#heavy-rock — Public Fediverse posts

SPIRIT MOTHER + Yawning Man | Neue Zukunft - Berlin

Neue Zukunft, Tuesday, October 13 at 07:00 PM GMT+2

SPIRIT MOTHER

13.10.2026 - Neue Zukunft

+ Yawning Man

Doors: 19:00 Start: 20:00

Tickets: https://www.greyzone-tickets.de/produkte/1330

Spirit Mother is a heavy rock band, originating in Long Beach, CA and now based in rural PNW Burns, Oregon. Their sound is anthologized through a folk-informed and classical lens. Their dynamic and imposing wall of sound, coupled with a driving backbeat, grips through atmospheric strings and haunting vocals.

Guitarist/vocalist and songwriter, Armand Lance, creates the bones of the music in the attic of his rural ranch between cattle working and mustang wrangling - a likeness to his father’s upbringing as a cowboy in Ecuador. Joined by cofounder of the band, SJ, Mia Rose, and Michael Fenris, the group convenes at this cabin to write and develop their repertoire before hitting the road for tour nationally and abroad.

The band signed to Heavy Psych Sounds Records while in studio for their sophomore album “Trails” in between with regional west coast tours throughout the winter and spring of 2024. The Heavy Chronicles marked it as the black sheep of the Heavy Psych

Sounds Records catalog, noting “Trails” reveals a band with a hybrid sound as much inspired by the hypnotic, harsh Americana of rural midwestern ghost towns as by the steamy shoegaze of the early ’90s. The fall release of “Trails” came with another coast-to-coast US tour in the with stops at Desert Fest NYC and Levitation Fest in Austin, Tx, as well as supporting European dates in the summer of 2025 across festivals Rock Im Wald, Blue Moon Festival, Burg Herzberg, and Hoflärm, and clubs across the continent in between.

The band returned home and locked themselves away over the Fall and Winter to embark on their most ambitious project yet: to write, record, and self-produce their 3rd studio album in the same attic that inspires the music. From conception, to birth. Spirit

Mother’s new album will be out with Sound Of Liberation Records on September 4th, 2026 with European tour dates to follow.

For fans of: All Them Witches, Black Rebel Motorcycle Club, Queens Of The Stone Age, Mark Lanegan, Neil Young.

https://berlin.askapunk.de/event/spirit-mother-yawning-man-or-neue-zukunft-berlin

SPIRIT MOTHER + Yawning Man | Neue Zukunft - Berlin

Neue Zukunft, Tuesday, October 13 at 07:00 PM GMT+2

SPIRIT MOTHER

13.10.2026 - Neue Zukunft

+ Yawning Man

Doors: 19:00 Start: 20:00

Tickets: https://www.greyzone-tickets.de/produkte/1330

Spirit Mother is a heavy rock band, originating in Long Beach, CA and now based in rural PNW Burns, Oregon. Their sound is anthologized through a folk-informed and classical lens. Their dynamic and imposing wall of sound, coupled with a driving backbeat, grips through atmospheric strings and haunting vocals.

Guitarist/vocalist and songwriter, Armand Lance, creates the bones of the music in the attic of his rural ranch between cattle working and mustang wrangling - a likeness to his father’s upbringing as a cowboy in Ecuador. Joined by cofounder of the band, SJ, Mia Rose, and Michael Fenris, the group convenes at this cabin to write and develop their repertoire before hitting the road for tour nationally and abroad.

The band signed to Heavy Psych Sounds Records while in studio for their sophomore album “Trails” in between with regional west coast tours throughout the winter and spring of 2024. The Heavy Chronicles marked it as the black sheep of the Heavy Psych

Sounds Records catalog, noting “Trails” reveals a band with a hybrid sound as much inspired by the hypnotic, harsh Americana of rural midwestern ghost towns as by the steamy shoegaze of the early ’90s. The fall release of “Trails” came with another coast-to-coast US tour in the with stops at Desert Fest NYC and Levitation Fest in Austin, Tx, as well as supporting European dates in the summer of 2025 across festivals Rock Im Wald, Blue Moon Festival, Burg Herzberg, and Hoflärm, and clubs across the continent in between.

The band returned home and locked themselves away over the Fall and Winter to embark on their most ambitious project yet: to write, record, and self-produce their 3rd studio album in the same attic that inspires the music. From conception, to birth. Spirit

Mother’s new album will be out with Sound Of Liberation Records on September 4th, 2026 with European tour dates to follow.

For fans of: All Them Witches, Black Rebel Motorcycle Club, Queens Of The Stone Age, Mark Lanegan, Neil Young.

https://berlin.askapunk.de/event/spirit-mother-yawning-man-or-neue-zukunft-berlin

SPIRIT MOTHER + Yawning Man | Neue Zukunft - Berlin

Neue Zukunft, Tuesday, October 13 at 07:00 PM GMT+2

SPIRIT MOTHER

13.10.2026 - Neue Zukunft

+ Yawning Man

Doors: 19:00 Start: 20:00

Tickets: https://www.greyzone-tickets.de/produkte/1330

Spirit Mother is a heavy rock band, originating in Long Beach, CA and now based in rural PNW Burns, Oregon. Their sound is anthologized through a folk-informed and classical lens. Their dynamic and imposing wall of sound, coupled with a driving backbeat, grips through atmospheric strings and haunting vocals.

Guitarist/vocalist and songwriter, Armand Lance, creates the bones of the music in the attic of his rural ranch between cattle working and mustang wrangling - a likeness to his father’s upbringing as a cowboy in Ecuador. Joined by cofounder of the band, SJ, Mia Rose, and Michael Fenris, the group convenes at this cabin to write and develop their repertoire before hitting the road for tour nationally and abroad.

The band signed to Heavy Psych Sounds Records while in studio for their sophomore album “Trails” in between with regional west coast tours throughout the winter and spring of 2024. The Heavy Chronicles marked it as the black sheep of the Heavy Psych

Sounds Records catalog, noting “Trails” reveals a band with a hybrid sound as much inspired by the hypnotic, harsh Americana of rural midwestern ghost towns as by the steamy shoegaze of the early ’90s. The fall release of “Trails” came with another coast-to-coast US tour in the with stops at Desert Fest NYC and Levitation Fest in Austin, Tx, as well as supporting European dates in the summer of 2025 across festivals Rock Im Wald, Blue Moon Festival, Burg Herzberg, and Hoflärm, and clubs across the continent in between.

The band returned home and locked themselves away over the Fall and Winter to embark on their most ambitious project yet: to write, record, and self-produce their 3rd studio album in the same attic that inspires the music. From conception, to birth. Spirit

Mother’s new album will be out with Sound Of Liberation Records on September 4th, 2026 with European tour dates to follow.

For fans of: All Them Witches, Black Rebel Motorcycle Club, Queens Of The Stone Age, Mark Lanegan, Neil Young.

https://berlin.askapunk.de/event/spirit-mother-yawning-man-or-neue-zukunft-berlin

The Asteroid No.4, Acid Rooster at Neue Zukunft, Berlin

Neue Zukunft, Monday, October 5 at 07:00 PM GMT+2

Positive Transmitter & Crunch Tapes present:

The Asteroid No.4 (US, Little Cloud Records) with special guest Acid Rooster (DE, Fuzz Club)

5 October 2026

Neue Zukunft, Berlin

Doors: 19:00, Show: 20:00

Tickets available via DICE: https://link.dice.fm/Ha6597341366

The Asteroid No.4 is an American psych-rock and shoegaze band now based in the San Francisco, after moving from Philadelphia in 2011. Formed in the late 90s, the group has earned a loyal underground following through immersive live shows characterized by layered guitars and heavy reverb. They boast a prolific discography, including 13 studio albums alongside numerous EPs and singles. Their signature sound blends shoegaze, 12-string folk-rock, Kosmische Musik, and cosmic country.

The band was founded by childhood friends Scott Vitt and Eric Harms, who previously played in punk and Smiths tribute acts. Inspired by 90s British shoegaze, they recruited bassist Gregg Weiss and drummer Bill Reim to complete the original lineup, debuting with a self-released 7-inch single on their own Lounge Records label.The name "The Asteroid No.4" honors Vesta (the solar system's brightest asteroid) and the UK psych band Spacemen 3. Notably, their cover of Spacemen 3's "Losing Touch with My Mind" on a 1998 tribute album was publicly praised by founding member Sonic Boom in Magnet Magazine.

Listen:

https://theasteroidno4.bandcamp.com/album/in-praise-of-shadows

Acid Rooster blends German krautrock and psych-rock with cosmic jams. The childhood trio crafts instrumental music that shifts between ambient spheres and heavy, climactic riffs. Their partly written, partly improvised tracks create a trance-like undertow, blending space rock, drone, and garage. Authentic and stylistically confident, they offer a fresh, unpretentious take on psychedelic heritage.

Listen: https://acidrooster.bandcamp.com/album/live-at-fuzz-club-festival-2025

https://berlin.askapunk.de/event/the-asteroid-no4-acid-rooster-at-neue-zukunft-berlin

The Asteroid No.4, Acid Rooster at Neue Zukunft, Berlin

Neue Zukunft, Monday, October 5 at 07:00 PM GMT+2

Positive Transmitter & Crunch Tapes present:

The Asteroid No.4 (US, Little Cloud Records) with special guest Acid Rooster (DE, Fuzz Club)

5 October 2026

Neue Zukunft, Berlin

Doors: 19:00, Show: 20:00

Tickets available via DICE: https://link.dice.fm/Ha6597341366

The Asteroid No.4 is an American psych-rock and shoegaze band now based in the San Francisco, after moving from Philadelphia in 2011. Formed in the late 90s, the group has earned a loyal underground following through immersive live shows characterized by layered guitars and heavy reverb. They boast a prolific discography, including 13 studio albums alongside numerous EPs and singles. Their signature sound blends shoegaze, 12-string folk-rock, Kosmische Musik, and cosmic country.

The band was founded by childhood friends Scott Vitt and Eric Harms, who previously played in punk and Smiths tribute acts. Inspired by 90s British shoegaze, they recruited bassist Gregg Weiss and drummer Bill Reim to complete the original lineup, debuting with a self-released 7-inch single on their own Lounge Records label.The name "The Asteroid No.4" honors Vesta (the solar system's brightest asteroid) and the UK psych band Spacemen 3. Notably, their cover of Spacemen 3's "Losing Touch with My Mind" on a 1998 tribute album was publicly praised by founding member Sonic Boom in Magnet Magazine.

Listen:

https://theasteroidno4.bandcamp.com/album/in-praise-of-shadows

Acid Rooster blends German krautrock and psych-rock with cosmic jams. The childhood trio crafts instrumental music that shifts between ambient spheres and heavy, climactic riffs. Their partly written, partly improvised tracks create a trance-like undertow, blending space rock, drone, and garage. Authentic and stylistically confident, they offer a fresh, unpretentious take on psychedelic heritage.

Listen: https://acidrooster.bandcamp.com/album/live-at-fuzz-club-festival-2025

https://berlin.askapunk.de/event/the-asteroid-no4-acid-rooster-at-neue-zukunft-berlin

The Asteroid No.4, Acid Rooster at Neue Zukunft, Berlin

Neue Zukunft, Monday, October 5 at 07:00 PM GMT+2

Positive Transmitter & Crunch Tapes present:

The Asteroid No.4 (US, Little Cloud Records) with special guest Acid Rooster (DE, Fuzz Club)

5 October 2026

Neue Zukunft, Berlin

Doors: 19:00, Show: 20:00

Tickets available via DICE: https://link.dice.fm/Ha6597341366

The Asteroid No.4 is an American psych-rock and shoegaze band now based in the San Francisco, after moving from Philadelphia in 2011. Formed in the late 90s, the group has earned a loyal underground following through immersive live shows characterized by layered guitars and heavy reverb. They boast a prolific discography, including 13 studio albums alongside numerous EPs and singles. Their signature sound blends shoegaze, 12-string folk-rock, Kosmische Musik, and cosmic country.

The band was founded by childhood friends Scott Vitt and Eric Harms, who previously played in punk and Smiths tribute acts. Inspired by 90s British shoegaze, they recruited bassist Gregg Weiss and drummer Bill Reim to complete the original lineup, debuting with a self-released 7-inch single on their own Lounge Records label.The name "The Asteroid No.4" honors Vesta (the solar system's brightest asteroid) and the UK psych band Spacemen 3. Notably, their cover of Spacemen 3's "Losing Touch with My Mind" on a 1998 tribute album was publicly praised by founding member Sonic Boom in Magnet Magazine.

Listen:

https://theasteroidno4.bandcamp.com/album/in-praise-of-shadows

Acid Rooster blends German krautrock and psych-rock with cosmic jams. The childhood trio crafts instrumental music that shifts between ambient spheres and heavy, climactic riffs. Their partly written, partly improvised tracks create a trance-like undertow, blending space rock, drone, and garage. Authentic and stylistically confident, they offer a fresh, unpretentious take on psychedelic heritage.

Listen: https://acidrooster.bandcamp.com/album/live-at-fuzz-club-festival-2025

https://berlin.askapunk.de/event/the-asteroid-no4-acid-rooster-at-neue-zukunft-berlin

Juke Cove (heavy alternative rock) + Neetscha (glam/garage/psych-pop) x Schokoladen

Schokoladen, Wednesday, October 7 at 07:00 PM GMT+2

Juke Cove are a three-piece from Leipzig, Germany, crafting a distinctive and energetic fusion of stoner rock, doom, and psychedelia, spiked with a dose of punk spirit. Since forming in 2018, the band has developed a sound defined by hypnotic basslines, riff-heavy grooves, and songs that twist rather than follow the obvious path. Their dynamic songwriting and raw stage presence have become hallmarks of their live shows.

Their last two records, Remedy and Tempest, were released via Interstellar Smoke Records and received strong international recognition, including placements on the Doom Charts. In recent years, Juke Cove have supported genre heavyweights such as King Buffalo, 1000 Mods, Rotor,

Mars Red Sky and Dopelord. After multiple gigs across Germany, Poland, and the Czech Republic, their reputation continues to grow in the European heavy underground.

Neetscha is a glam/garage/psych-pop musical tour-de-force. The band’s punk rock energy and catchy hooks are steered by electronic undertones and driven by uniquely fierce female and male vocals.

The band has been compared to artists such as La Femme, Fat White Family, Black Lips and PJ Harvey.

https://berlin.askapunk.de/event/juke-cove-heavy-alternative-rock-neetscha-glamgaragepsych-pop-x-schokoladen

Juke Cove (heavy alternative rock) + Neetscha (glam/garage/psych-pop) x Schokoladen

Schokoladen, Wednesday, October 7 at 07:00 PM GMT+2

Juke Cove are a three-piece from Leipzig, Germany, crafting a distinctive and energetic fusion of stoner rock, doom, and psychedelia, spiked with a dose of punk spirit. Since forming in 2018, the band has developed a sound defined by hypnotic basslines, riff-heavy grooves, and songs that twist rather than follow the obvious path. Their dynamic songwriting and raw stage presence have become hallmarks of their live shows.

Their last two records, Remedy and Tempest, were released via Interstellar Smoke Records and received strong international recognition, including placements on the Doom Charts. In recent years, Juke Cove have supported genre heavyweights such as King Buffalo, 1000 Mods, Rotor,

Mars Red Sky and Dopelord. After multiple gigs across Germany, Poland, and the Czech Republic, their reputation continues to grow in the European heavy underground.

Neetscha is a glam/garage/psych-pop musical tour-de-force. The band’s punk rock energy and catchy hooks are steered by electronic undertones and driven by uniquely fierce female and male vocals.

The band has been compared to artists such as La Femme, Fat White Family, Black Lips and PJ Harvey.

https://berlin.askapunk.de/event/juke-cove-heavy-alternative-rock-neetscha-glamgaragepsych-pop-x-schokoladen

Juke Cove (heavy alternative rock) + Neetscha (glam/garage/psych-pop) x Schokoladen

Schokoladen, Wednesday, October 7 at 07:00 PM GMT+2

Juke Cove are a three-piece from Leipzig, Germany, crafting a distinctive and energetic fusion of stoner rock, doom, and psychedelia, spiked with a dose of punk spirit. Since forming in 2018, the band has developed a sound defined by hypnotic basslines, riff-heavy grooves, and songs that twist rather than follow the obvious path. Their dynamic songwriting and raw stage presence have become hallmarks of their live shows.

Their last two records, Remedy and Tempest, were released via Interstellar Smoke Records and received strong international recognition, including placements on the Doom Charts. In recent years, Juke Cove have supported genre heavyweights such as King Buffalo, 1000 Mods, Rotor,

Mars Red Sky and Dopelord. After multiple gigs across Germany, Poland, and the Czech Republic, their reputation continues to grow in the European heavy underground.

Neetscha is a glam/garage/psych-pop musical tour-de-force. The band’s punk rock energy and catchy hooks are steered by electronic undertones and driven by uniquely fierce female and male vocals.

The band has been compared to artists such as La Femme, Fat White Family, Black Lips and PJ Harvey.

https://berlin.askapunk.de/event/juke-cove-heavy-alternative-rock-neetscha-glamgaragepsych-pop-x-schokoladen

MONDO DRAG (+ EARLY MOODS) | NEUE ZUKUNFT - BERLIN

Neue Zukunft, Thursday, October 8 at 07:00 PM GMT+2

MONDO DRAG

SPECIAL GUEST: EARLY MOODS

08.10.2026 - Neue Zukunft

Doors: 19:00 | Start: 20:00

Tickets: https://www.greyzone-tickets.de/produkte/1322

Two of the most exciting names in today's heavy rock underground are joining forces: San Francisco's Mondo Drag and Los Angeles' Early Moods bring two distinct yet perfectly complementary sounds to the stage, delivering an unforgettable night of psychedelic rock, vintage heavy metal and crushing doom.

Following an eight-year break between albums, Mondo Drag return with Through the Hourglass—their most ambitious and personal record to date. Blending mesmerizing organ work, progressive songwriting and psychedelic textures, the band explores themes of loss, time and renewal while staying true to the cosmic sound that has earned them a devoted following.

Joining them are Early Moods, one of the fastest-rising bands in the new wave of traditional doom and heavy metal. Their acclaimed sophomore album A Sinner's Past combines the spirit of early '70s proto-metal, massive Sabbath-inspired riffs and timeless melodies with the energy of a young band that has already shared stages with legends like Candlemass and Pentagram.

https://berlin.askapunk.de/event/mondo-drag-early-moods-or-neue-zukunft-berlin

MONDO DRAG (+ EARLY MOODS) | NEUE ZUKUNFT - BERLIN

Neue Zukunft, Thursday, October 8 at 07:00 PM GMT+2

MONDO DRAG

SPECIAL GUEST: EARLY MOODS

08.10.2026 - Neue Zukunft

Doors: 19:00 | Start: 20:00

Tickets: https://www.greyzone-tickets.de/produkte/1322

Two of the most exciting names in today's heavy rock underground are joining forces: San Francisco's Mondo Drag and Los Angeles' Early Moods bring two distinct yet perfectly complementary sounds to the stage, delivering an unforgettable night of psychedelic rock, vintage heavy metal and crushing doom.

Following an eight-year break between albums, Mondo Drag return with Through the Hourglass—their most ambitious and personal record to date. Blending mesmerizing organ work, progressive songwriting and psychedelic textures, the band explores themes of loss, time and renewal while staying true to the cosmic sound that has earned them a devoted following.

Joining them are Early Moods, one of the fastest-rising bands in the new wave of traditional doom and heavy metal. Their acclaimed sophomore album A Sinner's Past combines the spirit of early '70s proto-metal, massive Sabbath-inspired riffs and timeless melodies with the energy of a young band that has already shared stages with legends like Candlemass and Pentagram.

https://berlin.askapunk.de/event/mondo-drag-early-moods-or-neue-zukunft-berlin

MONDO DRAG (+ EARLY MOODS) | NEUE ZUKUNFT - BERLIN

Neue Zukunft, Thursday, October 8 at 07:00 PM GMT+2

MONDO DRAG

SPECIAL GUEST: EARLY MOODS

08.10.2026 - Neue Zukunft

Doors: 19:00 | Start: 20:00

Tickets: https://www.greyzone-tickets.de/produkte/1322

Two of the most exciting names in today's heavy rock underground are joining forces: San Francisco's Mondo Drag and Los Angeles' Early Moods bring two distinct yet perfectly complementary sounds to the stage, delivering an unforgettable night of psychedelic rock, vintage heavy metal and crushing doom.

Following an eight-year break between albums, Mondo Drag return with Through the Hourglass—their most ambitious and personal record to date. Blending mesmerizing organ work, progressive songwriting and psychedelic textures, the band explores themes of loss, time and renewal while staying true to the cosmic sound that has earned them a devoted following.

Joining them are Early Moods, one of the fastest-rising bands in the new wave of traditional doom and heavy metal. Their acclaimed sophomore album A Sinner's Past combines the spirit of early '70s proto-metal, massive Sabbath-inspired riffs and timeless melodies with the energy of a young band that has already shared stages with legends like Candlemass and Pentagram.

https://berlin.askapunk.de/event/mondo-drag-early-moods-or-neue-zukunft-berlin

HOWLING WOLVES // BELT // FURY WHIP @ Neue Zukunft Garage, Berlin

Neue Zukunft, Friday, October 9 at 07:00 PM GMT+2

The Wolves are back! After 2 years of silence live in Action again. Come Dance and Party with us.

Concert at the Neue Zukunft Garage with:

HOWLING WOLVES

https://howlingwolves.bandcamp.com/album/as-above-so-below

BELT

https://belttotheears.bandcamp.com/album/safety-first-ep

FURY WHIP

https://furywhip.bandcamp.com/album/enter-the-feast-control-the-earth

More Details later!

https://berlin.askapunk.de/event/howling-wolves-belt-fury-whip-neue-zukunft-garage-berlin

HOWLING WOLVES // BELT // FURY WHIP @ Neue Zukunft Garage, Berlin

Neue Zukunft, Friday, October 9 at 07:00 PM GMT+2

The Wolves are back! After 2 years of silence live in Action again. Come Dance and Party with us.

Concert at the Neue Zukunft Garage with:

HOWLING WOLVES

https://howlingwolves.bandcamp.com/album/as-above-so-below

BELT

https://belttotheears.bandcamp.com/album/safety-first-ep

FURY WHIP

https://furywhip.bandcamp.com/album/enter-the-feast-control-the-earth

More Details later!

https://berlin.askapunk.de/event/howling-wolves-belt-fury-whip-neue-zukunft-garage-berlin

HOWLING WOLVES // BELT // FURY WHIP @ Neue Zukunft Garage, Berlin

Neue Zukunft, Friday, October 9 at 07:00 PM GMT+2

The Wolves are back! After 2 years of silence live in Action again. Come Dance and Party with us.

Concert at the Neue Zukunft Garage with:

HOWLING WOLVES

https://howlingwolves.bandcamp.com/album/as-above-so-below

BELT

https://belttotheears.bandcamp.com/album/safety-first-ep

FURY WHIP

https://furywhip.bandcamp.com/album/enter-the-feast-control-the-earth

More Details later!

https://berlin.askapunk.de/event/howling-wolves-belt-fury-whip-neue-zukunft-garage-berlin

Fuzz Sagrado + Blackbox Massacre + Gelaender

Neue Zukunft, Friday, October 9 at 08:00 PM GMT+2

Ticket sichern via Mail an [email protected] + ganz einfach, ich schwöre!

Liebe Leute, nach zahlreichen Wirrungen des Lebens der vergangenen Jahre wieder ein Konzert in der neuen Zukunft.

Diesmal mit dem einzigen Konzert in diesem Jahr vom BLACKBOX MASSACRE, einem langen Set von FUZZ SAGRADO, sowie den Newcomern von GELAENDER aus Leipzig (u.a. ehemalige Muddy Orchid-Mitglieder).

BLACKBOX MASSACRE ist die neue alte - quasi legendäre - Band von Steffen Schneider (u.a. Spaceship Landing), zusammen mit Coogans Bluff-Drummer Charlie und Raphael Nigbur am Bass.

>> https://www.youtube.com/watch?v=jCnaWFLwjhc

FUZZ SAGRADO ist die neue Band von Chris Peters (Samsara Blues Experiment - Sänger/Gitarrist) mit den drei Mitgliedern von BBM. Prinzipiell bildet diese neue Gruppe den Übergang von SBE in eine neue Zeit, weshalb auch noch ein paar ältere Titel von Samsara im Programm sind.

>> https://www.youtube.com/watch?v=-ZfVjXA11-s

GELAENDER aus Leipzig befinden sich irgendwo im Querschnitt zwischen Krautrock-artigem und moderneren Rock-Sounds, ein bisschen wie eine Mischung aus Neu mit Kraftwerk und Queens Of The Stone Age?! Seht's euch einfach an 😉

>> https://www.instagram.com/gelaenderband

https://berlin.askapunk.de/event/fuzz-sagrado-blackbox-massacre-gelaender

Fuzz Sagrado + Blackbox Massacre + Gelaender

Neue Zukunft, Friday, October 9 at 08:00 PM GMT+2

Ticket sichern via Mail an [email protected] + ganz einfach, ich schwöre!

Liebe Leute, nach zahlreichen Wirrungen des Lebens der vergangenen Jahre wieder ein Konzert in der neuen Zukunft.

Diesmal mit dem einzigen Konzert in diesem Jahr vom BLACKBOX MASSACRE, einem langen Set von FUZZ SAGRADO, sowie den Newcomern von GELAENDER aus Leipzig (u.a. ehemalige Muddy Orchid-Mitglieder).

BLACKBOX MASSACRE ist die neue alte - quasi legendäre - Band von Steffen Schneider (u.a. Spaceship Landing), zusammen mit Coogans Bluff-Drummer Charlie und Raphael Nigbur am Bass.

>> https://www.youtube.com/watch?v=jCnaWFLwjhc

FUZZ SAGRADO ist die neue Band von Chris Peters (Samsara Blues Experiment - Sänger/Gitarrist) mit den drei Mitgliedern von BBM. Prinzipiell bildet diese neue Gruppe den Übergang von SBE in eine neue Zeit, weshalb auch noch ein paar ältere Titel von Samsara im Programm sind.

>> https://www.youtube.com/watch?v=-ZfVjXA11-s

GELAENDER aus Leipzig befinden sich irgendwo im Querschnitt zwischen Krautrock-artigem und moderneren Rock-Sounds, ein bisschen wie eine Mischung aus Neu mit Kraftwerk und Queens Of The Stone Age?! Seht's euch einfach an 😉

>> https://www.instagram.com/gelaenderband

https://berlin.askapunk.de/event/fuzz-sagrado-blackbox-massacre-gelaender

Fuzz Sagrado + Blackbox Massacre + Gelaender

Neue Zukunft, Friday, October 9 at 08:00 PM GMT+2

Ticket sichern via Mail an [email protected] + ganz einfach, ich schwöre!

Liebe Leute, nach zahlreichen Wirrungen des Lebens der vergangenen Jahre wieder ein Konzert in der neuen Zukunft.

Diesmal mit dem einzigen Konzert in diesem Jahr vom BLACKBOX MASSACRE, einem langen Set von FUZZ SAGRADO, sowie den Newcomern von GELAENDER aus Leipzig (u.a. ehemalige Muddy Orchid-Mitglieder).

BLACKBOX MASSACRE ist die neue alte - quasi legendäre - Band von Steffen Schneider (u.a. Spaceship Landing), zusammen mit Coogans Bluff-Drummer Charlie und Raphael Nigbur am Bass.

>> https://www.youtube.com/watch?v=jCnaWFLwjhc

FUZZ SAGRADO ist die neue Band von Chris Peters (Samsara Blues Experiment - Sänger/Gitarrist) mit den drei Mitgliedern von BBM. Prinzipiell bildet diese neue Gruppe den Übergang von SBE in eine neue Zeit, weshalb auch noch ein paar ältere Titel von Samsara im Programm sind.

>> https://www.youtube.com/watch?v=-ZfVjXA11-s

GELAENDER aus Leipzig befinden sich irgendwo im Querschnitt zwischen Krautrock-artigem und moderneren Rock-Sounds, ein bisschen wie eine Mischung aus Neu mit Kraftwerk und Queens Of The Stone Age?! Seht's euch einfach an 😉

>> https://www.instagram.com/gelaenderband

https://berlin.askapunk.de/event/fuzz-sagrado-blackbox-massacre-gelaender

I take a pill and wait a while
And take the next one the other time
Now there is no turning back
Soul is heavy, mind turns black

Stoned Medusa – Death Inside
12.08.26 @ Neue Zukunft

Video by Khaled
https://khaledalshannan.wordpress.com/

#StonedMedusa #Live #Band #PsychDoom #PsychedelicRock #Doom #HeavyRock #PsychRock #StonerDoom #Concert #NeueZukunft #Berlin #SaturDoom #Music

I take a pill and wait a while
And take the next one the other time
Now there is no turning back
Soul is heavy, mind turns black

Stoned Medusa – Death Inside
12.08.26 @ Neue Zukunft

Video by Khaled
https://khaledalshannan.wordpress.com/

#StonedMedusa #Live #Band #PsychDoom #PsychedelicRock #Doom #HeavyRock #PsychRock #StonerDoom #Concert #NeueZukunft #Berlin #SaturDoom #Music

I take a pill and wait a while
And take the next one the other time
Now there is no turning back
Soul is heavy, mind turns black

Stoned Medusa – Death Inside
12.08.26 @ Neue Zukunft

Video by Khaled
https://khaledalshannan.wordpress.com/

#StonedMedusa #Live #Band #PsychDoom #PsychedelicRock #Doom #HeavyRock #PsychRock #StonerDoom #Concert #NeueZukunft #Berlin #SaturDoom #Music

I take a pill and wait a while
And take the next one the other time
Now there is no turning back
Soul is heavy, mind turns black

Stoned Medusa – Death Inside
12.08.26 @ Neue Zukunft

Video by Khaled
https://khaledalshannan.wordpress.com/

#StonedMedusa #Live #Band #PsychDoom #PsychedelicRock #Doom #HeavyRock #PsychRock #StonerDoom #Concert #NeueZukunft #Berlin #SaturDoom #Music

Have you ever wished
you could turn back time?
Have you ever kissed
when you were a child, back then?
Have you ever missed
a real opportunity
or couldn't you imagine anything else?

Stoned Medusa – Darkest Forest
12.08.26 @ Neue Zukunft

Video by Khaled
https://khaledalshannan.wordpress.com/

#StonedMedusa #Live #Band #PsychDoom #PsychedelicRock #Doom #HeavyRock #PsychRock #StonerDoom #Concert #NeueZukunft #Berlin #SaturDoom #Music

Have you ever wished
you could turn back time?
Have you ever kissed
when you were a child, back then?
Have you ever missed
a real opportunity
or couldn't you imagine anything else?

Stoned Medusa – Darkest Forest
12.08.26 @ Neue Zukunft

Video by Khaled
https://khaledalshannan.wordpress.com/

#StonedMedusa #Live #Band #PsychDoom #PsychedelicRock #Doom #HeavyRock #PsychRock #StonerDoom #Concert #NeueZukunft #Berlin #SaturDoom #Music

Have you ever wished
you could turn back time?
Have you ever kissed
when you were a child, back then?
Have you ever missed
a real opportunity
or couldn't you imagine anything else?

Stoned Medusa – Darkest Forest
12.08.26 @ Neue Zukunft

Video by Khaled
https://khaledalshannan.wordpress.com/

#StonedMedusa #Live #Band #PsychDoom #PsychedelicRock #Doom #HeavyRock #PsychRock #StonerDoom #Concert #NeueZukunft #Berlin #SaturDoom #Music

Have you ever wished
you could turn back time?
Have you ever kissed
when you were a child, back then?
Have you ever missed
a real opportunity
or couldn't you imagine anything else?

Stoned Medusa – Darkest Forest
12.08.26 @ Neue Zukunft

Video by Khaled
https://khaledalshannan.wordpress.com/

#StonedMedusa #Live #Band #PsychDoom #PsychedelicRock #Doom #HeavyRock #PsychRock #StonerDoom #Concert #NeueZukunft #Berlin #SaturDoom #Music

Designer + Capacopter

28.09.2026
Einlass: 19:00
Carousel, Heidelberg

https://geisterstadt.eu/concerts/designer-capacopter

#carousel #heidelberg #goldeselshows #HeavyRock #rocknroll #neuaufgeisterstadt

Today's music:

Amanekagura - Kuroki Zankyo

https://youtu.be/BEr56n8Edr8

#rock #HeavyRock #japan #music #np #NowPlaying #MastoMusic

Today's music:

Amanekagura - Kuroki Zankyo

https://youtu.be/BEr56n8Edr8

#rock #HeavyRock #japan #music #np #NowPlaying #MastoMusic

Today's music:

Amanekagura - Kuroki Zankyo

https://youtu.be/BEr56n8Edr8

#rock #HeavyRock #japan #music #np #NowPlaying #MastoMusic

Today's music:

Amanekagura - Kuroki Zankyo

https://youtu.be/BEr56n8Edr8

#rock #HeavyRock #japan #music #np #NowPlaying #MastoMusic

#Raven liefern im ausverkauften Metal-Club #SchwarzerKeiler genau das, was ihre in Würde mitgealterten Fans erwarten: energetischen #HeavyRock, seit Jahrzehnten immun gegen Moden und Trends. #TrueMetal ist dafür fast schon ein zu schwaches Wort.

https://www.gig-blog.net/2026/09/12/raven-defender-10-09-2026-schwarzer-keiler-stuttgart/

#Konzert #Konzertbericht #Concert #LiveMusic #LiveMusik #Konzertfotografie #ConcertPhotography #Metal

#Raven liefern im ausverkauften Metal-Club #SchwarzerKeiler genau das, was ihre in Würde mitgealterten Fans erwarten: energetischen #HeavyRock, seit Jahrzehnten immun gegen Moden und Trends. #TrueMetal ist dafür fast schon ein zu schwaches Wort.

https://www.gig-blog.net/2026/09/12/raven-defender-10-09-2026-schwarzer-keiler-stuttgart/

#Konzert #Konzertbericht #Concert #LiveMusic #LiveMusik #Konzertfotografie #ConcertPhotography #Metal

Special Features – Self Improvement
#AlternativeRockPop #Punk #Rock #alternativerock #fuzz #heavyrock #indiemusic #Brisbane
CC BY (#CreativeCommons Attribution) #ccmusic
https://specialfeaturesband.bandcamp.com/album/self-improvement-2

Special Features – Self Improvement
#AlternativeRockPop #Punk #Rock #alternativerock #fuzz #heavyrock #indiemusic #Brisbane
CC BY (#CreativeCommons Attribution) #ccmusic
https://specialfeaturesband.bandcamp.com/album/self-improvement-2

Special Features – Self Improvement
#AlternativeRockPop #Punk #Rock #alternativerock #fuzz #heavyrock #indiemusic #Brisbane
CC BY (#CreativeCommons Attribution) #ccmusic
https://specialfeaturesband.bandcamp.com/album/self-improvement-2

Special Features – Self Improvement
#AlternativeRockPop #Punk #Rock #alternativerock #fuzz #heavyrock #indiemusic #Brisbane
CC BY (#CreativeCommons Attribution) #ccmusic
https://specialfeaturesband.bandcamp.com/album/self-improvement-2

Acid Mothers Temple & The Melting Paraiso U.F.O. – Live in Brattleboro 2002
#Experimental #Rock #heavyrock #interplay #krautrock #psychedelic #psychedelicrock #spacerock #unreleased #Japan
CC BY (#CreativeCommons Attribution) #ccmusic
https://acidmotherstemple.bandcamp.com/album/live-in-brattleboro-2002

Acid Mothers Temple & The Melting Paraiso U.F.O. – Live in Brattleboro 2002
#Experimental #Rock #heavyrock #interplay #krautrock #psychedelic #psychedelicrock #spacerock #unreleased #Japan
CC BY (#CreativeCommons Attribution) #ccmusic
https://acidmotherstemple.bandcamp.com/album/live-in-brattleboro-2002

Acid Mothers Temple & The Melting Paraiso U.F.O. – Live in Brattleboro 2002
#Experimental #Rock #heavyrock #interplay #krautrock #psychedelic #psychedelicrock #spacerock #unreleased #Japan
CC BY (#CreativeCommons Attribution) #ccmusic
https://acidmotherstemple.bandcamp.com/album/live-in-brattleboro-2002

Acid Mothers Temple & The Melting Paraiso U.F.O. – Live in Brattleboro 2002
#Experimental #Rock #heavyrock #interplay #krautrock #psychedelic #psychedelicrock #spacerock #unreleased #Japan
CC BY (#CreativeCommons Attribution) #ccmusic
https://acidmotherstemple.bandcamp.com/album/live-in-brattleboro-2002

Anchored by a somber weight and deep emotional pain impacting the connective tissue binding Mastodon over the decades, Marrow Deep signals a new era for the Atlanta heavyweights. Ninth album, and first since 2021’s bloated and occasionally brilliant double opus, Hushed and Grim arrives on the back of turbulent and traumatic times. Enigmatic founding member, uber-talented axeman/vocalist, and all-round wild man Brent Hinds parted ways in tense circumstances in March twenty-twenty-five, before tragically passing away in a motorcycle accident in August of the same year. The tragedy surrounding Hinds’ premature death hangs heavily over Marrow Deep’s conception. The remaining core trio of bassist/vocalist Troy Sanders, drummer/vocalist Brann Dailor, and guitarist Bill Kelliher composed the album, fleshing out the material with fresh members, guitarist Nick Johnston and keyboardist/synth player João Nogueira. Marrow Deep exorcises tense emotional grief, and like its predecessor, pulls on the heartstrings.

Listeners who tapped out following Crack the Skye will find little here to bring them back into the fold. Following the exhaustive length of Hushed and Grim, cut down to size, Marrow Deep still sports a hefty 65-minute runtime. Peppering their progressive metal and sludge rock core with heady psych and stoner influences, alongside mellower rock and prog fare, Marrow Deep is also frequently direct and punchy. “Your Ghost Again” signals a fitting tribute to their fallen brother, anchored by urgent, driving verses, blossoming into haunting melodies, playful prog and a crushing climax. Fellow singles also fare well, such as the keyboard freakout and effective, minimalist cameo from Josh Homme (Queens of the Stone Age) on “Snakes for Dinner,” or the impressively raw, gut-wrenching Sanders vocal performance on the doomy ” Ruins,” inspired by the personal events of Hurricane Helene.

Dailor’s smooth, though divisive, melodic vocals, alongside the deceptively dynamic bellows and rough vox of Sanders, sound confident, impassioned, and familiar, while the increased integration of keys and synths enlivens the Mastodon formula, adding texture and swirling psychedelia into the sludge rock and progressive metal populating infectious, riff-driven songcraft. Heavier and more energetic than its predecessor Marrow Deep often hits with impact. Featuring a bending, genuinely heavy swagger, opener “Barbarians Blood” eventually unleashes a turbo-charged, thrashy, punk-metal groove that goes hard. Equally potent, “Poisonous Weapons” demonstrates Mastodon can still crush and destroy through dense, riffy sludge with a bitter edge. Upping the aggressive ante, Nate Newton (Converge/Cave In) and Randy Blythe (Lamb of God) lend their vocal talents to the fiery blast of “A Vampire’s Demeanor.” Elsewhere, the legendary Geezer Butler (Black Sabbath) supplies signature, tasty bass licks on the intro to the trippy, psych-leaning odyssey of “The Vanishing,” while Clutch’s Neil Fallon showcases his gruff preaching on jam-infested finale, ‘The Three Fates.” Gears shift on “Golden Spires,” sweetly balancing the album’s melodic sways and heavier surges through towering riffs and striking dynamics.

Loaded with technical and progressive flair listeners have come to expect, performances are super tight. Johnston fills the Hinds void admirably, without simply replicating his admired predecessor. A hugely competent shredder, Johnston puts his own stamp on Marrow Deep, getting a particular opportunity to exhibit his classy soloing on Marrow Deep’s more exploratory, psych and stoner heavy tunes (“The Vanishing,” “Moth and Bone,” and monolithic closer “The Three Fates”). Dailor’s drumming is as intricate and creative as ever, without overplaying his hand, and the Dailor/Sanders vocal combo sounds confident and assured. Unfortunately, Marrow Deep is saddled with a crunchy but overly clean production and compressed mastering job sapping some of the album’s sonic power. Concerning self-editing issues also surface, and while most the material lands, there are occasional lulls and plods suggesting some shrewder editing may have been required.

For all of Marrow Deep’s strengths and fresh designs, the absence of Hinds is strongly felt. Whether through his songwriting contributions or unique guitar style, which cleverly incorporated outside influences, such as bluegrass and southern rock twang, into Mastodon’s progressive sludge formula. Meanwhile, his hugely expressive, soulful soloing and unmistakable vocals feel odd to be missing; moments occur where you half expect a Hinds vocal to pop up. Gripes aside, Marrow Deep is a better album than expected considering the massive hole left by Hinds’. Credit to the remaining members and new blood for forging ahead with optimism, crafting an entertaining opus. Time will tell where Marrow Deep fits in the greater Mastodon canon. As it stands, Marrow Deep marks a rejuvenated, cathartic, nerve-poking transitional turn from Mastodon.

Rating: 3.5/5.0
DR: N/A | Format Reviewed: Lousy Stream
Label: Lorna Vista Recordings
Websites: mastodonrocks.com | Bandcamp
Releases Worldwide: August 28th, 2026

Anchored by a somber weight and deep emotional pain impacting the connective tissue binding Mastodon over the decades, Marrow Deep signals a new era for the Atlanta heavyweights. Ninth album, and first since 2021’s bloated and occasionally brilliant double opus, Hushed and Grim arrives on the back of turbulent and traumatic times. Enigmatic founding member, uber-talented axeman/vocalist, and all-round wild man Brent Hinds parted ways in tense circumstances in March twenty-twenty-five, before tragically passing away in a motorcycle accident in August of the same year. The tragedy surrounding Hinds’ premature death hangs heavily over Marrow Deep’s conception. The remaining core trio of bassist/vocalist Troy Sanders, drummer/vocalist Brann Dailor, and guitarist Bill Kelliher composed the album, fleshing out the material with fresh members, guitarist Nick Johnston and keyboardist/synth player João Nogueira. Marrow Deep exorcises tense emotional grief, and like its predecessor, pulls on the heartstrings.

Listeners who tapped out following Crack the Skye will find little here to bring them back into the fold. Following the exhaustive length of Hushed and Grim, cut down to size, Marrow Deep still sports a hefty 65-minute runtime. Peppering their progressive metal and sludge rock core with heady psych and stoner influences, alongside mellower rock and prog fare, Marrow Deep is also frequently direct and punchy. “Your Ghost Again” signals a fitting tribute to their fallen brother, anchored by urgent, driving verses, blossoming into haunting melodies, playful prog and a crushing climax. Fellow singles also fare well, such as the keyboard freakout and effective, minimalist cameo from Josh Homme (Queens of the Stone Age) on “Snakes for Dinner,” or the impressively raw, gut-wrenching Sanders vocal performance on the doomy ” Ruins,” inspired by the personal events of Hurricane Helene.

Dailor’s smooth, though divisive, melodic vocals, alongside the deceptively dynamic bellows and rough vox of Sanders, sound confident, impassioned, and familiar, while the increased integration of keys and synths enlivens the Mastodon formula, adding texture and swirling psychedelia into the sludge rock and progressive metal populating infectious, riff-driven songcraft. Heavier and more energetic than its predecessor Marrow Deep often hits with impact. Featuring a bending, genuinely heavy swagger, opener “Barbarians Blood” eventually unleashes a turbo-charged, thrashy, punk-metal groove that goes hard. Equally potent, “Poisonous Weapons” demonstrates Mastodon can still crush and destroy through dense, riffy sludge with a bitter edge. Upping the aggressive ante, Nate Newton (Converge/Cave In) and Randy Blythe (Lamb of God) lend their vocal talents to the fiery blast of “A Vampire’s Demeanor.” Elsewhere, the legendary Geezer Butler (Black Sabbath) supplies signature, tasty bass licks on the intro to the trippy, psych-leaning odyssey of “The Vanishing,” while Clutch’s Neil Fallon showcases his gruff preaching on jam-infested finale, ‘The Three Fates.” Gears shift on “Golden Spires,” sweetly balancing the album’s melodic sways and heavier surges through towering riffs and striking dynamics.

Loaded with technical and progressive flair listeners have come to expect, performances are super tight. Johnston fills the Hinds void admirably, without simply replicating his admired predecessor. A hugely competent shredder, Johnston puts his own stamp on Marrow Deep, getting a particular opportunity to exhibit his classy soloing on Marrow Deep’s more exploratory, psych and stoner heavy tunes (“The Vanishing,” “Moth and Bone,” and monolithic closer “The Three Fates”). Dailor’s drumming is as intricate and creative as ever, without overplaying his hand, and the Dailor/Sanders vocal combo sounds confident and assured. Unfortunately, Marrow Deep is saddled with a crunchy but overly clean production and compressed mastering job sapping some of the album’s sonic power. Concerning self-editing issues also surface, and while most the material lands, there are occasional lulls and plods suggesting some shrewder editing may have been required.

For all of Marrow Deep’s strengths and fresh designs, the absence of Hinds is strongly felt. Whether through his songwriting contributions or unique guitar style, which cleverly incorporated outside influences, such as bluegrass and southern rock twang, into Mastodon’s progressive sludge formula. Meanwhile, his hugely expressive, soulful soloing and unmistakable vocals feel odd to be missing; moments occur where you half expect a Hinds vocal to pop up. Gripes aside, Marrow Deep is a better album than expected considering the massive hole left by Hinds’. Credit to the remaining members and new blood for forging ahead with optimism, crafting an entertaining opus. Time will tell where Marrow Deep fits in the greater Mastodon canon. As it stands, Marrow Deep marks a rejuvenated, cathartic, nerve-poking transitional turn from Mastodon.

Rating: 3.5/5.0
DR: N/A | Format Reviewed: Lousy Stream
Label: Lorna Vista Recordings
Websites: mastodonrocks.com | Bandcamp
Releases Worldwide: August 28th, 2026

Anchored by a somber weight and deep emotional pain impacting the connective tissue binding Mastodon over the decades, Marrow Deep signals a new era for the Atlanta heavyweights. Ninth album, and first since 2021’s bloated and occasionally brilliant double opus, Hushed and Grim arrives on the back of turbulent and traumatic times. Enigmatic founding member, uber-talented axeman/vocalist, and all-round wild man Brent Hinds parted ways in tense circumstances in March twenty-twenty-five, before tragically passing away in a motorcycle accident in August of the same year. The tragedy surrounding Hinds’ premature death hangs heavily over Marrow Deep’s conception. The remaining core trio of bassist/vocalist Troy Sanders, drummer/vocalist Brann Dailor, and guitarist Bill Kelliher composed the album, fleshing out the material with fresh members, guitarist Nick Johnston and keyboardist/synth player João Nogueira. Marrow Deep exorcises tense emotional grief, and like its predecessor, pulls on the heartstrings.

Listeners who tapped out following Crack the Skye will find little here to bring them back into the fold. Following the exhaustive length of Hushed and Grim, cut down to size, Marrow Deep still sports a hefty 65-minute runtime. Peppering their progressive metal and sludge rock core with heady psych and stoner influences, alongside mellower rock and prog fare, Marrow Deep is also frequently direct and punchy. “Your Ghost Again” signals a fitting tribute to their fallen brother, anchored by urgent, driving verses, blossoming into haunting melodies, playful prog and a crushing climax. Fellow singles also fare well, such as the keyboard freakout and effective, minimalist cameo from Josh Homme (Queens of the Stone Age) on “Snakes for Dinner,” or the impressively raw, gut-wrenching Sanders vocal performance on the doomy ” Ruins,” inspired by the personal events of Hurricane Helene.

Dailor’s smooth, though divisive, melodic vocals, alongside the deceptively dynamic bellows and rough vox of Sanders, sound confident, impassioned, and familiar, while the increased integration of keys and synths enlivens the Mastodon formula, adding texture and swirling psychedelia into the sludge rock and progressive metal populating infectious, riff-driven songcraft. Heavier and more energetic than its predecessor Marrow Deep often hits with impact. Featuring a bending, genuinely heavy swagger, opener “Barbarians Blood” eventually unleashes a turbo-charged, thrashy, punk-metal groove that goes hard. Equally potent, “Poisonous Weapons” demonstrates Mastodon can still crush and destroy through dense, riffy sludge with a bitter edge. Upping the aggressive ante, Nate Newton (Converge/Cave In) and Randy Blythe (Lamb of God) lend their vocal talents to the fiery blast of “A Vampire’s Demeanor.” Elsewhere, the legendary Geezer Butler (Black Sabbath) supplies signature, tasty bass licks on the intro to the trippy, psych-leaning odyssey of “The Vanishing,” while Clutch’s Neil Fallon showcases his gruff preaching on jam-infested finale, ‘The Three Fates.” Gears shift on “Golden Spires,” sweetly balancing the album’s melodic sways and heavier surges through towering riffs and striking dynamics.

Loaded with technical and progressive flair listeners have come to expect, performances are super tight. Johnston fills the Hinds void admirably, without simply replicating his admired predecessor. A hugely competent shredder, Johnston puts his own stamp on Marrow Deep, getting a particular opportunity to exhibit his classy soloing on Marrow Deep’s more exploratory, psych and stoner heavy tunes (“The Vanishing,” “Moth and Bone,” and monolithic closer “The Three Fates”). Dailor’s drumming is as intricate and creative as ever, without overplaying his hand, and the Dailor/Sanders vocal combo sounds confident and assured. Unfortunately, Marrow Deep is saddled with a crunchy but overly clean production and compressed mastering job sapping some of the album’s sonic power. Concerning self-editing issues also surface, and while most the material lands, there are occasional lulls and plods suggesting some shrewder editing may have been required.

For all of Marrow Deep’s strengths and fresh designs, the absence of Hinds is strongly felt. Whether through his songwriting contributions or unique guitar style, which cleverly incorporated outside influences, such as bluegrass and southern rock twang, into Mastodon’s progressive sludge formula. Meanwhile, his hugely expressive, soulful soloing and unmistakable vocals feel odd to be missing; moments occur where you half expect a Hinds vocal to pop up. Gripes aside, Marrow Deep is a better album than expected considering the massive hole left by Hinds’. Credit to the remaining members and new blood for forging ahead with optimism, crafting an entertaining opus. Time will tell where Marrow Deep fits in the greater Mastodon canon. As it stands, Marrow Deep marks a rejuvenated, cathartic, nerve-poking transitional turn from Mastodon.

Rating: 3.5/5.0
DR: N/A | Format Reviewed: Lousy Stream
Label: Lorna Vista Recordings
Websites: mastodonrocks.com | Bandcamp
Releases Worldwide: August 28th, 2026

Anchored by a somber weight and deep emotional pain impacting the connective tissue binding Mastodon over the decades, Marrow Deep signals a new era for the Atlanta heavyweights. Ninth album, and first since 2021’s bloated and occasionally brilliant double opus, Hushed and Grim arrives on the back of turbulent and traumatic times. Enigmatic founding member, uber-talented axeman/vocalist, and all-round wild man Brent Hinds parted ways in tense circumstances in March twenty-twenty-five, before tragically passing away in a motorcycle accident in August of the same year. The tragedy surrounding Hinds’ premature death hangs heavily over Marrow Deep’s conception. The remaining core trio of bassist/vocalist Troy Sanders, drummer/vocalist Brann Dailor, and guitarist Bill Kelliher composed the album, fleshing out the material with fresh members, guitarist Nick Johnston and keyboardist/synth player João Nogueira. Marrow Deep exorcises tense emotional grief, and like its predecessor, pulls on the heartstrings.

Listeners who tapped out following Crack the Skye will find little here to bring them back into the fold. Following the exhaustive length of Hushed and Grim, cut down to size, Marrow Deep still sports a hefty 65-minute runtime. Peppering their progressive metal and sludge rock core with heady psych and stoner influences, alongside mellower rock and prog fare, Marrow Deep is also frequently direct and punchy. “Your Ghost Again” signals a fitting tribute to their fallen brother, anchored by urgent, driving verses, blossoming into haunting melodies, playful prog and a crushing climax. Fellow singles also fare well, such as the keyboard freakout and effective, minimalist cameo from Josh Homme (Queens of the Stone Age) on “Snakes for Dinner,” or the impressively raw, gut-wrenching Sanders vocal performance on the doomy ” Ruins,” inspired by the personal events of Hurricane Helene.

Dailor’s smooth, though divisive, melodic vocals, alongside the deceptively dynamic bellows and rough vox of Sanders, sound confident, impassioned, and familiar, while the increased integration of keys and synths enlivens the Mastodon formula, adding texture and swirling psychedelia into the sludge rock and progressive metal populating infectious, riff-driven songcraft. Heavier and more energetic than its predecessor Marrow Deep often hits with impact. Featuring a bending, genuinely heavy swagger, opener “Barbarians Blood” eventually unleashes a turbo-charged, thrashy, punk-metal groove that goes hard. Equally potent, “Poisonous Weapons” demonstrates Mastodon can still crush and destroy through dense, riffy sludge with a bitter edge. Upping the aggressive ante, Nate Newton (Converge/Cave In) and Randy Blythe (Lamb of God) lend their vocal talents to the fiery blast of “A Vampire’s Demeanor.” Elsewhere, the legendary Geezer Butler (Black Sabbath) supplies signature, tasty bass licks on the intro to the trippy, psych-leaning odyssey of “The Vanishing,” while Clutch’s Neil Fallon showcases his gruff preaching on jam-infested finale, ‘The Three Fates.” Gears shift on “Golden Spires,” sweetly balancing the album’s melodic sways and heavier surges through towering riffs and striking dynamics.

Loaded with technical and progressive flair listeners have come to expect, performances are super tight. Johnston fills the Hinds void admirably, without simply replicating his admired predecessor. A hugely competent shredder, Johnston puts his own stamp on Marrow Deep, getting a particular opportunity to exhibit his classy soloing on Marrow Deep’s more exploratory, psych and stoner heavy tunes (“The Vanishing,” “Moth and Bone,” and monolithic closer “The Three Fates”). Dailor’s drumming is as intricate and creative as ever, without overplaying his hand, and the Dailor/Sanders vocal combo sounds confident and assured. Unfortunately, Marrow Deep is saddled with a crunchy but overly clean production and compressed mastering job sapping some of the album’s sonic power. Concerning self-editing issues also surface, and while most the material lands, there are occasional lulls and plods suggesting some shrewder editing may have been required.

For all of Marrow Deep’s strengths and fresh designs, the absence of Hinds is strongly felt. Whether through his songwriting contributions or unique guitar style, which cleverly incorporated outside influences, such as bluegrass and southern rock twang, into Mastodon’s progressive sludge formula. Meanwhile, his hugely expressive, soulful soloing and unmistakable vocals feel odd to be missing; moments occur where you half expect a Hinds vocal to pop up. Gripes aside, Marrow Deep is a better album than expected considering the massive hole left by Hinds’. Credit to the remaining members and new blood for forging ahead with optimism, crafting an entertaining opus. Time will tell where Marrow Deep fits in the greater Mastodon canon. As it stands, Marrow Deep marks a rejuvenated, cathartic, nerve-poking transitional turn from Mastodon.

Rating: 3.5/5.0
DR: N/A | Format Reviewed: Lousy Stream
Label: Lorna Vista Recordings
Websites: mastodonrocks.com | Bandcamp
Releases Worldwide: August 28th, 2026

https://www.europesays.com/fi/319257/ Metallimusiikin festivaalin lipunmyynti sakkasi – Unholy summerfest siirtyy Ilosaaressa sisätiloihin | Kotimaa #Entertainment #festivaalit #FI #Finland #Finnish #HeavyRock #Joensuu #kotimaa #metallimusiikki #PohjoisKarjala #Suomi #Tapahtumat #viihde

https://www.europesays.com/at/310106/ Die Welt kommt ins Dorf: Das „Rock im Wald“-Festival in Neuensee #AT #Austria #DesertRock #Ehrenamt #Entertainment #festivals #HeavyRock #Michelau #Music #Musik #Musikfestivals #Neuensee #Oberfranken #Österreich #PsychedelicRock #RockImWald #StonerRock #Unterhaltung

Temita de un disco solista de Tony Iommi por el año 2000. 🔥

https://www.youtube.com/watch?v=kR09z7tqlKU

#iommi #skin #heavyRock #motherfuckingHit #badass

The Queen Is Dead Volume 219 – Sons Of Ghidorah, Mandy Manala, Maneating Orchid

Sons Of Ghidorah, Mandy Manala e Maneating Orchid: 3 dischi
Da New York alla Finlandia fino a Bangalore: Sons Of Ghidorah, Mandy Manala e Maneating Orchid travolgono doom, occult rock e mathcore senza alcuna tregua.

@sonsofghidorah @mandymanala @maneatingorchid
#SonsOfGhidorah #MandyManala #ManeatingOrchid #DoomMetal #OccultRock #Mathcore #HeavyRock #NoiseHardcore #MusicaEstrema #ScenaUnderground #RecensioniMusicali #DischiDaAscoltare

#thequeenisdead #sonsofghidorah #mandymanala #maneatingorchid #heavyrockdoom #occultorock #mathcorehardcore

https://www.iyezine.com/sons-of-ghidorah-mandy-manala-maneating-orchid/

#iye #iyezine #inyoureyesezine

Madness in #Stevenage at the moment #HeavyRock festival at Knebworth this weekend expecting general gridlock - going to upset the M&S breakfast crew. Oasis is planned to return at some point to #Knebworth & I hear they like M&S food hall - #rocknroll !

#TuneTuesday #TempleAndChurch

Motorjesus – The Church (Of Booze and Kerosene)
https://musiccloud.io/YW7A4

#Music #Metal #HeavyRock
#t4sMusic

#HeavyRock is now trending across Mastodon

#Spyro is now trending across Mastodon

Ripio en el programa Siglo metálico - Choice Radio (Entrevista) - Rock in spanish

https://youtu.be/29-pnvjkuz0?si=YPnHd5kFBI69lNd7

#ripio #siglometalico #choiceradio #Radio #heavymetal #rockmetal #rockmetalmusic #heavyrock #heavyrockband #heavyrockmusic #rockmetal #rockmetalmusic #argentinemetal #rockargentino #argentinemetalband #metalargentino #argentinerock

Ripio en el programa Siglo metálico - Choice Radio (Entrevista) - Rock in spanish

https://youtu.be/29-pnvjkuz0?si=YPnHd5kFBI69lNd7

#ripio #siglometalico #choiceradio #Radio #heavymetal #rockmetal #rockmetalmusic #heavyrock #heavyrockband #heavyrockmusic #rockmetal #rockmetalmusic #argentinemetal #rockargentino #argentinemetalband #metalargentino #argentinerock

Ripio en el programa Siglo metálico - Choice Radio (Entrevista) - Rock in spanish

https://youtu.be/29-pnvjkuz0?si=YPnHd5kFBI69lNd7

#ripio #siglometalico #choiceradio #Radio #heavymetal #rockmetal #rockmetalmusic #heavyrock #heavyrockband #heavyrockmusic #rockmetal #rockmetalmusic #argentinemetal #rockargentino #argentinemetalband #metalargentino #argentinerock