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23 results for “BassCan”
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@SimonGCutmore Well, now you're talking. I have an #adult list and a #children's list to offer:
#Middlemarch by #GeorgeEliot
#ColdComfortFarm by #StellaGibbon
The #Mapp&#Lucia novels of #EFBenson
#TheCornerThatHeldThem by #SylviaTownsendWarner
#TheManonADonkey by #HildaPrescott
#RidersInTheChariot by #PatrickWhite
#AllTheLightWeCannotSee by #AnthonyDoerr -
SA cannabis market: licensed operator bets on compliance as regulation tightens
Bassani Health Moves to Bring Regulatory Clarity to South Africa’s Cannabis Market In a sector that’s spent years feeling its way through the dark, one company is doing something quietly radical: it’s actually following the rules. South…
https://pressportal.co.za/agricultural/story/b9e355da004e10d4-2026420.html
#pressrelease #AfricaNewsroom #bizcommunity #publicrelations #africa #southafrica
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#FascistCrimes — #Otd in 1944, in Bassano del Grappa, Italy, the Nazis and their fascist collaborators tricked 31 young #partisans into surrender and murdered them, leaving their bodies to hang from the trees lining the town's main boulevard.
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In This Episode You'll Learn
・Why Squarepusher's music feels different from conventional electronic music
・How Tom Jenkinson's bass playing shaped his production style
・Why the bass can function as a lead instrument
#Jazz
#Breakbeats
#IDM
youtu.be/daEV6fyvOYU
Why Squarepusher Plays Electro... -
Minimisant la présence autochtone, cette carte du Saguenay–Lac-Saint-Jean dressée par Adolphe Larue en 1825 vise à démontrer que ce vaste territoire est propice à la colonisation et à l’agriculture. Carte décrite dans l’Atlas du Québec en Amérique et dans le monde :
http://monde.ccdmd.qc.ca/ressource/?id=137859Image : BAnQ
#Saguenay #BasCanada #Québec #colonisation #colons #Autochtones #Canada #BAnQ #peuplement #science #cartography #cartographie #carte #maps #économie #agriculture #nature #histoire #géographie -
Vieux-Port de Montréal
Photo prise depuis le Musée de la Pointe-à-Callière, le 7 septembre 2026
https://pacmusee.qc.ca/fr/
#Montréal #Québec #Canada #tourisme #VieuxPort #VieuxMontréal #fleuve #activités #musée #PAC #VilleMarie #artefacts #expo #histoire #archéologie #Grèce #Autochtones #NouvelleFrance #BasCanada #acqueduc #architecture #art #culture #cicilisation #photo #photographie #photography -
Vieux-Port de Montréal
Photo prise depuis le Musée de la Pointe-à-Callière, le 7 septembre 2026
https://pacmusee.qc.ca/fr/
#Montréal #Québec #Canada #tourisme #VieuxPort #VieuxMontréal #fleuve #activités #musée #PAC #VilleMarie #artefacts #expo #histoire #archéologie #Grèce #Autochtones #NouvelleFrance #BasCanada #acqueduc #architecture #art #culture #cicilisation #photo #photographie #photography -
Vieux-Port de Montréal
Photo prise depuis le Musée de la Pointe-à-Callière, le 7 septembre 2026
https://pacmusee.qc.ca/fr/
#Montréal #Québec #Canada #tourisme #VieuxPort #VieuxMontréal #fleuve #activités #musée #PAC #VilleMarie #artefacts #expo #histoire #archéologie #Grèce #Autochtones #NouvelleFrance #BasCanada #acqueduc #architecture #art #culture #cicilisation #photo #photographie #photography -
Vieux-Port de Montréal
Photo prise depuis le Musée de la Pointe-à-Callière, le 7 septembre 2026
https://pacmusee.qc.ca/fr/
#Montréal #Québec #Canada #tourisme #VieuxPort #VieuxMontréal #fleuve #activités #musée #PAC #VilleMarie #artefacts #expo #histoire #archéologie #Grèce #Autochtones #NouvelleFrance #BasCanada #acqueduc #architecture #art #culture #cicilisation #photo #photographie #photography -
Vieux-Port de Montréal
Photo prise depuis le Musée de la Pointe-à-Callière, le 7 septembre 2026
https://pacmusee.qc.ca/fr/
#Montréal #Québec #Canada #tourisme #VieuxPort #VieuxMontréal #fleuve #activités #musée #PAC #VilleMarie #artefacts #expo #histoire #archéologie #Grèce #Autochtones #NouvelleFrance #BasCanada #acqueduc #architecture #art #culture #cicilisation #photo #photographie #photography -
From the Leanpub Blog: Leanpub Book LAUNCH 🚀 LM from First Principles: A Notebook-Driven Guide to Building and Deploying Language Models by Amarpreet Singh Bassan
#books #leanpublishing #selfpublishing #languagemodels #LLM #deeplearning #JupyterNotebooks #NLP
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From the Leanpub Blog: Leanpub Book LAUNCH 🚀 LM from First Principles: A Notebook-Driven Guide to Building and Deploying Language Models by Amarpreet Singh Bassan
#books #leanpublishing #selfpublishing #languagemodels #LLM #deeplearning #JupyterNotebooks #NLP
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From the Leanpub Blog: Leanpub Book LAUNCH 🚀 LM from First Principles: A Notebook-Driven Guide to Building and Deploying Language Models by Amarpreet Singh Bassan
#books #leanpublishing #selfpublishing #languagemodels #LLM #deeplearning #JupyterNotebooks #NLP
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From the Leanpub Blog: Leanpub Book LAUNCH 🚀 LM from First Principles: A Notebook-Driven Guide to Building and Deploying Language Models by Amarpreet Singh Bassan
#books #leanpublishing #selfpublishing #languagemodels #LLM #deeplearning #JupyterNotebooks #NLP
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NEW! Leanpub Book LAUNCH 🚀 LM from First Principles: A Notebook-Driven Guide to Building and Deploying Language Models by Amarpreet Singh Bassan
#books #leanpublishing #selfpublishing #languagemodels #LLM #deeplearning #JupyterNotebooks #NLP
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NEW! Leanpub Book LAUNCH 🚀 LM from First Principles: A Notebook-Driven Guide to Building and Deploying Language Models by Amarpreet Singh Bassan
#books #leanpublishing #selfpublishing #languagemodels #LLM #deeplearning #JupyterNotebooks #NLP
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NEW! Leanpub Book LAUNCH 🚀 LM from First Principles: A Notebook-Driven Guide to Building and Deploying Language Models by Amarpreet Singh Bassan
#books #leanpublishing #selfpublishing #languagemodels #LLM #deeplearning #JupyterNotebooks #NLP
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NEW! Leanpub Book LAUNCH 🚀 LM from First Principles: A Notebook-Driven Guide to Building and Deploying Language Models by Amarpreet Singh Bassan
#books #leanpublishing #selfpublishing #languagemodels #LLM #deeplearning #JupyterNotebooks #NLP
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Medical cannabis in SA: what Section 21 means
Understanding Section 21: The Only Legal Pathway for Medical Cannabis Access in South Africa Most South Africans have heard of medical cannabis. Far fewer understand how it legally reaches a patient. Bassani Health explains the framework…
https://pressportal.co.za/agricultural/story/c614951f2ed76110-2026514.html
#pressrelease #AfricaNewsroom #bizcommunity #publicrelations #africa #southafrica
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Carte de l’Amérique du Nord (1847)
Publiée aujourd’hui sur Gallica / BnF
https://gallica.bnf.fr/ark:/12148/btv1b10063110b
#carte #cartographie #maps #cartography #AmériqueDuNord #géographie #histoire #patrimoine #BasCanada #USA #Mexique #Gallica #BnF #Amérique #Antilles -
AUDIOPHILE MAN - HiFi NEWS
Stack Audio’s AUVA SW is here: particle damping, silicone LF absorber, solid-aluminium shell — all purpose-built to tame sub-bass vibration. Serious isolation for serious subs.
£324/4.
🔗 https://theaudiophileman.com/auva-sw-from-stack-audio/
#audio #hifi #audiophile #Subwoofer #BassControl #VibrationIsolation #StackAudio #AUVA #HomeAudio #HiFiGear #HiFiUpgrade #AudioEngineering #Loudspeakers #HiFiCommunity #SoundQuality -
Coffin Hunters – Cosmic Dawn Review By Grin ReaperI love album art you can hear, and fittingly, Coffin Hunters’ Cosmic Dawn churns with a groovy, psychedelic fusion of hard rock and heavy metal that spills off the cover. Plus, how can I resist a sassy reaper rooted in a strawberry-lemonade backdrop featuring a gateway to an alternate dimension? Cosmic Dawn is Coffin Hunters’ third album in under a decade, and on their previous LPs the Los Angeles foursome dispensed reliable earworms with a rockin’ retro swagger. On Cosmic Dawn, the crew adds a healthy dollop of synth into their formula and dips their toes into acid rock waters. With a new twist on Coffin Hunters’ recipe, is this the Cosmic Dawn of a triumphant new era?
While it’s clear that influences play a pivotal role in Coffin Hunters’ sound, it’s just as clear that the band works to establish an identity all their own. Debut The Fire Knight leaned heavily into throwback, traditional heavy metal and saw Coffin Hunters embracing bass-forward boogies and monster grooves that conjure the likes of Saxon, Jag Panzer, and Iron Maiden. Follow-up Wake the Dead shed the raw edges of The Fire Knight and adopted slicker riffs and a more polished production, even adding touches of southern flair recalling Molly Hatchet and some punchy bassmanship that reminds me of Mike Dirnt’s 90s Green Day contributions. On Cosmic Dawn, Coffin Hunters push their boundaries even further, fusing the synth stylings of The Doors and Uriah Heep into their collective personality and capping it with Floydian psychedelia. The sum total is an intriguing melting pot that incorporates seemingly disparate ingredients into a surprisingly cohesive dish.
Over the last decade, Coffin Hunters has retained their core contributors while exploring ever-expanding shades of hard rock and heavy metal. Other than replacing original drummer Jorge Guzman in 2020 with Brennan Kunkel, Coffin Hunters boasts remarkable lineup stability, and you can hear the effortless give and take during their well-crafted arrangements. Guitarist Eric Harriman’s fuzzy crunch strums and swirls around Brian Crites’ bass, which punctuates compositions with often understated yet always alluring performances, particularly on “Skeleton Key” and the title track. Keyboards round out Cosmic Dawn’s instrumentation, making an indelible mark as they imbue each song with hooks embedded so deeply and central to the album’s character (“Isle of the Dead”) that I marvel how Coffin Hunters wrote two albums without them. Vocalist Sean Rivera delivers a solid performance as well, guiding listeners through the album’s eight tracks with his steady croon.
Although Coffin Hunters nails most songwriting elements on Cosmic Dawn, evaluating the album in its entirety reveals a few cracks. Foremost is the lack of songwriting dynamics, as pacing and tempo consistency keep Cosmic Dawn’s forty-three minutes within too narrow a band and inhibit Coffin Hunters’ adventurousness. To be fair, “Last Nail in the Coffin” supplies an early downshift in pacing; however, it’s not enough to combat the uniformity that permeates the rest of the album. Even though most songs radiate head-bobbing energy on their own, strung together they too easily pass by in a pleasantly tame blur. Injecting a show-stopping moment or two that stretches the even-keeled energy into peaks and valleys would go a long way towards reinforcing Cosmic Dawn’s impact. Also, while Rivera’s vocals serve the music well enough, they tend to be a bit one-note and lack the bite of earlier albums. Exploring other styles, resurrecting The Fire Knight’s vocal grit, or bringing in a guest vocalist for a song or two would further aid Coffin Hunters in tackling Cosmic Dawn’s homogeneity.
In the end, Coffin Hunters winningly conjures the echoes of earlier generations. Their commitment to bringing the past into the present reminds me of what I love about Lynx’s Trinity of Suns and, to a lesser extent, Chalice and Owl’s releases from earlier this year. Unfortunately, Cosmic Dawn sticks too closely to its core sound over its runtime, leeching memorability through the back half. Even so, Coffin Hunters wholehearted embrace of keyboards is cause for celebration, as they add delightfully retro textures and cement a gnarly identity for the band. With a stronger emphasis on songwriting and performance diversity their next time around, Coffin Hunters might just strike gold.
Rating: Good
#2026 #30 #AmericanMetal #BitterEndRecords #Chalice #CoffinHunters #CosmicDawn #GreenDay #HardRock #HeavyMetal #IronMaiden #JagPanzer #Jul26 #Lynx #MollyHatchet #Owl #PinkFloyd #Review #Reviews #Saxon #TheDoors #UriahHeap
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Bitter End Records
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: July 17th, 2026 -
Arise from Worms – A Bleeding Tree Hanging Self Destruction Review By Grin Reaper
If unrepentant guitar shredding gets your juices flowing, be warned that Arise from Worms bursts at the seams with face-melting indulgence on A Bleeding Tree Hanging Self Destruction. Boasting legends from essential death metal bands, Arise from Worms sports a first-rate, international pedigree. The project’s genesis stems from Sonny Lombardozzi, who seeks to push past genre boundaries in his quest for technical ecstasy. Lombardozzi spent time with Incantation from 2017 to 2019, contributing guitars for Profane Nexus, and recruited Morbid Angel vocalist Steve Tucker while supporting the Tampa institution on tour.1 From there, Lombardozzi rounded out the band with first-rate musicians. Cryptopsy‘s Flo Mounier bashes skulls and skins with his signature percussive shellacking, and ex-Dream Theater, ex-Yngwie Malmsteen keyboardist Derek Sherinian lends his high-velocity runs and proggy accents. Armed with enough firepower to defend a small nation, does A Bleeding Tree Hanging Self Destruction pack enough punch to make our collective worms arise?
Based solely on the members involved, A Bleeding Tree Hanging Self Destruction may not sound like what listeners expect to hear. Though Morbid Angel embodies an apt starting place with their serpentine riffs, Arise from Worms accelerates the speed and jolts guitar tones with a candied DragonForce coating. Sherinian’s contributions occasionally skew towards Dream Theater,2 though A Bleeding Tree requires a darker degree of menace and foreboding. Overall, Arise from Worms sounds a lot like Necrophagist, but with keyboards and a penchant for wankery. And though this comparison isn’t perfect, it gives prospective listeners a point to begin shaping expectations.
Arise from Worms’ performances across A Bleeding Tree Hanging Self Destruction doubtlessly spellbind with technicality. Lombardozzi’s masterclass shredding eats up the stage at every turn as he dances up and down the fretboard with enough gusto to make Yngwie blush. From the gratuitous weedlies in “Forgotten Kings” to the Annihilator-ready precision chugging in “Laolongtou,” Lombardozzi never leaves listeners doubting his greed for speed, whether on guitars or bass (“Axes of the Viovode 2”). In fact, Arise from Worms showcases excellent bassmanship throughout A Bleeding Tree, often shadowing the guitars with rousing plucking and impossibly dextrous burbles. Meanwhile, Mounier discharges an unimpeachable onslaught behind the kit, where furious double bass rolls (“Psionic Being”), jazz-flavored snare and cymbal finesse (“Nine Walls”), and tempered beatdowns amidst metronomic grooves (“Raize Demons Breath,” “Axes of the Viovode 1”) epitomize his exacting style and capture what makes him one of my favorite metal drummers. Similarly, Sherinian embeds synth flourishes and eldritch atmospherics to give Arise from Worms ample mystique while loosing dazzling keyboard cascades every now and again (“Laolongtou”). Though not as immediately eye-popping as the instrumentation, Tucker delivers an appropriately monstrous performance on A Bleeding Tree, and if there’s one ingredient Arise from Worms could use more of, it’s Tucker’s vicious vocals.
Unfortunately, despite the wizardry dripping off Arise from Worms’ A Bleeding Tree, insufficient songwriting prevents the technicality from coalescing into fully formed songs. “Forgotten Kings” and “Axes of the Viovode 1 & 2” give Tucker just enough of a platform to build towards proper tracks, but after a few listens, A Bleeding Tree loses its allure and leaks its jaw-dropping magic—even at a reasonable thirty-six minutes. More positively, the music sounds great, with Lombardozzi commanding Arise from Worms with frictionless licks and searing speeds. Given the bad reputation technical death metal gets for poor production, I find A Bleeding Tree a step above in this department, where strings, keys, drums, and vocals crash into one another with satisfying zeal while allowing each other plenty of room within the mix.
As a fan of technical showmanship and a high tolerance for self-indulgent instrumentation, Arise from Worms’ debut leaves me impressed yet mostly unmoved. A Bleeding Tree Hanging Self Destruction sounds incredible on paper, and lead single “Forgotten Kings” had me convinced that this would be a special album. In the promo materials, Arise from Worms touts breaking new musical ground and pioneering the writing of novel harmonies and time signatures. Yet in reality, A Bleeding Tree often exhibits the technicality of a clinic or workshop while lacking the songwriting cohesion to elevate songs past the surface. In the end, A Bleeding Tree lingers between outstanding performances and an inadequate execution of fulfilling metal songcraft, and while A Bleeding Tree may be worth Hanging around for, Arise for Worms carries more promise than they deliver on their debut.
Rating: Mixed
#25 #2026 #ABleedingTreeHangingSelfDestruction #AmericanMetal #Annihilator #AriseFromWorms #ChurchRoadRecords #Cryptopsy #DragonForce #DreamTheater #FrenchMetal #Incantation #InternationalMetal #Jul26 #MorbidAngel #Necrophagist #Review #Reviews #TechnicalDeathMetal #YngwieMalmsteen
DR: 7 | Format Reviewed: V0 or ~260 kbps VBR mp3
Label: Church Road Records
Websites: Bandcamp | Facebook
Releases Worldwide: July 10th, 2026