#indiesleaze — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #indiesleaze, aggregated by home.social.
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The Sleeping Cliffs - Goose Congress
https://anarchist.nexus/c/music/p/844124/the-sleeping-cliffs-goose-congress
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Fresh on my #blog — "New and new-to-me music 2025-W45" which is pretty dark this week, heavy on the #goth, #BaroquePop, and #IndieSleaze
#music #review #NewMusicFriday #HeavyMetal #FlorenceAndTheMachine #LastDinnerParty #Avatar #indie #brighton #SistersOfMercy
thomasrigby.com/posts/new-and-new-to-me-music-2025-w45/ -
Free download codes:
Tater Andersson - Extended Play
"Tater Andersson is carving out a name for himself as a rising force in Norway’s underground music scene."
#electronic #techno #noise #house #beats #acid #analog #nostalgic #oldschool #bloghaus #funky #indiesleaze #mpc #electroclash #music
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Free download codes:
Tater Andersson - Extended Play
"Tater Andersson is carving out a name for himself as a rising force in Norway’s underground music scene."
#electronic #techno #noise #house #beats #acid #analog #nostalgic #oldschool #bloghaus #funky #indiesleaze #mpc #electroclash #music
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Indie Sleaze is technically a revisionist genre coined by media and trend critic and former Nylon magazine intern* Mandy Lee that lumps together the artistic, aesthetic and media landscape of the early 00s-early 2010s featuring a “grit and glitter”, “The Night is Young and so are we”-downtown party vibe.
(*she was an intern towards the end of my time on staff)
#ILikeToWatch #IndieSleaze -
Fcukers - Baggy$$
Origin: NYC
Tasting Notes: Fatboy Slim, Groove Armada, Opus IIILet's be real: I'm not sure Fcukers are trying too hard. Their debut E.P. is 6 tracks cobbled together from the most basic components, each one feeling like a demo from some other band complete with scratch vocals:
Groove Armada - Bon Bon (demo)
Opus III - Never Give Your Heart (demo)
Fatboy Slim - Homie Don't Shake (demo)
Nightmares On Wax - UMPA (demo)
Cinematic Orchestra - I Don't Wanna (demo)
Carl Cox - Tommy (demo)The entire aesthetic here seems to be, "eh, fuck it, good enough, you hungry?"
Whether this is a deliberate choice or not I can't say, but it certainly works: the forced indifference and unapologetically derivative production lends the record a kind of cool, a permission to have fun and not think about it, to just vibe. And I do, I vibe and mightily.
