#atlanticrecords — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #atlanticrecords, aggregated by home.social.
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"Soul Man" is a 1967 song written and composed by #IsaacHayes and #DavidPorter, first successful as a number 2 hit single by #AtlanticRecords #soul duo #SamAndDave, which consisted of #SamuelSamMoore and #DavidDavePrater. In 2019, "Soul Man" was selected for preservation in the #NationalRecordingRegistry as "culturally, historically, and aesthetically significant" by the #LibraryOfCongress.
https://www.youtube.com/watch?v=FTWH1Fdkjow -
"Soul Man" is a 1967 song written and composed by #IsaacHayes and #DavidPorter, first successful as a number 2 hit single by #AtlanticRecords #soul duo #SamAndDave, which consisted of #SamuelSamMoore and #DavidDavePrater. In 2019, "Soul Man" was selected for preservation in the #NationalRecordingRegistry as "culturally, historically, and aesthetically significant" by the #LibraryOfCongress.
https://www.youtube.com/watch?v=FTWH1Fdkjow -
"Soul Man" is a 1967 song written and composed by #IsaacHayes and #DavidPorter, first successful as a number 2 hit single by #AtlanticRecords #soul duo #SamAndDave, which consisted of #SamuelSamMoore and #DavidDavePrater. In 2019, "Soul Man" was selected for preservation in the #NationalRecordingRegistry as "culturally, historically, and aesthetically significant" by the #LibraryOfCongress.
https://www.youtube.com/watch?v=FTWH1Fdkjow -
"Soul Man" is a 1967 song written and composed by #IsaacHayes and #DavidPorter, first successful as a number 2 hit single by #AtlanticRecords #soul duo #SamAndDave, which consisted of #SamuelSamMoore and #DavidDavePrater. In 2019, "Soul Man" was selected for preservation in the #NationalRecordingRegistry as "culturally, historically, and aesthetically significant" by the #LibraryOfCongress.
https://www.youtube.com/watch?v=FTWH1Fdkjow -
"Soul Man" is a 1967 song written and composed by #IsaacHayes and #DavidPorter, first successful as a number 2 hit single by #AtlanticRecords #soul duo #SamAndDave, which consisted of #SamuelSamMoore and #DavidDavePrater. In 2019, "Soul Man" was selected for preservation in the #NationalRecordingRegistry as "culturally, historically, and aesthetically significant" by the #LibraryOfCongress.
https://www.youtube.com/watch?v=FTWH1Fdkjow -
"To Be with You" is a song by American #rock band #MrBig, released in November 1991 by #AtlanticRecords as the second single from their second album, #LeanIntoIt (1991), on which it appears as the closing track. The #ballad, written by the band's frontman #EricMartin with David Grahame and produced by Kevin Elson, reached number one on the US #Billboard Hot 100 for three weeks as well as the #CashBox Top 100, and topped the charts in 11 other countries.
https://www.youtube.com/watch?v=L6-uJLteKek -
"Hold On" is a song by American #girlGroup #EnVogue, released in February 1990 by #AtlanticRecords as the first single from their debut album, #BornToSing (1990). It was produced by #DenzilFoster and #ThomasMcElroy, and written by the former two and all members of the group. It peaked at number two on the US #Billboard #Hot100 and topped the Billboard #DanceClubPlay, #12inchSinglesSales, and #HotBlackSingles charts. Internationally.
https://www.youtube.com/watch?v=pj9ap3-HVzE -
"Hold On" is a song by American #girlGroup #EnVogue, released in February 1990 by #AtlanticRecords as the first single from their debut album, #BornToSing (1990). It was produced by #DenzilFoster and #ThomasMcElroy, and written by the former two and all members of the group. It peaked at number two on the US #Billboard #Hot100 and topped the Billboard #DanceClubPlay, #12inchSinglesSales, and #HotBlackSingles charts. Internationally.
https://www.youtube.com/watch?v=7bIZZq_zZrA -
What is a jazz record anyway?: Lennie Tristano and the use of extended studio techniques in jazz
In 1956, jazz pianist Lennie Tristano released an eponymous LP on Atlantic Records that made use of overdubbing and the manipulation of tape speeds in a jazz context. The resulting tracks represent a watershed moment for the creative use of extended studio techniques in jazz, but sparked an angry backlash from critics and fans. The contemporary controversy that surrounded the album s release raises several interesting questions about the function of recording and the nature of the recorded artifact in jazz. What exactly is a jazz recording anyway? What does it seek to capture, and what functional use does it fulfill for the jazz fan? What does it mean for a jazz recording to be improvised, and in which ways have normative expectations of small-group jazz performance in a club setting privileged certain techniques for improvisation in a recorded context while all but eliminating others?
https://www.taylorfrancis.com/chapters/edit/10.4324/9781315467658-10/jazz-record-anyway-marian-jago
#jazz #lennietristano #tristano #atlanticrecords
#music #recording #studio #improvisation -
What is a jazz record anyway?: Lennie Tristano and the use of extended studio techniques in jazz
In 1956, jazz pianist Lennie Tristano released an eponymous LP on Atlantic Records that made use of overdubbing and the manipulation of tape speeds in a jazz context. The resulting tracks represent a watershed moment for the creative use of extended studio techniques in jazz, but sparked an angry backlash from critics and fans. The contemporary controversy that surrounded the album s release raises several interesting questions about the function of recording and the nature of the recorded artifact in jazz. What exactly is a jazz recording anyway? What does it seek to capture, and what functional use does it fulfill for the jazz fan? What does it mean for a jazz recording to be improvised, and in which ways have normative expectations of small-group jazz performance in a club setting privileged certain techniques for improvisation in a recorded context while all but eliminating others?
https://www.taylorfrancis.com/chapters/edit/10.4324/9781315467658-10/jazz-record-anyway-marian-jago
#jazz #lennietristano #tristano #atlanticrecords
#music #recording #studio #improvisation -
What is a jazz record anyway?: Lennie Tristano and the use of extended studio techniques in jazz
In 1956, jazz pianist Lennie Tristano released an eponymous LP on Atlantic Records that made use of overdubbing and the manipulation of tape speeds in a jazz context. The resulting tracks represent a watershed moment for the creative use of extended studio techniques in jazz, but sparked an angry backlash from critics and fans. The contemporary controversy that surrounded the album s release raises several interesting questions about the function of recording and the nature of the recorded artifact in jazz. What exactly is a jazz recording anyway? What does it seek to capture, and what functional use does it fulfill for the jazz fan? What does it mean for a jazz recording to be improvised, and in which ways have normative expectations of small-group jazz performance in a club setting privileged certain techniques for improvisation in a recorded context while all but eliminating others?
https://www.taylorfrancis.com/chapters/edit/10.4324/9781315467658-10/jazz-record-anyway-marian-jago
#jazz #lennietristano #tristano #atlanticrecords
#music #recording #studio #improvisation -
What is a jazz record anyway?: Lennie Tristano and the use of extended studio techniques in jazz
In 1956, jazz pianist Lennie Tristano released an eponymous LP on Atlantic Records that made use of overdubbing and the manipulation of tape speeds in a jazz context. The resulting tracks represent a watershed moment for the creative use of extended studio techniques in jazz, but sparked an angry backlash from critics and fans. The contemporary controversy that surrounded the album s release raises several interesting questions about the function of recording and the nature of the recorded artifact in jazz. What exactly is a jazz recording anyway? What does it seek to capture, and what functional use does it fulfill for the jazz fan? What does it mean for a jazz recording to be improvised, and in which ways have normative expectations of small-group jazz performance in a club setting privileged certain techniques for improvisation in a recorded context while all but eliminating others?
https://www.taylorfrancis.com/chapters/edit/10.4324/9781315467658-10/jazz-record-anyway-marian-jago
#jazz #lennietristano #tristano #atlanticrecords
#music #recording #studio #improvisation -
What is a jazz record anyway?: Lennie Tristano and the use of extended studio techniques in jazz
In 1956, jazz pianist Lennie Tristano released an eponymous LP on Atlantic Records that made use of overdubbing and the manipulation of tape speeds in a jazz context. The resulting tracks represent a watershed moment for the creative use of extended studio techniques in jazz, but sparked an angry backlash from critics and fans. The contemporary controversy that surrounded the album s release raises several interesting questions about the function of recording and the nature of the recorded artifact in jazz. What exactly is a jazz recording anyway? What does it seek to capture, and what functional use does it fulfill for the jazz fan? What does it mean for a jazz recording to be improvised, and in which ways have normative expectations of small-group jazz performance in a club setting privileged certain techniques for improvisation in a recorded context while all but eliminating others?
https://www.taylorfrancis.com/chapters/edit/10.4324/9781315467658-10/jazz-record-anyway-marian-jago
#jazz #lennietristano #tristano #atlanticrecords
#music #recording #studio #improvisation
