There’s nary a Jewish holiday or ritual that isn’t about sorrow as well as joy. They are as inseparable as the braids in a challah loaf or havdallah candle, or during Hanukkah, the shredded potatoes in latkes.
It is this interwoven quality that makes Jewish rituals so life-giving, because to live a whole life means embracing the sorrows and joys that are part of the human condition, yet in ways that aid us in journeying side by side with others through the darkness and light.
In this third pandemic Chanuka, 5783, in the deepening fascism, Christian supremacy 2022, it is difficult to see that balance, to see blessed light. Tonight’s menorah is so far from even “a cup half full” of lightness in this world, in these bleak times. There is more emptiness, more darkness, than feels possible to hold.
There are the small, blessed darknesses still—like seasonal cycles, which even if they steal away the daylight now, are essential for life, or this menorah, which my parents used from my earliest memories, and was the only object, as material remembrance, that I wanted when they died, yet when the candles flicker out each night, I miss my folks all over again.
Those are easy, even comforting to bear.
It is the big, cursed darknesses that are making it feel, well, dark—as if the gray skies blotting out sun and moon daily this winter are mirroring all the fascistic, wholly unnecessary sorrows—violences—swirling around us.
It feels impossible that the light of promise, much less hope, will return. We must sit with that uncertainty.
And while we do, Hanukkah will somatically exercise our capacity to notice—and maybe reweave—blessed dark and blessed light, to rededicate our fighting spirit for them, by easing our bodies over the next eight nights into “fuller cups” of sparks, of flames. Literally, with our hands, we will bring more light to life each evening—light that’s only visible because of the darkness; an inseparable illumination of what, by the eighth day, gestures at the worlds we dream of, the worlds we conjure via rituals of resistance so as to inhabit them now, if only for the length of candles burning brightly over this Kanika.
(photos: one purple and one orange lit candles set in a metal menorah, with the other seven candleholders empty, against a tan-colored wall; black-and-white art by @wendyelisheva featuring two crows, each holding one candle in its beak, toward a branch/treelike menorah with the words “bless dark” and “bless light.)
#Mazeldon
#RitualAsResistance
#FreilachHanukkahNotFascism
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