#smallcreators — Public Fediverse posts

The good thing about having a single digit subscriber count on your YouTube channel is that your viewers don’t have to suffer through 3 minutes of unskippable ads before they can watch a 2 minute video 😅

#smallcreators

@NiciAngel hab dir auf deinem YouTube Kanal mal nen Like und Abo da gelassen 🫶 #Supportistkeinmord #Smallcreators

@NiciAngel hab dir auf deinem YouTube Kanal mal nen Like und Abo da gelassen 🫶 #Supportistkeinmord #Smallcreators

@NiciAngel hab dir auf deinem YouTube Kanal mal nen Like und Abo da gelassen 🫶 #Supportistkeinmord #Smallcreators

#YouTubeShorts stats be like:

🔹This? hundreds of views
🔹That? maybe a small scattering (<50 views)
🔹What about the one over there? nope. (1 view, me I guess)

We #SmallCreators are not meant to understand the #Algorithm, for in that path lies madness

#YouTubeShorts stats be like:

🔹This? hundreds of views
🔹That? maybe a small scattering (<50 views)
🔹What about the one over there? nope. (1 view, me I guess)

We #SmallCreators are not meant to understand the #Algorithm, for in that path lies madness

#YouTubeShorts stats be like:

🔹This? hundreds of views
🔹That? maybe a small scattering (<50 views)
🔹What about the one over there? nope. (1 view, me I guess)

We #SmallCreators are not meant to understand the #Algorithm, for in that path lies madness

Wow, the Windows Exodus is real! Stepped away for a few hours and came back to 1,000+ new views and a flood of comments on the latest video. The momentum is incredible!

I did get one weird comment accusing me of being an AI voice, though. It is funny because a huge reason I started Terminal Tilt was to provide an alternative to the endless sea of LLM generated Linux tutorials out there.

I promise I am 100% organic, bio degradable, and probably a little too monotone for my own good. But at least it is a real human voice! :NoAI:

#Linux #WindowsExodus #NoAI #OpenSource #Debian #HumanMade #SmallCreators #Fediverse

Wow, the Windows Exodus is real! Stepped away for a few hours and came back to 1,000+ new views and a flood of comments on the latest video. The momentum is incredible!

I did get one weird comment accusing me of being an AI voice, though. It is funny because a huge reason I started Terminal Tilt was to provide an alternative to the endless sea of LLM generated Linux tutorials out there.

I promise I am 100% organic, bio degradable, and probably a little too monotone for my own good. But at least it is a real human voice! :NoAI:

#Linux #WindowsExodus #NoAI #OpenSource #Debian #HumanMade #SmallCreators #Fediverse

Wow, the Windows Exodus is real! Stepped away for a few hours and came back to 1,000+ new views and a flood of comments on the latest video. The momentum is incredible!

I did get one weird comment accusing me of being an AI voice, though. It is funny because a huge reason I started Terminal Tilt was to provide an alternative to the endless sea of LLM generated Linux tutorials out there.

I promise I am 100% organic, bio degradable, and probably a little too monotone for my own good. But at least it is a real human voice! :NoAI:

#Linux #WindowsExodus #NoAI #OpenSource #Debian #HumanMade #SmallCreators #Fediverse

Wow, the Windows Exodus is real! Stepped away for a few hours and came back to 1,000+ new views and a flood of comments on the latest video. The momentum is incredible!

I did get one weird comment accusing me of being an AI voice, though. It is funny because a huge reason I started Terminal Tilt was to provide an alternative to the endless sea of LLM generated Linux tutorials out there.

I promise I am 100% organic, bio degradable, and probably a little too monotone for my own good. But at least it is a real human voice! :NoAI:

#Linux #WindowsExodus #NoAI #OpenSource #Debian #HumanMade #SmallCreators #Fediverse

Wow, the Windows Exodus is real! Stepped away for a few hours and came back to 1,000+ new views and a flood of comments on the latest video. The momentum is incredible!

I did get one weird comment accusing me of being an AI voice, though. It is funny because a huge reason I started Terminal Tilt was to provide an alternative to the endless sea of LLM generated Linux tutorials out there.

I promise I am 100% organic, bio degradable, and probably a little too monotone for my own good. But at least it is a real human voice! :NoAI:

#Linux #WindowsExodus #NoAI #OpenSource #Debian #HumanMade #SmallCreators #Fediverse

Starting slow today… ☕️
Coffee, a deep breath, and trying to figure out what deserves my energy first.
If your morning feels a little wobbly too, you’re not alone.
We’ve got this. One small step at a time.

#GoodMorning
#MorningVibes
#CoffeeAndChill
#DayStarter
#SmallCreators
#ContentCreator
#azsubgrl

HOUSE STATION LIVE: A COLLECTIVE SABOTAGED

Of course, I edited and hosted most of the videos myself. But House Station Live was never meant to be the project of a lone individual. It was a collective—a platform to showcase young talent, not yet another vlog centered on my own persona. This YouTube channel was supposed to serve as the launch campaign for an ambitious webTV, broadcasting 24/7 on our own servers. An alternative to traditional media, with our rules, our voices, our style. But very quickly, I had to put House Station Live on hold. YouTube was too demanding. And paradoxically, it was the only way not to end up in debt.
¯

_
JOSÉ, DINOH, KÉVIN

I worked with several presenters:

- José, charismatic but without his own following,

- Dinoh, competent but limited by lack of visibility,

- And Kévin, a freelance editor I hired for some episodes.

I spent a tremendous amount of time organizing castings, looking for hosts, trying to convince people. But how do you persuade someone to represent a channel that gets 20 views—even with decent pay? Even "generous" payments weren’t enough to keep people motivated. Eventually, candidates dropped out.
¯

_
THE TRAP OF FULL-TIME COMMITMENT

I no longer had the means to produce both House Station Live and YouTube content in parallel. So I bet everything on the platform. YouTube consumed me. Managing production, editing, recruitment, technical direction, scheduling, testing formats, durations, themes, hosts—I tried it all:

- Videos from 1 to 50 minutes,

- On all kinds of topics: video games, Formula 1, news, reviews, let’s plays.

But convincing a freelancer to commit long-term at a low rate is a nightmare. I couldn’t afford to pay for many hours or high rates. My channel brought in zero revenue. I had nothing to reinvest.
¯

_
A TEAM SACRIFICED

And yet, I tried. House Station Live wasn’t just a personal project. It was a collective hope. A launchpad. Momentum. We wanted to build an audience ahead of time, so that once the set was ready, we could immediately produce, publish, and exist. But in reality, YouTube swiped us away with a single gesture—like a Tinder match rejected with a left swipe. And it cost them nothing. No time. No money. No emotional weight.
¯

_
A CHANNEL, A GRINDER

YouTube contributes nothing to the creation of videos. It has no personal interest in whether your content finds its audience. The algorithm sorts, tests, eliminates. It's math-driven, disembodied, dehumanized. And the creator falls alone. On TV, you don’t air a million-euro show at 4 a.m. There’s programming, a respect for what’s been produced. On YouTube, no distinction: whether your video cost €10,000 or €0, it’s treated the same.
¯

_
A FRUSTRATED AUDIENCE, A BROKEN CREATOR

13-year-old trolls watch your content for 5 seconds, dislike your face, and move on. The algorithm knows this—and exploits it. It drives hatred and constant frustration, so you keep trying harder. For nothing. And if you dare believe your freshness, creativity, and sincerity will resonate... you crash into a machine that despises who you are.
¯

_
||#HSLdiary #HSLmichael

#IndieCreators #CollectiveMedia #YouTubeStruggles #DigitalBurnout #PlatformExploitation #SmallCreators #CreatorEconomy #HopeSabotaged

HOUSE STATION LIVE: A COLLECTIVE SABOTAGED

Of course, I edited and hosted most of the videos myself. But House Station Live was never meant to be the project of a lone individual. It was a collective—a platform to showcase young talent, not yet another vlog centered on my own persona. This YouTube channel was supposed to serve as the launch campaign for an ambitious webTV, broadcasting 24/7 on our own servers. An alternative to traditional media, with our rules, our voices, our style. But very quickly, I had to put House Station Live on hold. YouTube was too demanding. And paradoxically, it was the only way not to end up in debt.
¯

_
JOSÉ, DINOH, KÉVIN

I worked with several presenters:

- José, charismatic but without his own following,

- Dinoh, competent but limited by lack of visibility,

- And Kévin, a freelance editor I hired for some episodes.

I spent a tremendous amount of time organizing castings, looking for hosts, trying to convince people. But how do you persuade someone to represent a channel that gets 20 views—even with decent pay? Even "generous" payments weren’t enough to keep people motivated. Eventually, candidates dropped out.
¯

_
THE TRAP OF FULL-TIME COMMITMENT

I no longer had the means to produce both House Station Live and YouTube content in parallel. So I bet everything on the platform. YouTube consumed me. Managing production, editing, recruitment, technical direction, scheduling, testing formats, durations, themes, hosts—I tried it all:

- Videos from 1 to 50 minutes,

- On all kinds of topics: video games, Formula 1, news, reviews, let’s plays.

But convincing a freelancer to commit long-term at a low rate is a nightmare. I couldn’t afford to pay for many hours or high rates. My channel brought in zero revenue. I had nothing to reinvest.
¯

_
A TEAM SACRIFICED

And yet, I tried. House Station Live wasn’t just a personal project. It was a collective hope. A launchpad. Momentum. We wanted to build an audience ahead of time, so that once the set was ready, we could immediately produce, publish, and exist. But in reality, YouTube swiped us away with a single gesture—like a Tinder match rejected with a left swipe. And it cost them nothing. No time. No money. No emotional weight.
¯

_
A CHANNEL, A GRINDER

YouTube contributes nothing to the creation of videos. It has no personal interest in whether your content finds its audience. The algorithm sorts, tests, eliminates. It's math-driven, disembodied, dehumanized. And the creator falls alone. On TV, you don’t air a million-euro show at 4 a.m. There’s programming, a respect for what’s been produced. On YouTube, no distinction: whether your video cost €10,000 or €0, it’s treated the same.
¯

_
A FRUSTRATED AUDIENCE, A BROKEN CREATOR

13-year-old trolls watch your content for 5 seconds, dislike your face, and move on. The algorithm knows this—and exploits it. It drives hatred and constant frustration, so you keep trying harder. For nothing. And if you dare believe your freshness, creativity, and sincerity will resonate... you crash into a machine that despises who you are.
¯

_
||#HSLdiary #HSLmichael

#IndieCreators #CollectiveMedia #YouTubeStruggles #DigitalBurnout #PlatformExploitation #SmallCreators #CreatorEconomy #HopeSabotaged

HOUSE STATION LIVE: A COLLECTIVE SABOTAGED

Of course, I edited and hosted most of the videos myself. But House Station Live was never meant to be the project of a lone individual. It was a collective—a platform to showcase young talent, not yet another vlog centered on my own persona. This YouTube channel was supposed to serve as the launch campaign for an ambitious webTV, broadcasting 24/7 on our own servers. An alternative to traditional media, with our rules, our voices, our style. But very quickly, I had to put House Station Live on hold. YouTube was too demanding. And paradoxically, it was the only way not to end up in debt.
¯

_
JOSÉ, DINOH, KÉVIN

I worked with several presenters:

- José, charismatic but without his own following,

- Dinoh, competent but limited by lack of visibility,

- And Kévin, a freelance editor I hired for some episodes.

I spent a tremendous amount of time organizing castings, looking for hosts, trying to convince people. But how do you persuade someone to represent a channel that gets 20 views—even with decent pay? Even "generous" payments weren’t enough to keep people motivated. Eventually, candidates dropped out.
¯

_
THE TRAP OF FULL-TIME COMMITMENT

I no longer had the means to produce both House Station Live and YouTube content in parallel. So I bet everything on the platform. YouTube consumed me. Managing production, editing, recruitment, technical direction, scheduling, testing formats, durations, themes, hosts—I tried it all:

- Videos from 1 to 50 minutes,

- On all kinds of topics: video games, Formula 1, news, reviews, let’s plays.

But convincing a freelancer to commit long-term at a low rate is a nightmare. I couldn’t afford to pay for many hours or high rates. My channel brought in zero revenue. I had nothing to reinvest.
¯

_
A TEAM SACRIFICED

And yet, I tried. House Station Live wasn’t just a personal project. It was a collective hope. A launchpad. Momentum. We wanted to build an audience ahead of time, so that once the set was ready, we could immediately produce, publish, and exist. But in reality, YouTube swiped us away with a single gesture—like a Tinder match rejected with a left swipe. And it cost them nothing. No time. No money. No emotional weight.
¯

_
A CHANNEL, A GRINDER

YouTube contributes nothing to the creation of videos. It has no personal interest in whether your content finds its audience. The algorithm sorts, tests, eliminates. It's math-driven, disembodied, dehumanized. And the creator falls alone. On TV, you don’t air a million-euro show at 4 a.m. There’s programming, a respect for what’s been produced. On YouTube, no distinction: whether your video cost €10,000 or €0, it’s treated the same.
¯

_
A FRUSTRATED AUDIENCE, A BROKEN CREATOR

13-year-old trolls watch your content for 5 seconds, dislike your face, and move on. The algorithm knows this—and exploits it. It drives hatred and constant frustration, so you keep trying harder. For nothing. And if you dare believe your freshness, creativity, and sincerity will resonate... you crash into a machine that despises who you are.
¯

_
||#HSLdiary #HSLmichael

#IndieCreators #CollectiveMedia #YouTubeStruggles #DigitalBurnout #PlatformExploitation #SmallCreators #CreatorEconomy #HopeSabotaged

HOUSE STATION LIVE: A COLLECTIVE SABOTAGED

Of course, I edited and hosted most of the videos myself. But House Station Live was never meant to be the project of a lone individual. It was a collective—a platform to showcase young talent, not yet another vlog centered on my own persona. This YouTube channel was supposed to serve as the launch campaign for an ambitious webTV, broadcasting 24/7 on our own servers. An alternative to traditional media, with our rules, our voices, our style. But very quickly, I had to put House Station Live on hold. YouTube was too demanding. And paradoxically, it was the only way not to end up in debt.
¯

_
JOSÉ, DINOH, KÉVIN

I worked with several presenters:

- José, charismatic but without his own following,

- Dinoh, competent but limited by lack of visibility,

- And Kévin, a freelance editor I hired for some episodes.

I spent a tremendous amount of time organizing castings, looking for hosts, trying to convince people. But how do you persuade someone to represent a channel that gets 20 views—even with decent pay? Even "generous" payments weren’t enough to keep people motivated. Eventually, candidates dropped out.
¯

_
THE TRAP OF FULL-TIME COMMITMENT

I no longer had the means to produce both House Station Live and YouTube content in parallel. So I bet everything on the platform. YouTube consumed me. Managing production, editing, recruitment, technical direction, scheduling, testing formats, durations, themes, hosts—I tried it all:

- Videos from 1 to 50 minutes,

- On all kinds of topics: video games, Formula 1, news, reviews, let’s plays.

But convincing a freelancer to commit long-term at a low rate is a nightmare. I couldn’t afford to pay for many hours or high rates. My channel brought in zero revenue. I had nothing to reinvest.
¯

_
A TEAM SACRIFICED

And yet, I tried. House Station Live wasn’t just a personal project. It was a collective hope. A launchpad. Momentum. We wanted to build an audience ahead of time, so that once the set was ready, we could immediately produce, publish, and exist. But in reality, YouTube swiped us away with a single gesture—like a Tinder match rejected with a left swipe. And it cost them nothing. No time. No money. No emotional weight.
¯

_
A CHANNEL, A GRINDER

YouTube contributes nothing to the creation of videos. It has no personal interest in whether your content finds its audience. The algorithm sorts, tests, eliminates. It's math-driven, disembodied, dehumanized. And the creator falls alone. On TV, you don’t air a million-euro show at 4 a.m. There’s programming, a respect for what’s been produced. On YouTube, no distinction: whether your video cost €10,000 or €0, it’s treated the same.
¯

_
A FRUSTRATED AUDIENCE, A BROKEN CREATOR

13-year-old trolls watch your content for 5 seconds, dislike your face, and move on. The algorithm knows this—and exploits it. It drives hatred and constant frustration, so you keep trying harder. For nothing. And if you dare believe your freshness, creativity, and sincerity will resonate... you crash into a machine that despises who you are.
¯

_
||#HSLdiary #HSLmichael

#IndieCreators #CollectiveMedia #YouTubeStruggles #DigitalBurnout #PlatformExploitation #SmallCreators #CreatorEconomy #HopeSabotaged

HOUSE STATION LIVE: A COLLECTIVE SABOTAGED

Of course, I edited and hosted most of the videos myself. But House Station Live was never meant to be the project of a lone individual. It was a collective—a platform to showcase young talent, not yet another vlog centered on my own persona. This YouTube channel was supposed to serve as the launch campaign for an ambitious webTV, broadcasting 24/7 on our own servers. An alternative to traditional media, with our rules, our voices, our style. But very quickly, I had to put House Station Live on hold. YouTube was too demanding. And paradoxically, it was the only way not to end up in debt.
¯

_
JOSÉ, DINOH, KÉVIN

I worked with several presenters:

- José, charismatic but without his own following,

- Dinoh, competent but limited by lack of visibility,

- And Kévin, a freelance editor I hired for some episodes.

I spent a tremendous amount of time organizing castings, looking for hosts, trying to convince people. But how do you persuade someone to represent a channel that gets 20 views—even with decent pay? Even "generous" payments weren’t enough to keep people motivated. Eventually, candidates dropped out.
¯

_
THE TRAP OF FULL-TIME COMMITMENT

I no longer had the means to produce both House Station Live and YouTube content in parallel. So I bet everything on the platform. YouTube consumed me. Managing production, editing, recruitment, technical direction, scheduling, testing formats, durations, themes, hosts—I tried it all:

- Videos from 1 to 50 minutes,

- On all kinds of topics: video games, Formula 1, news, reviews, let’s plays.

But convincing a freelancer to commit long-term at a low rate is a nightmare. I couldn’t afford to pay for many hours or high rates. My channel brought in zero revenue. I had nothing to reinvest.
¯

_
A TEAM SACRIFICED

And yet, I tried. House Station Live wasn’t just a personal project. It was a collective hope. A launchpad. Momentum. We wanted to build an audience ahead of time, so that once the set was ready, we could immediately produce, publish, and exist. But in reality, YouTube swiped us away with a single gesture—like a Tinder match rejected with a left swipe. And it cost them nothing. No time. No money. No emotional weight.
¯

_
A CHANNEL, A GRINDER

YouTube contributes nothing to the creation of videos. It has no personal interest in whether your content finds its audience. The algorithm sorts, tests, eliminates. It's math-driven, disembodied, dehumanized. And the creator falls alone. On TV, you don’t air a million-euro show at 4 a.m. There’s programming, a respect for what’s been produced. On YouTube, no distinction: whether your video cost €10,000 or €0, it’s treated the same.
¯

_
A FRUSTRATED AUDIENCE, A BROKEN CREATOR

13-year-old trolls watch your content for 5 seconds, dislike your face, and move on. The algorithm knows this—and exploits it. It drives hatred and constant frustration, so you keep trying harder. For nothing. And if you dare believe your freshness, creativity, and sincerity will resonate... you crash into a machine that despises who you are.
¯

_
||#HSLdiary #HSLmichael

#IndieCreators #CollectiveMedia #YouTubeStruggles #DigitalBurnout #PlatformExploitation #SmallCreators #CreatorEconomy #HopeSabotaged

Apple are going to take a cut of money on Patreon.

https://news.patreon.com/articles/understanding-apple-requirements-for-patreon

#BigBusiness #SmallCreators

Apple are going to take a cut of money on Patreon.

https://news.patreon.com/articles/understanding-apple-requirements-for-patreon

#BigBusiness #SmallCreators

Apple are going to take a cut of money on Patreon.

https://news.patreon.com/articles/understanding-apple-requirements-for-patreon

#BigBusiness #SmallCreators

Apple are going to take a cut of money on Patreon.

https://news.patreon.com/articles/understanding-apple-requirements-for-patreon

#BigBusiness #SmallCreators

Microsoft Surface 7 Laptop 15" Unboxing and Overview

My latest Rumble Video is LIVE! #rumble #smallcreators

#SnapdragonXElite #SnapdragonXSeries #MicrosoftSurface7Laptop @SnapDragon

https://rumble.com/v5crg6d-microsoft-surface-7-laptop-15-unboxing-and-overview.html

Microsoft Surface 7 Laptop 15" Unboxing and Overview

My latest Rumble Video is LIVE! #rumble #smallcreators

#SnapdragonXElite #SnapdragonXSeries #MicrosoftSurface7Laptop @SnapDragon

https://rumble.com/v5crg6d-microsoft-surface-7-laptop-15-unboxing-and-overview.html

Microsoft Surface 7 Laptop 15" Unboxing and Overview

My latest Rumble Video is LIVE! #rumble #smallcreators

#SnapdragonXElite #SnapdragonXSeries #MicrosoftSurface7Laptop @SnapDragon

https://rumble.com/v5crg6d-microsoft-surface-7-laptop-15-unboxing-and-overview.html

Happy hump day

Tonight I'm streaming on Radio Free Fedi a small internet radio station that's part of the #fediverse at 9 PM ET #OriginalMusic

You can support #SmallCreators right now by tuning in - https://party.radiofreefedi.net

#RadioFreeFedi is consent based sharing of music by independent artists

They're looking for more #IndieArtists of all types to share on their platform welcoming #busking and sharing your creations live

Super thankful to @radiofreefedi and @owncast for making this happen

Happy hump day

Tonight I'm streaming on Radio Free Fedi a small internet radio station that's part of the #fediverse at 9 PM ET #OriginalMusic

You can support #SmallCreators right now by tuning in - https://party.radiofreefedi.net

#RadioFreeFedi is consent based sharing of music by independent artists

They're looking for more #IndieArtists of all types to share on their platform welcoming #busking and sharing your creations live

Super thankful to @radiofreefedi and @owncast for making this happen

Happy hump day

Tonight I'm streaming on Radio Free Fedi a small internet radio station that's part of the #fediverse at 9 PM ET #OriginalMusic

You can support #SmallCreators right now by tuning in - https://party.radiofreefedi.net

#RadioFreeFedi is consent based sharing of music by independent artists

They're looking for more #IndieArtists of all types to share on their platform welcoming #busking and sharing your creations live

Super thankful to @radiofreefedi and @owncast for making this happen

Happy hump day

Tonight I'm streaming on Radio Free Fedi a small internet radio station that's part of the #fediverse at 9 PM ET #OriginalMusic

You can support #SmallCreators right now by tuning in - https://party.radiofreefedi.net

#RadioFreeFedi is consent based sharing of music by independent artists

They're looking for more #IndieArtists of all types to share on their platform welcoming #busking and sharing your creations live

Super thankful to @radiofreefedi and @owncast for making this happen

Happy hump day

Tonight I'm streaming on Radio Free Fedi a small internet radio station that's part of the #fediverse at 9 PM ET #OriginalMusic

You can support #SmallCreators right now by tuning in - https://party.radiofreefedi.net

#RadioFreeFedi is consent based sharing of music by independent artists

They're looking for more #IndieArtists of all types to share on their platform welcoming #busking and sharing your creations live

Super thankful to @radiofreefedi and @owncast for making this happen

Meine Rüsselbande: kleine Twitchstreamer sind eines meiner liebsten Themen. Wenn ihr bis 18 Uhr noch bissel Zeit habt, eine wunderschöne, sanfte maskuline Stimme mögt und einem kleinen Streamer aushelfen mögt, schaut doch mal bei twitch.tv/leon190lp rein. Er hat eine unglaublich schöne Art.

#twitch #minecraft #gaming #streaming #smallcreators
https://www.twitch.tv/leon190lp

Meine Rüsselbande: kleine Twitchstreamer sind eines meiner liebsten Themen. Wenn ihr bis 18 Uhr noch bissel Zeit habt, eine wunderschöne, sanfte maskuline Stimme mögt und einem kleinen Streamer aushelfen mögt, schaut doch mal bei twitch.tv/leon190lp rein. Er hat eine unglaublich schöne Art.

#twitch #minecraft #gaming #streaming #smallcreators
https://www.twitch.tv/leon190lp

Meine Rüsselbande: kleine Twitchstreamer sind eines meiner liebsten Themen. Wenn ihr bis 18 Uhr noch bissel Zeit habt, eine wunderschöne, sanfte maskuline Stimme mögt und einem kleinen Streamer aushelfen mögt, schaut doch mal bei twitch.tv/leon190lp rein. Er hat eine unglaublich schöne Art.

#twitch #minecraft #gaming #streaming #smallcreators
https://www.twitch.tv/leon190lp

Meine Rüsselbande: kleine Twitchstreamer sind eines meiner liebsten Themen. Wenn ihr bis 18 Uhr noch bissel Zeit habt, eine wunderschöne, sanfte maskuline Stimme mögt und einem kleinen Streamer aushelfen mögt, schaut doch mal bei twitch.tv/leon190lp rein. Er hat eine unglaublich schöne Art.

#twitch #minecraft #gaming #streaming #smallcreators
https://www.twitch.tv/leon190lp

Meine Rüsselbande: kleine Twitchstreamer sind eines meiner liebsten Themen. Wenn ihr bis 18 Uhr noch bissel Zeit habt, eine wunderschöne, sanfte maskuline Stimme mögt und einem kleinen Streamer aushelfen mögt, schaut doch mal bei twitch.tv/leon190lp rein. Er hat eine unglaublich schöne Art.

#twitch #minecraft #gaming #streaming #smallcreators
https://www.twitch.tv/leon190lp

Today's tiktok/YouTube/Instagram short video:

If you like a #contentCreator 's work, TELL THEM. Don't leave the bulk of their comments composed by #haters and harassers tearing them down.

https://youtube.com/shorts/0umAj-eLDo0?si=m1SjRr0fh6wJnUcM

https://www.tiktok.com/t/ZT85y2Dy7/

https://www.instagram.com/reel/C0eziCCSIOI/?igshid=OTU1ODAwZWUxYg==

Caption:

Trust me, I know it's scary to "put a target on your back" by wading into video or picture comments currently dominated by #haters leaving garbage, but I assure you it feels even worse on the #contentCreator end when we're the ones having to deal with 95% garbage trying to tear us down. Especially for #smallCreators like me who don't get paid anything for the work we do making content for others to enjoy for free, so literally the only reason we do any of this is the love of making content and hoping to reach just a few people who like what we do, or care about the same issues that we're advocating for 🙃

#harassment #bullying #internetHarassment #onlineBullying #hatemail #hateComments #fanmail #fanComments #supportCreators #supportArtists #stopHate #discrimination #patriarchy #activism #harassmentAwareness #onlineHate #hateSpeech

Today's tiktok/YouTube/Instagram short video:

If you like a #contentCreator 's work, TELL THEM. Don't leave the bulk of their comments composed by #haters and harassers tearing them down.

https://youtube.com/shorts/0umAj-eLDo0?si=m1SjRr0fh6wJnUcM

https://www.tiktok.com/t/ZT85y2Dy7/

https://www.instagram.com/reel/C0eziCCSIOI/?igshid=OTU1ODAwZWUxYg==

Caption:

Trust me, I know it's scary to "put a target on your back" by wading into video or picture comments currently dominated by #haters leaving garbage, but I assure you it feels even worse on the #contentCreator end when we're the ones having to deal with 95% garbage trying to tear us down. Especially for #smallCreators like me who don't get paid anything for the work we do making content for others to enjoy for free, so literally the only reason we do any of this is the love of making content and hoping to reach just a few people who like what we do, or care about the same issues that we're advocating for 🙃

#harassment #bullying #internetHarassment #onlineBullying #hatemail #hateComments #fanmail #fanComments #supportCreators #supportArtists #stopHate #discrimination #patriarchy #activism #harassmentAwareness #onlineHate #hateSpeech

Today's tiktok/YouTube/Instagram short video:

If you like a #contentCreator 's work, TELL THEM. Don't leave the bulk of their comments composed by #haters and harassers tearing them down.

https://youtube.com/shorts/0umAj-eLDo0?si=m1SjRr0fh6wJnUcM

https://www.tiktok.com/t/ZT85y2Dy7/

https://www.instagram.com/reel/C0eziCCSIOI/?igshid=OTU1ODAwZWUxYg==

Caption:

Trust me, I know it's scary to "put a target on your back" by wading into video or picture comments currently dominated by #haters leaving garbage, but I assure you it feels even worse on the #contentCreator end when we're the ones having to deal with 95% garbage trying to tear us down. Especially for #smallCreators like me who don't get paid anything for the work we do making content for others to enjoy for free, so literally the only reason we do any of this is the love of making content and hoping to reach just a few people who like what we do, or care about the same issues that we're advocating for 🙃

#harassment #bullying #internetHarassment #onlineBullying #hatemail #hateComments #fanmail #fanComments #supportCreators #supportArtists #stopHate #discrimination #patriarchy #activism #harassmentAwareness #onlineHate #hateSpeech

Today's tiktok/YouTube/Instagram short video:

If you like a #contentCreator 's work, TELL THEM. Don't leave the bulk of their comments composed by #haters and harassers tearing them down.

https://youtube.com/shorts/0umAj-eLDo0?si=m1SjRr0fh6wJnUcM

https://www.tiktok.com/t/ZT85y2Dy7/

https://www.instagram.com/reel/C0eziCCSIOI/?igshid=OTU1ODAwZWUxYg==

Caption:

Trust me, I know it's scary to "put a target on your back" by wading into video or picture comments currently dominated by #haters leaving garbage, but I assure you it feels even worse on the #contentCreator end when we're the ones having to deal with 95% garbage trying to tear us down. Especially for #smallCreators like me who don't get paid anything for the work we do making content for others to enjoy for free, so literally the only reason we do any of this is the love of making content and hoping to reach just a few people who like what we do, or care about the same issues that we're advocating for 🙃

#harassment #bullying #internetHarassment #onlineBullying #hatemail #hateComments #fanmail #fanComments #supportCreators #supportArtists #stopHate #discrimination #patriarchy #activism #harassmentAwareness #onlineHate #hateSpeech

@[email protected] Yeah, #YouTube not enforcing it's own #Guidelines towards #Ads the same way they did for #Creators made it shit since the 1st #AdPocalypse...

Because that's the essence of it: They collectively kick #SmallCreators in the groin because they are too lazy to go after #Daesh-Channels monetizing their #hate-#propaganda or do their #DueDiligence BEFORE allowing #monetization with #ads...

@njion Yeah, #YouTube not enforcing it's own #Guidelines towards #Ads the same way they did for #Creators made it shit since the 1st #AdPocalypse...

Because that's the essence of it: They collectively kick #SmallCreators in the groin because they are too lazy to go after #Daesh-Channels monetizing their #hate-#propaganda or do their #DueDiligence BEFORE allowing #monetization with #ads...

@njion Yeah, #YouTube not enforcing it's own #Guidelines towards #Ads the same way they did for #Creators made it shit since the 1st #AdPocalypse...

Because that's the essence of it: They collectively kick #SmallCreators in the groin because they are too lazy to go after #Daesh-Channels monetizing their #hate-#propaganda or do their #DueDiligence BEFORE allowing #monetization with #ads...

@ChickenPwny the sarcasm is strong in this one...

Also if #YouTube didn't choose to use #AdPocalypse as #CollectivePunishment against #SmallCreators instead of actually vetting accounts and advertisers.

Speaking of advertisers: Basically any ad violates YouTube rules for videos...

@ChickenPwny the sarcasm is strong in this one...

Also if #YouTube didn't choose to use #AdPocalypse as #CollectivePunishment against #SmallCreators instead of actually vetting accounts and advertisers.

Speaking of advertisers: Basically any ad violates YouTube rules for videos...

@ChickenPwny the sarcasm is strong in this one...

Also if #YouTube didn't choose to use #AdPocalypse as #CollectivePunishment against #SmallCreators instead of actually vetting accounts and advertisers.

Speaking of advertisers: Basically any ad violates YouTube rules for videos...

#Mastodon is a blast. Connecting with some truly amazing people and having the chance to play cheerleader for other #smallcreators while actually being heard and seen.

The little notification sound is really lovely to hear. Never once has it preceeded negativity so far.

#Mastodon is a blast. Connecting with some truly amazing people and having the chance to play cheerleader for other #smallcreators while actually being heard and seen.

The little notification sound is really lovely to hear. Never once has it preceeded negativity so far.

#Mastodon is a blast. Connecting with some truly amazing people and having the chance to play cheerleader for other #smallcreators while actually being heard and seen.

The little notification sound is really lovely to hear. Never once has it preceeded negativity so far.

#Mastodon is a blast. Connecting with some truly amazing people and having the chance to play cheerleader for other #smallcreators while actually being heard and seen.

The little notification sound is really lovely to hear. Never once has it preceeded negativity so far.

@KeithAmmann Tangential to your discussion here, I've noticed that not using social media as a tool for word-of-mouth advertising is a weak point of a lot of creators right now.

People see advertising on social media as "I make a post, people see that post, people engage with that post." It's got an almost mystical quality to it.

If people used social to reach out to other people who might be interested, I feel like they would get better results. #socialmedia #smallcreators