#disquishedmalignance — Public Fediverse posts

Private: Steel Druhm’s Top Ten(ish) of 2023

By Steel Druhm

Well, we made it the end of another year full of surprises, disappointments, gains and losses. 2023 saw us add a few new voices to the AMG staff and sadly, it will see a few longtime members of the family stepping back from the day-to-day operations and activities. The much beloved Madam X has moved on from managing our everflowing stream of promos and that will now be handled by yours Steely. Sadly, our main cat man Grymm is also moving on for the time being, taking some personal time away from the deadlines and pressures of nonstop blogwork.

Throughout all the changes we’ve endured over the years, both good and bad, the AMG mission remains the same: to bring you the most honest, insightful, and entertaining reviews possible without being beholden to labels or outside pressures because we earn absolutely nothing for our efforts, We are truly terrible capitalists, but we love metal as much as you do and we want to talk about it, so the site grinds on year after year. I hope it always does.

Let’s all embrace the new year and what it holds for us. Life is always an adventure and one best shared with people you care about who make you laugh and make you think. If you don’t have those people, WE can be those people. Get on the war wagon with us and into the future we go!

Without further ado, here are the things that brought out my inner primate in 2023.

(ish) Blood Oath // Lost in an Eternal Silence – One of the year’s best and most entertaining throwback death metal releases, Lost in an Eternal Silence targets the exact point where early death metal looked to the skies and dreamed of being something more complex. Blood Oath have the raw talent and crazy creativity to recapture the early days of death metal and to replicate that frantic jump from brutality to proggy insanity that the genre toyed with in the late 80s. The album is the perfect blend of nostalgia and insane creativity, melding the past with the present and what may be the future. One of the most inventive and zany death platters of the year.

#10. Tanith // Voyage – Formed by Satan axe-master Russ Tippins, Tanith exist in a space between classic NWoBHM and 70s hard tock with a sheen of folk covering the entire enterprise. On sophomore outing Voyage, they take this retro formula and mine it for every ounce of precious metal, crafting some killer little gems along the way. Songs like “Snow Tiger” and “Olympus by Dawn” have been replayed more times than I can count and there’s something magical and endearingly DIY and indie about this whole release. It’s not especially heavy, but the hooks stick so deep, you won’t care much. This is the Charmer o’ the Year for sure.

#9. The Night Eternal // Fatale – I loved the sadly defunct act In Solitude dearly. Their mash-up of NWoBHM, occult metal and Mercyful Fate was hard to resist and I wanted more, more MOAR. When I first stumbled on The Night Eternal, it sounded to me as if In Solitude had possessed them, forcing them to pick up where they left off. I’m very okay with this and Fatale plays out like the new In Solitude platter I so desperately wanted. It’s the same sweet, hooky mix of classic Mercyful Fate-isms, chilly occult rock, Goth rock and early 80s metal. This thing gets into your head deep and demands many replays, and if I had found it earlier, it would have moved up the rankings considerably. Get this and feel The Night’s iron grip.

#8. Oak // Disintegrate – Oak is the project of Gaerea lead guitarist/vocalist, Guilherme Henriques, and instead of creating another black metal act, Oak is steered into the funeral doom universe and what better way to accomplish that than to make Disintegrate one 45-minute-long track? Yes, that makes for a daunting, intense listen but the beauty of what Oak do is just how listenable their ultra doom, deathy sound ends up. Heavy as fook riffs intertwine with weepy melancholic trills and beautifully emotive solo work and the listener gets carried along on ephemeral waves. The ebb and flow of the 45 minutes is remarkable and it never feels bogged down or dead in the mud. This is first-rate writing and execution and the slightly blackened edges add a great spice to the wood flavor. Bring in this wood.

#7. Rotpit // Let There Be Rot – In the time of old school death metal mania, Rotpit is the proudly unevolved monkey. Formed by members of Heads of the Dead, Wombbath, Just Before Dawn, and Revel in Flesh, Rotpit has the pedigree, and they leverage it to make Let There Be Rot the most over-the-top fun, mindless, dumb, death platter of the year. Cuts like “Slimebreeder,” “Let There Be Rot,” and “Beastfeeder” are Grade A bloody meat with no expiration date, and you will use them as the soundtrack to everything you do in life. This idiotic collection of caveman deathage has been a constant companion to me since it dropped and I’m stupider for having its company.

#6. Serpent Corpse // Blood Sabbath – Picking the best old school death metal platter of this year was no easy feat in 2023. There was so much good death this year at times it felt impossible to stay ahead of it and give everything a fair listen. At the end of the race though, it was Serpent Corpse that kept dragging me back for another beating more than anyone else, though Rotpit came so close! Their toxic blend of Autopsy-core and the scuzziest of Swedeath HM-2 abuse is seasoned with unexpected doses of melodeath to create a near-perfect cacophony of chaos that feels old but also fresh and evil. This things slithers, slaps, and grinds in all the ways a deathhead wants and needs. Get it inside your skull.

#5. Prong // State of Emergency – My bingo card for 2023 did NOT include falling in love with a new Prong album and beating it into the ground for 4 months straight. As much as I loved those classic Prong platters in the late 80s and 90s, they went through a long period of weak/erratic release and I had only been impressed by 2012s Carved in Stone. That’s why State of Emergency hits so damn hard. It’s the best thing Prong’s done in forever and takes you back to the salad days when they were on the cusp of metal’s adventurous edge. This thing is chocked full of the best riffs and harmonies Tommy Victor’s dreamed up in a long time and every song grabs you and smacks you around with NYC attitude. It;s so good to hear these back in fighting shape!

#4. Saturnus // The Storm Within – Saturnus have always had a relaxed release schedule, with only 5 albums to show for some 30 years in the business. It took them almost 10 years to drop The Storm Within, but the product was well worth the impossible wait, ending up one of the most polished and captivating doom albums of the year. Recapturing their classic sound and ability to wring emotion from the listener, Saturnus does their doom thing with style and panache all across the album, blending crushing riffs, airy trilling and mournful melodies to harsh your mellow completely. I’ve heard loose talk about this album being overrated or overhyped. Ignore that noise and tell the spewer to taste the floor!

#3. Isole // Anesidora – There weren’t a lot of classic doom releases that blew me away, by Isole have my number and once again they used it to knock me flat with their take on the Candlemass style on Anesidora.

#2. Vanishing Kids // Miracle of Death –

#1. Tribunal // The Weight of Remembrance –

HM

Overkill // Scorched –

Phobocosm //

Theocracy // Mosiac –

Wytch Hazel //

Vomitory // All Heads Will Roll –

Disquished Malignance //

Dripping Decay //

Wormhole //

Autopsy //

Sacred Outcry //

#2023 #BlogPost #BlooaOath #DisquishedMalignance #Isole #Listurnalia #Oak #Overkill #Phobocosm #Prong #Rotpit #Saturnus #SerpentCorpse #SteelDruhmSTopTenIshOf2023 #Tanith #TheNightEternal #Theocracy #Tribulation #VanishingKids #Vomitory #WytchHazel

Private: Steel Druhm’s Top Ten(ish) of 2023

By Steel Druhm

Well, we made it the end of another year full of surprises, disappointments, gains and losses. 2023 saw us add a few new voices to the AMG staff and sadly, it will see a few longtime members of the family stepping back from the day-to-day operations and activities. The much beloved Madam X has moved on from managing our everflowing stream of promos and that will now be handled by yours Steely. Sadly, our main cat man Grymm is also moving on for the time being, taking some personal time away from the deadlines and pressures of nonstop blogwork.

Throughout all the changes we’ve endured over the years, both good and bad, the AMG mission remains the same: to bring you the most honest, insightful, and entertaining reviews possible without being beholden to labels or outside pressures because we earn absolutely nothing for our efforts, We are truly terrible capitalists, but we love metal as much as you do and we want to talk about it, so the site grinds on year after year. I hope it always does.

Let’s all embrace the new year and what it holds for us. Life is always an adventure and one best shared with people you care about who make you laugh and make you think. If you don’t have those people, WE can be those people. Get on the war wagon with us and into the future we go!

Without further ado, here are the things that brought out my inner primate in 2023.

(ish) Blood Oath // Lost in an Eternal Silence – One of the year’s best and most entertaining throwback death metal releases, Lost in an Eternal Silence targets the exact point where early death metal looked to the skies and dreamed of being something more complex. Blood Oath have the raw talent and crazy creativity to recapture the early days of death metal and to replicate that frantic jump from brutality to proggy insanity that the genre toyed with in the late 80s. The album is the perfect blend of nostalgia and insane creativity, melding the past with the present and what may be the future. One of the most inventive and zany death platters of the year.

#10. Tanith // Voyage – Formed by Satan axe-master Russ Tippins, Tanith exist in a space between classic NWoBHM and 70s hard tock with a sheen of folk covering the entire enterprise. On sophomore outing Voyage, they take this retro formula and mine it for every ounce of precious metal, crafting some killer little gems along the way. Songs like “Snow Tiger” and “Olympus by Dawn” have been replayed more times than I can count and there’s something magical and endearingly DIY and indie about this whole release. It’s not especially heavy, but the hooks stick so deep, you won’t care much. This is the Charmer o’ the Year for sure.

#9. The Night Eternal // Fatale – I loved the sadly defunct act In Solitude dearly. Their mash-up of NWoBHM, occult metal and Mercyful Fate was hard to resist and I wanted more, more MOAR. When I first stumbled on The Night Eternal, it sounded to me as if In Solitude had possessed them, forcing them to pick up where they left off. I’m very okay with this and Fatale plays out like the new In Solitude platter I so desperately wanted. It’s the same sweet, hooky mix of classic Mercyful Fate-isms, chilly occult rock, Goth rock and early 80s metal. This thing gets into your head deep and demands many replays, and if I had found it earlier, it would have moved up the rankings considerably. Get this and feel The Night’s iron grip.

#8. Oak // Disintegrate – Oak is the project of Gaerea lead guitarist/vocalist, Guilherme Henriques, and instead of creating another black metal act, Oak is steered into the funeral doom universe and what better way to accomplish that than to make Disintegrate one 45-minute-long track? Yes, that makes for a daunting, intense listen but the beauty of what Oak do is just how listenable their ultra doom, deathy sound ends up. Heavy as fook riffs intertwine with weepy melancholic trills and beautifully emotive solo work and the listener gets carried along on ephemeral waves. The ebb and flow of the 45 minutes is remarkable and it never feels bogged down or dead in the mud. This is first-rate writing and execution and the slightly blackened edges add a great spice to the wood flavor. Bring in this wood.

#7. Rotpit // Let There Be Rot – In the time of old school death metal mania, Rotpit is the proudly unevolved monkey. Formed by members of Heads of the Dead, Wombbath, Just Before Dawn, and Revel in Flesh, Rotpit has the pedigree, and they leverage it to make Let There Be Rot the most over-the-top fun, mindless, dumb, death platter of the year. Cuts like “Slimebreeder,” “Let There Be Rot,” and “Beastfeeder” are Grade A bloody meat with no expiration date, and you will use them as the soundtrack to everything you do in life. This idiotic collection of caveman deathage has been a constant companion to me since it dropped and I’m stupider for having its company.

#6. Serpent Corpse // Blood Sabbath – Picking the best old school death metal platter of this year was no easy feat in 2023. There was so much good death this year at times it felt impossible to stay ahead of it and give everything a fair listen. At the end of the race though, it was Serpent Corpse that kept dragging me back for another beating more than anyone else, though Rotpit came so close! Their toxic blend of Autopsy-core and the scuzziest of Swedeath HM-2 abuse is seasoned with unexpected doses of melodeath to create a near-perfect cacophony of chaos that feels old but also fresh and evil. This things slithers, slaps, and grinds in all the ways a deathhead wants and needs. Get it inside your skull.

#5. Prong // State of Emergency – My bingo card for 2023 did NOT include falling in love with a new Prong album and beating it into the ground for 4 months straight. As much as I loved those classic Prong platters in the late 80s and 90s, they went through a long period of weak/erratic release and I had only been impressed by 2012s Carved in Stone. That’s why State of Emergency hits so damn hard. It’s the best thing Prong’s done in forever and takes you back to the salad days when they were on the cusp of metal’s adventurous edge. This thing is chocked full of the best riffs and harmonies Tommy Victor’s dreamed up in a long time and every song grabs you and smacks you around with NYC attitude. It;s so good to hear these back in fighting shape!

#4. Saturnus // The Storm Within – Saturnus have always had a relaxed release schedule, with only 5 albums to show for some 30 years in the business. It took them almost 10 years to drop The Storm Within, but the product was well worth the impossible wait, ending up one of the most polished and captivating doom albums of the year. Recapturing their classic sound and ability to wring emotion from the listener, Saturnus does their doom thing with style and panache all across the album, blending crushing riffs, airy trilling and mournful melodies to harsh your mellow completely. I’ve heard loose talk about this album being overrated or overhyped. Ignore that noise and tell the spewer to taste the floor!

#3. Isole // Anesidora – There weren’t a lot of classic doom releases that blew me away, by Isole have my number and once again they used it to knock me flat with their take on the Candlemass style on Anesidora.

#2. Vanishing Kids // Miracle of Death –

#1. Tribunal // The Weight of Remembrance –

HM

Overkill // Scorched –

Phobocosm //

Theocracy // Mosiac –

Wytch Hazel //

Vomitory // All Heads Will Roll –

Disquished Malignance //

Dripping Decay //

Wormhole //

Autopsy //

Sacred Outcry //

#2023 #BlogPost #BlooaOath #DisquishedMalignance #Isole #Listurnalia #Oak #Overkill #Phobocosm #Prong #Rotpit #Saturnus #SerpentCorpse #SteelDruhmSTopTenIshOf2023 #Tanith #TheNightEternal #Theocracy #Tribulation #VanishingKids #Vomitory #WytchHazel