#cormorant — Public Fediverse posts

Solar-powered mode engaged. Double-crested cormorant drying out its wings after a morning fishing run. Check out that bright turquoise eye and hooked bill.

#wildlifephotography #birdphotography #cormorant #naturephotography #birds

Solar-powered mode engaged. Double-crested cormorant drying out its wings after a morning fishing run. Check out that bright turquoise eye and hooked bill.

#wildlifephotography #birdphotography #cormorant #naturephotography #birds

Solar-powered mode engaged. Double-crested cormorant drying out its wings after a morning fishing run. Check out that bright turquoise eye and hooked bill.

#wildlifephotography #birdphotography #cormorant #naturephotography #birds

Solar-powered mode engaged. Double-crested cormorant drying out its wings after a morning fishing run. Check out that bright turquoise eye and hooked bill.

#wildlifephotography #birdphotography #cormorant #naturephotography #birds

Solar-powered mode engaged. Double-crested cormorant drying out its wings after a morning fishing run. Check out that bright turquoise eye and hooked bill.

#wildlifephotography #birdphotography #cormorant #naturephotography #birds

New on my #blog: https://aspi.blog/2026/08/31/england-win-series-against-pakistan/
A look at the final stages of the #TestMatch at Lord's which ended late yesterday afternoon and a large #photo gallery
#blogging #BlAugust #Cricket #TestCricket #EnglandvPakistan #Photography #birds #cormorant #insects #bees #butterflies #SpeckledWood #buildings #architecture #history

Got a Brandt's Cormorant done on my livestream this week. It's now a greeting card and a limited edition giclée print!

You can see it on my blog:

https://coreyartusimagery.com/blogs/musings/brandts-cormorant-greeting-card-and-print

Subscribe with RSS!

#Blog #Art #BskyArt #Birds #BirdArt #Cormorant #IndieArtist

Cormorant in Wellfleet 08/25/26

Cormorant at Wellfleet Harbor 08/25/26 #Cormorant #Bird #NaturePhotography #CapeCod #Wellfleet

https://capecodadventure.photos/2026/08/25/cormorant-in-wellfleet-08-25-26/

Vendredi matin, les prévisions étaient à l'orage pour l'après-midi… Je n'en ai pas vu la moindre goutte, ni entendu le moindre tonnerre.
Magnifique ciel, au-dessus du fond de la baie de Douarnenez et la montagne de Locronan, depuis la pointe du Bellec, à Telgruc sur mer

#photography #MonochromeMonday #monochrome #bnw #Bretagne #Finistere #nuage #cloud #falaise #cormoran #cormorant

One more from the rookery, a magical, musical trio: Cormorant, Anhinga, Roseate Spoonbill

I'd posted this, small version, while on site, but went back now to find the original... this makes me smile.

Added now to Flickr album of "Birds"
@ https://flic.kr/s/aHsmgd9Zde

#Birds #Fenfotos #BirdPhotography #Nature #NaturePhotography #Cormorant #Anhinga #RoseateSpoonbill

#Cormorant #BirdsOfMastodon #JPegsFolder

New on my #blog: https://aspi.blog/2026/08/08/phoenix-reduced-to-ashes/
An account of yesterday's match in The Hundred (women's), though the title is appropriate to Phoenix's whole tournament, not just yesterday's match. Also a link to a #quiz I created and a photo gallery.
#cricket #WomensCricket #TheHundred #BirminghamPhoenixvSunRisersLeeds #BPvSRL #photography #birds #heron #cormorant #butterflies #RedAdmiral #HollyBlue #LargeWhite #bees #pollinators

A #TidalRiver (i.e. Great Ouse) juxtaposition - a #GreyHeron in watchful mode and a #cormorant perched nearby on the same structure, on the western side of the river (I was on the east bank at the time).
#photography #nature #birds

Cormorant

#photography #cormorant #bird

Saw this little chap, who I think is a Great Cormorant, hanging about at Brooklands Lake in Dartford today

#dartford #cormorant #birding #WanderWednesday

New on my #blog: https://aspi.blog/2026/07/24/a-study-in-contrasts/
A look back at #BirminghamPhoenixvTrentRockets women's match earlier today and #LondonSpiritvManchesterSuperGiants men's match last night, plus a #photo gallery.
#cricket #TheHundred #BPvTR #LSvMSG #photography #postcards #stamps #Railways #buildings #butterflies #bees #birds #RedAdmiral #PaintedLady #gatekeeper #egret #cormorant

A #cormorant in the wonderful wing drying pose, on a platform where the #Nar flows into the #GreatOuse near #KingsLynn (this species makes such frequent use of this platform that I call it 'Cormorant Platform').
#photography #nature #birds

Cormorant watching along the Jordan River, Murray, Utah.

#Photography
#BirdPhotography
#Cormorant
#CormorantPhotography

New on my #blog: https://aspi.blog/2026/07/13/india-dominate-historic-match/
An account of the final two innings of the #WomensTestMatch at Lord's. Also a photo gallery.
#cricket #WomensCricket #TestCricket #EnglandvIndia #photography #birds #cormorant #insects #bees #butterflies #RedAdmiral #Gatekeeper #MeadowBrown #Tortoiseshell #Peacock #PaintedLady

Great cormorant skimming the surface
Sandy Camp wetlands

#Stunday
#photography #birds #nature #wildlife #cormorant #ECK

The #cormorant showing us a different view of its catch - the head is visible this time.
#photography #nature #birds #fish

Cormorant I drew on today's stream! had a lot of fun as usual! You can catch the process on my vods/highlights!

#cormorant #furry #anthro #cyberpunk #avian #bird #rpg #ttrpg #scifi #artwork #art #digitalart #krita #gaertan #oc

Drouth – The Teeth of Time Review

By Dear Hollow

There are bands that check all the boxes from a quick gander at the promo. Yeah, sure it’s black metal, but the name Drouth is just fun to say.1 The title The Teeth of Time is just tantalizingly terrific. That cover is appropriately terrifying and unique. Don’t expect me to listen to the advance track – I’m on it, hoss. The problem is that such behavior led me to an average score of 2.3 in 2022, when I dedicated myself entirely to the blackened arts. What can I say? The dark blacky whacky looks cool as hell so much of the time. That being said, will Drouth be a bounty of rewards beneath its shimmer or is it just a whitewashed tomb?

Drouth is a black metal band from Portland, formed in 2014. Born from the ashes of Contempt and featuring caliber from acts like Vermin Womb, Ursa, Cormorant, and Black Queen, they have released a plethora of blackened breeds, impressing with their range but lacking identity: debut Knives, Labyrinths, Mirrors fully immersed itself into the mellow meloblack pond while follow-up Excerpts from a Dread Liturgy laid an icy finger upon death-doom’s more weighty moods. In this way, while firmly entrenched in the former, Drouth engages in a more feral and unhinged approach reminiscent of other American black metal acts like Mo’ynoq or Anicon, shredding tremolo and layered melodic overlays colliding in an overwhelming and tastefully concocted experience.

Drouth manages to strike a fine balance: layers of melody and a pristine production. The Teeth of Time’s foundation of rabid tremolo, bouncing around with an energy and fire, is complemented by an unhinged percussion performance that utterly rips into the next dimension. The sound drips with iciness that recalls Immortal but without the bogged-down drama. The diminished chord progression that everyone and his kvlt dog uses appears only sporadically (“Through a Glass, Darkly,” “Exult, Ye Flagellant”), replaced by a yearning melody that feels desperate and vicious in equal measure. Muscular riffage bolsters this approach with a death metal-inspired weight that kicks things into high gear while emerging from the fray in moments of clarity (“False Grail,” “Through a Glass…”), while melodies are unique in their sounding both haunting and heart-wrenching (“Hurl Your Thunderbolt Even Unto Death,” title track, “Through a Glass…”). The production and mixing are clear and clean, offering a rawness drenched in reverb without losing the individual elements – the drum production in particular is organic and relentless in equal measure.

While the majority of the album focuses on unhinged melodic second-wave shenanigans, there are moments of experimentation that are scattered into the latter half. Closer “Exult, Ye Flagellants” is perhaps the best example. While generally aligning with the American black metal template, the doom flavors of Excerpts from a Dread Liturgy appear most prominently in a dreary and mysterious dirge, only hinted at in earlier tracks (“False Grail”). The passage of flaying dissonance halfway through (vaguely hinted at in “Through a Glass…”), a layered haunted plucking that recalls microtonal acts like Victory Over the Sun, is a tad out of place but nonetheless impressive. Guest vocals provided by Ails and former Ludicra alum Laurie Sue Shanaman and Christy Cather in the title track, “Hurl Your Thunderbolt…,” and “False Grail” inject a dose of fiery energy, while Dead to a Dying World and Isenordal violist Eva Aldridge adds a somber dimension to “False Grail” and “Through a Glass, Darkly.”

One thing that Drouth does very well is make black metal sound pretty decent – good, even. Even though it takes repeated spins to unearth its treasures beneath the feral attack of layered melodies and muscular riffs, and the bass sometimes gets lost in the buzz of second-wave, The Teeth of Time is solid as fuck. Offering five tracks in a reasonable forty-one minutes, you have time to ponder but plenty of time to be thrashed about. While Drouth has experimented in prior releases, I hope the sound on The Teeth of Time is here to stay. Drouth offers bounty aplenty beneath its appealing exterior: get bitten or bite me.

Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Eternal Warfare Records
Websites: drouth.bandcamp.com | facebook.com/drouthpdx
Releases Worldwide: May 16th, 2025

#2025 #35 #Ails #AmericanMetal #Anicon #BlackMetal #BlackQueen #Contempt #Cormorant #DeadToADyingWorld #Drouth #EternalWarfareRecords #Immortal #Isenordal #Ludicra #May25 #MelodicBlackMetal #MoYnoq #Review #Reviews #TheTeethOfTime #URSA #VerminWomb #VictoryOverTheSun

Drouth – The Teeth of Time Review

By Dear Hollow

There are bands that check all the boxes from a quick gander at the promo. Yeah, sure it’s black metal, but the name Drouth is just fun to say.1 The title The Teeth of Time is just tantalizingly terrific. That cover is appropriately terrifying and unique. Don’t expect me to listen to the advance track – I’m on it, hoss. The problem is that such behavior led me to an average score of 2.3 in 2022, when I dedicated myself entirely to the blackened arts. What can I say? The dark blacky whacky looks cool as hell so much of the time. That being said, will Drouth be a bounty of rewards beneath its shimmer or is it just a whitewashed tomb?

Drouth is a black metal band from Portland, formed in 2014. Born from the ashes of Contempt and featuring caliber from acts like Vermin Womb, Ursa, Cormorant, and Black Queen, they have released a plethora of blackened breeds, impressing with their range but lacking identity: debut Knives, Labyrinths, Mirrors fully immersed itself into the mellow meloblack pond while follow-up Excerpts from a Dread Liturgy laid an icy finger upon death-doom’s more weighty moods. In this way, while firmly entrenched in the former, Drouth engages in a more feral and unhinged approach reminiscent of other American black metal acts like Mo’ynoq or Anicon, shredding tremolo and layered melodic overlays colliding in an overwhelming and tastefully concocted experience.

Drouth manages to strike a fine balance: layers of melody and a pristine production. The Teeth of Time’s foundation of rabid tremolo, bouncing around with an energy and fire, is complemented by an unhinged percussion performance that utterly rips into the next dimension. The sound drips with iciness that recalls Immortal but without the bogged-down drama. The diminished chord progression that everyone and his kvlt dog uses appears only sporadically (“Through a Glass, Darkly,” “Exult, Ye Flagellant”), replaced by a yearning melody that feels desperate and vicious in equal measure. Muscular riffage bolsters this approach with a death metal-inspired weight that kicks things into high gear while emerging from the fray in moments of clarity (“False Grail,” “Through a Glass…”), while melodies are unique in their sounding both haunting and heart-wrenching (“Hurl Your Thunderbolt Even Unto Death,” title track, “Through a Glass…”). The production and mixing are clear and clean, offering a rawness drenched in reverb without losing the individual elements – the drum production in particular is organic and relentless in equal measure.

While the majority of the album focuses on unhinged melodic second-wave shenanigans, there are moments of experimentation that are scattered into the latter half. Closer “Exult, Ye Flagellants” is perhaps the best example. While generally aligning with the American black metal template, the doom flavors of Excerpts from a Dread Liturgy appear most prominently in a dreary and mysterious dirge, only hinted at in earlier tracks (“False Grail”). The passage of flaying dissonance halfway through (vaguely hinted at in “Through a Glass…”), a layered haunted plucking that recalls microtonal acts like Victory Over the Sun, is a tad out of place but nonetheless impressive. Guest vocals provided by Ails and former Ludicra alum Laurie Sue Shanaman and Christy Cather in the title track, “Hurl Your Thunderbolt…,” and “False Grail” inject a dose of fiery energy, while Dead to a Dying World and Isenordal violist Eva Aldridge adds a somber dimension to “False Grail” and “Through a Glass, Darkly.”

One thing that Drouth does very well is make black metal sound pretty decent – good, even. Even though it takes repeated spins to unearth its treasures beneath the feral attack of layered melodies and muscular riffs, and the bass sometimes gets lost in the buzz of second-wave, The Teeth of Time is solid as fuck. Offering five tracks in a reasonable forty-one minutes, you have time to ponder but plenty of time to be thrashed about. While Drouth has experimented in prior releases, I hope the sound on The Teeth of Time is here to stay. Drouth offers bounty aplenty beneath its appealing exterior: get bitten or bite me.

Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Eternal Warfare Records
Websites: drouth.bandcamp.com | facebook.com/drouthpdx
Releases Worldwide: May 16th, 2025

#2025 #35 #Ails #AmericanMetal #Anicon #BlackMetal #BlackQueen #Contempt #Cormorant #DeadToADyingWorld #Drouth #EternalWarfareRecords #Immortal #Isenordal #Ludicra #May25 #MelodicBlackMetal #MoYnoq #Review #Reviews #TheTeethOfTime #URSA #VerminWomb #VictoryOverTheSun

Drouth – The Teeth of Time Review

By Dear Hollow

There are bands that check all the boxes from a quick gander at the promo. Yeah, sure it’s black metal, but the name Drouth is just fun to say.1 The title The Teeth of Time is just tantalizingly terrific. That cover is appropriately terrifying and unique. Don’t expect me to listen to the advance track – I’m on it, hoss. The problem is that such behavior led me to an average score of 2.3 in 2022, when I dedicated myself entirely to the blackened arts. What can I say? The dark blacky whacky looks cool as hell so much of the time. That being said, will Drouth be a bounty of rewards beneath its shimmer or is it just a whitewashed tomb?

Drouth is a black metal band from Portland, formed in 2014. Born from the ashes of Contempt and featuring caliber from acts like Vermin Womb, Ursa, Cormorant, and Black Queen, they have released a plethora of blackened breeds, impressing with their range but lacking identity: debut Knives, Labyrinths, Mirrors fully immersed itself into the mellow meloblack pond while follow-up Excerpts from a Dread Liturgy laid an icy finger upon death-doom’s more weighty moods. In this way, while firmly entrenched in the former, Drouth engages in a more feral and unhinged approach reminiscent of other American black metal acts like Mo’ynoq or Anicon, shredding tremolo and layered melodic overlays colliding in an overwhelming and tastefully concocted experience.

Drouth manages to strike a fine balance: layers of melody and a pristine production. The Teeth of Time’s foundation of rabid tremolo, bouncing around with an energy and fire, is complemented by an unhinged percussion performance that utterly rips into the next dimension. The sound drips with iciness that recalls Immortal but without the bogged-down drama. The diminished chord progression that everyone and his kvlt dog uses appears only sporadically (“Through a Glass, Darkly,” “Exult, Ye Flagellant”), replaced by a yearning melody that feels desperate and vicious in equal measure. Muscular riffage bolsters this approach with a death metal-inspired weight that kicks things into high gear while emerging from the fray in moments of clarity (“False Grail,” “Through a Glass…”), while melodies are unique in their sounding both haunting and heart-wrenching (“Hurl Your Thunderbolt Even Unto Death,” title track, “Through a Glass…”). The production and mixing are clear and clean, offering a rawness drenched in reverb without losing the individual elements – the drum production in particular is organic and relentless in equal measure.

While the majority of the album focuses on unhinged melodic second-wave shenanigans, there are moments of experimentation that are scattered into the latter half. Closer “Exult, Ye Flagellants” is perhaps the best example. While generally aligning with the American black metal template, the doom flavors of Excerpts from a Dread Liturgy appear most prominently in a dreary and mysterious dirge, only hinted at in earlier tracks (“False Grail”). The passage of flaying dissonance halfway through (vaguely hinted at in “Through a Glass…”), a layered haunted plucking that recalls microtonal acts like Victory Over the Sun, is a tad out of place but nonetheless impressive. Guest vocals provided by Ails and former Ludicra alum Laurie Sue Shanaman and Christy Cather in the title track, “Hurl Your Thunderbolt…,” and “False Grail” inject a dose of fiery energy, while Dead to a Dying World and Isenordal violist Eva Aldridge adds a somber dimension to “False Grail” and “Through a Glass, Darkly.”

One thing that Drouth does very well is make black metal sound pretty decent – good, even. Even though it takes repeated spins to unearth its treasures beneath the feral attack of layered melodies and muscular riffs, and the bass sometimes gets lost in the buzz of second-wave, The Teeth of Time is solid as fuck. Offering five tracks in a reasonable forty-one minutes, you have time to ponder but plenty of time to be thrashed about. While Drouth has experimented in prior releases, I hope the sound on The Teeth of Time is here to stay. Drouth offers bounty aplenty beneath its appealing exterior: get bitten or bite me.

Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Eternal Warfare Records
Websites: drouth.bandcamp.com | facebook.com/drouthpdx
Releases Worldwide: May 16th, 2025

#2025 #35 #Ails #AmericanMetal #Anicon #BlackMetal #BlackQueen #Contempt #Cormorant #DeadToADyingWorld #Drouth #EternalWarfareRecords #Immortal #Isenordal #Ludicra #May25 #MelodicBlackMetal #MoYnoq #Review #Reviews #TheTeethOfTime #URSA #VerminWomb #VictoryOverTheSun

Drouth – The Teeth of Time Review

By Dear Hollow

There are bands that check all the boxes from a quick gander at the promo. Yeah, sure it’s black metal, but the name Drouth is just fun to say.1 The title The Teeth of Time is just tantalizingly terrific. That cover is appropriately terrifying and unique. Don’t expect me to listen to the advance track – I’m on it, hoss. The problem is that such behavior led me to an average score of 2.3 in 2022, when I dedicated myself entirely to the blackened arts. What can I say? The dark blacky whacky looks cool as hell so much of the time. That being said, will Drouth be a bounty of rewards beneath its shimmer or is it just a whitewashed tomb?

Drouth is a black metal band from Portland, formed in 2014. Born from the ashes of Contempt and featuring caliber from acts like Vermin Womb, Ursa, Cormorant, and Black Queen, they have released a plethora of blackened breeds, impressing with their range but lacking identity: debut Knives, Labyrinths, Mirrors fully immersed itself into the mellow meloblack pond while follow-up Excerpts from a Dread Liturgy laid an icy finger upon death-doom’s more weighty moods. In this way, while firmly entrenched in the former, Drouth engages in a more feral and unhinged approach reminiscent of other American black metal acts like Mo’ynoq or Anicon, shredding tremolo and layered melodic overlays colliding in an overwhelming and tastefully concocted experience.

Drouth manages to strike a fine balance: layers of melody and a pristine production. The Teeth of Time’s foundation of rabid tremolo, bouncing around with an energy and fire, is complemented by an unhinged percussion performance that utterly rips into the next dimension. The sound drips with iciness that recalls Immortal but without the bogged-down drama. The diminished chord progression that everyone and his kvlt dog uses appears only sporadically (“Through a Glass, Darkly,” “Exult, Ye Flagellant”), replaced by a yearning melody that feels desperate and vicious in equal measure. Muscular riffage bolsters this approach with a death metal-inspired weight that kicks things into high gear while emerging from the fray in moments of clarity (“False Grail,” “Through a Glass…”), while melodies are unique in their sounding both haunting and heart-wrenching (“Hurl Your Thunderbolt Even Unto Death,” title track, “Through a Glass…”). The production and mixing are clear and clean, offering a rawness drenched in reverb without losing the individual elements – the drum production in particular is organic and relentless in equal measure.

While the majority of the album focuses on unhinged melodic second-wave shenanigans, there are moments of experimentation that are scattered into the latter half. Closer “Exult, Ye Flagellants” is perhaps the best example. While generally aligning with the American black metal template, the doom flavors of Excerpts from a Dread Liturgy appear most prominently in a dreary and mysterious dirge, only hinted at in earlier tracks (“False Grail”). The passage of flaying dissonance halfway through (vaguely hinted at in “Through a Glass…”), a layered haunted plucking that recalls microtonal acts like Victory Over the Sun, is a tad out of place but nonetheless impressive. Guest vocals provided by Ails and former Ludicra alum Laurie Sue Shanaman and Christy Cather in the title track, “Hurl Your Thunderbolt…,” and “False Grail” inject a dose of fiery energy, while Dead to a Dying World and Isenordal violist Eva Aldridge adds a somber dimension to “False Grail” and “Through a Glass, Darkly.”

One thing that Drouth does very well is make black metal sound pretty decent – good, even. Even though it takes repeated spins to unearth its treasures beneath the feral attack of layered melodies and muscular riffs, and the bass sometimes gets lost in the buzz of second-wave, The Teeth of Time is solid as fuck. Offering five tracks in a reasonable forty-one minutes, you have time to ponder but plenty of time to be thrashed about. While Drouth has experimented in prior releases, I hope the sound on The Teeth of Time is here to stay. Drouth offers bounty aplenty beneath its appealing exterior: get bitten or bite me.

Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Eternal Warfare Records
Websites: drouth.bandcamp.com | facebook.com/drouthpdx
Releases Worldwide: May 16th, 2025

#2025 #35 #Ails #AmericanMetal #Anicon #BlackMetal #BlackQueen #Contempt #Cormorant #DeadToADyingWorld #Drouth #EternalWarfareRecords #Immortal #Isenordal #Ludicra #May25 #MelodicBlackMetal #MoYnoq #Review #Reviews #TheTeethOfTime #URSA #VerminWomb #VictoryOverTheSun