print of my 'rock garden' series, etchings with chine colle,
    #Etching , #aquatint , #print , #printmaking , #PrintmakersOfMastodon
Plate 11x9 in., 
Paper 15x11in, Hahnemühle-Copperplate Warm white
Charbonnel Etching Ink Black.
Cine-colle Kikuzi Somegami,
This is an authentic hand-printed etching and limited varied edition of 5, signed and numbered.

  3. here's two more prints of my 'rock garden' series of, etchings with chine colle,

    #Etching , #aquatint , #print , #printmaking , #PrintmakersOfMastodon
    Plate 4x9 in.,
    Paper 15x11in, Hahnemühle-Copperplate Warm white
    Charbonnel Etching Ink Black.
    Cine-colle Kikuzi Somegami,
    This is an authentic hand-printed etching and limited varied edition of 10, signed and numbered.
    available at: stonefolio.square.site
    Sold unframed

  4. Finally the print studio reopened after months of renovations!!!
    Playing around with etchings and chine colle,
    #Etching, #printmaking , #print #PrintmakersOfMastodon

  5. here is another on the series:

    Information
    Etching and aquatint on copper.
    #Etching , #aquatint , #print , #printmaking , #PrintmakersOfMastodon
    Plate 3x9 in.,
    Paper Hahnemühle-Copperplate Warm white 300gsm Mould made in Germany, 100% high-alpha cellulose, neutral pH, chlorine-free, 300gsm,
    Charbonnel Etching Ink Black.
    This is an authentic hand-printed etching, gold leaf, limited varied edition of 7, signed and numbered.
    available at: stonefolio.com

  6. Contemplation,
    etching and gold leaf

    Etching and aquatint on copper.
    #Etching , #aquatint , #print , #printmaking , #PrintmakersOfMastodon
    Plate 3x9 in.,
    Paper Hahnemühle-Copperplate Warm white 300gsm Mould made in Germany, 100% high-alpha cellulose, neutral pH, chlorine-free, 300gsm,
    Charbonnel Etching Ink Black. 23K Gold leaf and Cine-collé.
    This is an authentic hand-printed etching, limited varied edition of 5, signed and numbered.
    available at: stonefolio.com

  7. Babylon
    2024
    Lone traveller arrives at Babylon.
    Etching and aquatint on copper.
    #Etching , #aquatint , #print , #printmaking , #PrintmakersOfMastodon
    Plate 7.5x12 in.,
    Paper Hahnemühle-Copperplate Warm white 300gsm Mould made in Germany, 100% high-alpha cellulose, neutral pH, chlorine-free, 300gsm,
    Charbonnel Etching Ink Black and Burnt Umber.
    This is an authentic hand-printed etching, limited edition of 18, signed and numbered.
    available at: stonefolio.com
    Sold unframed
    stonefolio.com/product/babylon

  8. Here is an etching I made of the view from our campsite.

    Canadian Shield #4
    Etching and aquatint on copper.
    #Etching , #aquatint , #print , #printmaking , #PrintmakersOfMastodon
    Plate 4x12 in.,
    Paper 15x11in Hahnemühle-Copperplate Warm white 300gsm Mould made in Germany, 100% high-alpha cellulose, neutral pH, chlorine-free, 300gsm,
    Charbonnel Etching Ink Black & Burnt Umber.
    This is an authentic hand-printed etching, limited edition of 5, signed and numbered.
    available at: stonefolio.com/product/canadia

  9. Our newest exhibition, “A Perfect Model: Prints after Anthony van Dyck’s Portraits,” required some digging through the collection. We have more than 50 prints made after Van Dyck's portraits, not acquired all at once from a single gift, but over decades. It's been really neat to look through them and select the best of the best for this small show. Read more here: georgiamuseum.org/gmoa_blog/a- #AnthonyVanDyck #Etchings

  10. Thanks for all your support, we really appreciate it - P&L

    And thanks, too, to our local independent stockists who do a fine job in difficult times.

    Here's a map of their locations (link in comments below).

    #Edinburgh #ShopLocal #Prints #Cards #Etchings

  11. A print of my more or less completed #etching of #blackness castle. Sometimes referred to as 'the ship that never sailed' because of its ship like shape pointing out into the #forth West of #Edinburgh.
    Used #spitbite for the sky and wax for the texture in the foreground sea.
    #printmaking
    #Scotland

  12. Work in progress - a rough line #etching of #Blackness Castle on the #Forth, West of #Edinburgh. Next step #sugarlift and #aquatinting. This is a brass plate etched with Ferric Chloride.
    #printmaking
    #Scotland

  13. My finished #etching of the winding gear of the former Lady Victoria Colliery at #Newtongrange (where I live) - now the #NationalMiningMuseumScotland. I used sugar lift for the winding gear and spitbite for the Pentland Hills in the background.

    210x300mm brass plate etching.
    #printmaking #Edinburgh #Midlothian #Scotland

  14. This copper plate is about to take the dip, fingers crossed, no turning back now…#etchings #printmaking

  15. This copper plate is about to take the dip, fingers crossed, no turning back now…#etchings #printmaking

  16. This copper plate is about to take the dip, fingers crossed, no turning back now…#etchings #printmaking

  17. Proof taken following chopping the etching plate today at @citylitarts with @clairehynds #etching #etchings #EtchingPress

  18. Port Lockroy - etching - 23x20 cm.

    Sometimes I think making #etchings is just a really slow way of torturing myself. This one has been weeks of fiddling around trying to correct stuff that wasn't quite working. Still far from perfect, but...

    #art #printmaking

  19. Port Lockroy - etching - 23x20 cm.

    Sometimes I think making #etchings is just a really slow way of torturing myself. This one has been weeks of fiddling around trying to correct stuff that wasn't quite working. Still far from perfect, but...

    #art #printmaking

  20. Port Lockroy - etching - 23x20 cm.

    Sometimes I think making #etchings is just a really slow way of torturing myself. This one has been weeks of fiddling around trying to correct stuff that wasn't quite working. Still far from perfect, but...

    #art #printmaking

  21. Port Lockroy - etching - 23x20 cm.

    Sometimes I think making #etchings is just a really slow way of torturing myself. This one has been weeks of fiddling around trying to correct stuff that wasn't quite working. Still far from perfect, but...

    #art #printmaking

  22. Better Sheet Metal Parts with Chemistry - [Applied Science] wanted to make some metal parts with a lot of holes. A service p... - hackaday.com/2022/11/16/better #photochemicalmachining #3dprinterhacks #etching

  23. Better Sheet Metal Parts with Chemistry - [Applied Science] wanted to make some metal parts with a lot of holes. A service p... - hackaday.com/2022/11/16/better #photochemicalmachining #3dprinterhacks #etching

  24. Better Sheet Metal Parts with Chemistry - [Applied Science] wanted to make some metal parts with a lot of holes. A service p... - hackaday.com/2022/11/16/better #photochemicalmachining #3dprinterhacks #etching

  25. Better Sheet Metal Parts with Chemistry - [Applied Science] wanted to make some metal parts with a lot of holes. A service p... - hackaday.com/2022/11/16/better #photochemicalmachining #3dprinterhacks #etching