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#flamenco — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #flamenco, aggregated by home.social.

  1. europesays.com/es/749439/ CITA CON EL FLAMENCO: Adelanto del «Mundo por Montera» del Ballet Flamenco de Andalucía para la gala inaugural de la Bienal de Flamenco #adelanto #ballet #Entertainment #Entretenimiento #ES #España #flamenco #montera #mundo #Spain

  2. europesays.com/es/748351/ El Ballet Flamenco de Andalucía participa en la gala inaugural de la XXIV Bienal de Flamenco de Sevilla – Noticias #Entertainment #Entretenimiento #ES #España #flamenco #Spain

  3. Este verano vuelvo a SER Málaga para contar mis historias de la música junto a Esther Luque y para inaugurar esta temporada he elegido un disco que cumple 30 años pero sigue siendo igual de rompedor que cuando vio la luz: Omega, de Enrique Morente y Lagartija Nick.

    No te lo pierdas en el enlace 👇

    #EnriqueMorente #LagartijaNick #Omega #Flamenco #flamencofusion

    cadenaser.com/audio/1786107271

  4. Presentación del libro "Una hebra en la urdimbre transnacional: Trayectoria ácrata de Ana Piacenza/Nita Nahuel entre Argentina y España [...]" de Nadia Ledesma Prieto y Gisella Manzoni

    FLA, sábado, 18 de julio, 18:30 GMT-3

    En el marco del aniversario de la Revolución Española, la Editorial Reconstruir presenta: Una hebra en la urdimbre transnacional: Trayectoria ácrata de Ana Piacenza/Nita Nahuel entre Argentina y España En un mundo de Mujeres Libres ¿por qué no anarquizar el feminismo? Nadia Ledesma Prieto y Gisella Manzoni En este libro las autoras Gisella Manzoni y Nadia Ledesma Prietto, analizan el itinerario político de Ana Piacenza, militante anarquista argentina. En 1936 Ana, viajó a España para participar en la Revolución Social. Allí, adoptó el nombre de Nita Nahuel, donde se sumó a la Agrupación Mujeres Libres. A este importante aporte biográfico, se le suma un articulo donde se analiza la organización Mujeres Libres durante la Revolución española y las experiencias similares en Argentina. La presentación es el sábado 18 de julio - 18.30 hs Musica con: Flamenco Revolucionario (con Maca y Agus) y Gaita Rebelde Feria de libros, afiches y lentejeada Federación Libertaria Argentina Esquina de Anchoris y Finochietto CABA @federacionlibertariaargentina [email protected]

    vagancio.partidopirata.com.ar/

  5. ‘I just knew it would sound incredible!’: why the Globe is giving Shakespeare some flamenco fire
    By Lyndsey Winship

    Love’s Labour’s Lost offers a heady mix of passion and death – which makes the Spanish art form a perfect match, says director Indiana Lown-Collins. Our writer joins the theatre’s flamenco bootcamp

    theguardian.com/stage/2026/jul

    #Stage #Flamenco #ShakespearesGlobe #Culture #Dance #Theatre #WilliamShakespeare #Comedy #Comedy #TheGuardian #LyndseyWinship

  6. Los Delinqüentes recordarán himnos que marcaron una época como 'La primavera trompetera', 'A la luz del Lorenzo' o 'El aire de la calle'.. Tocarán el 25 de julio en el recinto Marenostrum Fuengirola.. #Rumba #Rock #Flamenco #Reggae #LaFactoríadelRitmo #Fusión #Mestizaje #Music #Prensa #Culture #Gira

    RE: https://bsky.app/profile/did:plc:rei54k7nmu57w3k4oz4q75kl/post/3mnezcajnl22f

  7. Los Delinqüentes recordarán himnos que marcaron una época como 'La primavera trompetera', 'A la luz del Lorenzo' o 'El aire de la calle'.. Tocarán el 25 de julio en el recinto Marenostrum Fuengirola.. #Rumba #Rock #Flamenco #Reggae #LaFactoríadelRitmo #Fusión #Mestizaje #Music #Prensa #Culture #Gira

    RE: https://bsky.app/profile/did:plc:rei54k7nmu57w3k4oz4q75kl/post/3mnezcajnl22f

  8. Si tienen 15 minutos libres les dejo un enlace al final a un cortometraje recién estrenado. Antes, unas notillas sobre el mismo.

    Ahondando, y demostrando que su interés es pasional y no accesorio para fardar en una película, en la verdad del cante popular, la cineasta Carla Simón rodó el cortometraje Flamenco.

    En él, se encuentra de alguna manera con el Saura más folclórico, el más enamorado y autoral, sin renunciar a ser ella misma, extendiendo de un modo sutil su mejor largo, Romería.

    Carla retrata el flamenco como si describiera una fiebre que aúpa en lugar de agostar. Y lo hace partiendo de lo racial, dejando el primer plano a los orígenes, a su gente, sin adueñarse del son ni del sentir, y desde ahí sumándose y animándonos a sumarnos desde la belleza formal del cine y de su mirada. Da su lugar al flamenco autodidacta y al de escuela, al que nace contigo y al que te atropella, al que suena en la calle y en los teatros, al que llora al muerto y al que lo revive.

    Todos vibran, todos resuenan, todos vienen del mismo tronco febril y, por suerte, inmune a los antipiréticos.

    filmaffinity.com/es/film821583

    Aquí disponible gratis al público:
    spainwheretalentignites.com/fl
    #popazo #cine #cinema #flamenco #cortometraje #drama #movie #movies #film #filme #films #pelicula #carlasimon #romeria #corto #short #shortmovie #art #music #folk #folkmusic #flamenco #documental #documentary

  9. Rasgueando, por Teo Sánchez para #RNE, una serie de seis episodios que explora la evolución de la guitarra flamenca: de Ramón Montoya a Paco de Lucia #cadasemanaunpodcast #flamenco rtve.es/play/audios/rasgueando/

  10. Impureza – Alcázares Review

    By Angry Metal Guy

    Founded in 2004 by guitarist Lionel Cano Muñoz (of Spanish descent, but born in Orléans, France), Impureza is based in France but fully embraces Spanish heritage in both concept and execution. Jokingly called the “French Nile,”1 Impureza blends extreme, brutal death metal with rich cultural motifs and flamenco. Alcázares marks Impureza’s third full-length album in 15 years. The album continues the band’s legacy of high-concept releases, following La Iglesia del Odio (2010, an Inquisition-themed album) and La Caída de Tonatiuh (2017, an Aztec Conquest-themed album).2

    Conceptually, Alcázares is based around the Reconquista, a centuries-long conflict between Christian and Muslim forces that started in the 8th century, following Tariq ibn Ziyad’s conquest of the Visigothic Kingdom in 711 and the Battle of Covadonga (in ~722) and ending in 1492 with the establishment of the Catholic Monarchs.3 Alcázares means “fortresses” or “palaces.”4 The word is derived from Arabic, “al-qaṣr” (ٱلْقَصْر),5 which means the same. As with many things on the Iberian Peninsula, like flamenco itself, the tension at the heart of Alcázares is between cultures, faiths, and empires—specifically between Islam and Christianity, the Moor and the Castilian. Symbolically, the title evokes the contested strongholds of medieval Spain: places of siege, destruction, religious power, and shifting dominion between Muslim and Christian empires.

    Seven years have changed and improved Impureza. At its core, their sound is best evoked by invoking two excellent bands: Vidres a la Sang and Æternam.6 2017’s La Caída de Tonatiuh was replete with the blasty, brutal ’90s style death metal (à la Vidres a la Sang), a sound near to my heart and that in a lot of ways has receded in the modern death metal landscape. Alcázares doesn’t shy away from this sound. If you needle drop anywhere in the 49 minutes of music on Alcázares, you are likely to land within a minute of blast beats, guttural vocals, and trem-picked, harmonized guitars. The Nileesque brutality sets down the deepest root of their sound, but the tree has also flowered over the years.

    Where La Caída de Tonatiuh felt like the tale of two records, Alcázares feels unified. Having backed away from single-minded br00tality, Impureza does a better job of integrating the different flavors of their sound. The real innovation is that they have discovered dynamics. More clean vocals (“La Orden del Yelmo Negro,” “Castigos Eclesiásticos”), better use of integrated acoustic guitars (“Pestilencia,” “Castigos Eclesiásticos”), and the strong melodic content of flamenco—still bearing the history of MENA influences—evokes Æternam’s last two records and even at times Melechesh. For me, this is a perfect blend of brutal and melodic. I love the growls, the anthemic cleans, the fretless bass (“Ruina del Alcázar”), and the tightly integrated feel.

    Integration of flamenco and metal is not easy. This is because these two genres of music are fundamentally quite different. Said differently, flamenco is progressive as fuck. It uses a 12-beat cycle,7 where accents fall unpredictably (on beats 12, 3, 6, 8, 10), rather than on typical downbeats.8 Additionally, these cycles blend note-groupings of 2s and 3s (hemiolas), which create shifting accents and internal tensions. I can only imagine that this is genuinely tough to integrate into metal, which operates in 4/4 or 3/4 or, when we’re feeling particularly saucy, 7/8. So, while some moments here threw me at first—seeming messy or chaotic, almost like a band that wasn’t playing in time (for example, on “Santa Inquisición” and “Pestalencia”)—I realized that what I was hearing was the sound of innovation and adventure.

    In addition to compositional innovations and refinements, Alcázares benefits from notably improved production. The mix is cleaner, clearer, and better balanced than their previous album, allowing each element—flamenco, cleans, and death metal—to find its place without overpowering the others. It’s probably too loud, but it is never muddy. The guitars shimmer when needed and crush when they must. The bass is visceral and perfectly matched with the drums, and though they sound crushed and a bit mechanical—it is Jacob Hansen, after all—they punch through with precision. Everything feels tighter, more refined, and integrated in a way that I genuinely love.

    Impureza has an Orphaned Land-like quality of disappearing and then reappearing to remind you of just what you were missing. Alcázares is Impureza at their most ambitious: historically immersed, sonically expansive, blasphemous, and, well, super into the (alternative) histories of colonialism. Alcázares is a violent, poetic invocation of Spain’s medieval imagination, and it sports an enchanting vibe that recalls some of the best records I own. Seven years of development resulted in a record full of tight riffs, beautiful guitar work, and intense compositions, and they somehow managed to work a Necromancer into a historical concept album (“El Ejército de los Fallecidos de Alarcos”). I would say that I hope to see something from them soon, but I’m happy to wait another seven years for another record of this quality.

    Rating: Very Good!
    DR: 7 | Format Reviewed: 320 kb/s CBR MP3
    Label: Season of Mist
    Websites: impureza.bandcamp.com
    Release Date: July 11th, 2025

    #2025 #35 #Aeternam #Alcázares #DeathMetal #Flamenco #FleshgodApocalypse #Impureza #Jul25 #LaCaìdaDeTonatiuh #Melechesh #Nile #VidresALaSang

  11. #TheMetalDogArticleList
    #guitarworld
    Joe Bonamassa called him his new favorite player and Steve Vai hailed him as the evolution of guitar: how Matteo Mancuso developed a technique like no other
    The Italian virtuoso unpicks the inspiration behind his eye-opening approach, and explains why he never wanted to become a lead

    guitarworld.com/features/matte

    #MatteoMancuso #GuitarWorld #GuitarPlaying #Innovative #Fusion #InsaneSpeedandAccuracy #Flamenco #Italian #Impressive #Virtuoso #Unstoppable