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#workingclasswriters — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #workingclasswriters, aggregated by home.social.

  1. “In A WORKING MOTHER, Owens transforms difficulties from her own life into a glorious work of art in which nothing is quite what it seems”

    —Dani Garivelli reviews all Agnes Owens’ books reissued so far

    7/7

    heraldscotland.com/life_style/

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  2. “In A WORKING MOTHER, Owens transforms difficulties from her own life into a glorious work of art in which nothing is quite what it seems”

    —Dani Garivelli reviews all Agnes Owens’ books reissued so far

    7/7

    heraldscotland.com/life_style/

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  3. “In A WORKING MOTHER, Owens transforms difficulties from her own life into a glorious work of art in which nothing is quite what it seems”

    —Dani Garivelli reviews all Agnes Owens’ books reissued so far

    7/7

    heraldscotland.com/life_style/

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  4. “In A WORKING MOTHER, Owens transforms difficulties from her own life into a glorious work of art in which nothing is quite what it seems”

    —Dani Garivelli reviews all Agnes Owens’ books reissued so far

    7/7

    heraldscotland.com/life_style/

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  5. “In A WORKING MOTHER, Owens transforms difficulties from her own life into a glorious work of art in which nothing is quite what it seems”

    —Dani Garivelli reviews all Agnes Owens’ books reissued so far

    7/7

    heraldscotland.com/life_style/

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  6. To celebrate her centenary, Polygon is publishing new editions of Agnes Owens’ books with introductions from contemporary Scottish writers. 4 are released this month: A Working Mother; For the Love of Willie; Like Birds in the Wilderness; & Gentlemen of the West

    6/7

    birlinn.co.uk/contributor/agne

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  7. To celebrate her centenary, Polygon is publishing new editions of Agnes Owens’ books with introductions from contemporary Scottish writers. 4 are released this month: A Working Mother; For the Love of Willie; Like Birds in the Wilderness; & Gentlemen of the West

    6/7

    birlinn.co.uk/contributor/agne

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  8. To celebrate her centenary, Polygon is publishing new editions of Agnes Owens’ books with introductions from contemporary Scottish writers. 4 are released this month: A Working Mother; For the Love of Willie; Like Birds in the Wilderness; & Gentlemen of the West

    6/7

    birlinn.co.uk/contributor/agne

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  9. To celebrate her centenary, Polygon is publishing new editions of Agnes Owens’ books with introductions from contemporary Scottish writers. 4 are released this month: A Working Mother; For the Love of Willie; Like Birds in the Wilderness; & Gentlemen of the West

    6/7

    birlinn.co.uk/contributor/agne

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  10. To celebrate her centenary, Polygon is publishing new editions of Agnes Owens’ books with introductions from contemporary Scottish writers. 4 are released this month: A Working Mother; For the Love of Willie; Like Birds in the Wilderness; & Gentlemen of the West

    6/7

    birlinn.co.uk/contributor/agne

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  11. Agnes’ writing was championed by Kelman and Gray but she remained mysteriously un-celebrated. “One publisher said people don’t want that kind of writing… about poor people”

    Agnes Owens, through objects from the Glasgow Womens’ Library Collections

    5/7

    womenslibrary.org.uk/exhibitio

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  12. Agnes’ writing was championed by Kelman and Gray but she remained mysteriously un-celebrated. “One publisher said people don’t want that kind of writing… about poor people”

    Agnes Owens, through objects from the Glasgow Womens’ Library Collections

    5/7

    womenslibrary.org.uk/exhibitio

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  13. Agnes’ writing was championed by Kelman and Gray but she remained mysteriously un-celebrated. “One publisher said people don’t want that kind of writing… about poor people”

    Agnes Owens, through objects from the Glasgow Womens’ Library Collections

    5/7

    womenslibrary.org.uk/exhibitio

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  14. Agnes’ writing was championed by Kelman and Gray but she remained mysteriously un-celebrated. “One publisher said people don’t want that kind of writing… about poor people”

    Agnes Owens, through objects from the Glasgow Womens’ Library Collections

    5/7

    womenslibrary.org.uk/exhibitio

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  15. Agnes’ writing was championed by Kelman and Gray but she remained mysteriously un-celebrated. “One publisher said people don’t want that kind of writing… about poor people”

    Agnes Owens, through objects from the Glasgow Womens’ Library Collections

    5/7

    womenslibrary.org.uk/exhibitio

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  16. “I’m writing about strange people, people on the edge, people that society doesn’t like much”: the precariat in the work of Agnes Owens

    —Ronald Paul, Moderna Språk 112/2, 2018

    4/7

    publicera.kb.se/mosp/article/v

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  17. “I’m writing about strange people, people on the edge, people that society doesn’t like much”: the precariat in the work of Agnes Owens

    —Ronald Paul, Moderna Språk 112/2, 2018

    4/7

    publicera.kb.se/mosp/article/v

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  18. “I’m writing about strange people, people on the edge, people that society doesn’t like much”: the precariat in the work of Agnes Owens

    —Ronald Paul, Moderna Språk 112/2, 2018

    4/7

    publicera.kb.se/mosp/article/v

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  19. “I’m writing about strange people, people on the edge, people that society doesn’t like much”: the precariat in the work of Agnes Owens

    —Ronald Paul, Moderna Språk 112/2, 2018

    4/7

    publicera.kb.se/mosp/article/v

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  20. “I’m writing about strange people, people on the edge, people that society doesn’t like much”: the precariat in the work of Agnes Owens

    —Ronald Paul, Moderna Språk 112/2, 2018

    4/7

    publicera.kb.se/mosp/article/v

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  21. “I don’t write about people that are nice people. They’ve got to be sinners, with a wee touch of goodness here and there, you know”

    —Jane Gray: ‘Giving “people like that” a voice: a conversation with Agnes Owens (1926–2014)’

    3/7

    journals.openedition.org/etude

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  22. “I don’t write about people that are nice people. They’ve got to be sinners, with a wee touch of goodness here and there, you know”

    —Jane Gray: ‘Giving “people like that” a voice: a conversation with Agnes Owens (1926–2014)’

    3/7

    journals.openedition.org/etude

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  23. “I don’t write about people that are nice people. They’ve got to be sinners, with a wee touch of goodness here and there, you know”

    —Jane Gray: ‘Giving “people like that” a voice: a conversation with Agnes Owens (1926–2014)’

    3/7

    journals.openedition.org/etude

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  24. “I don’t write about people that are nice people. They’ve got to be sinners, with a wee touch of goodness here and there, you know”

    —Jane Gray: ‘Giving “people like that” a voice: a conversation with Agnes Owens (1926–2014)’

    3/7

    journals.openedition.org/etude

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  25. “I don’t write about people that are nice people. They’ve got to be sinners, with a wee touch of goodness here and there, you know”

    —Jane Gray: ‘Giving “people like that” a voice: a conversation with Agnes Owens (1926–2014)’

    3/7

    journals.openedition.org/etude

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  26. “From time to time art publicists in London notice things are being achieved in Scotland… On one of these occasions an interviewer asked Agnes what made her write that story; she answered, ‘Spite’”

    —Alasdair Gray, “Honest Poverty”: Agnes Owens at 70

    2/7

    scottishreviewofbooks.org/2009

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  27. “From time to time art publicists in London notice things are being achieved in Scotland… On one of these occasions an interviewer asked Agnes what made her write that story; she answered, ‘Spite’”

    —Alasdair Gray, “Honest Poverty”: Agnes Owens at 70

    2/7

    scottishreviewofbooks.org/2009

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  28. “From time to time art publicists in London notice things are being achieved in Scotland… On one of these occasions an interviewer asked Agnes what made her write that story; she answered, ‘Spite’”

    —Alasdair Gray, “Honest Poverty”: Agnes Owens at 70

    2/7

    scottishreviewofbooks.org/2009

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  29. “From time to time art publicists in London notice things are being achieved in Scotland… On one of these occasions an interviewer asked Agnes what made her write that story; she answered, ‘Spite’”

    —Alasdair Gray, “Honest Poverty”: Agnes Owens at 70

    2/7

    scottishreviewofbooks.org/2009

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  30. “From time to time art publicists in London notice things are being achieved in Scotland… On one of these occasions an interviewer asked Agnes what made her write that story; she answered, ‘Spite’”

    —Alasdair Gray, “Honest Poverty”: Agnes Owens at 70

    2/7

    scottishreviewofbooks.org/2009

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  31. Agnes Owens: Out of the Margins

    Agnes Owens (1926–2014) was born 100 years ago #OTD, 24 May. This short film presents Owens as a writer shaped by working-class life, whose fiction exposed power, resisted sentimentality, & centred overlooked voices.

    A 🎂🧵

    1/7

    youtube.com/watch?v=LkYRPGGto2Q

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  32. Agnes Owens: Out of the Margins

    Agnes Owens (1926–2014) was born 100 years ago #OTD, 24 May. This short film presents Owens as a writer shaped by working-class life, whose fiction exposed power, resisted sentimentality, & centred overlooked voices.

    A 🎂🧵

    1/7

    youtube.com/watch?v=LkYRPGGto2Q

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  33. Agnes Owens: Out of the Margins

    Agnes Owens (1926–2014) was born 100 years ago #OTD, 24 May. This short film presents Owens as a writer shaped by working-class life, whose fiction exposed power, resisted sentimentality, & centred overlooked voices.

    A 🎂🧵

    1/7

    youtube.com/watch?v=LkYRPGGto2Q

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  34. Agnes Owens: Out of the Margins

    Agnes Owens (1926–2014) was born 100 years ago #OTD, 24 May. This short film presents Owens as a writer shaped by working-class life, whose fiction exposed power, resisted sentimentality, & centred overlooked voices.

    A 🎂🧵

    1/7

    youtube.com/watch?v=LkYRPGGto2Q

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  35. Agnes Owens: Out of the Margins

    Agnes Owens (1926–2014) was born 100 years ago #OTD, 24 May. This short film presents Owens as a writer shaped by working-class life, whose fiction exposed power, resisted sentimentality, & centred overlooked voices.

    A 🎂🧵

    1/7

    youtube.com/watch?v=LkYRPGGto2Q

    #Scottish #literature #womenwriters #20thcentury #AgnesOwens #workingclass #workingclasswriters

  36. 2026 is Agnes Owens’ centenary year, & Polygon will publish 7 new editions of her novels & short stories in collaboration with the Agnes Owens Archive – also launching this year. These new editions will be introduced by some of Scotland’s finest contemporary writers.

    birlinn.co.uk/2026/01/08/polyg

    #Scottish #literature #womenwriters #20thcentury #workingclass #workingclasswriters #AgnesOwens