#motionlessinwhite — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #motionlessinwhite, aggregated by home.social.
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https://www.europesays.com/at/145602/ Motionless In White: Albumankündigung & Single mit Corey Taylor #Ankündigung #AT #Austria #ChrisCerulli #CoreyTalyor #Entertainment #MotionlessInWhite #Music #Musik #NeueSingle #NeuesAlbum #Österreich #RoadrunnerRecords #slipknot #Unterhaltung
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Corey Taylor se une a Motionless In White en el sencillo “Playing God” que dispara contra la «hipocresía» de las redes sociales | vía #NaciónRock
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Corey Taylor se une a Motionless In White en el sencillo “Playing God” que dispara contra la «hipocresía» de las redes sociales | vía #NaciónRock
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New post: Motionless In White announce new album ‘Decades’ – stream new single feat. Corey Taylor (listen here!) https://moshville.co.uk/news/2026/05/motionless-in-white-announce-new-album-decades-stream-new-single-feat-corey-taylor-listen-here/ #MotionlessInWhite
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Bring Me The Horizon Announce Fall North American Tour With Motionless In White & The Plot In You
British alternative metal stars Bring Me The Horizon have added a new leg of dates to their ‘Ascension…
#NewsBeep #News #Music #BringMetheHorizon #CA #Canada #Entertainment #MotionlessinWhite #ThePlotinYou
https://www.newsbeep.com/ca/632400/ -
Yesterday evening: Make them Suffer, Dayseeker and Motionless in White
Usually not the bands I listen to, but I liked "Make them suffer" and "Motionless in White".
... and I was soaked in other peoples' sweat after being in the mosh pit for 15 minutes 😵💫
#munich #münchen #makeThemSuffer #dayseeker #motionlessInWhite #zenith
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Yesterday evening: Make them Suffer, Dayseeker and Motionless in White
Usually not the bands I listen to, but I liked "Make them suffer" and "Motionless in White".
... and I was soaked in other peoples' sweat after being in the mosh pit for 15 minutes 😵💫
#munich #münchen #makeThemSuffer #dayseeker #motionlessInWhite #zenith
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New post: Gig Review: Motionless in White / Dayseeker / Make Them Suffer – OVO Hydro, Glasgow 05/02/2026 https://moshville.co.uk/reviews/gig-review/2026/02/gig-review-motionless-in-white-dayseeker-make-them-suffer-ovo-hydro-glasgow-05-02-2026/ #Dayseeker #MakeThemSuffer #MotionlessInWhite
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Motionless In White announce summer 2026 headline tour:
#MotionlessInWhite #LornaShore #TourAlert
Link: https://metalinsider.net/touring/motionless-in-white-announce-summer-2026-headline-tour
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Motionless In White announce summer 2026 headline tour:
#MotionlessInWhite #LornaShore #TourAlert
Link: https://metalinsider.net/touring/motionless-in-white-announce-summer-2026-headline-tour
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New post: Motionless In White drop new single / video “Afraid Of The Dark” ahead of UK arena tour https://moshville.co.uk/news/video/2026/01/motionless-in-white-drop-new-single-video-afraid-of-the-dark-ahead-of-uk-arena-tour/ #MotionlessInWhite
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Thrice & Letlive. Condemn ICE In Newly Issued Statements
In the wake of this past weekend’s second ICE-involved fatal shooting in Minnesota this month, a growing chorus…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #ChrisMotionless #Entertainment #letlive. #MotionlessinWhite #Thrice
https://www.newsbeep.com/us/432947/ -
Thrice & Letlive. Condemn ICE In Newly Issued Statements
In the wake of this past weekend’s second ICE-involved fatal shooting in Minnesota this month, a growing chorus…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #ChrisMotionless #Entertainment #letlive. #MotionlessinWhite #Thrice
https://www.newsbeep.com/us/432947/ -
Had great time at #motionlessinwhite and #blackveilbrides at the #apocalypsefest had great time plus promoting the station https://rockradio.live
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Extortionist – Stare into the Seething Wounds Review
Although my love f…
#NewsBeep #News #Music #1.5 #2025 #AliceInChains #AlphaWolf #AmericanMetal #Bodysnatcher #CA #Canada #CrystalLake #Deathcore #Deftones #Entertainment #Extortionist #grunge #Korn #Loathe #Metalcore #MotionlessinWhite #NIRVANA #Nu-metal #Oct25 #review #reviews #StareintotheSeethingWounds #ten56. #TheContortionist #TheLastTenSecondsofLife #ThePlotinYou #UniqueLeaderRecords #UponaBurningBody
https://www.newsbeep.com/ca/202811/ -
Extortionist – Stare into the Seething Wounds Review
By Dear Hollow
Although my love for metal has its origins in the -core movement, it’s largely passed me by in the years since. New artists come and go, and the next thing I know, my favorite metalcore songs were all released in 2015 or earlier. Extortionist is also one of those bands I neglected, but when I first heard them, I immediately clocked it was not The Contortionist. With no prog in sight, Extortionist is known for their blend of deathcore, metalcore, and nu-metal, which has me running for the Tums right away. Oh, and they’re also known for supplementing their open snare tone by assaulting a metal beer keg with a baseball bat – beer to wash the antacid down, I guess. Anyway, here’s Extortionist’s fourth full-length.
If you clued in that Stare into the Seething Wounds looks like a Korn album cover, complete with warped symbols of childhood fed through the Tim Burton-on-weed machine, you’re dead-on. More than other “nu” acts like ten56. or Motionless in White, Idaho’s Extortionist sounds like these “on the kob” legends or Alice in Chains in its more subdued moments – complete with wonky guitar effects and vocalist Ben Hoagland’s best impression of Jonathan Davis. However, its less restrained identity enacts a brand of brutality seen in Bodysnatcher or The Last Ten Seconds of Life, weaponizing belligerent roars that recall Upon a Burning Body’s Danny Leal atop crushing breakdowns and thick riffs. Layering nu-metal’s wonky effects and lazy vocals with deathcore’s fat-bottomed tone abuse one song after another with the band’s signature drum production, the two faces of Extortionist are initially appealing, but by the end of Stare into the Seething Wounds, you’ll want to slap them both.
The subtler side of Extortionist is a more atmospheric and deadlier version of Korn’s melodies and Nirvana’s watery effects, focusing on drawling baritone vocals and short-lived random explosions into metalcore chugs. Achieving a sort of sonic haze through these means, the potential resemblance to Deftones in its layers of opaque instrumentals and minor chord progressions is a tempting one that ultimately falls flat. The dynamics are simply not there, as Extortionist will shift from the Davis drawl to a chuggy deathcore breakdown with Hoagland’s vocals providing the only crescendo. If heavier combinations of “Freak on a Leash” and “Come As You Are” sound like a good time to you, these tracks might satisfy (“The Break I Couldn’t Mend,” “Submit to Skin,” “Dopamine,” “Low Roads,” “Do You See It?”) – even if the band at large sorely lacks the charisma or songwriting chops to pull it off. These tracks end up being dull interludes between the slightly more interesting core exposés.
If being bored to tears is not your game, Extortionist’s numbskull brutality might appeal to you. Channeling a nu-metal-influenced, deathcore-forward breed of intensity that recalls early Crystal Lake or Alpha Wolf, the straightforwardness is at least unpretentious. Even then, some timing issues, usually tempo disparities between breakdown callouts and the breakdowns themselves, keep some tracks from achieving the soundtrack to the pit they so desperately strive for (“Cycle of Sin,” “Starve”). Even the more bulletproof metalcore/deathcore tracks (“Aftermath of Broken Glass,” “Detriment,” “Invisible Scars (Part III)”) offer no reason to listen to Extortionist compared to the plethora of -core rip-offs – these tracks are fast and solidly composed, featuring bone-crushing breakdowns but that’s about it: better incarnations exist in early The Plot in You and Loathe. A blessing and a curse, drummer and keg abuser Vince Alvarez’s performance is the clear highlight amid the sea of boredom and monotony, but that signature production and reverb manage to inflate the mix to something that clashes with the breakdowns and riffs, feeling lazy in the busy, overfilled attack.
For a very bloated forty-eight minutes, Extortionist blurs the lines between nu-metal, metalcore, and deathcore – their stark dichotomy of grungy drawling and brutalizing breakdowns ultimately boils down to boring and monotonous. However, if you ever forget that this is deathcore or metalcore, there will be a ten-ton breakdown to remind you. If you ever forget this is nu-metal, Hoagland will growl some off-beat “oh-oh,” “fuck,” or “yeah” faster than you can say “da-boom-da-da-mmm-dum-na-ee-ma.” All this to say, maybe I should have left Extortionist back in 2015 – peel away the cringe and novelty of Stare into the Seething Wounds and what looks so strong, so delicate.
Rating: 1.5/5.0
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Unique Leader Records
Websites: extortionist.bandcamp.com | extortionist.co | facebook.com/ExtortionistNW
Releases Worldwide: October 10th, 2025#15 #2025 #AliceInChains #AlphaWolf #AmericanMetal #Bodysnatcher #CrystalLake #Deathcore #Deftones #Extortionist #Grunge #Korn #Loathe #Metalcore #MotionlessInWhite #Nirvana #NuMetal #Oct25 #Review #Reviews #StareIntoTheSeethingWounds #ten56_ #TheContortionist #TheLastTenSecondsOfLife #ThePlotInYou #UniqueLeaderRecords #UponABurningBody
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Extortionist – Stare into the Seething Wounds Review
By Dear Hollow
Although my love for metal has its origins in the -core movement, it’s largely passed me by in the years since. New artists come and go, and the next thing I know, my favorite metalcore songs were all released in 2015 or earlier. Extortionist is also one of those bands I neglected, but when I first heard them, I immediately clocked it was not The Contortionist. With no prog in sight, Extortionist is known for their blend of deathcore, metalcore, and nu-metal, which has me running for the Tums right away. Oh, and they’re also known for supplementing their open snare tone by assaulting a metal beer keg with a baseball bat – beer to wash the antacid down, I guess. Anyway, here’s Extortionist’s fourth full-length.
If you clued in that Stare into the Seething Wounds looks like a Korn album cover, complete with warped symbols of childhood fed through the Tim Burton-on-weed machine, you’re dead-on. More than other “nu” acts like ten56. or Motionless in White, Idaho’s Extortionist sounds like these “on the kob” legends or Alice in Chains in its more subdued moments – complete with wonky guitar effects and vocalist Ben Hoagland’s best impression of Jonathan Davis. However, its less restrained identity enacts a brand of brutality seen in Bodysnatcher or The Last Ten Seconds of Life, weaponizing belligerent roars that recall Upon a Burning Body’s Danny Leal atop crushing breakdowns and thick riffs. Layering nu-metal’s wonky effects and lazy vocals with deathcore’s fat-bottomed tone abuse one song after another with the band’s signature drum production, the two faces of Extortionist are initially appealing, but by the end of Stare into the Seething Wounds, you’ll want to slap them both.
The subtler side of Extortionist is a more atmospheric and deadlier version of Korn’s melodies and Nirvana’s watery effects, focusing on drawling baritone vocals and short-lived random explosions into metalcore chugs. Achieving a sort of sonic haze through these means, the potential resemblance to Deftones in its layers of opaque instrumentals and minor chord progressions is a tempting one that ultimately falls flat. The dynamics are simply not there, as Extortionist will shift from the Davis drawl to a chuggy deathcore breakdown with Hoagland’s vocals providing the only crescendo. If heavier combinations of “Freak on a Leash” and “Come As You Are” sound like a good time to you, these tracks might satisfy (“The Break I Couldn’t Mend,” “Submit to Skin,” “Dopamine,” “Low Roads,” “Do You See It?”) – even if the band at large sorely lacks the charisma or songwriting chops to pull it off. These tracks end up being dull interludes between the slightly more interesting core exposés.
If being bored to tears is not your game, Extortionist’s numbskull brutality might appeal to you. Channeling a nu-metal-influenced, deathcore-forward breed of intensity that recalls early Crystal Lake or Alpha Wolf, the straightforwardness is at least unpretentious. Even then, some timing issues, usually tempo disparities between breakdown callouts and the breakdowns themselves, keep some tracks from achieving the soundtrack to the pit they so desperately strive for (“Cycle of Sin,” “Starve”). Even the more bulletproof metalcore/deathcore tracks (“Aftermath of Broken Glass,” “Detriment,” “Invisible Scars (Part III)”) offer no reason to listen to Extortionist compared to the plethora of -core rip-offs – these tracks are fast and solidly composed, featuring bone-crushing breakdowns but that’s about it: better incarnations exist in early The Plot in You and Loathe. A blessing and a curse, drummer and keg abuser Vince Alvarez’s performance is the clear highlight amid the sea of boredom and monotony, but that signature production and reverb manage to inflate the mix to something that clashes with the breakdowns and riffs, feeling lazy in the busy, overfilled attack.
For a very bloated forty-eight minutes, Extortionist blurs the lines between nu-metal, metalcore, and deathcore – their stark dichotomy of grungy drawling and brutalizing breakdowns ultimately boils down to boring and monotonous. However, if you ever forget that this is deathcore or metalcore, there will be a ten-ton breakdown to remind you. If you ever forget this is nu-metal, Hoagland will growl some off-beat “oh-oh,” “fuck,” or “yeah” faster than you can say “da-boom-da-da-mmm-dum-na-ee-ma.” All this to say, maybe I should have left Extortionist back in 2015 – peel away the cringe and novelty of Stare into the Seething Wounds and what looks so strong, so delicate.
Rating: 1.5/5.0
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Unique Leader Records
Websites: extortionist.bandcamp.com | extortionist.co | facebook.com/ExtortionistNW
Releases Worldwide: October 10th, 2025#15 #2025 #AliceInChains #AlphaWolf #AmericanMetal #Bodysnatcher #CrystalLake #Deathcore #Deftones #Extortionist #Grunge #Korn #Loathe #Metalcore #MotionlessInWhite #Nirvana #NuMetal #Oct25 #Review #Reviews #StareIntoTheSeethingWounds #ten56_ #TheContortionist #TheLastTenSecondsOfLife #ThePlotInYou #UniqueLeaderRecords #UponABurningBody
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Extortionist – Stare into the Seething Wounds Review
By Dear Hollow
Although my love for metal has its origins in the -core movement, it’s largely passed me by in the years since. New artists come and go, and the next thing I know, my favorite metalcore songs were all released in 2015 or earlier. Extortionist is also one of those bands I neglected, but when I first heard them, I immediately clocked it was not The Contortionist. With no prog in sight, Extortionist is known for their blend of deathcore, metalcore, and nu-metal, which has me running for the Tums right away. Oh, and they’re also known for supplementing their open snare tone by assaulting a metal beer keg with a baseball bat – beer to wash the antacid down, I guess. Anyway, here’s Extortionist’s fourth full-length.
If you clued in that Stare into the Seething Wounds looks like a Korn album cover, complete with warped symbols of childhood fed through the Tim Burton-on-weed machine, you’re dead-on. More than other “nu” acts like ten56. or Motionless in White, Idaho’s Extortionist sounds like these “on the kob” legends or Alice in Chains in its more subdued moments – complete with wonky guitar effects and vocalist Ben Hoagland’s best impression of Jonathan Davis. However, its less restrained identity enacts a brand of brutality seen in Bodysnatcher or The Last Ten Seconds of Life, weaponizing belligerent roars that recall Upon a Burning Body’s Danny Leal atop crushing breakdowns and thick riffs. Layering nu-metal’s wonky effects and lazy vocals with deathcore’s fat-bottomed tone abuse one song after another with the band’s signature drum production, the two faces of Extortionist are initially appealing, but by the end of Stare into the Seething Wounds, you’ll want to slap them both.
The subtler side of Extortionist is a more atmospheric and deadlier version of Korn’s melodies and Nirvana’s watery effects, focusing on drawling baritone vocals and short-lived random explosions into metalcore chugs. Achieving a sort of sonic haze through these means, the potential resemblance to Deftones in its layers of opaque instrumentals and minor chord progressions is a tempting one that ultimately falls flat. The dynamics are simply not there, as Extortionist will shift from the Davis drawl to a chuggy deathcore breakdown with Hoagland’s vocals providing the only crescendo. If heavier combinations of “Freak on a Leash” and “Come As You Are” sound like a good time to you, these tracks might satisfy (“The Break I Couldn’t Mend,” “Submit to Skin,” “Dopamine,” “Low Roads,” “Do You See It?”) – even if the band at large sorely lacks the charisma or songwriting chops to pull it off. These tracks end up being dull interludes between the slightly more interesting core exposés.
If being bored to tears is not your game, Extortionist’s numbskull brutality might appeal to you. Channeling a nu-metal-influenced, deathcore-forward breed of intensity that recalls early Crystal Lake or Alpha Wolf, the straightforwardness is at least unpretentious. Even then, some timing issues, usually tempo disparities between breakdown callouts and the breakdowns themselves, keep some tracks from achieving the soundtrack to the pit they so desperately strive for (“Cycle of Sin,” “Starve”). Even the more bulletproof metalcore/deathcore tracks (“Aftermath of Broken Glass,” “Detriment,” “Invisible Scars (Part III)”) offer no reason to listen to Extortionist compared to the plethora of -core rip-offs – these tracks are fast and solidly composed, featuring bone-crushing breakdowns but that’s about it: better incarnations exist in early The Plot in You and Loathe. A blessing and a curse, drummer and keg abuser Vince Alvarez’s performance is the clear highlight amid the sea of boredom and monotony, but that signature production and reverb manage to inflate the mix to something that clashes with the breakdowns and riffs, feeling lazy in the busy, overfilled attack.
For a very bloated forty-eight minutes, Extortionist blurs the lines between nu-metal, metalcore, and deathcore – their stark dichotomy of grungy drawling and brutalizing breakdowns ultimately boils down to boring and monotonous. However, if you ever forget that this is deathcore or metalcore, there will be a ten-ton breakdown to remind you. If you ever forget this is nu-metal, Hoagland will growl some off-beat “oh-oh,” “fuck,” or “yeah” faster than you can say “da-boom-da-da-mmm-dum-na-ee-ma.” All this to say, maybe I should have left Extortionist back in 2015 – peel away the cringe and novelty of Stare into the Seething Wounds and what looks so strong, so delicate.
Rating: 1.5/5.0
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Unique Leader Records
Websites: extortionist.bandcamp.com | extortionist.co | facebook.com/ExtortionistNW
Releases Worldwide: October 10th, 2025#15 #2025 #AliceInChains #AlphaWolf #AmericanMetal #Bodysnatcher #CrystalLake #Deathcore #Deftones #Extortionist #Grunge #Korn #Loathe #Metalcore #MotionlessInWhite #Nirvana #NuMetal #Oct25 #Review #Reviews #StareIntoTheSeethingWounds #ten56_ #TheContortionist #TheLastTenSecondsOfLife #ThePlotInYou #UniqueLeaderRecords #UponABurningBody
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Extortionist – Stare into the Seething Wounds Review
By Dear Hollow
Although my love for metal has its origins in the -core movement, it’s largely passed me by in the years since. New artists come and go, and the next thing I know, my favorite metalcore songs were all released in 2015 or earlier. Extortionist is also one of those bands I neglected, but when I first heard them, I immediately clocked it was not The Contortionist. With no prog in sight, Extortionist is known for their blend of deathcore, metalcore, and nu-metal, which has me running for the Tums right away. Oh, and they’re also known for supplementing their open snare tone by assaulting a metal beer keg with a baseball bat – beer to wash the antacid down, I guess. Anyway, here’s Extortionist’s fourth full-length.
If you clued in that Stare into the Seething Wounds looks like a Korn album cover, complete with warped symbols of childhood fed through the Tim Burton-on-weed machine, you’re dead-on. More than other “nu” acts like ten56. or Motionless in White, Idaho’s Extortionist sounds like these “on the kob” legends or Alice in Chains in its more subdued moments – complete with wonky guitar effects and vocalist Ben Hoagland’s best impression of Jonathan Davis. However, its less restrained identity enacts a brand of brutality seen in Bodysnatcher or The Last Ten Seconds of Life, weaponizing belligerent roars that recall Upon a Burning Body’s Danny Leal atop crushing breakdowns and thick riffs. Layering nu-metal’s wonky effects and lazy vocals with deathcore’s fat-bottomed tone abuse one song after another with the band’s signature drum production, the two faces of Extortionist are initially appealing, but by the end of Stare into the Seething Wounds, you’ll want to slap them both.
The subtler side of Extortionist is a more atmospheric and deadlier version of Korn’s melodies and Nirvana’s watery effects, focusing on drawling baritone vocals and short-lived random explosions into metalcore chugs. Achieving a sort of sonic haze through these means, the potential resemblance to Deftones in its layers of opaque instrumentals and minor chord progressions is a tempting one that ultimately falls flat. The dynamics are simply not there, as Extortionist will shift from the Davis drawl to a chuggy deathcore breakdown with Hoagland’s vocals providing the only crescendo. If heavier combinations of “Freak on a Leash” and “Come As You Are” sound like a good time to you, these tracks might satisfy (“The Break I Couldn’t Mend,” “Submit to Skin,” “Dopamine,” “Low Roads,” “Do You See It?”) – even if the band at large sorely lacks the charisma or songwriting chops to pull it off. These tracks end up being dull interludes between the slightly more interesting core exposés.
If being bored to tears is not your game, Extortionist’s numbskull brutality might appeal to you. Channeling a nu-metal-influenced, deathcore-forward breed of intensity that recalls early Crystal Lake or Alpha Wolf, the straightforwardness is at least unpretentious. Even then, some timing issues, usually tempo disparities between breakdown callouts and the breakdowns themselves, keep some tracks from achieving the soundtrack to the pit they so desperately strive for (“Cycle of Sin,” “Starve”). Even the more bulletproof metalcore/deathcore tracks (“Aftermath of Broken Glass,” “Detriment,” “Invisible Scars (Part III)”) offer no reason to listen to Extortionist compared to the plethora of -core rip-offs – these tracks are fast and solidly composed, featuring bone-crushing breakdowns but that’s about it: better incarnations exist in early The Plot in You and Loathe. A blessing and a curse, drummer and keg abuser Vince Alvarez’s performance is the clear highlight amid the sea of boredom and monotony, but that signature production and reverb manage to inflate the mix to something that clashes with the breakdowns and riffs, feeling lazy in the busy, overfilled attack.
For a very bloated forty-eight minutes, Extortionist blurs the lines between nu-metal, metalcore, and deathcore – their stark dichotomy of grungy drawling and brutalizing breakdowns ultimately boils down to boring and monotonous. However, if you ever forget that this is deathcore or metalcore, there will be a ten-ton breakdown to remind you. If you ever forget this is nu-metal, Hoagland will growl some off-beat “oh-oh,” “fuck,” or “yeah” faster than you can say “da-boom-da-da-mmm-dum-na-ee-ma.” All this to say, maybe I should have left Extortionist back in 2015 – peel away the cringe and novelty of Stare into the Seething Wounds and what looks so strong, so delicate.
Rating: 1.5/5.0
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Unique Leader Records
Websites: extortionist.bandcamp.com | extortionist.co | facebook.com/ExtortionistNW
Releases Worldwide: October 10th, 2025#15 #2025 #AliceInChains #AlphaWolf #AmericanMetal #Bodysnatcher #CrystalLake #Deathcore #Deftones #Extortionist #Grunge #Korn #Loathe #Metalcore #MotionlessInWhite #Nirvana #NuMetal #Oct25 #Review #Reviews #StareIntoTheSeethingWounds #ten56_ #TheContortionist #TheLastTenSecondsOfLife #ThePlotInYou #UniqueLeaderRecords #UponABurningBody
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Extortionist – Stare into the Seething Wounds Review
By Dear Hollow
Although my love for metal has its origins in the -core movement, it’s largely passed me by in the years since. New artists come and go, and the next thing I know, my favorite metalcore songs were all released in 2015 or earlier. Extortionist is also one of those bands I neglected, but when I first heard them, I immediately clocked it was not The Contortionist. With no prog in sight, Extortionist is known for their blend of deathcore, metalcore, and nu-metal, which has me running for the Tums right away. Oh, and they’re also known for supplementing their open snare tone by assaulting a metal beer keg with a baseball bat – beer to wash the antacid down, I guess. Anyway, here’s Extortionist’s fourth full-length.
If you clued in that Stare into the Seething Wounds looks like a Korn album cover, complete with warped symbols of childhood fed through the Tim Burton-on-weed machine, you’re dead-on. More than other “nu” acts like ten56. or Motionless in White, Idaho’s Extortionist sounds like these “on the kob” legends or Alice in Chains in its more subdued moments – complete with wonky guitar effects and vocalist Ben Hoagland’s best impression of Jonathan Davis. However, its less restrained identity enacts a brand of brutality seen in Bodysnatcher or The Last Ten Seconds of Life, weaponizing belligerent roars that recall Upon a Burning Body’s Danny Leal atop crushing breakdowns and thick riffs. Layering nu-metal’s wonky effects and lazy vocals with deathcore’s fat-bottomed tone abuse one song after another with the band’s signature drum production, the two faces of Extortionist are initially appealing, but by the end of Stare into the Seething Wounds, you’ll want to slap them both.
The subtler side of Extortionist is a more atmospheric and deadlier version of Korn’s melodies and Nirvana’s watery effects, focusing on drawling baritone vocals and short-lived random explosions into metalcore chugs. Achieving a sort of sonic haze through these means, the potential resemblance to Deftones in its layers of opaque instrumentals and minor chord progressions is a tempting one that ultimately falls flat. The dynamics are simply not there, as Extortionist will shift from the Davis drawl to a chuggy deathcore breakdown with Hoagland’s vocals providing the only crescendo. If heavier combinations of “Freak on a Leash” and “Come As You Are” sound like a good time to you, these tracks might satisfy (“The Break I Couldn’t Mend,” “Submit to Skin,” “Dopamine,” “Low Roads,” “Do You See It?”) – even if the band at large sorely lacks the charisma or songwriting chops to pull it off. These tracks end up being dull interludes between the slightly more interesting core exposés.
If being bored to tears is not your game, Extortionist’s numbskull brutality might appeal to you. Channeling a nu-metal-influenced, deathcore-forward breed of intensity that recalls early Crystal Lake or Alpha Wolf, the straightforwardness is at least unpretentious. Even then, some timing issues, usually tempo disparities between breakdown callouts and the breakdowns themselves, keep some tracks from achieving the soundtrack to the pit they so desperately strive for (“Cycle of Sin,” “Starve”). Even the more bulletproof metalcore/deathcore tracks (“Aftermath of Broken Glass,” “Detriment,” “Invisible Scars (Part III)”) offer no reason to listen to Extortionist compared to the plethora of -core rip-offs – these tracks are fast and solidly composed, featuring bone-crushing breakdowns but that’s about it: better incarnations exist in early The Plot in You and Loathe. A blessing and a curse, drummer and keg abuser Vince Alvarez’s performance is the clear highlight amid the sea of boredom and monotony, but that signature production and reverb manage to inflate the mix to something that clashes with the breakdowns and riffs, feeling lazy in the busy, overfilled attack.
For a very bloated forty-eight minutes, Extortionist blurs the lines between nu-metal, metalcore, and deathcore – their stark dichotomy of grungy drawling and brutalizing breakdowns ultimately boils down to boring and monotonous. However, if you ever forget that this is deathcore or metalcore, there will be a ten-ton breakdown to remind you. If you ever forget this is nu-metal, Hoagland will growl some off-beat “oh-oh,” “fuck,” or “yeah” faster than you can say “da-boom-da-da-mmm-dum-na-ee-ma.” All this to say, maybe I should have left Extortionist back in 2015 – peel away the cringe and novelty of Stare into the Seething Wounds and what looks so strong, so delicate.
Rating: 1.5/5.0
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Unique Leader Records
Websites: extortionist.bandcamp.com | extortionist.co | facebook.com/ExtortionistNW
Releases Worldwide: October 10th, 2025#15 #2025 #AliceInChains #AlphaWolf #AmericanMetal #Bodysnatcher #CrystalLake #Deathcore #Deftones #Extortionist #Grunge #Korn #Loathe #Metalcore #MotionlessInWhite #Nirvana #NuMetal #Oct25 #Review #Reviews #StareIntoTheSeethingWounds #ten56_ #TheContortionist #TheLastTenSecondsOfLife #ThePlotInYou #UniqueLeaderRecords #UponABurningBody
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Bring Me The Horizon announce Spring 2026 North American tour:
#BringMeTheHorizon #TourAlert #MotionlessInWhite #ThePlotInYou #SpringTour
Link: https://metalinsider.net/touring/bring-me-the-horizon-announce-spring-2026-north-american-tour
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Bring Me The Horizon announce Spring 2026 North American tour:
#BringMeTheHorizon #TourAlert #MotionlessInWhite #ThePlotInYou #SpringTour
Link: https://metalinsider.net/touring/bring-me-the-horizon-announce-spring-2026-north-american-tour
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I just got this super cool video from Hei'an! 🦋
Did you already check out their new single “What a Shame” that dropped today? 🎧If you love bands like #BringmetheHorizon , #BadOmens , #SleepToken , #Dayseeker , #ThePlotInYou , #MotionlessinWhite and #IPrevail , you will definitely like this new single!
The full album “Kiss Our Ghosts Goodbye” is coming this September, don’t sleep on it!
Music video fully created by Grupa13 🫶
Watch & listen now: https://nfan.link/heian🤘✌️
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I just got this super cool video from Hei'an! 🦋
Did you already check out their new single “What a Shame” that dropped today? 🎧If you love bands like #BringmetheHorizon , #BadOmens , #SleepToken , #Dayseeker , #ThePlotInYou , #MotionlessinWhite and #IPrevail , you will definitely like this new single!
The full album “Kiss Our Ghosts Goodbye” is coming this September, don’t sleep on it!
Music video fully created by Grupa13 🫶
Watch & listen now: https://nfan.link/heian🤘✌️
-
I just got this super cool video from Hei'an! 🦋
Did you already check out their new single “What a Shame” that dropped today? 🎧If you love bands like #BringmetheHorizon , #BadOmens , #SleepToken , #Dayseeker , #ThePlotInYou , #MotionlessinWhite and #IPrevail , you will definitely like this new single!
The full album “Kiss Our Ghosts Goodbye” is coming this September, don’t sleep on it!
Music video fully created by Grupa13 🫶
Watch & listen now: https://nfan.link/heian🤘✌️
-
I just got this super cool video from Hei'an! 🦋
Did you already check out their new single “What a Shame” that dropped today? 🎧If you love bands like #BringmetheHorizon , #BadOmens , #SleepToken , #Dayseeker , #ThePlotInYou , #MotionlessinWhite and #IPrevail , you will definitely like this new single!
The full album “Kiss Our Ghosts Goodbye” is coming this September, don’t sleep on it!
Music video fully created by Grupa13 🫶
Watch & listen now: https://nfan.link/heian🤘✌️
-
Motionless In White regresa a España con dos conciertos en Barcelona y Madrid.
La banda estadounidense de metalcore promete un espectáculo inolvidable.
Conciertos el 5 de marzo en Razzmatazz (Barcelona) y el 6 de marzo en Vistalegre (Madrid).
#MotionlessInWhite #ConciertosEnEspaña #Metalcore #Música #Music
https://noticieromusical.com/motionless-in-white-regresa-a-espana-en-2026 -
Gig Review: Motionless in White / Fit For A King / Brand of Sacrifice – Academy, Glasgow (19th February 2025)
Three gigs in three nights. At my age? Well, last night's was sitty-downy so I had some energy saved up despite being up till 3am writing that review, so af
#GigReviews #BrandOfSacrifice #FitForAKing #MotionlessInWhite
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Gig Review: Motionless in White / Fit For A King / Brand of Sacrifice – Academy, Glasgow (19th February 2025)
Three gigs in three nights. At my age? Well, last night's was sitty-downy so I had some energy saved up despite being up till 3am writing that review, so af
#GigReviews #BrandOfSacrifice #FitForAKing #MotionlessInWhite
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Gig Review: Motionless in White / Fit For A King / Brand of Sacrifice – Academy, Glasgow (19th February 2025)
Three gigs in three nights. At my age? Well, last night's was sitty-downy so I had some energy saved up despite being up till 3am writing that review, so af
#GigReviews #BrandOfSacrifice #FitForAKing #MotionlessInWhite
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:megaphone: DEMNÄCHST!
*Zusammenfassung 24.01. bis 24.02. für BerlinAny Given Day und The Narrator
24.01.2025 Potsdam / WaschhausMotionless in White
24.01.2025 Berlin / ColumbiahalleMutabor
24.01.2025 Berlin / MaayaNorthern Lite
24.01.2025 Berlin / LidoUncle Acid & The Deadbeats
24.01.2025 Berlin / HeimathafenDeath Cult 69
25.01.2025 Berlin / Urban SpreeHaven & Death Cult 69, Chaver
25.01.2025 BerlinHaven, Death Cult 69 und Chaver
25.01.2025 Berlin / Urban SpreeUncle Acid & the deadbeats
25.01.2025 Berlin / HeimathafenCus Berlin
26.01.2025 BerlinWishbone Ash
26.01.2025 Berlin / Quasimodo#AnyGivenDay #Berlin #Columbiahalle #CusBerlin #DeathCult69 #Haven #HavenDeathCult69 #Heimathafen #Lido #Maaya #MotionlessInWhite #Mutabor #NorthernLite #NothingWorks #Potsdam #Quasimodo #Reset #UncleAcidTheDeadbeats #UrbanSpree #Waschhaus #WishboneAsh #SteelFeed #SteelFeedSoon
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CW: Nightmare before Christmas, music
I'm listening to the Nightmare Revisited album, for which a bunch of 2000s popular #emo and rock bands covered songs from #TimBurton's #NightmareBeforeChristmas. And now I'm wondering, if someone did that again, what bands would be on it?
Here's my thoughts:
1. "This Is Halloween" by #MotionlessInWhite
2. "Jack's Lament" by #GreenDay
3. "What's This?" by #InThisMoment
4. "Town Meeting Song" by #The1975
5. "Jack's Obsession" by #Nightly
6. "Kidnap the Sandy Claus" by #BlackVeilBrides
7. "Making Christmas" by #ThePrettyReckless
8. "Oogie Boogie's Song" by #PalayeRoyale
9. "Sally's Song" by #Beebadoobee
10. "Poor Jack" by #BadOmens
11. "Finale/Reprise" by #LinkinPark -
CW: Nightmare before Christmas, music
I'm listening to the Nightmare Revisited album, for which a bunch of 2000s popular #emo and rock bands covered songs from #TimBurton's #NightmareBeforeChristmas. And now I'm wondering, if someone did that again, what bands would be on it?
Here's my thoughts:
1. "This Is Halloween" by #MotionlessInWhite
2. "Jack's Lament" by #GreenDay
3. "What's This?" by #InThisMoment
4. "Town Meeting Song" by #The1975
5. "Jack's Obsession" by #Nightly
6. "Kidnap the Sandy Claus" by #BlackVeilBrides
7. "Making Christmas" by #ThePrettyReckless
8. "Oogie Boogie's Song" by #PalayeRoyale
9. "Sally's Song" by #Beebadoobee
10. "Poor Jack" by #BadOmens
11. "Finale/Reprise" by #LinkinPark -
CW: Nightmare before Christmas, music
I'm listening to the Nightmare Revisited album, for which a bunch of 2000s popular #emo and rock bands covered songs from #TimBurton's #NightmareBeforeChristmas. And now I'm wondering, if someone did that again, what bands would be on it?
Here's my thoughts:
1. "This Is Halloween" by #MotionlessInWhite
2. "Jack's Lament" by #GreenDay
3. "What's This?" by #InThisMoment
4. "Town Meeting Song" by #The1975
5. "Jack's Obsession" by #Nightly
6. "Kidnap the Sandy Claus" by #BlackVeilBrides
7. "Making Christmas" by #ThePrettyReckless
8. "Oogie Boogie's Song" by #PalayeRoyale
9. "Sally's Song" by #Beebadoobee
10. "Poor Jack" by #BadOmens
11. "Finale/Reprise" by #LinkinPark -
CW: Nightmare before Christmas, music
I'm listening to the Nightmare Revisited album, for which a bunch of 2000s popular #emo and rock bands covered songs from #TimBurton's #NightmareBeforeChristmas. And now I'm wondering, if someone did that again, what bands would be on it?
Here's my thoughts:
1. "This Is Halloween" by #MotionlessInWhite
2. "Jack's Lament" by #GreenDay
3. "What's This?" by #InThisMoment
4. "Town Meeting Song" by #The1975
5. "Jack's Obsession" by #Nightly
6. "Kidnap the Sandy Claus" by #BlackVeilBrides
7. "Making Christmas" by #ThePrettyReckless
8. "Oogie Boogie's Song" by #PalayeRoyale
9. "Sally's Song" by #Beebadoobee
10. "Poor Jack" by #BadOmens
11. "Finale/Reprise" by #LinkinPark -
CW: Nightmare before Christmas, music
I'm listening to the Nightmare Revisited album, for which a bunch of 2000s popular #emo and rock bands covered songs from #TimBurton's #NightmareBeforeChristmas. And now I'm wondering, if someone did that again, what bands would be on it?
Here's my thoughts:
1. "This Is Halloween" by #MotionlessInWhite
2. "Jack's Lament" by #GreenDay
3. "What's This?" by #InThisMoment
4. "Town Meeting Song" by #The1975
5. "Jack's Obsession" by #Nightly
6. "Kidnap the Sandy Claus" by #BlackVeilBrides
7. "Making Christmas" by #ThePrettyReckless
8. "Oogie Boogie's Song" by #PalayeRoyale
9. "Sally's Song" by #Beebadoobee
10. "Poor Jack" by #BadOmens
11. "Finale/Reprise" by #LinkinPark -
Knocked Loose – You Won’t Go Before You’re Supposed To [Things You Might Have Missed 2024]
By Dear Hollow
Is the hype surrounding Knocked Loose legit? Making (perhaps unwanted) waves with that “arf arf arf” breakdown in “Counting Worms” and waking babies, and “being woke,”1 with an appearance on Jimmy Kimmel Live! with collaborator Poppy, the Kentucky group is getting its fair share of backlash and praise in equal measure. It’s easy to approach You Won’t Go Before You’re Supposed To in this light, but the novelty is merely a facet of the album. In many ways, the act’s third full-length is a continuation of 2016’s bruising Laugh Tracks or 2019’s sludge-inflected A Different Shade of Blue, but an altogether more mature and heftier affair. Yes, Poppy’s witchy shrieks and haunting croons appear in a breakdown buildup in “Suffocate” and Chris Motionless from Motionless in White rears his Gothy nu-metal head in “Slaughterhouse 2,” but beneath the radio-friendly gloss is an album dedicated to tragedy and grit.
As always, Knocked Loose balances its appropriately suffocating beatdown hardcore instrumentals with a three-prong vocal attack, helmed by the feral shrieks of Bryan Garris.2 Featuring frantic Converge-esque choruses (“Thirst,” “Piece by Piece”), mammoth breakdowns (“Don’t Reach for Me,” “Blinding Faith,” “The Calm That Keeps You Awake”), and their novelty pieces of guest vocalists add a refreshing change of pace to what could have been a monotonous meltdown. Alongside Garris’ unmistakable vocals, guitarists Isaac Hale and Nicko Calderon lend guttural roars and hardcore fry vocals respectively, injecting a jolt of white-hot energy to songs like “Thirst” and “Don’t Reach for Me.” While Knocked Loose theoretically approaches You Won’t Go Before You’re Supposed To with a traditional beatdown template a la Gideon and Bulldoze, its brutality and intensity are felt through every movement.
You Won’t Go Before You’re Supposed To features a skull-crushing breed of hardcore, but nuance is added when Knocked Loose embraces the haunting – a hum cutting through the relentless storm. Utilizing eerie leads and instrumental stillness, evocative lyrics of homesickness, desolation, and meaninglessness are enacted with musical allegory. Tracks that utilize this more contemplative aura (“Moss Covers All,” its sequel “Take Me Home,” “Sit & Mourn”) reflect the solemnity of their titles and the eeriness of the album art in a pummeling yet haunting approach reminiscent of last year’s The Acacia Strain, reflecting a deeper and more tragic intention beyond the mindless hardcore beatdowns. Buried beneath the blastbeats and frantic vocals lies an existential weight tied to its lyrics, the recurring theme of unearthing roots and dismantling family patterns is accomplished mightily through these tracks, further bolstered by tasteful samples.3 You Won’t Go Before You’re Supposed To is more than just mindless intensity.
Yes, Knocked Loose is here to kick your teeth in, but it’s not as simple as a senseless hardcore beatdown punishment. You Won’t Go Before You’re Supposed To is a multilayered album, easy to dismiss due to its Octane Radio-friendly novelty in “Suffocate” and “Slaughterhouse 2” or its mind-numbing chugs and breakdowns strewn with reckless abandon, but it incorporates just enough haunting experimentation and heartfelt lyricism to give purpose to the punishment. Undoubtedly a divisive release this year, but Knocked Loose balances blind aggression and thoughtful flourishes like a steel-toed boot to the throat in a dense forest at night. So watch your back.
Tracks to Check Out: ”Suffocate,” “Take Me Home,” “Blinding Faith,” and “Sit & Mourn.”
#2024 #AmericanMetal #Bulldoze #Converge #Gideon #HardcorePunk #JudyPerkins #KnockedLoose #Metalcore #MotionlessInWhite #Poppy #PureNoiseRecords #RexAllen #TheAcaciaStrain #ThingsYouMightHaveMissed #ThingsYouMightHaveMissed2024 #TYMHM #YouWonTGoBeforeYouReSupposedTo
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Knocked Loose – You Won’t Go Before You’re Supposed To [Things You Might Have Missed 2024]
By Dear Hollow
Is the hype surrounding Knocked Loose legit? Making (perhaps unwanted) waves with that “arf arf arf” breakdown in “Counting Worms” and waking babies, and “being woke,”1 with an appearance on Jimmy Kimmel Live! with collaborator Poppy, the Kentucky group is getting its fair share of backlash and praise in equal measure. It’s easy to approach You Won’t Go Before You’re Supposed To in this light, but the novelty is merely a facet of the album. In many ways, the act’s third full-length is a continuation of 2016’s bruising Laugh Tracks or 2019’s sludge-inflected A Different Shade of Blue, but an altogether more mature and heftier affair. Yes, Poppy’s witchy shrieks and haunting croons appear in a breakdown buildup in “Suffocate” and Chris Motionless from Motionless in White rears his Gothy nu-metal head in “Slaughterhouse 2,” but beneath the radio-friendly gloss is an album dedicated to tragedy and grit.
As always, Knocked Loose balances its appropriately suffocating beatdown hardcore instrumentals with a three-prong vocal attack, helmed by the feral shrieks of Bryan Garris.2 Featuring frantic Converge-esque choruses (“Thirst,” “Piece by Piece”), mammoth breakdowns (“Don’t Reach for Me,” “Blinding Faith,” “The Calm That Keeps You Awake”), and their novelty pieces of guest vocalists add a refreshing change of pace to what could have been a monotonous meltdown. Alongside Garris’ unmistakable vocals, guitarists Isaac Hale and Nicko Calderon lend guttural roars and hardcore fry vocals respectively, injecting a jolt of white-hot energy to songs like “Thirst” and “Don’t Reach for Me.” While Knocked Loose theoretically approaches You Won’t Go Before You’re Supposed To with a traditional beatdown template a la Gideon and Bulldoze, its brutality and intensity are felt through every movement.
You Won’t Go Before You’re Supposed To features a skull-crushing breed of hardcore, but nuance is added when Knocked Loose embraces the haunting – a hum cutting through the relentless storm. Utilizing eerie leads and instrumental stillness, evocative lyrics of homesickness, desolation, and meaninglessness are enacted with musical allegory. Tracks that utilize this more contemplative aura (“Moss Covers All,” its sequel “Take Me Home,” “Sit & Mourn”) reflect the solemnity of their titles and the eeriness of the album art in a pummeling yet haunting approach reminiscent of last year’s The Acacia Strain, reflecting a deeper and more tragic intention beyond the mindless hardcore beatdowns. Buried beneath the blastbeats and frantic vocals lies an existential weight tied to its lyrics, the recurring theme of unearthing roots and dismantling family patterns is accomplished mightily through these tracks, further bolstered by tasteful samples.3 You Won’t Go Before You’re Supposed To is more than just mindless intensity.
Yes, Knocked Loose is here to kick your teeth in, but it’s not as simple as a senseless hardcore beatdown punishment. You Won’t Go Before You’re Supposed To is a multilayered album, easy to dismiss due to its Octane Radio-friendly novelty in “Suffocate” and “Slaughterhouse 2” or its mind-numbing chugs and breakdowns strewn with reckless abandon, but it incorporates just enough haunting experimentation and heartfelt lyricism to give purpose to the punishment. Undoubtedly a divisive release this year, but Knocked Loose balances blind aggression and thoughtful flourishes like a steel-toed boot to the throat in a dense forest at night. So watch your back.
Tracks to Check Out: ”Suffocate,” “Take Me Home,” “Blinding Faith,” and “Sit & Mourn.”
#2024 #AmericanMetal #Bulldoze #Converge #Gideon #HardcorePunk #JudyPerkins #KnockedLoose #Metalcore #MotionlessInWhite #Poppy #PureNoiseRecords #RexAllen #TheAcaciaStrain #ThingsYouMightHaveMissed #ThingsYouMightHaveMissed2024 #TYMHM #YouWonTGoBeforeYouReSupposedTo
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Knocked Loose – You Won’t Go Before You’re Supposed To [Things You Might Have Missed 2024]
By Dear Hollow
Is the hype surrounding Knocked Loose legit? Making (perhaps unwanted) waves with that “arf arf arf” breakdown in “Counting Worms” and waking babies, and “being woke,”1 with an appearance on Jimmy Kimmel Live! with collaborator Poppy, the Kentucky group is getting its fair share of backlash and praise in equal measure. It’s easy to approach You Won’t Go Before You’re Supposed To in this light, but the novelty is merely a facet of the album. In many ways, the act’s third full-length is a continuation of 2016’s bruising Laugh Tracks or 2019’s sludge-inflected A Different Shade of Blue, but an altogether more mature and heftier affair. Yes, Poppy’s witchy shrieks and haunting croons appear in a breakdown buildup in “Suffocate” and Chris Motionless from Motionless in White rears his Gothy nu-metal head in “Slaughterhouse 2,” but beneath the radio-friendly gloss is an album dedicated to tragedy and grit.
As always, Knocked Loose balances its appropriately suffocating beatdown hardcore instrumentals with a three-prong vocal attack, helmed by the feral shrieks of Bryan Garris.2 Featuring frantic Converge-esque choruses (“Thirst,” “Piece by Piece”), mammoth breakdowns (“Don’t Reach for Me,” “Blinding Faith,” “The Calm That Keeps You Awake”), and their novelty pieces of guest vocalists add a refreshing change of pace to what could have been a monotonous meltdown. Alongside Garris’ unmistakable vocals, guitarists Isaac Hale and Nicko Calderon lend guttural roars and hardcore fry vocals respectively, injecting a jolt of white-hot energy to songs like “Thirst” and “Don’t Reach for Me.” While Knocked Loose theoretically approaches You Won’t Go Before You’re Supposed To with a traditional beatdown template a la Gideon and Bulldoze, its brutality and intensity are felt through every movement.
You Won’t Go Before You’re Supposed To features a skull-crushing breed of hardcore, but nuance is added when Knocked Loose embraces the haunting – a hum cutting through the relentless storm. Utilizing eerie leads and instrumental stillness, evocative lyrics of homesickness, desolation, and meaninglessness are enacted with musical allegory. Tracks that utilize this more contemplative aura (“Moss Covers All,” its sequel “Take Me Home,” “Sit & Mourn”) reflect the solemnity of their titles and the eeriness of the album art in a pummeling yet haunting approach reminiscent of last year’s The Acacia Strain, reflecting a deeper and more tragic intention beyond the mindless hardcore beatdowns. Buried beneath the blastbeats and frantic vocals lies an existential weight tied to its lyrics, the recurring theme of unearthing roots and dismantling family patterns is accomplished mightily through these tracks, further bolstered by tasteful samples.3 You Won’t Go Before You’re Supposed To is more than just mindless intensity.
Yes, Knocked Loose is here to kick your teeth in, but it’s not as simple as a senseless hardcore beatdown punishment. You Won’t Go Before You’re Supposed To is a multilayered album, easy to dismiss due to its Octane Radio-friendly novelty in “Suffocate” and “Slaughterhouse 2” or its mind-numbing chugs and breakdowns strewn with reckless abandon, but it incorporates just enough haunting experimentation and heartfelt lyricism to give purpose to the punishment. Undoubtedly a divisive release this year, but Knocked Loose balances blind aggression and thoughtful flourishes like a steel-toed boot to the throat in a dense forest at night. So watch your back.
Tracks to Check Out: ”Suffocate,” “Take Me Home,” “Blinding Faith,” and “Sit & Mourn.”
#2024 #AmericanMetal #Bulldoze #Converge #Gideon #HardcorePunk #JudyPerkins #KnockedLoose #Metalcore #MotionlessInWhite #Poppy #PureNoiseRecords #RexAllen #TheAcaciaStrain #ThingsYouMightHaveMissed #ThingsYouMightHaveMissed2024 #TYMHM #YouWonTGoBeforeYouReSupposedTo
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#TheMetalDogArticleList
#MetalSucks
Motionless In White Respond to Upset Fans About Lyric Changehttps://www.metalsucks.net/2024/09/14/motionless-in-white-respond-to-upset-fans-about-lyric-change/
#MotionlessInWhite #ChrisMotionless #Reincarnate #LyricChange #Bitch
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#TheMetalDogArticleList
#MetalSucks
Motionless In White Respond to Upset Fans About Lyric Changehttps://www.metalsucks.net/2024/09/14/motionless-in-white-respond-to-upset-fans-about-lyric-change/
#MotionlessInWhite #ChrisMotionless #Reincarnate #LyricChange #Bitch
-
#TheMetalDogArticleList
#MetalSucks
Motionless In White Respond to Upset Fans About Lyric Changehttps://www.metalsucks.net/2024/09/14/motionless-in-white-respond-to-upset-fans-about-lyric-change/
#MotionlessInWhite #ChrisMotionless #Reincarnate #LyricChange #Bitch
-
#TheMetalDogArticleList
#MetalSucks
Motionless In White Respond to Upset Fans About Lyric Changehttps://www.metalsucks.net/2024/09/14/motionless-in-white-respond-to-upset-fans-about-lyric-change/
#MotionlessInWhite #ChrisMotionless #Reincarnate #LyricChange #Bitch
-
#TheMetalDogArticleList
#MetalSucks
Motionless In White Respond to Upset Fans About Lyric Changehttps://www.metalsucks.net/2024/09/14/motionless-in-white-respond-to-upset-fans-about-lyric-change/
#MotionlessInWhite #ChrisMotionless #Reincarnate #LyricChange #Bitch
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Fazit zum #Elbriot gestern.
#Neaera waren super, die haben Spaß gemacht und hatten auch Spaß.
#TheAmityAffliction nicht meins.
#Graveyard einer der Gründe, warum ich da war. War super. 👍
#MotionlessInWhite auch nicht ganz so meins, aber der Sänger wirkte in den Ansagen recht sympathisch.
#BeyondTheBlack hat mir am wenigsten gefallen. Aber ich muss sagen, ich finde gut, dass das Festival eine solche Bandbreite an Musik bietet.
#AmonAmarth mit gewohnter Show, wie immer grandios. -
Synapsid of Life
https://youtu.be/pNeim8mpLQ4?si=Ulcx0kls0t9HEVb4
Okay, but if I could just nerd out for a second, #synapsids and #therapsids are freaking cool and yet they don't get as much attention as the dinosaurs, and here's some introductory information on them: https://dinomuseum.ca/2020/02/a-brief-history-of-mammals-part-1-the-early-synapsids
#FossilASong
#HashtagGames
#MotionlessInWhite
#ChrisCerulli
#ChrisMotionless
#Synapsid
#Therapsid -
Synapsid of Life
https://youtu.be/pNeim8mpLQ4?si=Ulcx0kls0t9HEVb4
Okay, but if I could just nerd out for a second, #synapsids and #therapsids are freaking cool and yet they don't get as much attention as the dinosaurs, and here's some introductory information on them: https://dinomuseum.ca/2020/02/a-brief-history-of-mammals-part-1-the-early-synapsids
#FossilASong
#HashtagGames
#MotionlessInWhite
#ChrisCerulli
#ChrisMotionless
#Synapsid
#Therapsid -
Synapsid of Life
https://youtu.be/pNeim8mpLQ4?si=Ulcx0kls0t9HEVb4
Okay, but if I could just nerd out for a second, #synapsids and #therapsids are freaking cool and yet they don't get as much attention as the dinosaurs, and here's some introductory information on them: https://dinomuseum.ca/2020/02/a-brief-history-of-mammals-part-1-the-early-synapsids
#FossilASong
#HashtagGames
#MotionlessInWhite
#ChrisCerulli
#ChrisMotionless
#Synapsid
#Therapsid -
Synapsid of Life
https://youtu.be/pNeim8mpLQ4?si=Ulcx0kls0t9HEVb4
Okay, but if I could just nerd out for a second, #synapsids and #therapsids are freaking cool and yet they don't get as much attention as the dinosaurs, and here's some introductory information on them: https://dinomuseum.ca/2020/02/a-brief-history-of-mammals-part-1-the-early-synapsids
#FossilASong
#HashtagGames
#MotionlessInWhite
#ChrisCerulli
#ChrisMotionless
#Synapsid
#Therapsid -
Synapsid of Life
https://youtu.be/pNeim8mpLQ4?si=Ulcx0kls0t9HEVb4
Okay, but if I could just nerd out for a second, #synapsids and #therapsids are freaking cool and yet they don't get as much attention as the dinosaurs, and here's some introductory information on them: https://dinomuseum.ca/2020/02/a-brief-history-of-mammals-part-1-the-early-synapsids
#FossilASong
#HashtagGames
#MotionlessInWhite
#ChrisCerulli
#ChrisMotionless
#Synapsid
#Therapsid