home.social

#letterpress — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #letterpress, aggregated by home.social.

  1. Don't miss this week's Metal Type newsletter. See the latest Forum posts, eBay finds, and more: metaltype.co.uk/s/6zcbi

    This week also saw the re-launch of our "eBay Express" email.

    Subscribe to our emails here: metaltype.co.uk/s/09imo

    #letterpress #linotype #monotype

  2. Don't miss this week's Metal Type newsletter. See the latest Forum posts, eBay finds, and more: metaltype.co.uk/s/6zcbi

    This week also saw the re-launch of our "eBay Express" email.

    Subscribe to our emails here: metaltype.co.uk/s/09imo

    #letterpress #linotype #monotype

  3. Don't miss this week's Metal Type newsletter. See the latest Forum posts, eBay finds, and more: metaltype.co.uk/s/6zcbi

    This week also saw the re-launch of our "eBay Express" email.

    Subscribe to our emails here: metaltype.co.uk/s/09imo

    #letterpress #linotype #monotype

  4. Don't miss this week's Metal Type newsletter. See the latest Forum posts, eBay finds, and more: metaltype.co.uk/s/6zcbi

    This week also saw the re-launch of our "eBay Express" email.

    Subscribe to our emails here: metaltype.co.uk/s/09imo

    #letterpress #linotype #monotype

  5. Ajouts à ma petite boutique, deux cartons imprimés en typo + linogravure.

    Citation d'André Suarès :
    La cité s'écroule, la ville disparaît et le livre demeure.
    10€ + port

    Citation de Christiane Rochefort :
    Il y a un moment où il faut sortir les couteaux.
    10€ + port (100% des bénéfices, soit 8€ par carton, au profit du planning familial 29)

    Peu d'exemplaires restant, chaque carton a été tiré à 40 ex.
    ledroitalapresse.sumupstore.co

    #imprimerie #letterpress

  6. Ajouts à ma petite boutique, deux cartons imprimés en typo + linogravure.

    Citation d'André Suarès :
    La cité s'écroule, la ville disparaît et le livre demeure.
    10€ + port

    Citation de Christiane Rochefort :
    Il y a un moment où il faut sortir les couteaux.
    10€ + port (100% des bénéfices, soit 8€ par carton, au profit du planning familial 29)

    Peu d'exemplaires restant, chaque carton a été tiré à 40 ex.
    ledroitalapresse.sumupstore.co

    #imprimerie #letterpress

  7. Ajouts à ma petite boutique, deux cartons imprimés en typo + linogravure.

    Citation d'André Suarès :
    La cité s'écroule, la ville disparaît et le livre demeure.
    10€ + port

    Citation de Christiane Rochefort :
    Il y a un moment où il faut sortir les couteaux.
    10€ + port (100% des bénéfices, soit 8€ par carton, au profit du planning familial 29)

    Peu d'exemplaires restant, chaque carton a été tiré à 40 ex.
    ledroitalapresse.sumupstore.co

    #imprimerie #letterpress

  8. Ajouts à ma petite boutique, deux cartons imprimés en typo + linogravure.

    Citation d'André Suarès :
    La cité s'écroule, la ville disparaît et le livre demeure.
    10€ + port

    Citation de Christiane Rochefort :
    Il y a un moment où il faut sortir les couteaux.
    10€ + port (100% des bénéfices, soit 8€ par carton, au profit du planning familial 29)

    Peu d'exemplaires restant, chaque carton a été tiré à 40 ex.
    ledroitalapresse.sumupstore.co

    #imprimerie #letterpress

  9. Ajouts à ma petite boutique, deux cartons imprimés en typo + linogravure.

    Citation d'André Suarès :
    La cité s'écroule, la ville disparaît et le livre demeure.
    10€ + port

    Citation de Christiane Rochefort :
    Il y a un moment où il faut sortir les couteaux.
    10€ + port (100% des bénéfices, soit 8€ par carton, au profit du planning familial 29)

    Peu d'exemplaires restant, chaque carton a été tiré à 40 ex.
    ledroitalapresse.sumupstore.co

    #imprimerie #letterpress

  10. Seeing a fellow appreciator of Big Wood Type led me to Kennedy Adams' excellent printing, typography, fabrication work—including fabricating her own huge wood type for her exhibit on legibility & recognition via a dyslexic lens: kennedyacreative.com/upside-down-... #letterpress

  11. Seeing a fellow appreciator of Big Wood Type led me to Kennedy Adams' excellent printing, typography, fabrication work—including fabricating her own huge wood type for her exhibit on legibility & recognition via a dyslexic lens: kennedyacreative.com/upside-down-... #letterpress

  12. Seeing a fellow appreciator of Big Wood Type led me to Kennedy Adams' excellent printing, typography, fabrication work—including fabricating her own huge wood type for her exhibit on legibility & recognition via a dyslexic lens: kennedyacreative.com/upside-down-... #letterpress

  13. Check out the news from Metal Type. There's the latest Forum posts and eBay Highlights including a great Ludlow and some unusual mats.

    Take a look here: metaltype.co.uk/s/eombe

    Subscribe to our emails: metaltype.co.uk/s/09imo

    #letterpress #linotype #printing

  14. Check out the news from Metal Type. There's the latest Forum posts and eBay Highlights including a great Ludlow and some unusual mats.

    Take a look here: metaltype.co.uk/s/eombe

    Subscribe to our emails: metaltype.co.uk/s/09imo

    #letterpress #linotype #printing

  15. Check out the news from Metal Type. There's the latest Forum posts and eBay Highlights including a great Ludlow and some unusual mats.

    Take a look here: metaltype.co.uk/s/eombe

    Subscribe to our emails: metaltype.co.uk/s/09imo

    #letterpress #linotype #printing

  16. More #letterpress process: white dashes of ink on top of gradient on ink slab w/palette knife; pick up w/roller, roll onto type. 3rd photo=repeating for a 2nd print w/o renewing ink dashed nor cleaning type first=more muted effect. #DHmakes

    RE: https://bsky.app/profile/did:plc:quschouau47zm4f3ntsw7j5y/post/3mpgy4dstvs2r

  17. More #letterpress process: white dashes of ink on top of gradient on ink slab w/palette knife; pick up w/roller, roll onto type. 3rd photo=repeating for a 2nd print w/o renewing ink dashed nor cleaning type first=more muted effect. #DHmakes

    RE: https://bsky.app/profile/did:plc:quschouau47zm4f3ntsw7j5y/post/3mpgy4dstvs2r

  18. More #letterpress process: white dashes of ink on top of gradient on ink slab w/palette knife; pick up w/roller, roll onto type. 3rd photo=repeating for a 2nd print w/o renewing ink dashed nor cleaning type first=more muted effect. #DHmakes

    RE: https://bsky.app/profile/did:plc:quschouau47zm4f3ntsw7j5y/post/3mpgy4dstvs2r

  19. Take a look at the latest Metal Type news for the latest Forum posts and eBay selections:
    metaltype.co.uk/s/09nm9

    You can sign up to receive the newsletter by email here:
    metaltype.co.uk/s/09imo

    #letterpress #linotype #printing

  20. Take a look at the latest Metal Type news for the latest Forum posts and eBay selections:
    metaltype.co.uk/s/09nm9

    You can sign up to receive the newsletter by email here:
    metaltype.co.uk/s/09imo

    #letterpress #linotype #printing

  21. Take a look at the latest Metal Type news for the latest Forum posts and eBay selections:
    metaltype.co.uk/s/09nm9

    You can sign up to receive the newsletter by email here:
    metaltype.co.uk/s/09imo

    #letterpress #linotype #printing

  22. Take a look at the latest Metal Type news for the latest Forum posts and eBay selections:
    metaltype.co.uk/s/09nm9

    You can sign up to receive the newsletter by email here:
    metaltype.co.uk/s/09imo

    #letterpress #linotype #printing

  23. Spotted in my RSS feeds: Heikki’s Garden of Flowers. From the About page: “Heikki’s Garden of Flowers aims to be a comprehensive catalogue of historical and contemporary pictorial letterpress works…. The archive has more than 2500 images as of 2026. But, for a more focused set of 50, you can find my favourites in the Heikki’s favourites collection.”

    https://rbfirehose.com/2026/06/19/lots-of-letterpress-heikkis-garden-of-flowers/
  24. Spotted in my RSS feeds: Heikki’s Garden of Flowers. From the About page: “Heikki’s Garden of Flowers aims to be a comprehensive catalogue of historical and contemporary pictorial letterpress works…. The archive has more than 2500 images as of 2026. But, for a more focused set of 50, you can find my favourites in the Heikki’s favourites collection.”

    https://rbfirehose.com/2026/06/19/lots-of-letterpress-heikkis-garden-of-flowers/
  25. Spotted in my RSS feeds: Heikki’s Garden of Flowers. From the About page: “Heikki’s Garden of Flowers aims to be a comprehensive catalogue of historical and contemporary pictorial letterpress works…. The archive has more than 2500 images as of 2026. But, for a more focused set of 50, you can find my favourites in the Heikki’s favourites collection.”

    https://rbfirehose.com/2026/06/19/lots-of-letterpress-heikkis-garden-of-flowers/
  26. Spotted in my RSS feeds: Heikki’s Garden of Flowers. From the About page: “Heikki’s Garden of Flowers aims to be a comprehensive catalogue of historical and contemporary pictorial letterpress works…. The archive has more than 2500 images as of 2026. But, for a more focused set of 50, you can find my favourites in the Heikki’s favourites collection.”

    https://rbfirehose.com/2026/06/19/lots-of-letterpress-heikkis-garden-of-flowers/
  27. Spotted in my RSS feeds: Heikki’s Garden of Flowers. From the About page: “Heikki’s Garden of Flowers aims to be a comprehensive catalogue of historical and contemporary pictorial letterpress works…. The archive has more than 2500 images as of 2026. But, for a more focused set of 50, you can find my favourites in the Heikki’s favourites collection.”

    https://rbfirehose.com/2026/06/19/lots-of-letterpress-heikkis-garden-of-flowers/
  28. press run

    She'll choose two cans of color, exploring them
    for the soft caramel of good set, putting aside
    flakes of air-dried dross with her inking knife.

    One, a can of orange stuff, she's been given
    for imprinting brew-pub six-packs; the knife
    scoops up a dollop and ferries it to the disk.

    The other is your standard black; the smallest
    bubble of this she'll add to the orange, and stir,
    in hope of a decent brown. A heave of the flywheel

    begins the inking-up: the disk turns a bit
    with each revolution of the wheel, and the ink,
    smashed paper-thin by rollers, spreads evenly

    across its face, painting it, painting the rollers,
    as her foot pumps the treadle, and her face
    admires, as it always does, the view from here,

    of garden dressed in straw, of mountain air
    training the rainbow windsock northward,
    of Jasper Mountain becoming a hill of gold

    in sunset. Gathering the furniture, reglets,
    quoins, quoin key, and the new magnesium cut,
    she locks the chase, fastens it to the bed, shoves

    the wheel, this time with impression lever on,
    and lets the cut kiss the clean tympan paper
    with an image. Around this image she sets quads,

    tympan bales, and bits of makeready, and prepares
    stacked sheets to be fed from the feed board
    into the maw of the Chandler & Price, known

    to pressmen for a hundred fifty years as the
    Hand Snapper. She reaches for the radio's knob.
    Rachmaninoff? Damn. Oh, well, turn

    wheel, pump treadle, lean forward, lean back,
    click-click, click CLACK, work-and-turn,
    deliver the finished sheets to the delivery board,

    admire mountain, lean forward, lean back.
    Rachmaninoff gives way to Mozart's glorious
    forty-first symphony, and Jasper Mountain

    gives way to night, and in the black window
    a woman in her fifties, leaning forward,
    leaning back, critically appraising the music,

    the printing, herself, click-click, click CLACK,
    sour bones and a game leg but a job well done
    and the Mozart's Mozart. Four hundred sheets

    later, and well into Bruch, the wheel stops,
    the chase is unclamped, the disk and rollers
    washed up, and rags canned. The reflected

    window-crone lifts a sheet of work
    to the light, examines impression and matter.
    Reaching to silence Bruch, she sees the stilling

    silhouette of the rainbow windsock:
    it waits for dawn; for fair and lofting wind.


    -- shonin #poetry #letterpress

    This was a thing I used to do.

  29. press run

    She'll choose two cans of color, exploring them
    for the soft caramel of good set, putting aside
    flakes of air-dried dross with her inking knife.

    One, a can of orange stuff, she's been given
    for imprinting brew-pub six-packs; the knife
    scoops up a dollop and ferries it to the disk.

    The other is your standard black; the smallest
    bubble of this she'll add to the orange, and stir,
    in hope of a decent brown. A heave of the flywheel

    begins the inking-up: the disk turns a bit
    with each revolution of the wheel, and the ink,
    smashed paper-thin by rollers, spreads evenly

    across its face, painting it, painting the rollers,
    as her foot pumps the treadle, and her face
    admires, as it always does, the view from here,

    of garden dressed in straw, of mountain air
    training the rainbow windsock northward,
    of Jasper Mountain becoming a hill of gold

    in sunset. Gathering the furniture, reglets,
    quoins, quoin key, and the new magnesium cut,
    she locks the chase, fastens it to the bed, shoves

    the wheel, this time with impression lever on,
    and lets the cut kiss the clean tympan paper
    with an image. Around this image she sets quads,

    tympan bales, and bits of makeready, and prepares
    stacked sheets to be fed from the feed board
    into the maw of the Chandler & Price, known

    to pressmen for a hundred fifty years as the
    Hand Snapper. She reaches for the radio's knob.
    Rachmaninoff? Damn. Oh, well, turn

    wheel, pump treadle, lean forward, lean back,
    click-click, click CLACK, work-and-turn,
    deliver the finished sheets to the delivery board,

    admire mountain, lean forward, lean back.
    Rachmaninoff gives way to Mozart's glorious
    forty-first symphony, and Jasper Mountain

    gives way to night, and in the black window
    a woman in her fifties, leaning forward,
    leaning back, critically appraising the music,

    the printing, herself, click-click, click CLACK,
    sour bones and a game leg but a job well done
    and the Mozart's Mozart. Four hundred sheets

    later, and well into Bruch, the wheel stops,
    the chase is unclamped, the disk and rollers
    washed up, and rags canned. The reflected

    window-crone lifts a sheet of work
    to the light, examines impression and matter.
    Reaching to silence Bruch, she sees the stilling

    silhouette of the rainbow windsock:
    it waits for dawn; for fair and lofting wind.


    -- shonin #poetry #letterpress

    This was a thing I used to do.

  30. press run

    She'll choose two cans of color, exploring them
    for the soft caramel of good set, putting aside
    flakes of air-dried dross with her inking knife.

    One, a can of orange stuff, she's been given
    for imprinting brew-pub six-packs; the knife
    scoops up a dollop and ferries it to the disk.

    The other is your standard black; the smallest
    bubble of this she'll add to the orange, and stir,
    in hope of a decent brown. A heave of the flywheel

    begins the inking-up: the disk turns a bit
    with each revolution of the wheel, and the ink,
    smashed paper-thin by rollers, spreads evenly

    across its face, painting it, painting the rollers,
    as her foot pumps the treadle, and her face
    admires, as it always does, the view from here,

    of garden dressed in straw, of mountain air
    training the rainbow windsock northward,
    of Jasper Mountain becoming a hill of gold

    in sunset. Gathering the furniture, reglets,
    quoins, quoin key, and the new magnesium cut,
    she locks the chase, fastens it to the bed, shoves

    the wheel, this time with impression lever on,
    and lets the cut kiss the clean tympan paper
    with an image. Around this image she sets quads,

    tympan bales, and bits of makeready, and prepares
    stacked sheets to be fed from the feed board
    into the maw of the Chandler & Price, known

    to pressmen for a hundred fifty years as the
    Hand Snapper. She reaches for the radio's knob.
    Rachmaninoff? Damn. Oh, well, turn

    wheel, pump treadle, lean forward, lean back,
    click-click, click CLACK, work-and-turn,
    deliver the finished sheets to the delivery board,

    admire mountain, lean forward, lean back.
    Rachmaninoff gives way to Mozart's glorious
    forty-first symphony, and Jasper Mountain

    gives way to night, and in the black window
    a woman in her fifties, leaning forward,
    leaning back, critically appraising the music,

    the printing, herself, click-click, click CLACK,
    sour bones and a game leg but a job well done
    and the Mozart's Mozart. Four hundred sheets

    later, and well into Bruch, the wheel stops,
    the chase is unclamped, the disk and rollers
    washed up, and rags canned. The reflected

    window-crone lifts a sheet of work
    to the light, examines impression and matter.
    Reaching to silence Bruch, she sees the stilling

    silhouette of the rainbow windsock:
    it waits for dawn; for fair and lofting wind.


    -- shonin #poetry #letterpress

    This was a thing I used to do.

  31. press run

    She'll choose two cans of color, exploring them
    for the soft caramel of good set, putting aside
    flakes of air-dried dross with her inking knife.

    One, a can of orange stuff, she's been given
    for imprinting brew-pub six-packs; the knife
    scoops up a dollop and ferries it to the disk.

    The other is your standard black; the smallest
    bubble of this she'll add to the orange, and stir,
    in hope of a decent brown. A heave of the flywheel

    begins the inking-up: the disk turns a bit
    with each revolution of the wheel, and the ink,
    smashed paper-thin by rollers, spreads evenly

    across its face, painting it, painting the rollers,
    as her foot pumps the treadle, and her face
    admires, as it always does, the view from here,

    of garden dressed in straw, of mountain air
    training the rainbow windsock northward,
    of Jasper Mountain becoming a hill of gold

    in sunset. Gathering the furniture, reglets,
    quoins, quoin key, and the new magnesium cut,
    she locks the chase, fastens it to the bed, shoves

    the wheel, this time with impression lever on,
    and lets the cut kiss the clean tympan paper
    with an image. Around this image she sets quads,

    tympan bales, and bits of makeready, and prepares
    stacked sheets to be fed from the feed board
    into the maw of the Chandler & Price, known

    to pressmen for a hundred fifty years as the
    Hand Snapper. She reaches for the radio's knob.
    Rachmaninoff? Damn. Oh, well, turn

    wheel, pump treadle, lean forward, lean back,
    click-click, click CLACK, work-and-turn,
    deliver the finished sheets to the delivery board,

    admire mountain, lean forward, lean back.
    Rachmaninoff gives way to Mozart's glorious
    forty-first symphony, and Jasper Mountain

    gives way to night, and in the black window
    a woman in her fifties, leaning forward,
    leaning back, critically appraising the music,

    the printing, herself, click-click, click CLACK,
    sour bones and a game leg but a job well done
    and the Mozart's Mozart. Four hundred sheets

    later, and well into Bruch, the wheel stops,
    the chase is unclamped, the disk and rollers
    washed up, and rags canned. The reflected

    window-crone lifts a sheet of work
    to the light, examines impression and matter.
    Reaching to silence Bruch, she sees the stilling

    silhouette of the rainbow windsock:
    it waits for dawn; for fair and lofting wind.


    -- shonin #poetry #letterpress

    This was a thing I used to do.

  32. press run

    She'll choose two cans of color, exploring them
    for the soft caramel of good set, putting aside
    flakes of air-dried dross with her inking knife.

    One, a can of orange stuff, she's been given
    for imprinting brew-pub six-packs; the knife
    scoops up a dollop and ferries it to the disk.

    The other is your standard black; the smallest
    bubble of this she'll add to the orange, and stir,
    in hope of a decent brown. A heave of the flywheel

    begins the inking-up: the disk turns a bit
    with each revolution of the wheel, and the ink,
    smashed paper-thin by rollers, spreads evenly

    across its face, painting it, painting the rollers,
    as her foot pumps the treadle, and her face
    admires, as it always does, the view from here,

    of garden dressed in straw, of mountain air
    training the rainbow windsock northward,
    of Jasper Mountain becoming a hill of gold

    in sunset. Gathering the furniture, reglets,
    quoins, quoin key, and the new magnesium cut,
    she locks the chase, fastens it to the bed, shoves

    the wheel, this time with impression lever on,
    and lets the cut kiss the clean tympan paper
    with an image. Around this image she sets quads,

    tympan bales, and bits of makeready, and prepares
    stacked sheets to be fed from the feed board
    into the maw of the Chandler & Price, known

    to pressmen for a hundred fifty years as the
    Hand Snapper. She reaches for the radio's knob.
    Rachmaninoff? Damn. Oh, well, turn

    wheel, pump treadle, lean forward, lean back,
    click-click, click CLACK, work-and-turn,
    deliver the finished sheets to the delivery board,

    admire mountain, lean forward, lean back.
    Rachmaninoff gives way to Mozart's glorious
    forty-first symphony, and Jasper Mountain

    gives way to night, and in the black window
    a woman in her fifties, leaning forward,
    leaning back, critically appraising the music,

    the printing, herself, click-click, click CLACK,
    sour bones and a game leg but a job well done
    and the Mozart's Mozart. Four hundred sheets

    later, and well into Bruch, the wheel stops,
    the chase is unclamped, the disk and rollers
    washed up, and rags canned. The reflected

    window-crone lifts a sheet of work
    to the light, examines impression and matter.
    Reaching to silence Bruch, she sees the stilling

    silhouette of the rainbow windsock:
    it waits for dawn; for fair and lofting wind.


    -- shonin #poetry #letterpress

    This was a thing I used to do.

  33. The latest Metal Type news is here. View the latest posts and eBay highlights, including Metal Type's first venture into AI!

    Take a look: metaltype.co.uk/s/t9mon

    Subscribe to the email: metaltype.co.uk/s/09imo

    #letterpress #linotype #typesetting #print

  34. The latest Metal Type news is here. View the latest posts and eBay highlights, including Metal Type's first venture into AI!

    Take a look: metaltype.co.uk/s/t9mon

    Subscribe to the email: metaltype.co.uk/s/09imo

    #letterpress #linotype #typesetting #print

  35. The latest Metal Type news is here. View the latest posts and eBay highlights, including Metal Type's first venture into AI!

    Take a look: metaltype.co.uk/s/t9mon

    Subscribe to the email: metaltype.co.uk/s/09imo

    #letterpress #linotype #typesetting #print

  36. & for my printer friends, a Vandercookin' saucepan 🍳🎨 sticker #letterpress 👇

    Vandercookin' sticker
  37. & for my printer friends, a Vandercookin' saucepan 🍳🎨 sticker #letterpress 👇

    Vandercookin' sticker
  38. & for my printer friends, a Vandercookin' saucepan 🍳🎨 sticker #letterpress 👇

    Vandercookin' sticker
  39. The latest Metal Type news has all the latest Forum posts, some great eBay highlights, and details of a new article on the Linotype Junior.

    Take a look: metaltype.co.uk/s/tc78s

    Subscribe to the email: metaltype.co.uk/s/09imo

    #letterpress #linotype #printing

  40. The latest Metal Type news has all the latest Forum posts, some great eBay highlights, and details of a new article on the Linotype Junior.

    Take a look: metaltype.co.uk/s/tc78s

    Subscribe to the email: metaltype.co.uk/s/09imo

    #letterpress #linotype #printing

  41. The latest Metal Type news has all the latest Forum posts, some great eBay highlights, and details of a new article on the Linotype Junior.

    Take a look: metaltype.co.uk/s/tc78s

    Subscribe to the email: metaltype.co.uk/s/09imo

    #letterpress #linotype #printing

  42. The latest Metal Type news has all the latest Forum posts, some great eBay highlights, and details of a new article on the Linotype Junior.

    Take a look: metaltype.co.uk/s/tc78s

    Subscribe to the email: metaltype.co.uk/s/09imo

    #letterpress #linotype #printing

  43. Suite à une erreur de stocks, je suis obligé de refaire un modèle d'impression pour une commande et donc de ressortir le matériel typo !

    C'est artisanal!

    #Letterpress #Imprimerie #Typographie #Antifa

  44. Suite à une erreur de stocks, je suis obligé de refaire un modèle d'impression pour une commande et donc de ressortir le matériel typo !

    C'est artisanal!

    #Letterpress #Imprimerie #Typographie #Antifa

  45. Suite à une erreur de stocks, je suis obligé de refaire un modèle d'impression pour une commande et donc de ressortir le matériel typo !

    C'est artisanal!

    #Letterpress #Imprimerie #Typographie #Antifa