#hoaxed — Public Fediverse posts

Death Knocks isn’t the most extreme album out there, but it straddles the metal boundary more than enough to earn a spot here. While I hadn’t heard of Hoaxed before, their new release caught my eye through its album art and its impressive lead single, “Where the Seas Fall Silent.” This three-piece from Portland plays metal-edged occult rock that aims for an eerie atmosphere as much as for melodic gems. Simple and concise, Death Knocks isn’t revolutionary, but it’s a worthwhile half-hour coven excursion.

Hoaxed plays a familiar brand of bass-heavy, mid-paced doomy rock. In contrast with much of the genre, Hoaxed’s guitars might be the most understated part of their sound. Alternating between more aggressive riffs that recall Sumerlands and sparser melodies, Kat Keo’s guitar work is simple but tinged with evil. New bassist April Dimmick (Soul Grinder) brings her thrash experience to bear with aggressive thumping bass lines that often steal the show. Keo also handles lead clean vocals, while Dimmick alternates between clean harmonizing and harsh growls. These vocal melodies serve as a backbone, offering straightforward but engaging hooks to hold songs together. Rounded out by occasional synth backing, Death Knocks’ style of Gothic rock reminds me of Avatarium or a slowed-down Unto Others. It’s not an unheard-of style, but it’s one that works.

Death Knocks by Hoaxed

Death Knocks revels in its simplicity. Keo and Dimmick’s vocal work shines through its power rather than any technical gymnastics. The catchy melodies grab my attention throughout, even when other pieces falter; for instance, the rising and falling vocals of “Kill Switch” single-handedly redeem a track that struggles otherwise. Keo’s serene vocal approach sometimes reminds me of Myrkur’s folkier work (“The Fallen”). Similarly, Dimmick’s vocal harmonies aren’t earth-shattering, but they add a layer of depth throughout the album. Meanwhile, her bass riffs don’t hesitate to take center stage, adding oomph and variety (“Wretched”). But the real star of this show might be the drums. Kim Coffel’s tom-heavy and hi-hat-heavy kit attack displays a mastery of groove and creativity without feigning a technical clinic. The drums evolve constantly both within verses and between them, adding fluidity even in melodically simple moments (“Dead Ringer”). Coupled with a rich sound, Death Knocks’ drums are the most memorable part of the album, which I rarely ever say.

Straightforward songs are Hoaxed’s strength, but they can get old. Death Knocks’ song structures are cookie-cutter, with verses and choruses interspersed with instrumental interludes. While this poppy approach can work fine, it quickly loses me when the underlying melodies aren’t bulletproof (“Promised to Me”). Similarly, Hoaxed struggles to have creative outros even on their stronger tracks (“The Fallen”), making it seem like they came up with great ideas but weren’t sure how to stitch them together. Keo’s guitar melodies stand out on the opener “Where the Seas Fall Silent” and the fantastic “The Family,” but in the middle of the album, they tend to lose my interest through repetition. Death Knocks is consistently competent, but would benefit from more variety in its songwriting.

It’d be tough to argue that Death Knocks rewrites the book on anything. But with catchy vocal harmonies, engaging guitar and bass lines, and a stand-out drum performance, it’s a worthy addition to your collection. Death Knocks is also a triumph of conciseness; if this album had been 50 minutes long rather than 31, the bloat would have made it more of a chore to get through. As it stands, while Hoaxed has room to grow in their musical diversity, Death Knocks is a perfectly entertaining and ghoulish listen.

Rating: 3.0/5.0
DR: N/A | Format Reviewed: Stream
Label: Relapse Records
Websites: hoaxed.bandcamp.com | hoaxedband.com | facebook.com/hoaxedband
Releases Worldwide: February 13th, 2026

Death Knocks isn’t the most extreme album out there, but it straddles the metal boundary more than enough to earn a spot here. While I hadn’t heard of Hoaxed before, their new release caught my eye through its album art and its impressive lead single, “Where the Seas Fall Silent.” This three-piece from Portland plays metal-edged occult rock that aims for an eerie atmosphere as much as for melodic gems. Simple and concise, Death Knocks isn’t revolutionary, but it’s a worthwhile half-hour coven excursion.

Hoaxed plays a familiar brand of bass-heavy, mid-paced doomy rock. In contrast with much of the genre, Hoaxed’s guitars might be the most understated part of their sound. Alternating between more aggressive riffs that recall Sumerlands and sparser melodies, Kat Keo’s guitar work is simple but tinged with evil. New bassist April Dimmick (Soul Grinder) brings her thrash experience to bear with aggressive thumping bass lines that often steal the show. Keo also handles lead clean vocals, while Dimmick alternates between clean harmonizing and harsh growls. These vocal melodies serve as a backbone, offering straightforward but engaging hooks to hold songs together. Rounded out by occasional synth backing, Death Knocks’ style of Gothic rock reminds me of Avatarium or a slowed-down Unto Others. It’s not an unheard-of style, but it’s one that works.

Death Knocks by Hoaxed

Death Knocks revels in its simplicity. Keo and Dimmick’s vocal work shines through its power rather than any technical gymnastics. The catchy melodies grab my attention throughout, even when other pieces falter; for instance, the rising and falling vocals of “Kill Switch” single-handedly redeem a track that struggles otherwise. Keo’s serene vocal approach sometimes reminds me of Myrkur’s folkier work (“The Fallen”). Similarly, Dimmick’s vocal harmonies aren’t earth-shattering, but they add a layer of depth throughout the album. Meanwhile, her bass riffs don’t hesitate to take center stage, adding oomph and variety (“Wretched”). But the real star of this show might be the drums. Kim Coffel’s tom-heavy and hi-hat-heavy kit attack displays a mastery of groove and creativity without feigning a technical clinic. The drums evolve constantly both within verses and between them, adding fluidity even in melodically simple moments (“Dead Ringer”). Coupled with a rich sound, Death Knocks’ drums are the most memorable part of the album, which I rarely ever say.

Straightforward songs are Hoaxed’s strength, but they can get old. Death Knocks’ song structures are cookie-cutter, with verses and choruses interspersed with instrumental interludes. While this poppy approach can work fine, it quickly loses me when the underlying melodies aren’t bulletproof (“Promised to Me”). Similarly, Hoaxed struggles to have creative outros even on their stronger tracks (“The Fallen”), making it seem like they came up with great ideas but weren’t sure how to stitch them together. Keo’s guitar melodies stand out on the opener “Where the Seas Fall Silent” and the fantastic “The Family,” but in the middle of the album, they tend to lose my interest through repetition. Death Knocks is consistently competent, but would benefit from more variety in its songwriting.

It’d be tough to argue that Death Knocks rewrites the book on anything. But with catchy vocal harmonies, engaging guitar and bass lines, and a stand-out drum performance, it’s a worthy addition to your collection. Death Knocks is also a triumph of conciseness; if this album had been 50 minutes long rather than 31, the bloat would have made it more of a chore to get through. As it stands, while Hoaxed has room to grow in their musical diversity, Death Knocks is a perfectly entertaining and ghoulish listen.

Rating: 3.0/5.0
DR: N/A | Format Reviewed: Stream
Label: Relapse Records
Websites: hoaxed.bandcamp.com | hoaxedband.com | facebook.com/hoaxedband
Releases Worldwide: February 13th, 2026

Death Knocks isn’t the most extreme album out there, but it straddles the metal boundary more than enough to earn a spot here. While I hadn’t heard of Hoaxed before, their new release caught my eye through its album art and its impressive lead single, “Where the Seas Fall Silent.” This three-piece from Portland plays metal-edged occult rock that aims for an eerie atmosphere as much as for melodic gems. Simple and concise, Death Knocks isn’t revolutionary, but it’s a worthwhile half-hour coven excursion.

Hoaxed plays a familiar brand of bass-heavy, mid-paced doomy rock. In contrast with much of the genre, Hoaxed’s guitars might be the most understated part of their sound. Alternating between more aggressive riffs that recall Sumerlands and sparser melodies, Kat Keo’s guitar work is simple but tinged with evil. New bassist April Dimmick (Soul Grinder) brings her thrash experience to bear with aggressive thumping bass lines that often steal the show. Keo also handles lead clean vocals, while Dimmick alternates between clean harmonizing and harsh growls. These vocal melodies serve as a backbone, offering straightforward but engaging hooks to hold songs together. Rounded out by occasional synth backing, Death Knocks’ style of Gothic rock reminds me of Avatarium or a slowed-down Unto Others. It’s not an unheard-of style, but it’s one that works.

Death Knocks by Hoaxed

Death Knocks revels in its simplicity. Keo and Dimmick’s vocal work shines through its power rather than any technical gymnastics. The catchy melodies grab my attention throughout, even when other pieces falter; for instance, the rising and falling vocals of “Kill Switch” single-handedly redeem a track that struggles otherwise. Keo’s serene vocal approach sometimes reminds me of Myrkur’s folkier work (“The Fallen”). Similarly, Dimmick’s vocal harmonies aren’t earth-shattering, but they add a layer of depth throughout the album. Meanwhile, her bass riffs don’t hesitate to take center stage, adding oomph and variety (“Wretched”). But the real star of this show might be the drums. Kim Coffel’s tom-heavy and hi-hat-heavy kit attack displays a mastery of groove and creativity without feigning a technical clinic. The drums evolve constantly both within verses and between them, adding fluidity even in melodically simple moments (“Dead Ringer”). Coupled with a rich sound, Death Knocks’ drums are the most memorable part of the album, which I rarely ever say.

Straightforward songs are Hoaxed’s strength, but they can get old. Death Knocks’ song structures are cookie-cutter, with verses and choruses interspersed with instrumental interludes. While this poppy approach can work fine, it quickly loses me when the underlying melodies aren’t bulletproof (“Promised to Me”). Similarly, Hoaxed struggles to have creative outros even on their stronger tracks (“The Fallen”), making it seem like they came up with great ideas but weren’t sure how to stitch them together. Keo’s guitar melodies stand out on the opener “Where the Seas Fall Silent” and the fantastic “The Family,” but in the middle of the album, they tend to lose my interest through repetition. Death Knocks is consistently competent, but would benefit from more variety in its songwriting.

It’d be tough to argue that Death Knocks rewrites the book on anything. But with catchy vocal harmonies, engaging guitar and bass lines, and a stand-out drum performance, it’s a worthy addition to your collection. Death Knocks is also a triumph of conciseness; if this album had been 50 minutes long rather than 31, the bloat would have made it more of a chore to get through. As it stands, while Hoaxed has room to grow in their musical diversity, Death Knocks is a perfectly entertaining and ghoulish listen.

Rating: 3.0/5.0
DR: N/A | Format Reviewed: Stream
Label: Relapse Records
Websites: hoaxed.bandcamp.com | hoaxedband.com | facebook.com/hoaxedband
Releases Worldwide: February 13th, 2026

Death Knocks isn’t the most extreme album out there, but it straddles the metal boundary more than enough to earn a spot here. While I hadn’t heard of Hoaxed before, their new release caught my eye through its album art and its impressive lead single, “Where the Seas Fall Silent.” This three-piece from Portland plays metal-edged occult rock that aims for an eerie atmosphere as much as for melodic gems. Simple and concise, Death Knocks isn’t revolutionary, but it’s a worthwhile half-hour coven excursion.

Hoaxed plays a familiar brand of bass-heavy, mid-paced doomy rock. In contrast with much of the genre, Hoaxed’s guitars might be the most understated part of their sound. Alternating between more aggressive riffs that recall Sumerlands and sparser melodies, Kat Keo’s guitar work is simple but tinged with evil. New bassist April Dimmick (Soul Grinder) brings her thrash experience to bear with aggressive thumping bass lines that often steal the show. Keo also handles lead clean vocals, while Dimmick alternates between clean harmonizing and harsh growls. These vocal melodies serve as a backbone, offering straightforward but engaging hooks to hold songs together. Rounded out by occasional synth backing, Death Knocks’ style of Gothic rock reminds me of Avatarium or a slowed-down Unto Others. It’s not an unheard-of style, but it’s one that works.

Death Knocks by Hoaxed

Death Knocks revels in its simplicity. Keo and Dimmick’s vocal work shines through its power rather than any technical gymnastics. The catchy melodies grab my attention throughout, even when other pieces falter; for instance, the rising and falling vocals of “Kill Switch” single-handedly redeem a track that struggles otherwise. Keo’s serene vocal approach sometimes reminds me of Myrkur’s folkier work (“The Fallen”). Similarly, Dimmick’s vocal harmonies aren’t earth-shattering, but they add a layer of depth throughout the album. Meanwhile, her bass riffs don’t hesitate to take center stage, adding oomph and variety (“Wretched”). But the real star of this show might be the drums. Kim Coffel’s tom-heavy and hi-hat-heavy kit attack displays a mastery of groove and creativity without feigning a technical clinic. The drums evolve constantly both within verses and between them, adding fluidity even in melodically simple moments (“Dead Ringer”). Coupled with a rich sound, Death Knocks’ drums are the most memorable part of the album, which I rarely ever say.

Straightforward songs are Hoaxed’s strength, but they can get old. Death Knocks’ song structures are cookie-cutter, with verses and choruses interspersed with instrumental interludes. While this poppy approach can work fine, it quickly loses me when the underlying melodies aren’t bulletproof (“Promised to Me”). Similarly, Hoaxed struggles to have creative outros even on their stronger tracks (“The Fallen”), making it seem like they came up with great ideas but weren’t sure how to stitch them together. Keo’s guitar melodies stand out on the opener “Where the Seas Fall Silent” and the fantastic “The Family,” but in the middle of the album, they tend to lose my interest through repetition. Death Knocks is consistently competent, but would benefit from more variety in its songwriting.

It’d be tough to argue that Death Knocks rewrites the book on anything. But with catchy vocal harmonies, engaging guitar and bass lines, and a stand-out drum performance, it’s a worthy addition to your collection. Death Knocks is also a triumph of conciseness; if this album had been 50 minutes long rather than 31, the bloat would have made it more of a chore to get through. As it stands, while Hoaxed has room to grow in their musical diversity, Death Knocks is a perfectly entertaining and ghoulish listen.

Rating: 3.0/5.0
DR: N/A | Format Reviewed: Stream
Label: Relapse Records
Websites: hoaxed.bandcamp.com | hoaxedband.com | facebook.com/hoaxedband
Releases Worldwide: February 13th, 2026

Death Knocks isn’t the most extreme album out there, but it straddles the metal boundary more than enough to earn a spot here. While I hadn’t heard of Hoaxed before, their new release caught my eye through its album art and its impressive lead single, “Where the Seas Fall Silent.” This three-piece from Portland plays metal-edged occult rock that aims for an eerie atmosphere as much as for melodic gems. Simple and concise, Death Knocks isn’t revolutionary, but it’s a worthwhile half-hour coven excursion.

Hoaxed plays a familiar brand of bass-heavy, mid-paced doomy rock. In contrast with much of the genre, Hoaxed’s guitars might be the most understated part of their sound. Alternating between more aggressive riffs that recall Sumerlands and sparser melodies, Kat Keo’s guitar work is simple but tinged with evil. New bassist April Dimmick (Soul Grinder) brings her thrash experience to bear with aggressive thumping bass lines that often steal the show. Keo also handles lead clean vocals, while Dimmick alternates between clean harmonizing and harsh growls. These vocal melodies serve as a backbone, offering straightforward but engaging hooks to hold songs together. Rounded out by occasional synth backing, Death Knocks’ style of Gothic rock reminds me of Avatarium or a slowed-down Unto Others. It’s not an unheard-of style, but it’s one that works.

Death Knocks by Hoaxed

Death Knocks revels in its simplicity. Keo and Dimmick’s vocal work shines through its power rather than any technical gymnastics. The catchy melodies grab my attention throughout, even when other pieces falter; for instance, the rising and falling vocals of “Kill Switch” single-handedly redeem a track that struggles otherwise. Keo’s serene vocal approach sometimes reminds me of Myrkur’s folkier work (“The Fallen”). Similarly, Dimmick’s vocal harmonies aren’t earth-shattering, but they add a layer of depth throughout the album. Meanwhile, her bass riffs don’t hesitate to take center stage, adding oomph and variety (“Wretched”). But the real star of this show might be the drums. Kim Coffel’s tom-heavy and hi-hat-heavy kit attack displays a mastery of groove and creativity without feigning a technical clinic. The drums evolve constantly both within verses and between them, adding fluidity even in melodically simple moments (“Dead Ringer”). Coupled with a rich sound, Death Knocks’ drums are the most memorable part of the album, which I rarely ever say.

Straightforward songs are Hoaxed’s strength, but they can get old. Death Knocks’ song structures are cookie-cutter, with verses and choruses interspersed with instrumental interludes. While this poppy approach can work fine, it quickly loses me when the underlying melodies aren’t bulletproof (“Promised to Me”). Similarly, Hoaxed struggles to have creative outros even on their stronger tracks (“The Fallen”), making it seem like they came up with great ideas but weren’t sure how to stitch them together. Keo’s guitar melodies stand out on the opener “Where the Seas Fall Silent” and the fantastic “The Family,” but in the middle of the album, they tend to lose my interest through repetition. Death Knocks is consistently competent, but would benefit from more variety in its songwriting.

It’d be tough to argue that Death Knocks rewrites the book on anything. But with catchy vocal harmonies, engaging guitar and bass lines, and a stand-out drum performance, it’s a worthy addition to your collection. Death Knocks is also a triumph of conciseness; if this album had been 50 minutes long rather than 31, the bloat would have made it more of a chore to get through. As it stands, while Hoaxed has room to grow in their musical diversity, Death Knocks is a perfectly entertaining and ghoulish listen.

Rating: 3.0/5.0
DR: N/A | Format Reviewed: Stream
Label: Relapse Records
Websites: hoaxed.bandcamp.com | hoaxedband.com | facebook.com/hoaxedband
Releases Worldwide: February 13th, 2026

Inside Death Knocks: Hoaxed discuss recording challenges:

#Hoaxed #DeathKnocks #FebruaryReleases #NewMusic

Link: https://metalinsider.net/touring/inside-death-knocks-hoaxed-discuss-recording-challenges

Inside Death Knocks: Hoaxed discuss recording challenges:

#Hoaxed #DeathKnocks #FebruaryReleases #NewMusic

Link: https://metalinsider.net/touring/inside-death-knocks-hoaxed-discuss-recording-challenges

Recensie: Hoaxed – Death Knocks
https://writteninmusic.com/albumrecensie/hoaxed-death-knocks/

#Music #Rock #Hoaxed #RelapseRecords

Day 6: A cover that is illustrated or drawn.

“Two Shadows”, by Hoaxed.

https://hoaxed.bandcamp.com/album/two-shadows

#30DaysChallenge #Hoaxed

Day 6: A cover that is illustrated or drawn.

“Two Shadows”, by Hoaxed.

https://hoaxed.bandcamp.com/album/two-shadows

#30DaysChallenge #Hoaxed

Day 6: A cover that is illustrated or drawn.

“Two Shadows”, by Hoaxed.

https://hoaxed.bandcamp.com/album/two-shadows

#30DaysChallenge #Hoaxed

Day 6: A cover that is illustrated or drawn.

“Two Shadows”, by Hoaxed.

https://hoaxed.bandcamp.com/album/two-shadows

#30DaysChallenge #Hoaxed

Day 6: A cover that is illustrated or drawn.

“Two Shadows”, by Hoaxed.

https://hoaxed.bandcamp.com/album/two-shadows

#30DaysChallenge #Hoaxed

[05:45] Niet het internet, maar mensen maken complottheorieën populair

In 2012 vertelden twee kinderen, 'P' en 'Q', een gruwelijk verhaal over hun vader, Ricky, die het hoofd was van een satanische sekte die baby's misbruikte in Londen. Volgens hen werden de baby's gemarteld, verkracht en geofferd door de sektelieden. Hoewel de politie onderzoek deed en niets vond, geloofden veel mensen in het verhaal.

De podcast 'Hoaxed' van Alexi Mostrous verkent hoe dit complot zich verspreidde en waarom mensen erin geloofden. Het verhaal gaat echter niet alleen over de oorsprong en verspreiding van het geloof in deze theorie, maar ook over wat er gebeurde nadat 'P' en 'Q's' verhalen werden ontmaskerd.

Twee Britse complotdenkers begonnen een campagne om 'het waar' te bevloeien en zetten een petitie op om de kinderen terug naar hun moeder te laten gaan. Toen dat niet werkte, publiceerde een van hen geheime politie-onderzoeksgegevens en een lijst met namen van 175 mensen die tot de sekte zouden behoren.

Het verhaal ging wereldwijd viral, waardoor vele mensen in geloofden. De podcast 'Hoaxed' laat zien hoe een complottheorie zich kan verspreiden en waarom sommige mensen erin geloven.
Text condensed by AI

https://decorrespondent.nl/15585/-/f9248451-c301-0495-0e70-863b7e18026f?pk_campaign=rss-feed&pk_medium=rss&pk_source=publication&pk_kwd=all&pk_cid=eccbc87e4b5ce2fe28308fd9f2a7baf3

#2012 #twee #P #Q #Ricky #Londen #Hoaxed #AlexiMostrous #Britse #175 #AI

[05:45] Niet het internet, maar mensen maken complottheorieën populair

In 2012 vertelden twee kinderen, 'P' en 'Q', een gruwelijk verhaal over hun vader, Ricky, die het hoofd was van een satanische sekte die baby's misbruikte in Londen. Volgens hen werden de baby's gemarteld, verkracht en geofferd door de sektelieden. Hoewel de politie onderzoek deed en niets vond, geloofden veel mensen in het verhaal.

De podcast 'Hoaxed' van Alexi Mostrous verkent hoe dit complot zich verspreidde en waarom mensen erin geloofden. Het verhaal gaat echter niet alleen over de oorsprong en verspreiding van het geloof in deze theorie, maar ook over wat er gebeurde nadat 'P' en 'Q's' verhalen werden ontmaskerd.

Twee Britse complotdenkers begonnen een campagne om 'het waar' te bevloeien en zetten een petitie op om de kinderen terug naar hun moeder te laten gaan. Toen dat niet werkte, publiceerde een van hen geheime politie-onderzoeksgegevens en een lijst met namen van 175 mensen die tot de sekte zouden behoren.

Het verhaal ging wereldwijd viral, waardoor vele mensen in geloofden. De podcast 'Hoaxed' laat zien hoe een complottheorie zich kan verspreiden en waarom sommige mensen erin geloven.
Text condensed by AI

https://decorrespondent.nl/15585/-/f9248451-c301-0495-0e70-863b7e18026f?pk_campaign=rss-feed&pk_medium=rss&pk_source=publication&pk_kwd=all&pk_cid=eccbc87e4b5ce2fe28308fd9f2a7baf3

#2012 #twee #P #Q #Ricky #Londen #Hoaxed #AlexiMostrous #Britse #175 #AI

[05:45] Niet het internet, maar mensen maken complottheorieën populair

In 2012 vertelden twee kinderen, 'P' en 'Q', een gruwelijk verhaal over hun vader, Ricky, die het hoofd was van een satanische sekte die baby's misbruikte in Londen. Volgens hen werden de baby's gemarteld, verkracht en geofferd door de sektelieden. Hoewel de politie onderzoek deed en niets vond, geloofden veel mensen in het verhaal.

De podcast 'Hoaxed' van Alexi Mostrous verkent hoe dit complot zich verspreidde en waarom mensen erin geloofden. Het verhaal gaat echter niet alleen over de oorsprong en verspreiding van het geloof in deze theorie, maar ook over wat er gebeurde nadat 'P' en 'Q's' verhalen werden ontmaskerd.

Twee Britse complotdenkers begonnen een campagne om 'het waar' te bevloeien en zetten een petitie op om de kinderen terug naar hun moeder te laten gaan. Toen dat niet werkte, publiceerde een van hen geheime politie-onderzoeksgegevens en een lijst met namen van 175 mensen die tot de sekte zouden behoren.

Het verhaal ging wereldwijd viral, waardoor vele mensen in geloofden. De podcast 'Hoaxed' laat zien hoe een complottheorie zich kan verspreiden en waarom sommige mensen erin geloven.
Text condensed by AI

https://decorrespondent.nl/15585/-/f9248451-c301-0495-0e70-863b7e18026f?pk_campaign=rss-feed&pk_medium=rss&pk_source=publication&pk_kwd=all&pk_cid=eccbc87e4b5ce2fe28308fd9f2a7baf3

#2012 #twee #P #Q #Ricky #Londen #Hoaxed #AlexiMostrous #Britse #175 #AI

Introducing... Rogue Lawyer #hoaxed
https://sphinx.acast.com/p/open/s/62f4d2374e271200123b38da/e/64467c898aa57e00110d4b18/media.mp3

Introducing... Rogue Lawyer #hoaxed
https://sphinx.acast.com/p/open/s/62f4d2374e271200123b38da/e/64467c898aa57e00110d4b18/media.mp3

I’m just blown away by this #podcast #Hoaxed. If you’re wondering how #QAnon got started these false accusations of satanic paedophilia rings in #Hampstead England was spread to millions. People who spread them included #AlexJones and the like. Children made to lie to police by a parent. The lies and police interviews went viral before the truth was known. Otherwise good people are deep in a rabbit hole of conspiracy and think their governments eat babies. https://podcasts.apple.com/us/podcast/hoaxed/id1642760632

I’m just blown away by this #podcast #Hoaxed. If you’re wondering how #QAnon got started these false accusations of satanic paedophilia rings in #Hampstead England was spread to millions. People who spread them included #AlexJones and the like. Children made to lie to police by a parent. The lies and police interviews went viral before the truth was known. Otherwise good people are deep in a rabbit hole of conspiracy and think their governments eat babies. https://podcasts.apple.com/us/podcast/hoaxed/id1642760632

I’m just blown away by this #podcast #Hoaxed. If you’re wondering how #QAnon got started these false accusations of satanic paedophilia rings in #Hampstead England was spread to millions. People who spread them included #AlexJones and the like. Children made to lie to police by a parent. The lies and police interviews went viral before the truth was known. Otherwise good people are deep in a rabbit hole of conspiracy and think their governments eat babies. https://podcasts.apple.com/us/podcast/hoaxed/id1642760632

De laatste dagen luister ik de uitstekende podcast Hoaxed. Over hoe een verzinsel om iemand zwart te maken uitgroeide tot een wereldwijd gedeelde complottheorie. Bizar dat dit zich heeft afgespeeld in het rustige Hampstead in London waar ik in de zomer nog een paar dagen ben geweest.#hoaxed #podcast #hampstead

https://www.tortoisemedia.com/listen/hoaxed/

De laatste dagen luister ik de uitstekende podcast Hoaxed. Over hoe een verzinsel om iemand zwart te maken uitgroeide tot een wereldwijd gedeelde complottheorie. Bizar dat dit zich heeft afgespeeld in het rustige Hampstead in London waar ik in de zomer nog een paar dagen ben geweest.#hoaxed #podcast #hampstead

https://www.tortoisemedia.com/listen/hoaxed/

Episode six: Bonnie and Clyde 🅴 #hoaxed
https://podcastaddict.com/episode/147453649

Episode six: Bonnie and Clyde 🅴 #hoaxed
https://podcastaddict.com/episode/147453649

Episode five: The Healer 🅴 #hoaxed
https://sphinx.acast.com/p/open/s/62f4d2374e271200123b38da/e/6346d588e59de000124136cc/media.mp3

Episode five: The Healer 🅴 #hoaxed
https://sphinx.acast.com/p/open/s/62f4d2374e271200123b38da/e/6346d588e59de000124136cc/media.mp3

Episode four: Infiltration 🅴 #hoaxed
https://podcastaddict.com/episode/146490503

Episode four: Infiltration 🅴 #hoaxed
https://podcastaddict.com/episode/146490503

Episode three: The Avengers 🅴 #hoaxed
https://sphinx.acast.com/p/open/s/62f4d2374e271200123b38da/e/632b1d9a9c8a260012df17e1/media.mp3

Episode three: The Avengers 🅴 #hoaxed
https://sphinx.acast.com/p/open/s/62f4d2374e271200123b38da/e/632b1d9a9c8a260012df17e1/media.mp3

Episode two: Ella's list 🅴 #hoaxed
https://sphinx.acast.com/p/open/s/62f4d2374e271200123b38da/e/632b1b9a9c8a260012df0faa/media.mp3

Episode two: Ella's list 🅴 #hoaxed
https://sphinx.acast.com/p/open/s/62f4d2374e271200123b38da/e/632b1b9a9c8a260012df0faa/media.mp3

Episode one: Secrets and lies 🅴 #hoaxed
https://sphinx.acast.com/p/open/s/62f4d2374e271200123b38da/e/632b1960c44b1000119cef31/media.mp3

Episode one: Secrets and lies 🅴 #hoaxed
https://sphinx.acast.com/p/open/s/62f4d2374e271200123b38da/e/632b1960c44b1000119cef31/media.mp3

Introducing: Hoaxed #hoaxed
https://sphinx.acast.com/p/open/s/62f4d2374e271200123b38da/e/630f83d4f65253001282cd4f/media.mp3

Introducing: Hoaxed #hoaxed
https://sphinx.acast.com/p/open/s/62f4d2374e271200123b38da/e/630f83d4f65253001282cd4f/media.mp3