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15 results for “johnnydark”

  1. Salvable Review: A Boxing Drama That Pulls Its Punches

    Björn Franklin and Johnny Marchetta’s Salvable sets out to deliver a knockout blow in the crowded ring of British boxing dramas, but despite a promising cast and gritty ambition, the film ultimately succumbs to the clichés it tries so hard to transcend....

    #BjornFranklin #JohnnyMarchetta #Salvable #ShiaLaBeouf #TobyKebbell

  2. Salvable Review: A Boxing Drama That Pulls Its Punches

    Björn Franklin and Johnny Marchetta’s Salvable sets out to deliver a knockout blow in the crowded ring of British boxing dramas, but despite a promising cast and gritty ambition, the film ultimately succumbs to the clichés it tries so hard to transcend....

    #BjornFranklin #JohnnyMarchetta #Salvable #ShiaLaBeouf #TobyKebbell

  3. Salvable Review: A Boxing Drama That Pulls Its Punches

    Björn Franklin and Johnny Marchetta’s Salvable sets out to deliver a knockout blow in the crowded ring of British boxing dramas, but despite a promising cast and gritty ambition, the film ultimately succumbs to the clichés it tries so hard to transcend....

    #BjornFranklin #JohnnyMarchetta #Salvable #ShiaLaBeouf #TobyKebbell

  4. The Smiths, Strangeways Here We Come, 1987 on Rough Trade.

    Fourth (and final) studio album from The Smiths, produced by Stephen Street, Morrissey, and Johnny Marr and recorded at The Wool Hall in Beckington, Somerset. On constant repeat in my late 80s experience.

    Strangeways was a prison in Manchester (now Manchester Prison) – The Smiths had previously used the Salford Lad’s Club for the cover of The Queen is Dead.

    My copy—via A1 Records in NYC—is the 2009 Rhino reissue which sounds great (though I don’t have an 80s pressing to compare it to).

    #1980s #1987 #2009 #A1Records #JohnnyMarr #morrissey #NYC #Reissue #Rhino #RoughTrade #Salford #StephenStreet #TheSmiths #vinyl #vinylcollection #vinylfinds

  5. "Wheel of Fortune" is a #popular song written by #BennieBenjamin and #GeorgeDavidWeiss and published in 1951. It is best remembered in the 1952 hit version by #KayStarr. The song was originally recorded in 1951, for #RCAVictor by #JohnnyHartman, and about the same time for Crescendo Records by Al Costello with the Walter Scott Orchestra. Several hit versions of "Wheel of Fortune" were released in 1952.
    youtube.com/watch?v=GqdUhlBwvx8