#decenteredarchive — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #decenteredarchive, aggregated by home.social.
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How do photographs and films produced by repressive regimes change once the regimes themselves collapse?
Natalija Arlauskaitė views archives not as neutral repositories, but as visual systems of knowledge, power, and loyalty. Focusing on artistic practices of de- and re-archiving, she analyzes how images participate in the production of subjectivity, agency, and citizenship.
https://decentarch.hypotheses.org/2579
#VisualHistory #Gulag #PostSovietStudies #DecenteredArchive #hypoverse
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How do photographs and films produced by repressive regimes change once the regimes themselves collapse?
Natalija Arlauskaitė views archives not as neutral repositories, but as visual systems of knowledge, power, and loyalty. Focusing on artistic practices of de- and re-archiving, she analyzes how images participate in the production of subjectivity, agency, and citizenship.
https://decentarch.hypotheses.org/2579
#VisualHistory #Gulag #PostSovietStudies #DecenteredArchive #hypoverse
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How do photographs and films produced by repressive regimes change once the regimes themselves collapse?
Natalija Arlauskaitė views archives not as neutral repositories, but as visual systems of knowledge, power, and loyalty. Focusing on artistic practices of de- and re-archiving, she analyzes how images participate in the production of subjectivity, agency, and citizenship.
https://decentarch.hypotheses.org/2579
#VisualHistory #Gulag #PostSovietStudies #DecenteredArchive #hypoverse
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How do photographs and films produced by repressive regimes change once the regimes themselves collapse?
Natalija Arlauskaitė views archives not as neutral repositories, but as visual systems of knowledge, power, and loyalty. Focusing on artistic practices of de- and re-archiving, she analyzes how images participate in the production of subjectivity, agency, and citizenship.
https://decentarch.hypotheses.org/2579
#VisualHistory #Gulag #PostSovietStudies #DecenteredArchive #hypoverse
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How do photographs and films produced by repressive regimes change once the regimes themselves collapse?
Natalija Arlauskaitė views archives not as neutral repositories, but as visual systems of knowledge, power, and loyalty. Focusing on artistic practices of de- and re-archiving, she analyzes how images participate in the production of subjectivity, agency, and citizenship.
https://decentarch.hypotheses.org/2579
#VisualHistory #Gulag #PostSovietStudies #DecenteredArchive #hypoverse
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The city of Grozny, located in the North Caucasus, is home to Russia's most colonial and most fascinating archive.
Walter Sperling argues that colonial archives in former imperial peripheries not only help us discover the voices of subalterns: They also allow us to study the metropolis and its knowledge production from a decentered perspective 👇