home.social

#distagon — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #distagon, aggregated by home.social.

  1. Magnolias. Someone said, nothing like magnolia flowers against a blue sky!

    #Pentax LX, Carl Zeiss #Distagon 35mm f/2 lens, Fuji #SuperiaXTRA400, dev/scan by #FilmDev

    #BelieveInFilm
    #FilmPhotography

  2. Magnolias. Someone said, nothing like magnolia flowers against a blue sky!

    #Pentax LX, Carl Zeiss #Distagon 35mm f/2 lens, Fuji #SuperiaXTRA400, dev/scan by #FilmDev

    #BelieveInFilm
    #FilmPhotography

  3. Magnolias. Someone said, nothing like magnolia flowers against a blue sky!

    #Pentax LX, Carl Zeiss #Distagon 35mm f/2 lens, Fuji #SuperiaXTRA400, dev/scan by #FilmDev

    #BelieveInFilm
    #FilmPhotography

  4. Magnolias. Someone said, nothing like magnolia flowers against a blue sky!

    #Pentax LX, Carl Zeiss #Distagon 35mm f/2 lens, Fuji #SuperiaXTRA400, dev/scan by #FilmDev

    #BelieveInFilm
    #FilmPhotography

  5. Magnolias. Someone said, nothing like magnolia flowers against a blue sky!

    #Pentax LX, Carl Zeiss #Distagon 35mm f/2 lens, Fuji #SuperiaXTRA400, dev/scan by #FilmDev

    #BelieveInFilm
    #FilmPhotography

  6. Serious lens flare? Or halation?

    These are 3 images taken with my fancy, heavy, expensive Carl Zeiss #Distagon 35mm f/2 lens in quite challenging, high contrast situations (pretty much straight towards the hidden sun) on expired Fuji Superia XTRA 400 film. This is the only colour film I've used so far with this lens; the one black and white film was in dull conditions.

    Any ideas whether it's the lens or the film?

    #BelieveInFilm
    #FilmPhotography

  7. Serious lens flare? Or halation?

    These are 3 images taken with my fancy, heavy, expensive Carl Zeiss #Distagon 35mm f/2 lens in quite challenging, high contrast situations (pretty much straight towards the hidden sun) on expired Fuji Superia XTRA 400 film. This is the only colour film I've used so far with this lens; the one black and white film was in dull conditions.

    Any ideas whether it's the lens or the film?

    #BelieveInFilm
    #FilmPhotography

  8. Serious lens flare? Or halation?

    These are 3 images taken with my fancy, heavy, expensive Carl Zeiss #Distagon 35mm f/2 lens in quite challenging, high contrast situations (pretty much straight towards the hidden sun) on expired Fuji Superia XTRA 400 film. This is the only colour film I've used so far with this lens; the one black and white film was in dull conditions.

    Any ideas whether it's the lens or the film?

    #BelieveInFilm
    #FilmPhotography

  9. Serious lens flare? Or halation?

    These are 3 images taken with my fancy, heavy, expensive Carl Zeiss #Distagon 35mm f/2 lens in quite challenging, high contrast situations (pretty much straight towards the hidden sun) on expired Fuji Superia XTRA 400 film. This is the only colour film I've used so far with this lens; the one black and white film was in dull conditions.

    Any ideas whether it's the lens or the film?

    #BelieveInFilm
    #FilmPhotography

  10. Serious lens flare? Or halation?

    These are 3 images taken with my fancy, heavy, expensive Carl Zeiss #Distagon 35mm f/2 lens in quite challenging, high contrast situations (pretty much straight towards the hidden sun) on expired Fuji Superia XTRA 400 film. This is the only colour film I've used so far with this lens; the one black and white film was in dull conditions.

    Any ideas whether it's the lens or the film?

    #BelieveInFilm
    #FilmPhotography

  11. Place de la Bastille
    Captured on very fine grain 120-film, B/W Rollei RPX25, through a Distagon T* CF 3.5/60mm. On tripod 1/30s f/8.
    #paris #placedelabastille #blackandwhite #photography #monochrome #120film #6by6 #distagon #rpx25

  12. Place de la Bastille
    Captured on very fine grain 120-film, B/W Rollei RPX25, through a Distagon T* CF 3.5/60mm. On tripod 1/30s f/8.
    #paris #placedelabastille #blackandwhite #photography #monochrome #120film #6by6 #distagon #rpx25

  13. Place de la Bastille
    Captured on very fine grain 120-film, B/W Rollei RPX25, through a Distagon T* CF 3.5/60mm. On tripod 1/30s f/8.
    #paris #placedelabastille #blackandwhite #photography #monochrome #120film #6by6 #distagon #rpx25

  14. Place de la Bastille
    Captured on very fine grain 120-film, B/W Rollei RPX25, through a Distagon T* CF 3.5/60mm. On tripod 1/30s f/8.
    #paris #placedelabastille #blackandwhite #photography #monochrome #120film #6by6 #distagon #rpx25

  15. Place de la Bastille
    Captured on very fine grain 120-film, B/W Rollei RPX25, through a Distagon T* CF 3.5/60mm. On tripod 1/30s f/8.
    #paris #placedelabastille #blackandwhite #photography #monochrome #120film #6by6 #distagon #rpx25

  16. The brook in flood. That car is risking the drive through the ford.

    #Pentax LX, Carl Zeiss #Distagon 35mm f/2 lens, yellow filter, #IlfordHP5 film, home devved in HC-110 dilution E.

    #BelieveInFilm
    #FilmPhotography

  17. The brook in flood. That car is risking the drive through the ford.

    #Pentax LX, Carl Zeiss #Distagon 35mm f/2 lens, yellow filter, #IlfordHP5 film, home devved in HC-110 dilution E.

    #BelieveInFilm
    #FilmPhotography

  18. The brook in flood. That car is risking the drive through the ford.

    #Pentax LX, Carl Zeiss #Distagon 35mm f/2 lens, yellow filter, #IlfordHP5 film, home devved in HC-110 dilution E.

    #BelieveInFilm
    #FilmPhotography

  19. The brook in flood. That car is risking the drive through the ford.

    #Pentax LX, Carl Zeiss #Distagon 35mm f/2 lens, yellow filter, #IlfordHP5 film, home devved in HC-110 dilution E.

    #BelieveInFilm
    #FilmPhotography

  20. The brook in flood. That car is risking the drive through the ford.

    #Pentax LX, Carl Zeiss #Distagon 35mm f/2 lens, yellow filter, #IlfordHP5 film, home devved in HC-110 dilution E.

    #BelieveInFilm
    #FilmPhotography