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473 results for “atheken”

  1. Ein kleiner Tipp für Tipps:
    Der Filmdienst hat mir schon viele gute Empfehlungen beschert, früher mehr fürs Kino, heute mehr für zu Hause. Mittlerweile haben sie sogar eine Rubrik nur mit den Mediatheken. Lohnt sich nicht nur um Weihnachten:
    filmdienst.de/heimkino/tv-medi
    #Spielfilme

  2. Ein kleiner Tipp für Tipps:
    Der Filmdienst hat mir schon viele gute Empfehlungen beschert, früher mehr fürs Kino, heute mehr für zu Hause. Mittlerweile haben sie sogar eine Rubrik nur mit den Mediatheken. Lohnt sich nicht nur um Weihnachten:
    filmdienst.de/heimkino/tv-medi
    #Spielfilme

  3. Ein kleiner Tipp für Tipps:
    Der Filmdienst hat mir schon viele gute Empfehlungen beschert, früher mehr fürs Kino, heute mehr für zu Hause. Mittlerweile haben sie sogar eine Rubrik nur mit den Mediatheken. Lohnt sich nicht nur um Weihnachten:
    filmdienst.de/heimkino/tv-medi
    #Spielfilme

  4. Ein kleiner Tipp für Tipps:
    Der Filmdienst hat mir schon viele gute Empfehlungen beschert, früher mehr fürs Kino, heute mehr für zu Hause. Mittlerweile haben sie sogar eine Rubrik nur mit den Mediatheken. Lohnt sich nicht nur um Weihnachten:
    filmdienst.de/heimkino/tv-medi
    #Spielfilme

  5. #philly nerds: BarCamp 15 is upon us and is happening on 10/5. I’m probably going to try out a short talk on the intersection of hobbies and software engineering. In my case, lessons I’ve learned from woodworking that have translated to my professional career as a software engineer.

    It’ll be a fun day, so #doattend

    barcampphilly.org

  6. @vicki :-) #normcore till I die.

    (Not in ML/DataSci, myself, just generally go for the “dumb/simple > optimized/complex”-aesthetic).

  7. @vicki :-) #normcore till I die.

    (Not in ML/DataSci, myself, just generally go for the “dumb/simple > optimized/complex”-aesthetic).

  8. @vicki :-) till I die.

    (Not in ML/DataSci, myself, just generally go for the “dumb/simple > optimized/complex”-aesthetic).

  9. @vicki :-) #normcore till I die.

    (Not in ML/DataSci, myself, just generally go for the “dumb/simple > optimized/complex”-aesthetic).

  10. #PhotoMay2026
    Jour 16 : nuit

    Retour au village de #portmeirion lors de la promenade de nuit du 17 avril dernier, alors que le ciel commençait à s'assombrir. Il soufflait fort sur le drapeau du Pays de Galles !

    2 autres photos de nuit ici : mastodon.gougere.fr/@Athenenoc

    #photography #NorthWales #night

  11. #PhotoMay2026
    Jour 16 : nuit

    Retour au village de #portmeirion lors de la promenade de nuit du 17 avril dernier, alors que le ciel commençait à s'assombrir. Il soufflait fort sur le drapeau du Pays de Galles !

    2 autres photos de nuit ici : mastodon.gougere.fr/@Athenenoc

    #photography #NorthWales #night

  12. #PhotoMay2026
    Jour 5 : en l'air

    - Dis-donc Athenenoctua, tu serais pas un peu tête en l'air ?
    - Euh, t'as l'air vénère...
    - T'aurais pas oublié d'annoncer que tu quittais les #ArchivesDeLyon à la terre entière ?
    - Oups, dans quel état j'erre..
    - Et alors, c'est pour demain ou pour hier ?
    - Je pars le 20 mai, autant te dire que le bouclage des dossiers, c'est galère.
    - Et pour la suite de ta carrière ?
    - Je rejoins l'équipe du Rize à #villeurbanne le 1er juin, la-la-la-la-lère

    #archives

  13. #PhotoMay2026
    Jour 5 : en l'air

    - Dis-donc Athenenoctua, tu serais pas un peu tête en l'air ?
    - Euh, t'as l'air vénère...
    - T'aurais pas oublié d'annoncer que tu quittais les #ArchivesDeLyon à la terre entière ?
    - Oups, dans quel état j'erre..
    - Et alors, c'est pour demain ou pour hier ?
    - Je pars le 20 mai, autant te dire que le bouclage des dossiers, c'est galère.
    - Et pour la suite de ta carrière ?
    - Je rejoins l'équipe du Rize à #villeurbanne le 1er juin, la-la-la-la-lère

    #archives

  14. @Athenenoctua J’ai retrouvé le texte de la lettre de Louise Brooks à Guido Crepax, d’abord ici, puis, par archive.org, publiée dans un livre.

    January 7, 1976

    Dear Guido,

    Thanks for the beautiful book and the comic strips. (But you didn’t tell me what that hyper-active slipper in the book meant).

    I send you Image with the photo from the Dixie Dugan comic strip because it illustrates a unique fact. So far as I know no American actress has been the inspiration for one strip, and certainly never for two strips. Also John Striebel drew the syndicated Dixie from 1926 till 1966. And you began Valentina in 1965, just as if you were picking me up where John left off when he died.

    Could Valentina be the lost Louise Brooks? Dixie Dugan was not. She was clever and intelligent and always knew how to take care of herself in a world she understood perfectly.

    Ortega Y Gasset wrote that “We are all lost”, it is only when we confess it that we find ourselves and live true. But I knew I was lost when I was a little girl and my mother could not understand why I wept alone. Making films in New York was alright because I learned so much and discovered Tolstoj and Anna Karenina. Then I was sent to Hollywood in 1927 to make films. Nobody could understand why I hated that terrible destructive place which seemed a marvelous paradise to all others. “What’s the matter with you, Louise? You’ve got everything! What do you want?”. To me it was like a terrible dream I have — I am lost in the corridors of a big hotel and I cannot find my room. People walk past me as of they can not see or hear me. So I first ran away from Hollywood and I have been running away ever since. And now at 69 I have given up hope of ever finding myself. My life has been nothing.

    But looking back, there was one time in Paris in 1929, when I was filming Prix de beauté and lived at peace with myself. I think that was because I did not speak French. Being lost was perfectly natural among those people with whom I could exchange no thoughts and feelings.

    What does Valentina have to say to all this?

    Love

    Louise

    Remember when the prodigal son returned the father said, “He was lost, and is found”. It was the father who found the lost son. Somehow I have missed being found.

    #LouiseBrooks #GuidoCrepax #Letter

  15. @Athenenoctua J’ai retrouvé le texte de la lettre de Louise Brooks à Guido Crepax, d’abord ici, puis, par archive.org, publiée dans un livre.

    January 7, 1976

    Dear Guido,

    Thanks for the beautiful book and the comic strips. (But you didn’t tell me what that hyper-active slipper in the book meant).

    I send you Image with the photo from the Dixie Dugan comic strip because it illustrates a unique fact. So far as I know no American actress has been the inspiration for one strip, and certainly never for two strips. Also John Striebel drew the syndicated Dixie from 1926 till 1966. And you began Valentina in 1965, just as if you were picking me up where John left off when he died.

    Could Valentina be the lost Louise Brooks? Dixie Dugan was not. She was clever and intelligent and always knew how to take care of herself in a world she understood perfectly.

    Ortega Y Gasset wrote that “We are all lost”, it is only when we confess it that we find ourselves and live true. But I knew I was lost when I was a little girl and my mother could not understand why I wept alone. Making films in New York was alright because I learned so much and discovered Tolstoj and Anna Karenina. Then I was sent to Hollywood in 1927 to make films. Nobody could understand why I hated that terrible destructive place which seemed a marvelous paradise to all others. “What’s the matter with you, Louise? You’ve got everything! What do you want?”. To me it was like a terrible dream I have — I am lost in the corridors of a big hotel and I cannot find my room. People walk past me as of they can not see or hear me. So I first ran away from Hollywood and I have been running away ever since. And now at 69 I have given up hope of ever finding myself. My life has been nothing.

    But looking back, there was one time in Paris in 1929, when I was filming Prix de beauté and lived at peace with myself. I think that was because I did not speak French. Being lost was perfectly natural among those people with whom I could exchange no thoughts and feelings.

    What does Valentina have to say to all this?

    Love

    Louise

    Remember when the prodigal son returned the father said, “He was lost, and is found”. It was the father who found the lost son. Somehow I have missed being found.

    #LouiseBrooks #GuidoCrepax #Letter

  16. @Athenenoctua J’ai retrouvé le texte de la lettre de Louise Brooks à Guido Crepax, d’abord ici, puis, par archive.org, publiée dans un livre.

    January 7, 1976

    Dear Guido,

    Thanks for the beautiful book and the comic strips. (But you didn’t tell me what that hyper-active slipper in the book meant).

    I send you Image with the photo from the Dixie Dugan comic strip because it illustrates a unique fact. So far as I know no American actress has been the inspiration for one strip, and certainly never for two strips. Also John Striebel drew the syndicated Dixie from 1926 till 1966. And you began Valentina in 1965, just as if you were picking me up where John left off when he died.

    Could Valentina be the lost Louise Brooks? Dixie Dugan was not. She was clever and intelligent and always knew how to take care of herself in a world she understood perfectly.

    Ortega Y Gasset wrote that “We are all lost”, it is only when we confess it that we find ourselves and live true. But I knew I was lost when I was a little girl and my mother could not understand why I wept alone. Making films in New York was alright because I learned so much and discovered Tolstoj and Anna Karenina. Then I was sent to Hollywood in 1927 to make films. Nobody could understand why I hated that terrible destructive place which seemed a marvelous paradise to all others. “What’s the matter with you, Louise? You’ve got everything! What do you want?”. To me it was like a terrible dream I have — I am lost in the corridors of a big hotel and I cannot find my room. People walk past me as of they can not see or hear me. So I first ran away from Hollywood and I have been running away ever since. And now at 69 I have given up hope of ever finding myself. My life has been nothing.

    But looking back, there was one time in Paris in 1929, when I was filming Prix de beauté and lived at peace with myself. I think that was because I did not speak French. Being lost was perfectly natural among those people with whom I could exchange no thoughts and feelings.

    What does Valentina have to say to all this?

    Love

    Louise

    Remember when the prodigal son returned the father said, “He was lost, and is found”. It was the father who found the lost son. Somehow I have missed being found.

    #LouiseBrooks #GuidoCrepax #Letter

  17. @Athenenoctua J’ai retrouvé le texte de la lettre de Louise Brooks à Guido Crepax, d’abord ici, puis, par archive.org, publiée dans un livre.

    January 7, 1976

    Dear Guido,

    Thanks for the beautiful book and the comic strips. (But you didn’t tell me what that hyper-active slipper in the book meant).

    I send you Image with the photo from the Dixie Dugan comic strip because it illustrates a unique fact. So far as I know no American actress has been the inspiration for one strip, and certainly never for two strips. Also John Striebel drew the syndicated Dixie from 1926 till 1966. And you began Valentina in 1965, just as if you were picking me up where John left off when he died.

    Could Valentina be the lost Louise Brooks? Dixie Dugan was not. She was clever and intelligent and always knew how to take care of herself in a world she understood perfectly.

    Ortega Y Gasset wrote that “We are all lost”, it is only when we confess it that we find ourselves and live true. But I knew I was lost when I was a little girl and my mother could not understand why I wept alone. Making films in New York was alright because I learned so much and discovered Tolstoj and Anna Karenina. Then I was sent to Hollywood in 1927 to make films. Nobody could understand why I hated that terrible destructive place which seemed a marvelous paradise to all others. “What’s the matter with you, Louise? You’ve got everything! What do you want?”. To me it was like a terrible dream I have — I am lost in the corridors of a big hotel and I cannot find my room. People walk past me as of they can not see or hear me. So I first ran away from Hollywood and I have been running away ever since. And now at 69 I have given up hope of ever finding myself. My life has been nothing.

    But looking back, there was one time in Paris in 1929, when I was filming Prix de beauté and lived at peace with myself. I think that was because I did not speak French. Being lost was perfectly natural among those people with whom I could exchange no thoughts and feelings.

    What does Valentina have to say to all this?

    Love

    Louise

    Remember when the prodigal son returned the father said, “He was lost, and is found”. It was the father who found the lost son. Somehow I have missed being found.

    #LouiseBrooks #GuidoCrepax #Letter

  18. El mussol (Athene noctua) és el més diurn dels ocells de presa nocturns. Aquests estava cercant preses des de la seva talaia al migdia-tarda d'un dia d'estiu ben asolejat. #athenenoctua #ocellsdecatalunya #birdsoftheworld

  19. El mussol (Athene noctua) és el més diurn dels ocells de presa nocturns. Aquests estava cercant preses des de la seva talaia al migdia-tarda d'un dia d'estiu ben asolejat. #athenenoctua #ocellsdecatalunya #birdsoftheworld

  20. El mussol (Athene noctua) és el més diurn dels ocells de presa nocturns. Aquests estava cercant preses des de la seva talaia al migdia-tarda d'un dia d'estiu ben asolejat. #athenenoctua #ocellsdecatalunya #birdsoftheworld

  21. El mussol (Athene noctua) és el més diurn dels ocells de presa nocturns. Aquests estava cercant preses des de la seva talaia al migdia-tarda d'un dia d'estiu ben asolejat. #athenenoctua #ocellsdecatalunya #birdsoftheworld

  22. @[email protected] Thèse dispo en ligne. Très content d'avoir découvert les travaux suivants, très inspirants. Et comme le monde est petit, Barbara connait mon directeur de thèse 😂 theses.hal.science/tel-0351762 #jcn2025wmfr

  23. @[email protected] Thèse dispo en ligne. Très content d'avoir découvert les travaux suivants, très inspirants. Et comme le monde est petit, Barbara connait mon directeur de thèse 😂 theses.hal.science/tel-0351762 #jcn2025wmfr

  24. @[email protected] Thèse dispo en ligne. Très content d'avoir découvert les travaux suivants, très inspirants. Et comme le monde est petit, Barbara connait mon directeur de thèse 😂 theses.hal.science/tel-0351762 #jcn2025wmfr

  25. @[email protected] Thèse dispo en ligne. Très content d'avoir découvert les travaux suivants, très inspirants. Et comme le monde est petit, Barbara connait mon directeur de thèse 😂 theses.hal.science/tel-0351762 #jcn2025wmfr

  26. 🧵 @Athenenoctua

    Le film n’a pas du tout marché, quand il est sorti. En 1970, l’ampleur du lyrisme de David Lena ne colle pas avec le goût du public. Easy Rider, Woodstock ou Zabriske Point, c’est assez différent…

    Mais on aurait tort de voir David Lean comme un cinéaste académique, je crois. Il y aurait plus un lien à la grammaire du cinéma muet, avec des références à l’expressionnisme. Voyez le personnage de Michael interprété par le grand acteur John Mills, ami de Lean. Soyez attentifs, peut-être, à la quantité de séquences sans dialogues, ou quasiment, qui s’approchent parfois d’un cinéma presque expérimental.

    /3

    #CinéMastodon #RyansDaughter

  27. 🧵 @Athenenoctua

    Le film n’a pas du tout marché, quand il est sorti. En 1970, l’ampleur du lyrisme de David Lena ne colle pas avec le goût du public. Easy Rider, Woodstock ou Zabriske Point, c’est assez différent…

    Mais on aurait tort de voir David Lean comme un cinéaste académique, je crois. Il y aurait plus un lien à la grammaire du cinéma muet, avec des références à l’expressionnisme. Voyez le personnage de Michael interprété par le grand acteur John Mills, ami de Lean. Soyez attentifs, peut-être, à la quantité de séquences sans dialogues, ou quasiment, qui s’approchent parfois d’un cinéma presque expérimental.

    /3

    #CinéMastodon #RyansDaughter