#postsovietstudies — Public Fediverse posts

How do photographs and films produced by repressive regimes change once the regimes themselves collapse?

Natalija Arlauskaitė views archives not as neutral repositories, but as visual systems of knowledge, power, and loyalty. Focusing on artistic practices of de- and re-archiving, she analyzes how images participate in the production of subjectivity, agency, and citizenship.

https://decentarch.hypotheses.org/2579

#VisualHistory #Gulag #PostSovietStudies #DecenteredArchive #hypoverse

How do photographs and films produced by repressive regimes change once the regimes themselves collapse?

Natalija Arlauskaitė views archives not as neutral repositories, but as visual systems of knowledge, power, and loyalty. Focusing on artistic practices of de- and re-archiving, she analyzes how images participate in the production of subjectivity, agency, and citizenship.

https://decentarch.hypotheses.org/2579

#VisualHistory #Gulag #PostSovietStudies #DecenteredArchive #hypoverse

How do photographs and films produced by repressive regimes change once the regimes themselves collapse?

Natalija Arlauskaitė views archives not as neutral repositories, but as visual systems of knowledge, power, and loyalty. Focusing on artistic practices of de- and re-archiving, she analyzes how images participate in the production of subjectivity, agency, and citizenship.

https://decentarch.hypotheses.org/2579

#VisualHistory #Gulag #PostSovietStudies #DecenteredArchive #hypoverse

How do photographs and films produced by repressive regimes change once the regimes themselves collapse?

Natalija Arlauskaitė views archives not as neutral repositories, but as visual systems of knowledge, power, and loyalty. Focusing on artistic practices of de- and re-archiving, she analyzes how images participate in the production of subjectivity, agency, and citizenship.

https://decentarch.hypotheses.org/2579

#VisualHistory #Gulag #PostSovietStudies #DecenteredArchive #hypoverse

How do photographs and films produced by repressive regimes change once the regimes themselves collapse?

Natalija Arlauskaitė views archives not as neutral repositories, but as visual systems of knowledge, power, and loyalty. Focusing on artistic practices of de- and re-archiving, she analyzes how images participate in the production of subjectivity, agency, and citizenship.

https://decentarch.hypotheses.org/2579

#VisualHistory #Gulag #PostSovietStudies #DecenteredArchive #hypoverse

“Ours” or One of “Theirs”?

Nino Aivazishvili-Gehne (#LeibnizIOS) explores post-Soviet identities and their political implications among people from the former USSR in Bavaria, reflecting on her personal experiences during fieldwork as a social anthropologist. 👇

https://ostblog.hypotheses.org/7696

#hypoverse #PostSovietStudies #USSR #fieldwork #SociaAnthropology #Georgia

Kirchen als „kleine Orte, an denen große Themen“ sich neu ordnen, wo global mächtig wirkende Prozesse veranschaulicht werden und der Widerhall von Konflikten zu spüren ist:

Nino Aivazishvili- Gehne über ungeteilte Heilige und getrennte spirituelle Räume zwischen Georgien und Russland 👇

https://ambivalenzen.hypotheses.org/566

#Ambivalenzen #Russland #Georgien #PostSovietStudies #Religionswissenschaft