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#dutchdesign — Public Fediverse posts

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  1. Richard Hutten, urodzony 30 marca 1967 roku, jest jednym z czołowych holenderskich projektantów mebli. Znany z innowacyjnych projektów, które często łączą funkcjonalność ze sztuką. Jego dzieła można zobaczyć w MoMA i Stedelijk Museum. Jest też częścią Droog Design, grupy która zrewolucjonizowała design. #RichardHutten #DutchDesign #Art (fot. Wikipedia)

  2. Richard Hutten, urodzony 30 marca 1967 roku, jest jednym z czołowych holenderskich projektantów mebli. Znany z innowacyjnych projektów, które często łączą funkcjonalność ze sztuką. Jego dzieła można zobaczyć w MoMA i Stedelijk Museum. Jest też częścią Droog Design, grupy która zrewolucjonizowała design. #RichardHutten #DutchDesign #Art (fot. Wikipedia)

  3. Richard Hutten, urodzony 30 marca 1967 roku, jest jednym z czołowych holenderskich projektantów mebli. Znany z innowacyjnych projektów, które często łączą funkcjonalność ze sztuką. Jego dzieła można zobaczyć w MoMA i Stedelijk Museum. Jest też częścią Droog Design, grupy która zrewolucjonizowała design. #RichardHutten #DutchDesign #Art (fot. Wikipedia)

  4. Richard Hutten, urodzony 30 marca 1967 roku, jest jednym z czołowych holenderskich projektantów mebli. Znany z innowacyjnych projektów, które często łączą funkcjonalność ze sztuką. Jego dzieła można zobaczyć w MoMA i Stedelijk Museum. Jest też częścią Droog Design, grupy która zrewolucjonizowała design. #RichardHutten #DutchDesign #Art (fot. Wikipedia)

  5. Richard Hutten, urodzony 30 marca 1967 roku, jest jednym z czołowych holenderskich projektantów mebli. Znany z innowacyjnych projektów, które często łączą funkcjonalność ze sztuką. Jego dzieła można zobaczyć w MoMA i Stedelijk Museum. Jest też częścią Droog Design, grupy która zrewolucjonizowała design. #RichardHutten #DutchDesign #Art (fot. Wikipedia)

  6. Nederlands trots! 🇳🇱 Vandaag in het nieuws: onze superjachten domineren de wereldmarkt. Wist je dat het eerste jacht op waterstof voor Bill Gates hier is gebouwd? 🤯⛵️

    Welke tech gadget mag op jouw droomjacht niet ontbreken? 👇

    #dutchdesign #innovatie

  7. Nederlands trots! 🇳🇱 Vandaag in het nieuws: onze superjachten domineren de wereldmarkt. Wist je dat het eerste jacht op waterstof voor Bill Gates hier is gebouwd? 🤯⛵️

    Welke tech gadget mag op jouw droomjacht niet ontbreken? 👇

    #dutchdesign #innovatie

  8. Nederlands trots! 🇳🇱 Vandaag in het nieuws: onze superjachten domineren de wereldmarkt. Wist je dat het eerste jacht op waterstof voor Bill Gates hier is gebouwd? 🤯⛵️

    Welke tech gadget mag op jouw droomjacht niet ontbreken? 👇

    #dutchdesign #innovatie

  9. 🏢The Pulse of Amsterdam – Red Geometry in the Sky🧱

    Every angle of this Zuidas landmark challenges symmetry and expectation.
    With its protruding shapes and deep brick tones, it pulses with quiet power under a gray sky. Captured in full detail on my
    Would you live in a building like this?

  10. 🖤The Pulse of Amsterdam in Monochrome 🏙️

    Same rhythm, new energy.
    Stripped of color, this Zuidas façade reveals sharper contrasts and pure form lines, texture, and flow.
    Captured on my .
    Would you live in a tower like this?

  11. NKF: Piet Zwart’s Avant-Garde Catalog for Standard Cables, 1927–1928

    Zwart’s innovative use of bold typography, dynamic layouts, and photomontage transformed otherwise dull topics into avant-garde masterpieces.⁠

    Grab the facsimile: letterformarchive.org/shop/nkf

    #PietZwart #ModernistDesign #NewTypography #DutchDesign #Ad

  12. NKF: Piet Zwart’s Avant-Garde Catalog for Standard Cables, 1927–1928

    Zwart’s innovative use of bold typography, dynamic layouts, and photomontage transformed otherwise dull topics into avant-garde masterpieces.⁠

    Grab the facsimile: letterformarchive.org/shop/nkf

    #PietZwart #ModernistDesign #NewTypography #DutchDesign #Ad

  13. NKF: Piet Zwart’s Avant-Garde Catalog for Standard Cables, 1927–1928

    Zwart’s innovative use of bold typography, dynamic layouts, and photomontage transformed otherwise dull topics into avant-garde masterpieces.⁠

    Grab the facsimile: letterformarchive.org/shop/nkf

    #PietZwart #ModernistDesign #NewTypography #DutchDesign #Ad

  14. NKF: Piet Zwart’s Avant-Garde Catalog for Standard Cables, 1927–1928

    Zwart’s innovative use of bold typography, dynamic layouts, and photomontage transformed otherwise dull topics into avant-garde masterpieces.⁠

    Grab the facsimile: letterformarchive.org/shop/nkf

    #PietZwart #ModernistDesign #NewTypography #DutchDesign #Ad

  15. NKF: Piet Zwart’s Avant-Garde Catalog for Standard Cables, 1927–1928

    Zwart’s innovative use of bold typography, dynamic layouts, and photomontage transformed otherwise dull topics into avant-garde masterpieces.⁠

    Grab the facsimile: letterformarchive.org/shop/nkf

    #PietZwart #ModernistDesign #NewTypography #DutchDesign #Ad

  16. Margaret Kropholler (cover designer), Wendingen, series 10, no. 5-6, 1930.

    Margaret Staal-Kropholler, frequently referred to as Margaret Kropholler, (1891–1966) was the first woman in the Netherlands to practice as a professional architect. See more issues of Wendingen in the Online Archive: oa.letterformarchive.org/?dims

    #Wendingen #MargaretKropholler #WomenDesigners #Architecture #Magazines #Typography #Lettering #DutchModernism #DutchDesign

  17. Margaret Kropholler (cover designer), Wendingen, series 10, no. 5-6, 1930.

    Margaret Staal-Kropholler, frequently referred to as Margaret Kropholler, (1891–1966) was the first woman in the Netherlands to practice as a professional architect. See more issues of Wendingen in the Online Archive: oa.letterformarchive.org/?dims

    #Wendingen #MargaretKropholler #WomenDesigners #Architecture #Magazines #Typography #Lettering #DutchModernism #DutchDesign

  18. Margaret Kropholler (cover designer), Wendingen, series 10, no. 5-6, 1930.

    Margaret Staal-Kropholler, frequently referred to as Margaret Kropholler, (1891–1966) was the first woman in the Netherlands to practice as a professional architect. See more issues of Wendingen in the Online Archive: oa.letterformarchive.org/?dims

    #Wendingen #MargaretKropholler #WomenDesigners #Architecture #Magazines #Typography #Lettering #DutchModernism #DutchDesign

  19. Margaret Kropholler (cover designer), Wendingen, series 10, no. 5-6, 1930.

    Margaret Staal-Kropholler, frequently referred to as Margaret Kropholler, (1891–1966) was the first woman in the Netherlands to practice as a professional architect. See more issues of Wendingen in the Online Archive: oa.letterformarchive.org/?dims

    #Wendingen #MargaretKropholler #WomenDesigners #Architecture #Magazines #Typography #Lettering #DutchModernism #DutchDesign

  20. Margaret Kropholler (cover designer), Wendingen, series 10, no. 5-6, 1930.

    Margaret Staal-Kropholler, frequently referred to as Margaret Kropholler, (1891–1966) was the first woman in the Netherlands to practice as a professional architect. See more issues of Wendingen in the Online Archive: oa.letterformarchive.org/?dims

    #Wendingen #MargaretKropholler #WomenDesigners #Architecture #Magazines #Typography #Lettering #DutchModernism #DutchDesign

  21. Hendrik Wijdeveld, Wendingen, series 6, no. 6, 1924.

    Dutch architect Hendricus Theodorus Wijdeveld was the editor and frequent designer of the groundbreaking magazine (named “Upheaval” in Dutch). This issue was devoted to Irish furniture designer and architect Eileen Gray. See more Wendingen covers in the Online Archive: oa.letterformarchive.org/?dims

    #Wendingen #HendrikWijdeveld #EileenGray #WomenDesigners #Architecture #Magazines #Typography #DutchModernism #DutchDesign #1920s

  22. Hendrik Wijdeveld, Wendingen, series 6, no. 6, 1924.

    Dutch architect Hendricus Theodorus Wijdeveld was the editor and frequent designer of the groundbreaking magazine (named “Upheaval” in Dutch). This issue was devoted to Irish furniture designer and architect Eileen Gray. See more Wendingen covers in the Online Archive: oa.letterformarchive.org/?dims

    #Wendingen #HendrikWijdeveld #EileenGray #WomenDesigners #Architecture #Magazines #Typography #DutchModernism #DutchDesign #1920s

  23. Hendrik Wijdeveld, Wendingen, series 6, no. 6, 1924.

    Dutch architect Hendricus Theodorus Wijdeveld was the editor and frequent designer of the groundbreaking magazine (named “Upheaval” in Dutch). This issue was devoted to Irish furniture designer and architect Eileen Gray. See more Wendingen covers in the Online Archive: oa.letterformarchive.org/?dims

    #Wendingen #HendrikWijdeveld #EileenGray #WomenDesigners #Architecture #Magazines #Typography #DutchModernism #DutchDesign #1920s

  24. Hendrik Wijdeveld, Wendingen, series 6, no. 6, 1924.

    Dutch architect Hendricus Theodorus Wijdeveld was the editor and frequent designer of the groundbreaking magazine (named “Upheaval” in Dutch). This issue was devoted to Irish furniture designer and architect Eileen Gray. See more Wendingen covers in the Online Archive: oa.letterformarchive.org/?dims

    #Wendingen #HendrikWijdeveld #EileenGray #WomenDesigners #Architecture #Magazines #Typography #DutchModernism #DutchDesign #1920s

  25. Hendrik Wijdeveld, Wendingen, series 6, no. 6, 1924.

    Dutch architect Hendricus Theodorus Wijdeveld was the editor and frequent designer of the groundbreaking magazine (named “Upheaval” in Dutch). This issue was devoted to Irish furniture designer and architect Eileen Gray. See more Wendingen covers in the Online Archive: oa.letterformarchive.org/?dims

    #Wendingen #HendrikWijdeveld #EileenGray #WomenDesigners #Architecture #Magazines #Typography #DutchModernism #DutchDesign #1920s

  26. De ISA-Tabouret met AI in het water gezet. Nu staat ze weer veilig bij ons in huis. Onze nieuwe aanwinst.
    Www.embrace-studio.com

    #tabouret #interieur #design #dutchdesign #art #kunstobject #tafeltje #kruk

  27. New from Letterform Archive Books! NKF: Piet Zwart’s Avant-Garde Catalog for Standard Cables, 1927–1928.

    A legendary masterpiece for a Dutch cable company that helped rewrite the rules of modern typography, Zwart’s NKF catalog remains a sought-after touchstone of art and design history.

    This first-ever facsimile reproduces the complete book with exacting details and in its original format.

    letterformarchive.org/shop/nkf

    #LetterformArchive #PietZwart #NKF #Typography #DutchDesign #GraphicDesign #Ad

  28. New from Letterform Archive Books! NKF: Piet Zwart’s Avant-Garde Catalog for Standard Cables, 1927–1928.

    A legendary masterpiece for a Dutch cable company that helped rewrite the rules of modern typography, Zwart’s NKF catalog remains a sought-after touchstone of art and design history.

    This first-ever facsimile reproduces the complete book with exacting details and in its original format.

    letterformarchive.org/shop/nkf

    #LetterformArchive #PietZwart #NKF #Typography #DutchDesign #GraphicDesign #Ad

  29. New from Letterform Archive Books! NKF: Piet Zwart’s Avant-Garde Catalog for Standard Cables, 1927–1928.

    A legendary masterpiece for a Dutch cable company that helped rewrite the rules of modern typography, Zwart’s NKF catalog remains a sought-after touchstone of art and design history.

    This first-ever facsimile reproduces the complete book with exacting details and in its original format.

    letterformarchive.org/shop/nkf

    #LetterformArchive #PietZwart #NKF #Typography #DutchDesign #GraphicDesign #Ad

  30. New from Letterform Archive Books! NKF: Piet Zwart’s Avant-Garde Catalog for Standard Cables, 1927–1928.

    A legendary masterpiece for a Dutch cable company that helped rewrite the rules of modern typography, Zwart’s NKF catalog remains a sought-after touchstone of art and design history.

    This first-ever facsimile reproduces the complete book with exacting details and in its original format.

    letterformarchive.org/shop/nkf

    #LetterformArchive #PietZwart #NKF #Typography #DutchDesign #GraphicDesign #Ad

  31. Sometimes all it takes to get people off their phones and engaging with the world is two stickers and a closed eye ;)

    danieldisselkoen.nl/man-eater

    #placemaking #urbanism #stickers #amsterdam #dutchdesign

  32. Sometimes all it takes to get people off their phones and engaging with the world is two stickers and a closed eye ;)

    danieldisselkoen.nl/man-eater

    #placemaking #urbanism #stickers #amsterdam #dutchdesign

  33. Sometimes all it takes to get people off their phones and engaging with the world is two stickers and a closed eye ;)

    danieldisselkoen.nl/man-eater

    #placemaking #urbanism #stickers #amsterdam #dutchdesign

  34. Would you believe this is a VanMoof?

    Typically, once you’ve seen one @vanmoof, you’ve seen them all. Fat tubes, the little tail, muted colours.

    Then comes along this, all curves and warm colour, looking like an Art Deco object.

    It was in pristine condition, which had me wondering, is this a new style prototype by the soon to be relaunched company, or was this from long ago?

    Anybody out there know?
    #vanmoof #bikes #bicycles #bicicleta #bicycle #velo #vélo #vintagebike #dutchdesign #netherlands #holland

  35. Would you believe this is a VanMoof?

    Typically, once you’ve seen one @vanmoof, you’ve seen them all. Fat tubes, the little tail, muted colours.

    Then comes along this, all curves and warm colour, looking like an Art Deco object.

    It was in pristine condition, which had me wondering, is this a new style prototype by the soon to be relaunched company, or was this from long ago?

    Anybody out there know?
    #vanmoof #bikes #bicycles #bicicleta #bicycle #velo #vélo #vintagebike #dutchdesign #netherlands #holland