#frenchart — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #frenchart, aggregated by home.social.
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https://www.europesays.com/videos/71878/ FRANCE 24 visits Palace of Versailles’ royal chapel, now open to public visits • FRANCE 24 English #France #FRANCE24 #FRANCE24English #FranceCulture #FranceTourism #FRANCE24 #FRANCE24English #FrenchArchitecture #FrenchArt #FrenchCulture #FrenchHistory #FrenchTourism #history #LouisXIV #PalaceOfVersailles #RoyalChapel #Versailles #VersaillesRoyalChapel #VersaillesTourism
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'Moonlit Landscape' by Jean Delville, 1890.
#art #FrenchArt #Symbolism #Symbolist #Gothic -
'Moonlit Landscape' by Jean Delville, 1890.
#art #FrenchArt #Symbolism #Symbolist #Gothic -
'Moonlit Landscape' by Jean Delville, 1890.
#art #FrenchArt #Symbolism #Symbolist #Gothic -
'Moonlit Landscape' by Jean Delville, 1890.
#art #FrenchArt #Symbolism #Symbolist #Gothic -
'Moonlit Landscape' by Jean Delville, 1890.
#art #FrenchArt #Symbolism #Symbolist #Gothic -
#13MorbidMondays theme is 'A Paler Shade'. Here is a grim painting by Gustav-Adolf Mossa called 'Carcase' (1906).
#weird #weirdart #Goth #Symbolism #FrenchArt #art -
#13MorbidMondays theme is 'A Paler Shade'. Here is a grim painting by Gustav-Adolf Mossa called 'Carcase' (1906).
#weird #weirdart #Goth #Symbolism #FrenchArt #art -
Émile Vernon: Romantic French Artist of the Belle Époque
📰 Original title: Émile Vernon: Master of Romantic French Art
🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅View full AI summary https://en.killbait.com/emile-vernon-romantic-french-artist-of-the-belle-epoque.html?utm_source=mastodon_world&utm_medium=social&utm_campaign=killbait.mastodon_world
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Émile Vernon: Romantic French Artist of the Belle Époque
📰 Original title: Émile Vernon: Master of Romantic French Art
🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅View full AI summary https://en.killbait.com/emile-vernon-romantic-french-artist-of-the-belle-epoque.html?utm_source=mastodon_world&utm_medium=social&utm_campaign=killbait.mastodon_world
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Émile Vernon: Romantic French Artist of the Belle Époque
📰 Original title: Émile Vernon: Master of Romantic French Art
🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅View full AI summary https://en.killbait.com/emile-vernon-romantic-french-artist-of-the-belle-epoque.html?utm_source=mastodon_world&utm_medium=social&utm_campaign=killbait.mastodon_world
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Nicolas Maillet paints the Atlantic coast the way few others do — bold strokes, restrained palette, all light and mood. "Bretagne, les cabines à Dinard" brings the beach huts of Dinard to life in acrylic on canvas. Certificate of authenticity included.
https://simparga.shop/products/bretagne-les-cabines-a-dinard
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Nicolas Maillet paints the Atlantic coast the way few others do — bold strokes, restrained palette, all light and mood. "Bretagne, les cabines à Dinard" brings the beach huts of Dinard to life in acrylic on canvas. Certificate of authenticity included.
https://simparga.shop/products/bretagne-les-cabines-a-dinard
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Woman before an Aquarium -- Henri Matisse -- 1921–23 -- Art Institute of Chicago -- Public domain
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Woman before an Aquarium -- Henri Matisse -- 1921–23 -- Art Institute of Chicago -- Public domain
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Woman before an Aquarium -- Henri Matisse -- 1921–23 -- Art Institute of Chicago -- Public domain
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Woman before an Aquarium -- Henri Matisse -- 1921–23 -- Art Institute of Chicago -- Public domain
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Woman before an Aquarium -- Henri Matisse -- 1921–23 -- Art Institute of Chicago -- Public domain
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Contemporary French artist 'The Kid': 'I Go Alone'. #GayPrideMonth #Pride #Gay #FrenchArt #portraiture
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Contemporary French artist 'The Kid': 'I Go Alone'. #GayPrideMonth #Pride #Gay #FrenchArt #portraiture
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Contemporary French artist 'The Kid': 'I Go Alone'. #GayPrideMonth #Pride #Gay #FrenchArt #portraiture
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Contemporary French artist 'The Kid': 'I Go Alone'. #GayPrideMonth #Pride #Gay #FrenchArt #portraiture
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Contemporary French artist 'The Kid': 'I Go Alone'. #GayPrideMonth #Pride #Gay #FrenchArt #portraiture
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CPA Illustrateur Gervese Nos marins la baignade
https://www.cpaphil.com/en/vintage-postcard/cpa-illustrateur-gervese-nos-marins-la-baignade-4
#VintagePostcard #GerveseIllustrator #Sailors #NavyLife #Swimming #MaritimeArt #RetroIllustration #FrenchArt #VintageMarine #NauticalHistory #BathingScene #MilitaryMarines #ArtHistory
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CPA Illustrateur Gervese Nos marins la baignade
https://www.cpaphil.com/en/vintage-postcard/cpa-illustrateur-gervese-nos-marins-la-baignade-4
#VintagePostcard #GerveseIllustrator #Sailors #NavyLife #Swimming #MaritimeArt #RetroIllustration #FrenchArt #VintageMarine #NauticalHistory #BathingScene #MilitaryMarines #ArtHistory
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CPA Illustrateur Gervese Nos marins la baignade
https://www.cpaphil.com/en/vintage-postcard/cpa-illustrateur-gervese-nos-marins-la-baignade-4
#VintagePostcard #GerveseIllustrator #Sailors #NavyLife #Swimming #MaritimeArt #RetroIllustration #FrenchArt #VintageMarine #NauticalHistory #BathingScene #MilitaryMarines #ArtHistory
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CPA Illustrateur Gervese Nos marins la baignade
https://www.cpaphil.com/en/vintage-postcard/cpa-illustrateur-gervese-nos-marins-la-baignade-4
#VintagePostcard #GerveseIllustrator #Sailors #NavyLife #Swimming #MaritimeArt #RetroIllustration #FrenchArt #VintageMarine #NauticalHistory #BathingScene #MilitaryMarines #ArtHistory
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CPA Illustrateur Gervese Nos marins la baignade
https://www.cpaphil.com/en/vintage-postcard/cpa-illustrateur-gervese-nos-marins-la-baignade-4
#VintagePostcard #GerveseIllustrator #Sailors #NavyLife #Swimming #MaritimeArt #RetroIllustration #FrenchArt #VintageMarine #NauticalHistory #BathingScene #MilitaryMarines #ArtHistory
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CPA Illustrateur Gervese Nos marins la baignade www.cpaphil.com/en/v... #VintagePostcard #GerveseIllustrator #Sailors #NavyLife #Swimming #MaritimeArt #RetroIllustration #FrenchArt #VintageMarine #NauticalHistory #BathingScene #MilitaryMarines #ArtHistory
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CPA Illustrateur Gervese Nos marins la baignade www.cpaphil.com/en/v... #VintagePostcard #GerveseIllustrator #Sailors #NavyLife #Swimming #MaritimeArt #RetroIllustration #FrenchArt #VintageMarine #NauticalHistory #BathingScene #MilitaryMarines #ArtHistory
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CPA Illustrateur Gervese Nos marins la baignade www.cpaphil.com/en/v... #VintagePostcard #GerveseIllustrator #Sailors #NavyLife #Swimming #MaritimeArt #RetroIllustration #FrenchArt #VintageMarine #NauticalHistory #BathingScene #MilitaryMarines #ArtHistory
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CPA Illustrateur Gervese Nos marins la baignade www.cpaphil.com/en/v... #VintagePostcard #GerveseIllustrator #Sailors #NavyLife #Swimming #MaritimeArt #RetroIllustration #FrenchArt #VintageMarine #NauticalHistory #BathingScene #MilitaryMarines #ArtHistory
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CPA Illustrateur Gervese Nos marins la baignade www.cpaphil.com/en/v... #VintagePostcard #GerveseIllustrator #Sailors #NavyLife #Swimming #MaritimeArt #RetroIllustration #FrenchArt #VintageMarine #NauticalHistory #BathingScene #MilitaryMarines #ArtHistory
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French Painter Jean Geoffroy’s Realistic Depictions of Childhood and Public Education
📰 Original title: Jean Geoffroy: The Painter of Childhood and Schools
🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅View full AI summary: https://en.killbait.com/french-painter-jean-geoffroy-s-realistic-depictions-of-childhood-and-public-education.html?utm_source=mastodon_world&utm_medium=social&utm_campaign=killbait.mastodon_world
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French Painter Jean Geoffroy’s Realistic Depictions of Childhood and Public Education
📰 Original title: Jean Geoffroy: The Painter of Childhood and Schools
🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅View full AI summary: https://en.killbait.com/french-painter-jean-geoffroy-s-realistic-depictions-of-childhood-and-public-education.html?utm_source=mastodon_world&utm_medium=social&utm_campaign=killbait.mastodon_world
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French Painter Jean Geoffroy’s Realistic Depictions of Childhood and Public Education
📰 Original title: Jean Geoffroy: The Painter of Childhood and Schools
🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅View full AI summary: https://en.killbait.com/french-painter-jean-geoffroy-s-realistic-depictions-of-childhood-and-public-education.html?utm_source=mastodon_world&utm_medium=social&utm_campaign=killbait.mastodon_world
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French Painter Jean Geoffroy’s Realistic Depictions of Childhood and Public Education
📰 Original title: Jean Geoffroy: The Painter of Childhood and Schools
🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅View full AI summary: https://en.killbait.com/french-painter-jean-geoffroy-s-realistic-depictions-of-childhood-and-public-education.html?utm_source=mastodon_social&utm_medium=social&utm_campaign=killbait.mastodon_social
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Paul Gauguin-tegninger ophængt 🔨
Franske Paul Gauguin (1848-1903) var både produktiv og kunstnerisk progressiv – og boede i øvrigt en overgang i Nørregade i København.
Vi har lige ophængt 18 af hans træsnit fra forrige århundredeskift i udstillingen 'Fransk Kunst 1900-1930' 🇫🇷👨🎨 Paul Gauguin i museets samling: https://open.smk.dk/art?q=*&filters=creator%3AGauguin%252C%2520Paul
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Paul Gauguin-tegninger ophængt 🔨
Franske Paul Gauguin (1848-1903) var både produktiv og kunstnerisk progressiv – og boede i øvrigt en overgang i Nørregade i København.
Vi har lige ophængt 18 af hans træsnit fra forrige århundredeskift i udstillingen 'Fransk Kunst 1900-1930' 🇫🇷👨🎨 Paul Gauguin i museets samling: https://open.smk.dk/art?q=*&filters=creator%3AGauguin%252C%2520Paul
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Paul Gauguin-tegninger ophængt 🔨
Franske Paul Gauguin (1848-1903) var både produktiv og kunstnerisk progressiv – og boede i øvrigt en overgang i Nørregade i København.
Vi har lige ophængt 18 af hans træsnit fra forrige århundredeskift i udstillingen 'Fransk Kunst 1900-1930' 🇫🇷👨🎨 Paul Gauguin i museets samling: https://open.smk.dk/art?q=*&filters=creator%3AGauguin%252C%2520Paul
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Paul Gauguin-tegninger ophængt 🔨
Franske Paul Gauguin (1848-1903) var både produktiv og kunstnerisk progressiv – og boede i øvrigt en overgang i Nørregade i København.
Vi har lige ophængt 18 af hans træsnit fra forrige århundredeskift i udstillingen 'Fransk Kunst 1900-1930' 🇫🇷👨🎨 Paul Gauguin i museets samling: https://open.smk.dk/art?q=*&filters=creator%3AGauguin%252C%2520Paul
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Paul Gauguin-tegninger ophængt 🔨
Franske Paul Gauguin (1848-1903) var både produktiv og kunstnerisk progressiv – og boede i øvrigt en overgang i Nørregade i København.
Vi har lige ophængt 18 af hans træsnit fra forrige århundredeskift i udstillingen 'Fransk Kunst 1900-1930' 🇫🇷👨🎨 Paul Gauguin i museets samling: https://open.smk.dk/art?q=*&filters=creator%3AGauguin%252C%2520Paul
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Jean Veber: 'The Devil In The Marmite' (1914). That's the thing with the Devil: you either love him or you hate him. I'm not sure whether this is a portrait of two of the artist's friends or something satirical, since Veber was mainly a caricaturist. #Devil #Marmite #FrenchArt #artsky
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Jean Veber: 'The Devil In The Marmite' (1914). That's the thing with the Devil: you either love him or you hate him. I'm not sure whether this is a portrait of two of the artist's friends or something satirical, since Veber was mainly a caricaturist. #Devil #Marmite #FrenchArt #artsky
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Weird picture of the day: 'The Howl' by Jean Veber, 1910. #weird #weirdart #FrenchArt #artsky
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Plum Brandy -- c. 1877 -- National gallery of Art, Washington D.C.
Edouard Manet
A favourite picture of mine. I've probably posted it before, but no matter, because I never tire of it, and I hope that you don't either.
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Plum Brandy -- c. 1877 -- National gallery of Art, Washington D.C.
Edouard Manet
A favourite picture of mine. I've probably posted it before, but no matter, because I never tire of it, and I hope that you don't either.
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Plum Brandy -- c. 1877 -- National gallery of Art, Washington D.C.
Edouard Manet
A favourite picture of mine. I've probably posted it before, but no matter, because I never tire of it, and I hope that you don't either.
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Plum Brandy -- c. 1877 -- National gallery of Art, Washington D.C.
Edouard Manet
A favourite picture of mine. I've probably posted it before, but no matter, because I never tire of it, and I hope that you don't either.
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Plum Brandy -- c. 1877 -- National gallery of Art, Washington D.C.
Edouard Manet
A favourite picture of mine. I've probably posted it before, but no matter, because I never tire of it, and I hope that you don't either.
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Daniel Urrabieta Vierge -- Woman Smoking a Cigarette -- Etching -- 1888 -- Art Institute of Chicago -- Public Domain
#Art #Print #Etching #Smoking #Cigarette #FrenchArt #19thCenturyArt
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Daniel Urrabieta Vierge -- Woman Smoking a Cigarette -- Etching -- 1888 -- Art Institute of Chicago -- Public Domain
#Art #Print #Etching #Smoking #Cigarette #FrenchArt #19thCenturyArt
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Daniel Urrabieta Vierge -- Woman Smoking a Cigarette -- Etching -- 1888 -- Art Institute of Chicago -- Public Domain
#Art #Print #Etching #Smoking #Cigarette #FrenchArt #19thCenturyArt
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Daniel Urrabieta Vierge -- Woman Smoking a Cigarette -- Etching -- 1888 -- Art Institute of Chicago -- Public Domain
#Art #Print #Etching #Smoking #Cigarette #FrenchArt #19thCenturyArt
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Daniel Urrabieta Vierge -- Woman Smoking a Cigarette -- Etching -- 1888 -- Art Institute of Chicago -- Public Domain
#Art #Print #Etching #Smoking #Cigarette #FrenchArt #19thCenturyArt
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Nicholas Poussin -- Rinaldo and Armida -- 1628/30 -- Dulwich Picture Gallery
>> The subject of the painting comes from the 1581 epic poem Gerusalemme Liberata by Torquato Tasso (1544-95). The poem is set at the time of the First Crusade, at the end of the eleventh century, and follows the tale of fighting Christians and Saracens. In this scene, the Saracen sorceress Armida moves to kill the sleeping crusader Rinaldo. Just as she is about to strike, however, she falls in love with the Christian hero. << (Dulwich Picture Gallery)
I've been engrossed in Richard Wollheim's account of this picture in "Painting as an Art". I won't attempt here to summarize his argument, but will instead jump to his conclusion, "that for Poussin the victory of reason over concupiscence is achieved through reason borrowing the resources of concupiscence. For him the defeat of desire by reason is experienced as the victory of one kind of desire over another."
This understanding of the picture is close to my own approach to thinking about ethics and value, one that owes much to Hume's description of reason as a slave to the passions. Wollheim, however, does not present an argument about metaethics; instead, he invites us join with him at looking deeply into the picture and follow his argument about how we see a picture, how a knowledge of other pictures might help us better understand this one, and how the picture can be both informed by an understanding of psychology and also enrich that understanding.
Some of Wollheim's claims in "Painting as an Art" strike me as tenuously supported conjectures, but his attention to the paintings themselves always excites me. His writing makes me long to go back to the pictures themselves, this stimulus being a sign of good writing about art.
I've written about a closely related scene from Tasso before as represented by....
#Art #Painting #NicholasPoussin #FrenchArt #17thCenturyArt #RinaldoAndArmida #Tasso #GerusalemmeLiberata #RichardWollheim #PaintingAsAnArt
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Nicholas Poussin -- Rinaldo and Armida -- 1628/30 -- Dulwich Picture Gallery
>> The subject of the painting comes from the 1581 epic poem Gerusalemme Liberata by Torquato Tasso (1544-95). The poem is set at the time of the First Crusade, at the end of the eleventh century, and follows the tale of fighting Christians and Saracens. In this scene, the Saracen sorceress Armida moves to kill the sleeping crusader Rinaldo. Just as she is about to strike, however, she falls in love with the Christian hero. << (Dulwich Picture Gallery)
I've been engrossed in Richard Wollheim's account of this picture in "Painting as an Art". I won't attempt here to summarize his argument, but will instead jump to his conclusion, "that for Poussin the victory of reason over concupiscence is achieved through reason borrowing the resources of concupiscence. For him the defeat of desire by reason is experienced as the victory of one kind of desire over another."
This understanding of the picture is close to my own approach to thinking about ethics and value, one that owes much to Hume's description of reason as a slave to the passions. Wollheim, however, does not present an argument about metaethics; instead, he invites us join with him at looking deeply into the picture and follow his argument about how we see a picture, how a knowledge of other pictures might help us better understand this one, and how the picture can be both informed by an understanding of psychology and also enrich that understanding.
Some of Wollheim's claims in "Painting as an Art" strike me as tenuously supported conjectures, but his attention to the paintings themselves always excites me. His writing makes me long to go back to the pictures themselves, this stimulus being a sign of good writing about art.
I've written about a closely related scene from Tasso before as represented by....
#Art #Painting #NicholasPoussin #FrenchArt #17thCenturyArt #RinaldoAndArmida #Tasso #GerusalemmeLiberata #RichardWollheim #PaintingAsAnArt
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Nicholas Poussin -- Rinaldo and Armida -- 1628/30 -- Dulwich Picture Gallery
>> The subject of the painting comes from the 1581 epic poem Gerusalemme Liberata by Torquato Tasso (1544-95). The poem is set at the time of the First Crusade, at the end of the eleventh century, and follows the tale of fighting Christians and Saracens. In this scene, the Saracen sorceress Armida moves to kill the sleeping crusader Rinaldo. Just as she is about to strike, however, she falls in love with the Christian hero. << (Dulwich Picture Gallery)
I've been engrossed in Richard Wollheim's account of this picture in "Painting as an Art". I won't attempt here to summarize his argument, but will instead jump to his conclusion, "that for Poussin the victory of reason over concupiscence is achieved through reason borrowing the resources of concupiscence. For him the defeat of desire by reason is experienced as the victory of one kind of desire over another."
This understanding of the picture is close to my own approach to thinking about ethics and value, one that owes much to Hume's description of reason as a slave to the passions. Wollheim, however, does not present an argument about metaethics; instead, he invites us join with him at looking deeply into the picture and follow his argument about how we see a picture, how a knowledge of other pictures might help us better understand this one, and how the picture can be both informed by an understanding of psychology and also enrich that understanding.
Some of Wollheim's claims in "Painting as an Art" strike me as tenuously supported conjectures, but his attention to the paintings themselves always excites me. His writing makes me long to go back to the pictures themselves, this stimulus being a sign of good writing about art.
I've written about a closely related scene from Tasso before as represented by....
#Art #Painting #NicholasPoussin #FrenchArt #17thCenturyArt #RinaldoAndArmida #Tasso #GerusalemmeLiberata #RichardWollheim #PaintingAsAnArt
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🧵 1/2
Nicholas Poussin -- Rinaldo and Armida -- 1628/30 -- Dulwich Picture Gallery
>> The subject of the painting comes from the 1581 epic poem Gerusalemme Liberata by Torquato Tasso (1544-95). The poem is set at the time of the First Crusade, at the end of the eleventh century, and follows the tale of fighting Christians and Saracens. In this scene, the Saracen sorceress Armida moves to kill the sleeping crusader Rinaldo. Just as she is about to strike, however, she falls in love with the Christian hero. << (Dulwich Picture Gallery)
I've been engrossed in Richard Wollheim's account of this picture in "Painting as an Art". I won't attempt here to summarize his argument, but will instead jump to his conclusion, "that for Poussin the victory of reason over concupiscence is achieved through reason borrowing the resources of concupiscence. For him the defeat of desire by reason is experienced as the victory of one kind of desire over another."
This understanding of the picture is close to my own approach to thinking about ethics and value, one that owes much to Hume's description of reason as a slave to the passions. Wollheim, however, does not present an argument about metaethics; instead, he invites us join with him at looking deeply into the picture and follow his argument about how we see a picture, how a knowledge of other pictures might help us better understand this one, and how the picture can be both informed by an understanding of psychology and also enrich that understanding.
Some of Wollheim's claims in "Painting as an Art" strike me as tenuously supported conjectures, but his attention to the paintings themselves always excites me. His writing makes me long to go back to the pictures themselves, this stimulus being a sign of good writing about art.
I've written about a closely related scene from Tasso before as represented by....
#Art #Painting #NicholasPoussin #FrenchArt #17thCenturyArt #RinaldoAndArmida #Tasso #GerusalemmeLiberata #RichardWollheim #PaintingAsAnArt
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🧵 1/2
Nicholas Poussin -- Rinaldo and Armida -- 1628/30 -- Dulwich Picture Gallery
>> The subject of the painting comes from the 1581 epic poem Gerusalemme Liberata by Torquato Tasso (1544-95). The poem is set at the time of the First Crusade, at the end of the eleventh century, and follows the tale of fighting Christians and Saracens. In this scene, the Saracen sorceress Armida moves to kill the sleeping crusader Rinaldo. Just as she is about to strike, however, she falls in love with the Christian hero. << (Dulwich Picture Gallery)
I've been engrossed in Richard Wollheim's account of this picture in "Painting as an Art". I won't attempt here to summarize his argument, but will instead jump to his conclusion, "that for Poussin the victory of reason over concupiscence is achieved through reason borrowing the resources of concupiscence. For him the defeat of desire by reason is experienced as the victory of one kind of desire over another."
This understanding of the picture is close to my own approach to thinking about ethics and value, one that owes much to Hume's description of reason as a slave to the passions. Wollheim, however, does not present an argument about metaethics; instead, he invites us join with him at looking deeply into the picture and follow his argument about how we see a picture, how a knowledge of other pictures might help us better understand this one, and how the picture can be both informed by an understanding of psychology and also enrich that understanding.
Some of Wollheim's claims in "Painting as an Art" strike me as tenuously supported conjectures, but his attention to the paintings themselves always excites me. His writing makes me long to go back to the pictures themselves, this stimulus being a sign of good writing about art.
I've written about a closely related scene from Tasso before as represented by....
#Art #Painting #NicholasPoussin #FrenchArt #17thCenturyArt #RinaldoAndArmida #Tasso #GerusalemmeLiberata #RichardWollheim #PaintingAsAnArt