#flamenco — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #flamenco, aggregated by home.social.
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“Talento Gitano Zaragoza” busca nuevas voces y toques del flamenco aragonés
https://fed.brid.gy/r/https://arainfo.org/talento-gitano-zaragoza-flamenco-2026/
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“Talento Gitano Zaragoza” busca nuevas voces y toques del flamenco aragonés
https://fed.brid.gy/r/https://arainfo.org/talento-gitano-zaragoza-flamenco-2026/
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De Pata Negra a Raimundo Amador, Sala Paris15 de Málaga, 26 de Septiembre collectorseriesdiy.blogspot.com/2026/06/de-p... #RaimundoAmador #DePataNegraARaimundo #Málaga #Paris15 #Gira2026 #MúsicaEnDirecto #blues #rock #fusión #prensa #cultura #giras #flamenco #rockandroll #R'nR #rock'n'roll #press
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https://www.wacoca.com/videos/3208777/celebrity/ 月光 / B’z LIVE RIPPER Style：J-RePOP もう一つの世界 #aiカバー #AI山田制作所 #B'z #B'z過ぎる部 #B’zBand #BossaNova #Celebrities #Celebrity #cover #EDM #EeAiStudio #FAKE #FakeMusic #flamenco #FUNKY #FunkyFakeMusic #funny #hawaiian #JPOP #JRePOP #jpop #LIVE #Music #pop #rap #REGGAE #Remix #repop #RIPPER #ROCK #SKA #soul #StyleJRePOP #TENFIELD #Vlog #VなJPOP #ええ愛チャンネル #ビジュアル #もう一つの世界 #リポップ #レゲエ #想像 #月光 #生成AI
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Trailer Carmen https://trailers.zouluvo.com/carmen/
#BenjaminMillepied #MelissaBarrera #PaulMescal #RossydePalma #ElsaPataky #21avril2023 #ÉtatsUnis #Australie #France #2023ÉtatsUnisAustralieFrance #avril2023 #drame #musical #SonyPicturesClassics #danse #frontière #désert #immigrant #frontièreaméricano-mexicaine #nuit #fuite #amour #passion #flamenco #maréehumaine #oppression #hymne #opéramoderne #LosAngeles #espoir #rébellion #Carmen
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By Angry Metal Guy
Founded in 2004 by guitarist Lionel Cano Muñoz (of Spanish descent, but born in Orléans, France), Impureza is based in France but fully embraces Spanish heritage in both concept and execution. Jokingly called the “French Nile,”1 Impureza blends extreme, brutal death metal with rich cultural motifs and flamenco. Alcázares marks Impureza’s third full-length album in 15 years. The album continues the band’s legacy of high-concept releases, following La Iglesia del Odio (2010, an Inquisition-themed album) and La Caída de Tonatiuh (2017, an Aztec Conquest-themed album).2
Conceptually, Alcázares is based around the Reconquista, a centuries-long conflict between Christian and Muslim forces that started in the 8th century, following Tariq ibn Ziyad’s conquest of the Visigothic Kingdom in 711 and the Battle of Covadonga (in ~722) and ending in 1492 with the establishment of the Catholic Monarchs.3 Alcázares means “fortresses” or “palaces.”4 The word is derived from Arabic, “al-qaṣr” (ٱلْقَصْر),5 which means the same. As with many things on the Iberian Peninsula, like flamenco itself, the tension at the heart of Alcázares is between cultures, faiths, and empires—specifically between Islam and Christianity, the Moor and the Castilian. Symbolically, the title evokes the contested strongholds of medieval Spain: places of siege, destruction, religious power, and shifting dominion between Muslim and Christian empires.
Seven years have changed and improved Impureza. At its core, their sound is best evoked by invoking two excellent bands: Vidres a la Sang and Æternam.6 2017’s La Caída de Tonatiuh was replete with the blasty, brutal ’90s style death metal (à la Vidres a la Sang), a sound near to my heart and that in a lot of ways has receded in the modern death metal landscape. Alcázares doesn’t shy away from this sound. If you needle drop anywhere in the 49 minutes of music on Alcázares, you are likely to land within a minute of blast beats, guttural vocals, and trem-picked, harmonized guitars. The Nileesque brutality sets down the deepest root of their sound, but the tree has also flowered over the years.
Where La Caída de Tonatiuh felt like the tale of two records, Alcázares feels unified. Having backed away from single-minded br00tality, Impureza does a better job of integrating the different flavors of their sound. The real innovation is that they have discovered dynamics. More clean vocals (“La Orden del Yelmo Negro,” “Castigos Eclesiásticos”), better use of integrated acoustic guitars (“Pestilencia,” “Castigos Eclesiásticos”), and the strong melodic content of flamenco—still bearing the history of MENA influences—evokes Æternam’s last two records and even at times Melechesh. For me, this is a perfect blend of brutal and melodic. I love the growls, the anthemic cleans, the fretless bass (“Ruina del Alcázar”), and the tightly integrated feel.
Integration of flamenco and metal is not easy. This is because these two genres of music are fundamentally quite different. Said differently, flamenco is progressive as fuck. It uses a 12-beat cycle,7 where accents fall unpredictably (on beats 12, 3, 6, 8, 10), rather than on typical downbeats.8 Additionally, these cycles blend note-groupings of 2s and 3s (hemiolas), which create shifting accents and internal tensions. I can only imagine that this is genuinely tough to integrate into metal, which operates in 4/4 or 3/4 or, when we’re feeling particularly saucy, 7/8. So, while some moments here threw me at first—seeming messy or chaotic, almost like a band that wasn’t playing in time (for example, on “Santa Inquisición” and “Pestalencia”)—I realized that what I was hearing was the sound of innovation and adventure.
In addition to compositional innovations and refinements, Alcázares benefits from notably improved production. The mix is cleaner, clearer, and better balanced than their previous album, allowing each element—flamenco, cleans, and death metal—to find its place without overpowering the others. It’s probably too loud, but it is never muddy. The guitars shimmer when needed and crush when they must. The bass is visceral and perfectly matched with the drums, and though they sound crushed and a bit mechanical—it is Jacob Hansen, after all—they punch through with precision. Everything feels tighter, more refined, and integrated in a way that I genuinely love.
Impureza has an Orphaned Land-like quality of disappearing and then reappearing to remind you of just what you were missing. Alcázares is Impureza at their most ambitious: historically immersed, sonically expansive, blasphemous, and, well, super into the (alternative) histories of colonialism. Alcázares is a violent, poetic invocation of Spain’s medieval imagination, and it sports an enchanting vibe that recalls some of the best records I own. Seven years of development resulted in a record full of tight riffs, beautiful guitar work, and intense compositions, and they somehow managed to work a Necromancer into a historical concept album (“El Ejército de los Fallecidos de Alarcos”). I would say that I hope to see something from them soon, but I’m happy to wait another seven years for another record of this quality.
Rating: Very Good!
DR: 7 | Format Reviewed: 320 kb/s CBR MP3
Label: Season of Mist
Websites: impureza.bandcamp.com
Release Date: July 11th, 2025#2025 #35 #Aeternam #Alcázares #DeathMetal #Flamenco #FleshgodApocalypse #Impureza #Jul25 #LaCaìdaDeTonatiuh #Melechesh #Nile #VidresALaSang
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Niño de Elche presenta su gira "Cante a lo gitano"
Escenario Santander, domingo, 3 de agosto, 22:00 CEST
Figura clave del flamenco contemporáneo, Niño de Elche ha asumido todo lo que, desde lo más elemental a lo verdaderamente esencial, nos ha regalado la práctica del género. Y por eso, porque no ha cejado en su empeño de reconocer las diferentes zonas cero que el arte y sus etiquetas dejan atrás, se auto-proclama exflamenco, una forma de expresar esa búsqueda inagotable que vive ahora su momento definitivo.
Capítulo final de la trilogía que conforman Memorial de cante en mis bodas de plata con el flamenco (2021) y Flamenco. Mausoleo de celebración, amor y muerte (2022), su nuevo álbum es una reescucha del repertorio que el mítico Manuel Torre (1880-1933), de joven Niño de Jerez, dejó recogido en diferentes grabaciones con su austera pero particular personalidad artística.
Con las colaboraciones de Yerai Cortés, Rocío Márquez, Ylia, Perrate y Eric Jiménez (Los Planetas), entre otros, Cante a lo gitano son catorce cantes plenísimos que nos devuelven a los principios ancestrales, es decir, al futuro mismo.
Concierto con grada, aforo sentado, previa con terraza y flamenco, acude antes y disfruta de un ambiente increíble para recibir a Niño de Elche.
Taquilla: 30,80€
Venta anticipadahttps://agenda.subterrania.es/event/nino-de-elche-presenta-su-gira-cante-a-lo-gitano
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Escarpias de pelos
[Documentos RNE] Quiero contarte, Triana. 50 años de 'El patio' - 11/04/25 #documentosRne
https://podcastaddict.com/documentos-rne/episode/196224445 #triana #rock #podcast #podcastcastellano #flamenco #music -
Titel: #Flamenco de #Locos; Malmittel und Malgrund: Acryl auf Zeichenpapier 200g; 50cm x 70cm; Mai 2019
Link: https://gallery.b22.de/werk/?Qwd=./Wirkwelten/tanzen%20_%20dance&Qif=Flamenco%20de%20Locos.jpg&Qiv=thumbs&Qis=S&Qtmp=FS
#outsiderart #avantgarde #figurativeabstraction #abstractfigurative #newfigurative #emotionalart #Bensheim #frankfurtartist #frankfurt #kreisbergstrasse #abstractexpressionism #colorful #expressionism #Expressionismus #kunstinsüdhessen #dokumenta #vibrationalart #danceart #rawart #undergroundart #artbrut #kunstinhessen #flamencodelocos #dance #tanz -
Titel: #Flamenco de #Locos; Malmittel und Malgrund: Acryl auf Zeichenpapier 200g; 50cm x 70cm; Mai 2019
Link: https://gallery.b22.de/werk/?Qwd=./Wirkwelten/tanzen%20_%20dance&Qif=Flamenco%20de%20Locos.jpg&Qiv=thumbs&Qis=S&Qtmp=FS
#outsiderart #avantgarde #figurativeabstraction #abstractfigurative #newfigurative #emotionalart #Bensheim #frankfurtartist #frankfurt #kreisbergstrasse #abstractexpressionism #colorful #expressionism #Expressionismus #kunstinsüdhessen #dokumenta #vibrationalart #danceart #rawart #undergroundart #artbrut #kunstinhessen #flamencodelocos #dance #tanz -
Titel: #Flamenco de #Locos; Malmittel und Malgrund: Acryl auf Zeichenpapier 200g; 50cm x 70cm; Mai 2019
Link: https://gallery.b22.de/werk/?Qwd=./Wirkwelten/tanzen%20_%20dance&Qif=Flamenco%20de%20Locos.jpg&Qiv=thumbs&Qis=S&Qtmp=FS
#outsiderart #avantgarde #figurativeabstraction #abstractfigurative #newfigurative #emotionalart #Bensheim #frankfurtartist #frankfurt #kreisbergstrasse #abstractexpressionism #colorful #expressionism #Expressionismus #kunstinsüdhessen #dokumenta #vibrationalart #danceart #rawart #undergroundart #artbrut #kunstinhessen #flamencodelocos #dance #tanz -
Titel: #Flamenco de #Locos; Malmittel und Malgrund: Acryl auf Zeichenpapier 200g; 50cm x 70cm; Mai 2019
Link: https://gallery.b22.de/werk/?Qwd=./Wirkwelten/tanzen%20_%20dance&Qif=Flamenco%20de%20Locos.jpg&Qiv=thumbs&Qis=S&Qtmp=FS
#outsiderart #avantgarde #figurativeabstraction #abstractfigurative #newfigurative #emotionalart #Bensheim #frankfurtartist #frankfurt #kreisbergstrasse #abstractexpressionism #colorful #expressionism #Expressionismus #kunstinsüdhessen #dokumenta #vibrationalart #danceart #rawart #undergroundart #artbrut #kunstinhessen #flamencodelocos #dance #tanz -
Titel: #Flamenco de #Locos; Malmittel und Malgrund: Acryl auf Zeichenpapier 200g; 50cm x 70cm; Mai 2019
Link: https://gallery.b22.de/werk/?Qwd=./Wirkwelten/tanzen%20_%20dance&Qif=Flamenco%20de%20Locos.jpg&Qiv=thumbs&Qis=S&Qtmp=FS
#outsiderart #avantgarde #figurativeabstraction #abstractfigurative #newfigurative #emotionalart #Bensheim #frankfurtartist #frankfurt #kreisbergstrasse #abstractexpressionism #colorful #expressionism #Expressionismus #kunstinsüdhessen #dokumenta #vibrationalart #danceart #rawart #undergroundart #artbrut #kunstinhessen #flamencodelocos #dance #tanz
