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#berthold — Public Fediverse posts

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  1. When you’re writing a book on type history, and diving into thousands of specimens, stuff starts to stick out that you may never have noticed before. Here’s a little thread about Flöckinger’s piano and Sternat’s head.

    In 1925 Berthold ran a competition in Austria for ads using their typefaces. Results were published in the “Wiener Anzeigen Wettbewerb” booklet of 1925.

    Winners were 1st: Prize Karl Jenau, Görkau (Odol); 2nd: Hermann Sternat, Innsbruck (Brostene Column); 3rd: Josef Richly, Katharein (HBW). Hans Flöckinger of Innsbruck also got several honorable mentions.

    The samples show type like Wiener Grotesk fontsinuse.com/typefaces/42287, Block fontsinuse.com/typefaces/7572/ & Akzidenz-Grotesk fontsinuse.com/typefaces/76/ak in modernist layouts.

    #TypeSpecimens #Berthold #1920s

  2. Where can I find a list of #Foundries that no longer exist, such as #Linotype, #ITC, #Bitstream, #FontShop, #Berthold, URW, Elsner+Flake, Letraset, Typoart, Emigre, House Industries, Scangraphic, Fontspring, Fontdeck #typefoundry

  3. "Mais ce matin, te mettre ça dans les mains, youtu.be/z4sSgN6Auhw?t=38 et ▇▇▇▇▇ ▇▇▇▇▇ une version libre et un peu foffole #metapost de la #Korinna que #Benguiat a redessiné pour #Berthold un jour si ▇▇▇▇ ▇▇▇▇▇▇▇▇ ▇▇▇ #Gilbert est imprimeur."
    #Hunstad #RTBF