#rosetta — Public Fediverse posts

Descent to the Surface of a Comet

This frame from an animated sequence shows the Rosetta mission Philae lander descending toward comet 67P/Churyumov-Gerasimenko not in frame on Nov. 12, 2014. The images are from the OSIRIS narrow-angle camera on the ESA Rosetta orbiter.

More: https://images.nasa.gov/details/PIA18877
Credit: Copyright: ESA/Rosetta/OSIRIS/MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Descent to the Surface of a Comet

This frame from an animated sequence shows the Rosetta mission Philae lander descending toward comet 67P/Churyumov-Gerasimenko not in frame on Nov. 12, 2014. The images are from the OSIRIS narrow-angle camera on the ESA Rosetta orbiter.

More: https://images.nasa.gov/details/PIA18877
Credit: Copyright: ESA/Rosetta/OSIRIS/MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Comet 67P Seen by Kepler

The European Space Agency's Rosetta mission concluded its study of comet 67P/Churyumov-Gerasimenko on Sept. 30, 2016. NASA's planet-hunting Kepler spacecraft observed the comet during the final month of the Rosetta mission, while the comet was not visible from Earth. This ...

More: https://images.nasa.gov/details/PIA21072
Credit: NASA/Ames/JPL-Caltech/STScI/Open University/C. Snodgrass and SETI Institute/E. Ryan

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Comet 67P Seen by Kepler

The European Space Agency's Rosetta mission concluded its study of comet 67P/Churyumov-Gerasimenko on Sept. 30, 2016. NASA's planet-hunting Kepler spacecraft observed the comet during the final month of the Rosetta mission, while the comet was not visible from Earth. This ...

More: https://images.nasa.gov/details/PIA21072
Credit: NASA/Ames/JPL-Caltech/STScI/Open University/C. Snodgrass and SETI Institute/E. Ryan

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Rosetta Comet In Action Animation

A short-lived outburst from comet 67P/Churyumov-Gerasimenko was captured by Rosetta's OSIRIS narrow-angle camera on July 29, 2015. The image at left was taken at 13:06 Greenwich Mean Time (GMT) (6:06 a.m. PDT), and does not show any visible signs of the jet. It is very strong in the middle image captured at 13:24 GMT (6:24 a.m. PD...

More: https://images.nasa.gov/details/PIA19867
Credit: ESA/Rosetta/MPS

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Rosetta Comet In Action Animation

A short-lived outburst from comet 67P/Churyumov-Gerasimenko was captured by Rosetta's OSIRIS narrow-angle camera on July 29, 2015. The image at left was taken at 13:06 Greenwich Mean Time (GMT) (6:06 a.m. PDT), and does not show any visible signs of the jet. It is very strong in the middle image captured at 13:24 GMT (6:24 a.m. PD...

More: https://images.nasa.gov/details/PIA19867
Credit: ESA/Rosetta/MPS

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Philae Lander Setting on Comet, with Cliff-Image Inset

This graphic depicts the position of the Philae lander of the European Space Agency Rosetta mission, and a nearby cliff photographed by the lander, in the context of topographic modeling of the surface of comet 67P/Churyumov-Gerasimenko nucleus.

More: https://images.nasa.gov/details/PIA19097
Credit: Copyright: ESA/Rosetta/Philae/CNES/FD/CIVA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Blindead 23 – Deuterium Review

Blindead’s third album Affliction XXIX II MXMVI is one of the most underrated classics of the …
#NewsBeep #News #Music #2026 #3.0 #AmiaVeneraLandscape #Apr26 #Behemoth #BlackSheepWall #Blindead #Blindead23 #CA #Canada #DeathMetal #Decapitated #Deuterium #Dirge #Entertainment #hardcore #Katatonia #Knut #MouthoftheArchitect #neurosis #PeacevilleRecords #PolishMetal #Post-Metal #review #reviews #rosetta #SludgeMetal #Vader #Vltimas
https://www.newsbeep.com/ca/691132/

https://www.europesays.com/ie/500676/ Blindead 23 – Deuterium Review #2026 #30 #AmiaVeneraLandscape #Apr26 #Behemoth #BlackSheepWall #Blindead #Blindead23 #DeathMetal #Decapitated #Deuterium #Dirge #Éire #Entertainment #Hardcore #IE #Ireland #Katatonia #Knut #MouthOfTheArchitect #Music #Neurosis #PeacevilleRecords #PolishMetal #PostMetal #Review #Reviews #Rosetta #SludgeMetal #Vader #Vltimas

Blindead’s third album Affliction XXIX II MXMVI is one of the most underrated classics of the 2010s. The Polish band’s sound was bigger than its fanbase, tragically, but that didn’t stop them from releasing an ambitious concept album whose stars aligned in both sound and lyrical themes. Rooted in the enigmatic and mammoth style of post-metal, the grey world it painted with broad sludge brushstrokes portrayed the experiences and perceptions of a child with ASD: “The shape of a city stood in the grayness, like a charcoal drawing sketched across the waste” (“Dark and Gray”). Alongside titles like Amia Venera Landscape’s The Long Procession and Dirge’s Elysian Magnetic Fields, Blindead was included on a long list of post-metal deep cuts that lay below the decade’s surface.

In spite of the laziest band name, Blindead 23 is the reincarnation of the act, this time armed with a star-studded lineup. The core of long-time guitarist Mateusz Śmierzchalski (aka Havoc, former Behemoth guitarist from 2000-03) and vocalist Patryk Zwoliński, Blindead 23 is rounded out by drummer Pawel “Pavulon” Jaroszewicz (known for his time in Vltimas, Vader, and Decapitated) and guitarist Roger Öjersson (known for his time in Katatonia). After the relative fizzle of Blindead’s final post-metal/alt rock albums Absence and Ascension, and the outta left field punk swansong Niewiosna, Blindead 23 returns to its roots with a tried-and-true blend of post-metal hugeness and hardcore intensity, sounding right at home with the likes of Rosetta, Neurosis, and Mouth of the Architect. First LP Deuterium is a love song to post-metal, a welcome return that won’t turn too many heads – but it’s the riffiest and the dirgiest post-metal that is both overlong and extremely promising.

Blessedly, the Blindead 23’s riffs are truly a force of nature, amplified by Öjersson’s soulful trademark melodies. The opening “Immersion” suite offers you a front-and-center attack that showcases the intensity and range – chuggy riffs and ominous melodies collide in formidable intensity. The more intense portions take on a nearly mechanical, death metal-bordering heaviness thanks to choppy staccato chugs and cold atmospheric tricks (“Immersion II,” title track), while solos and cleans inject the necessary humanity to keep them from wallowing in industrial aloofness (“Immersion I” and “II,” “Wither,” title track). Other tracks happen upon a more hardcore-inspired approach, chaotic movements, and shifty rhythms recalling the likes of Black Sheep Wall and Knut (“Worst Laid Plans”), Jaroszewicz’s drums laying a foundation of shifting sands.

The fifty-four-minute runtime is both a blessing and a curse for Blindead 23: while it allows them the breath to explore all their facets, it drags on the slower moments to a snail’s crawl. While the more hypnotic and dirgelike pieces can be bolstered by an eerie atmosphere (“Immersion II”), they have the potential to drag on for way too long and rob the band of the intensity they have effectively established (“Wither”), and even good tracks can feel a few minutes too long (“Worst Laid Plans”). While range is the name of the game, a few tricks feel too out-of-left-field, such as the bluesy and twangy plucking or jazzy melodies (“Toward the Dark”) or a surprising optimism that clashes with the overall darkness of the debut (“You Are the Universe”). However, this is not Blindead – it’s Blindead 23 – and it’s better that a band explore all avenues instead of just playing it safe.

Deuterium is the sound of a band hungry for the return, but not to the way things were. Already, a revolving door of contributors make Deuterium a distinct sound compared to 2024 debut EP Vanishing, and it shows in a solid output that sounds like the veterans they are. While the inconsistency is jarring and the sprawl leads to the excessive runtime, individual star power with an immensity greater than the sum of its parts graces the Polish juggernaut in an exploration of all avenues. An embarrassment of riches awaits them. Deuterium may not be their magnum opus, but it’s the prelude for Blindead 23.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Peaceville Records
Website: facebook.com/blindead23
Releases Worldwide: April 22nd, 2026

Blindead’s third album Affliction XXIX II MXMVI is one of the most underrated classics of the 2010s. The Polish band’s sound was bigger than its fanbase, tragically, but that didn’t stop them from releasing an ambitious concept album whose stars aligned in both sound and lyrical themes. Rooted in the enigmatic and mammoth style of post-metal, the grey world it painted with broad sludge brushstrokes portrayed the experiences and perceptions of a child with ASD: “The shape of a city stood in the grayness, like a charcoal drawing sketched across the waste” (“Dark and Gray”). Alongside titles like Amia Venera Landscape’s The Long Procession and Dirge’s Elysian Magnetic Fields, Blindead was included on a long list of post-metal deep cuts that lay below the decade’s surface.

In spite of the laziest band name, Blindead 23 is the reincarnation of the act, this time armed with a star-studded lineup. The core of long-time guitarist Mateusz Śmierzchalski (aka Havoc, former Behemoth guitarist from 2000-03) and vocalist Patryk Zwoliński, Blindead 23 is rounded out by drummer Pawel “Pavulon” Jaroszewicz (known for his time in Vltimas, Vader, and Decapitated) and guitarist Roger Öjersson (known for his time in Katatonia). After the relative fizzle of Blindead’s final post-metal/alt rock albums Absence and Ascension, and the outta left field punk swansong Niewiosna, Blindead 23 returns to its roots with a tried-and-true blend of post-metal hugeness and hardcore intensity, sounding right at home with the likes of Rosetta, Neurosis, and Mouth of the Architect. First LP Deuterium is a love song to post-metal, a welcome return that won’t turn too many heads – but it’s the riffiest and the dirgiest post-metal that is both overlong and extremely promising.

Blessedly, the Blindead 23’s riffs are truly a force of nature, amplified by Öjersson’s soulful trademark melodies. The opening “Immersion” suite offers you a front-and-center attack that showcases the intensity and range – chuggy riffs and ominous melodies collide in formidable intensity. The more intense portions take on a nearly mechanical, death metal-bordering heaviness thanks to choppy staccato chugs and cold atmospheric tricks (“Immersion II,” title track), while solos and cleans inject the necessary humanity to keep them from wallowing in industrial aloofness (“Immersion I” and “II,” “Wither,” title track). Other tracks happen upon a more hardcore-inspired approach, chaotic movements, and shifty rhythms recalling the likes of Black Sheep Wall and Knut (“Worst Laid Plans”), Jaroszewicz’s drums laying a foundation of shifting sands.

The fifty-four-minute runtime is both a blessing and a curse for Blindead 23: while it allows them the breath to explore all their facets, it drags on the slower moments to a snail’s crawl. While the more hypnotic and dirgelike pieces can be bolstered by an eerie atmosphere (“Immersion II”), they have the potential to drag on for way too long and rob the band of the intensity they have effectively established (“Wither”), and even good tracks can feel a few minutes too long (“Worst Laid Plans”). While range is the name of the game, a few tricks feel too out-of-left-field, such as the bluesy and twangy plucking or jazzy melodies (“Toward the Dark”) or a surprising optimism that clashes with the overall darkness of the debut (“You Are the Universe”). However, this is not Blindead – it’s Blindead 23 – and it’s better that a band explore all avenues instead of just playing it safe.

Deuterium is the sound of a band hungry for the return, but not to the way things were. Already, a revolving door of contributors make Deuterium a distinct sound compared to 2024 debut EP Vanishing, and it shows in a solid output that sounds like the veterans they are. While the inconsistency is jarring and the sprawl leads to the excessive runtime, individual star power with an immensity greater than the sum of its parts graces the Polish juggernaut in an exploration of all avenues. An embarrassment of riches awaits them. Deuterium may not be their magnum opus, but it’s the prelude for Blindead 23.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Peaceville Records
Website: facebook.com/blindead23
Releases Worldwide: April 22nd, 2026

Blindead’s third album Affliction XXIX II MXMVI is one of the most underrated classics of the 2010s. The Polish band’s sound was bigger than its fanbase, tragically, but that didn’t stop them from releasing an ambitious concept album whose stars aligned in both sound and lyrical themes. Rooted in the enigmatic and mammoth style of post-metal, the grey world it painted with broad sludge brushstrokes portrayed the experiences and perceptions of a child with ASD: “The shape of a city stood in the grayness, like a charcoal drawing sketched across the waste” (“Dark and Gray”). Alongside titles like Amia Venera Landscape’s The Long Procession and Dirge’s Elysian Magnetic Fields, Blindead was included on a long list of post-metal deep cuts that lay below the decade’s surface.

In spite of the laziest band name, Blindead 23 is the reincarnation of the act, this time armed with a star-studded lineup. The core of long-time guitarist Mateusz Śmierzchalski (aka Havoc, former Behemoth guitarist from 2000-03) and vocalist Patryk Zwoliński, Blindead 23 is rounded out by drummer Pawel “Pavulon” Jaroszewicz (known for his time in Vltimas, Vader, and Decapitated) and guitarist Roger Öjersson (known for his time in Katatonia). After the relative fizzle of Blindead’s final post-metal/alt rock albums Absence and Ascension, and the outta left field punk swansong Niewiosna, Blindead 23 returns to its roots with a tried-and-true blend of post-metal hugeness and hardcore intensity, sounding right at home with the likes of Rosetta, Neurosis, and Mouth of the Architect. First LP Deuterium is a love song to post-metal, a welcome return that won’t turn too many heads – but it’s the riffiest and the dirgiest post-metal that is both overlong and extremely promising.

Blessedly, the Blindead 23’s riffs are truly a force of nature, amplified by Öjersson’s soulful trademark melodies. The opening “Immersion” suite offers you a front-and-center attack that showcases the intensity and range – chuggy riffs and ominous melodies collide in formidable intensity. The more intense portions take on a nearly mechanical, death metal-bordering heaviness thanks to choppy staccato chugs and cold atmospheric tricks (“Immersion II,” title track), while solos and cleans inject the necessary humanity to keep them from wallowing in industrial aloofness (“Immersion I” and “II,” “Wither,” title track). Other tracks happen upon a more hardcore-inspired approach, chaotic movements, and shifty rhythms recalling the likes of Black Sheep Wall and Knut (“Worst Laid Plans”), Jaroszewicz’s drums laying a foundation of shifting sands.

The fifty-four-minute runtime is both a blessing and a curse for Blindead 23: while it allows them the breath to explore all their facets, it drags on the slower moments to a snail’s crawl. While the more hypnotic and dirgelike pieces can be bolstered by an eerie atmosphere (“Immersion II”), they have the potential to drag on for way too long and rob the band of the intensity they have effectively established (“Wither”), and even good tracks can feel a few minutes too long (“Worst Laid Plans”). While range is the name of the game, a few tricks feel too out-of-left-field, such as the bluesy and twangy plucking or jazzy melodies (“Toward the Dark”) or a surprising optimism that clashes with the overall darkness of the debut (“You Are the Universe”). However, this is not Blindead – it’s Blindead 23 – and it’s better that a band explore all avenues instead of just playing it safe.

Deuterium is the sound of a band hungry for the return, but not to the way things were. Already, a revolving door of contributors make Deuterium a distinct sound compared to 2024 debut EP Vanishing, and it shows in a solid output that sounds like the veterans they are. While the inconsistency is jarring and the sprawl leads to the excessive runtime, individual star power with an immensity greater than the sum of its parts graces the Polish juggernaut in an exploration of all avenues. An embarrassment of riches awaits them. Deuterium may not be their magnum opus, but it’s the prelude for Blindead 23.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Peaceville Records
Website: facebook.com/blindead23
Releases Worldwide: April 22nd, 2026

Blindead’s third album Affliction XXIX II MXMVI is one of the most underrated classics of the 2010s. The Polish band’s sound was bigger than its fanbase, tragically, but that didn’t stop them from releasing an ambitious concept album whose stars aligned in both sound and lyrical themes. Rooted in the enigmatic and mammoth style of post-metal, the grey world it painted with broad sludge brushstrokes portrayed the experiences and perceptions of a child with ASD: “The shape of a city stood in the grayness, like a charcoal drawing sketched across the waste” (“Dark and Gray”). Alongside titles like Amia Venera Landscape’s The Long Procession and Dirge’s Elysian Magnetic Fields, Blindead was included on a long list of post-metal deep cuts that lay below the decade’s surface.

In spite of the laziest band name, Blindead 23 is the reincarnation of the act, this time armed with a star-studded lineup. The core of long-time guitarist Mateusz Śmierzchalski (aka Havoc, former Behemoth guitarist from 2000-03) and vocalist Patryk Zwoliński, Blindead 23 is rounded out by drummer Pawel “Pavulon” Jaroszewicz (known for his time in Vltimas, Vader, and Decapitated) and guitarist Roger Öjersson (known for his time in Katatonia). After the relative fizzle of Blindead’s final post-metal/alt rock albums Absence and Ascension, and the outta left field punk swansong Niewiosna, Blindead 23 returns to its roots with a tried-and-true blend of post-metal hugeness and hardcore intensity, sounding right at home with the likes of Rosetta, Neurosis, and Mouth of the Architect. First LP Deuterium is a love song to post-metal, a welcome return that won’t turn too many heads – but it’s the riffiest and the dirgiest post-metal that is both overlong and extremely promising.

Blessedly, the Blindead 23’s riffs are truly a force of nature, amplified by Öjersson’s soulful trademark melodies. The opening “Immersion” suite offers you a front-and-center attack that showcases the intensity and range – chuggy riffs and ominous melodies collide in formidable intensity. The more intense portions take on a nearly mechanical, death metal-bordering heaviness thanks to choppy staccato chugs and cold atmospheric tricks (“Immersion II,” title track), while solos and cleans inject the necessary humanity to keep them from wallowing in industrial aloofness (“Immersion I” and “II,” “Wither,” title track). Other tracks happen upon a more hardcore-inspired approach, chaotic movements, and shifty rhythms recalling the likes of Black Sheep Wall and Knut (“Worst Laid Plans”), Jaroszewicz’s drums laying a foundation of shifting sands.

The fifty-four-minute runtime is both a blessing and a curse for Blindead 23: while it allows them the breath to explore all their facets, it drags on the slower moments to a snail’s crawl. While the more hypnotic and dirgelike pieces can be bolstered by an eerie atmosphere (“Immersion II”), they have the potential to drag on for way too long and rob the band of the intensity they have effectively established (“Wither”), and even good tracks can feel a few minutes too long (“Worst Laid Plans”). While range is the name of the game, a few tricks feel too out-of-left-field, such as the bluesy and twangy plucking or jazzy melodies (“Toward the Dark”) or a surprising optimism that clashes with the overall darkness of the debut (“You Are the Universe”). However, this is not Blindead – it’s Blindead 23 – and it’s better that a band explore all avenues instead of just playing it safe.

Deuterium is the sound of a band hungry for the return, but not to the way things were. Already, a revolving door of contributors make Deuterium a distinct sound compared to 2024 debut EP Vanishing, and it shows in a solid output that sounds like the veterans they are. While the inconsistency is jarring and the sprawl leads to the excessive runtime, individual star power with an immensity greater than the sum of its parts graces the Polish juggernaut in an exploration of all avenues. An embarrassment of riches awaits them. Deuterium may not be their magnum opus, but it’s the prelude for Blindead 23.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Peaceville Records
Website: facebook.com/blindead23
Releases Worldwide: April 22nd, 2026

Blindead’s third album Affliction XXIX II MXMVI is one of the most underrated classics of the 2010s. The Polish band’s sound was bigger than its fanbase, tragically, but that didn’t stop them from releasing an ambitious concept album whose stars aligned in both sound and lyrical themes. Rooted in the enigmatic and mammoth style of post-metal, the grey world it painted with broad sludge brushstrokes portrayed the experiences and perceptions of a child with ASD: “The shape of a city stood in the grayness, like a charcoal drawing sketched across the waste” (“Dark and Gray”). Alongside titles like Amia Venera Landscape’s The Long Procession and Dirge’s Elysian Magnetic Fields, Blindead was included on a long list of post-metal deep cuts that lay below the decade’s surface.

In spite of the laziest band name, Blindead 23 is the reincarnation of the act, this time armed with a star-studded lineup. The core of long-time guitarist Mateusz Śmierzchalski (aka Havoc, former Behemoth guitarist from 2000-03) and vocalist Patryk Zwoliński, Blindead 23 is rounded out by drummer Pawel “Pavulon” Jaroszewicz (known for his time in Vltimas, Vader, and Decapitated) and guitarist Roger Öjersson (known for his time in Katatonia). After the relative fizzle of Blindead’s final post-metal/alt rock albums Absence and Ascension, and the outta left field punk swansong Niewiosna, Blindead 23 returns to its roots with a tried-and-true blend of post-metal hugeness and hardcore intensity, sounding right at home with the likes of Rosetta, Neurosis, and Mouth of the Architect. First LP Deuterium is a love song to post-metal, a welcome return that won’t turn too many heads – but it’s the riffiest and the dirgiest post-metal that is both overlong and extremely promising.

Blessedly, the Blindead 23’s riffs are truly a force of nature, amplified by Öjersson’s soulful trademark melodies. The opening “Immersion” suite offers you a front-and-center attack that showcases the intensity and range – chuggy riffs and ominous melodies collide in formidable intensity. The more intense portions take on a nearly mechanical, death metal-bordering heaviness thanks to choppy staccato chugs and cold atmospheric tricks (“Immersion II,” title track), while solos and cleans inject the necessary humanity to keep them from wallowing in industrial aloofness (“Immersion I” and “II,” “Wither,” title track). Other tracks happen upon a more hardcore-inspired approach, chaotic movements, and shifty rhythms recalling the likes of Black Sheep Wall and Knut (“Worst Laid Plans”), Jaroszewicz’s drums laying a foundation of shifting sands.

The fifty-four-minute runtime is both a blessing and a curse for Blindead 23: while it allows them the breath to explore all their facets, it drags on the slower moments to a snail’s crawl. While the more hypnotic and dirgelike pieces can be bolstered by an eerie atmosphere (“Immersion II”), they have the potential to drag on for way too long and rob the band of the intensity they have effectively established (“Wither”), and even good tracks can feel a few minutes too long (“Worst Laid Plans”). While range is the name of the game, a few tricks feel too out-of-left-field, such as the bluesy and twangy plucking or jazzy melodies (“Toward the Dark”) or a surprising optimism that clashes with the overall darkness of the debut (“You Are the Universe”). However, this is not Blindead – it’s Blindead 23 – and it’s better that a band explore all avenues instead of just playing it safe.

Deuterium is the sound of a band hungry for the return, but not to the way things were. Already, a revolving door of contributors make Deuterium a distinct sound compared to 2024 debut EP Vanishing, and it shows in a solid output that sounds like the veterans they are. While the inconsistency is jarring and the sprawl leads to the excessive runtime, individual star power with an immensity greater than the sum of its parts graces the Polish juggernaut in an exploration of all avenues. An embarrassment of riches awaits them. Deuterium may not be their magnum opus, but it’s the prelude for Blindead 23.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Peaceville Records
Website: facebook.com/blindead23
Releases Worldwide: April 22nd, 2026

Rosetta Mission Selfie at 30 Miles

The Philae lander of the European Space Agency Rosetta mission took this self-portrait of the spacecraft on Sept. 7, 2014, at a distance of about 30 miles 50 kilometers from comet 67P/Churyumov-Gerasimenko.

More: https://images.nasa.gov/details/PIA18872
Credit: Copyright: ESA/Rosetta/Philae/CIVA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Rosetta Mission Selfie at 30 Miles

The Philae lander of the European Space Agency Rosetta mission took this self-portrait of the spacecraft on Sept. 7, 2014, at a distance of about 30 miles 50 kilometers from comet 67P/Churyumov-Gerasimenko.

More: https://images.nasa.gov/details/PIA18872
Credit: Copyright: ESA/Rosetta/Philae/CIVA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Rosetta Mission Selfie at 30 Miles

The Philae lander of the European Space Agency Rosetta mission took this self-portrait of the spacecraft on Sept. 7, 2014, at a distance of about 30 miles 50 kilometers from comet 67P/Churyumov-Gerasimenko.

More: https://images.nasa.gov/details/PIA18872
Credit: Copyright: ESA/Rosetta/Philae/CIVA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Rosetta Mission Selfie at 30 Miles

The Philae lander of the European Space Agency Rosetta mission took this self-portrait of the spacecraft on Sept. 7, 2014, at a distance of about 30 miles 50 kilometers from comet 67P/Churyumov-Gerasimenko.

More: https://images.nasa.gov/details/PIA18872
Credit: Copyright: ESA/Rosetta/Philae/CIVA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Rosetta Mission Selfie at 30 Miles

The Philae lander of the European Space Agency Rosetta mission took this self-portrait of the spacecraft on Sept. 7, 2014, at a distance of about 30 miles 50 kilometers from comet 67P/Churyumov-Gerasimenko.

More: https://images.nasa.gov/details/PIA18872
Credit: Copyright: ESA/Rosetta/Philae/CIVA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Comet 67P from 1,200 Miles Away

This view from the OSIRIS instrument onboard ESA Rosetta spacecraft shows the nucleus of comet 67P/Churyumov-Gerasimernko from a distance of 1,210 miles 1950 kilometers.

More: https://images.nasa.gov/details/PIA18423
Credit: Copyright: ESA/Rosetta/MPS for OSIRIS Team MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Comet 67P from 1,200 Miles Away

This view from the OSIRIS instrument onboard ESA Rosetta spacecraft shows the nucleus of comet 67P/Churyumov-Gerasimernko from a distance of 1,210 miles 1950 kilometers.

More: https://images.nasa.gov/details/PIA18423
Credit: Copyright: ESA/Rosetta/MPS for OSIRIS Team MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Rosetta Target

This image of comet 67P/Churymov-Gerasimenko was taken on March 21, 2014, by the narrow-angle camera of the Rosetta spacecraft Optical, Spectroscopic and Infrared Remote Imaging System OSIRIS.

More: https://images.nasa.gov/details/PIA17795
Credit: ESA Copyright: 2014 MPS for OSIRIS-Team MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Rosetta Target

This image of comet 67P/Churymov-Gerasimenko was taken on March 21, 2014, by the narrow-angle camera of the Rosetta spacecraft Optical, Spectroscopic and Infrared Remote Imaging System OSIRIS.

More: https://images.nasa.gov/details/PIA17795
Credit: ESA Copyright: 2014 MPS for OSIRIS-Team MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Rosetta Comet Marches On

This image, taken by ESA Rosetta navigation camera, was taken from a distance of about 53 miles 86 kilometers from the center of Comet 67P/Churyumov-Gerasimenko on March 14, 2015. The image has a resolution of 24 feet (7 meters) per pixel and is cropped and processed to bring out the details of the comet's activity. http://photojournal.jpl.nasa.gov/catalog/PIA19687

More: https://images.nasa.gov/details/PIA19687
Credit: ESA/Rosetta/NAVCAM

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

I don't understand the 'enable #rosetta' on apps, especially if it's going to be discontinued. @libreoffice

https://support.apple.com/en-us/102527?cid=mc-ols-rosetta-article_102527-macos_finder-52526201

I don't understand the 'enable #rosetta' on apps, especially if it's going to be discontinued. @libreoffice

https://support.apple.com/en-us/102527?cid=mc-ols-rosetta-article_102527-macos_finder-52526201

I don't understand the 'enable #rosetta' on apps, especially if it's going to be discontinued. @libreoffice

https://support.apple.com/en-us/102527?cid=mc-ols-rosetta-article_102527-macos_finder-52526201

I don't understand the 'enable #rosetta' on apps, especially if it's going to be discontinued. @libreoffice

https://support.apple.com/en-us/102527?cid=mc-ols-rosetta-article_102527-macos_finder-52526201

I don't understand the 'enable #rosetta' on apps, especially if it's going to be discontinued. @libreoffice

https://support.apple.com/en-us/102527?cid=mc-ols-rosetta-article_102527-macos_finder-52526201

Rosetta Comet: Imaging the Coma

This image of the coma of comet 67P/Churyumov-Gerasimenko, seen with ESAS OSIRIS onboard the Rosetta spacecraft, shows the hazy circular structure to the right and center of the coma is an artifact due to overexposure of the nucleus.

More: https://images.nasa.gov/details/PIA18422
Credit: Copyright: ESA/Rosetta/MPS for OSIRIS Team MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Rosetta Comet: Imaging the Coma

This image of the coma of comet 67P/Churyumov-Gerasimenko, seen with ESAS OSIRIS onboard the Rosetta spacecraft, shows the hazy circular structure to the right and center of the coma is an artifact due to overexposure of the nucleus.

More: https://images.nasa.gov/details/PIA18422
Credit: Copyright: ESA/Rosetta/MPS for OSIRIS Team MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Rosetta Mission Destination: Comet 67P/Churnyumov-Gerasimenko

This observation from ESA Rosetta spacecraft shows that comet 67P/Churyumov-Gerasimenko has a two-part shape. The image on the left is from OSIRIS; the image on the right is enhanced with interpolated data.

More: https://images.nasa.gov/details/PIA18402
Credit: Copyright: ESA/Rosetta/MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Rosetta Mission Destination: Comet 67P/Churnyumov-Gerasimenko

This observation from ESA Rosetta spacecraft shows that comet 67P/Churyumov-Gerasimenko has a two-part shape. The image on the left is from OSIRIS; the image on the right is enhanced with interpolated data.

More: https://images.nasa.gov/details/PIA18402
Credit: Copyright: ESA/Rosetta/MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Philae Lander View of Perihelion Cliff on Comet Surface

From the location where it came to rest after bounces, the Philae lander of the European Space Agency Rosetta mission captured this view of a cliff on the nucleus of comet 67P/Churyumov-Gerasimenko. The feature is called Perihelion Cliff.

More: https://images.nasa.gov/details/PIA19095
Credit: Copyright: ESA/Rosetta/Philae/CIVA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Philae Lander View of Perihelion Cliff on Comet Surface

From the location where it came to rest after bounces, the Philae lander of the European Space Agency Rosetta mission captured this view of a cliff on the nucleus of comet 67P/Churyumov-Gerasimenko. The feature is called Perihelion Cliff.

More: https://images.nasa.gov/details/PIA19095
Credit: Copyright: ESA/Rosetta/Philae/CIVA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

U.S. Instruments Aboard Rosetta

Three of NASA contributions to the ESA Rosetta mission are pictured here: an ultraviolet spectrometer called Alice top, the Ion and Electron Sensor IES bottom left, and the Microwave Instrument for Rosetta Orbiter MIRO bottom right.

More: https://images.nasa.gov/details/PIA17664
Credit: NASA/JPL-Caltech/SwRI

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

U.S. Instruments Aboard Rosetta

Three of NASA contributions to the ESA Rosetta mission are pictured here: an ultraviolet spectrometer called Alice top, the Ion and Electron Sensor IES bottom left, and the Microwave Instrument for Rosetta Orbiter MIRO bottom right.

More: https://images.nasa.gov/details/PIA17664
Credit: NASA/JPL-Caltech/SwRI

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Rare Glance at Dark Side of Comet 67P/Churyumov-Gerasimenko

This is a rare glance at the dark side of comet 67P/Churyumov-Gerasimenko. Light backscattered from dust particles in the comet coma reveals a hint of surface structures. This image was taken by OSIRIS, Rosetta scientific imaging system.

More: https://images.nasa.gov/details/PIA19041
Credit: Copyright: ESA/Rosetta/MPS for OSIRIS Team MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Rare Glance at Dark Side of Comet 67P/Churyumov-Gerasimenko

This is a rare glance at the dark side of comet 67P/Churyumov-Gerasimenko. Light backscattered from dust particles in the comet coma reveals a hint of surface structures. This image was taken by OSIRIS, Rosetta scientific imaging system.

More: https://images.nasa.gov/details/PIA19041
Credit: Copyright: ESA/Rosetta/MPS for OSIRIS Team MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Rare Glance at Dark Side of Comet 67P/Churyumov-Gerasimenko

This is a rare glance at the dark side of comet 67P/Churyumov-Gerasimenko. Light backscattered from dust particles in the comet coma reveals a hint of surface structures. This image was taken by OSIRIS, Rosetta scientific imaging system.

More: https://images.nasa.gov/details/PIA19041
Credit: Copyright: ESA/Rosetta/MPS for OSIRIS Team MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Rare Glance at Dark Side of Comet 67P/Churyumov-Gerasimenko

This is a rare glance at the dark side of comet 67P/Churyumov-Gerasimenko. Light backscattered from dust particles in the comet coma reveals a hint of surface structures. This image was taken by OSIRIS, Rosetta scientific imaging system.

More: https://images.nasa.gov/details/PIA19041
Credit: Copyright: ESA/Rosetta/MPS for OSIRIS Team MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Rare Glance at Dark Side of Comet 67P/Churyumov-Gerasimenko

This is a rare glance at the dark side of comet 67P/Churyumov-Gerasimenko. Light backscattered from dust particles in the comet coma reveals a hint of surface structures. This image was taken by OSIRIS, Rosetta scientific imaging system.

More: https://images.nasa.gov/details/PIA19041
Credit: Copyright: ESA/Rosetta/MPS for OSIRIS Team MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Descent to the Surface of a Comet

This frame from an animated sequence shows the Rosetta mission Philae lander descending toward comet 67P/Churyumov-Gerasimenko not in frame on Nov. 12, 2014. The images are from the OSIRIS narrow-angle camera on the ESA Rosetta orbiter.

More: https://images.nasa.gov/details/PIA18877
Credit: Copyright: ESA/Rosetta/OSIRIS/MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Descent to the Surface of a Comet

This frame from an animated sequence shows the Rosetta mission Philae lander descending toward comet 67P/Churyumov-Gerasimenko not in frame on Nov. 12, 2014. The images are from the OSIRIS narrow-angle camera on the ESA Rosetta orbiter.

More: https://images.nasa.gov/details/PIA18877
Credit: Copyright: ESA/Rosetta/OSIRIS/MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA

#comet #rosetta #astrodon #astronomy #astrophotography #astrophysics

Virtualisation on Apple silicon Macs is different

https://fed.brid.gy/r/https://eclecticlight.co/2026/04/29/virtualisation-on-apple-silicon-macs-is-different/

Émilie Dequenne 1981-2025: Award-winning leading lady of French-language cinema dies at 43

TAGS: #ÉmilieDequenne #EmilieDequenne #FilmTalk #MovieTalk #Actress #FilmActress #MovieActress #CannesFilmFestival #Rosetta #PasSonGenre #NotMyType #ChezNous #ThisIsOurLand #DardenneBrothers #FilmNews #FilmIndustry #EntertainmentNews #Filmbuzz #FilmCommunity #Filmbuff #Moviebuff #Filmmaking #Moviemaking #Storytelling #BehindTheScenes #Hollywood #Film #Movies #Cinema

URL: https://filmtalk.org/2025/03/16/emilie-dequenne/

In dieser Episode gibt es Interviews und Aufnahmen zum #ESOC, zum Hauptkontrollraum, zur #Rosetta-Mission, zu Engineering models, zum Bodenstationsnetzwerk #ESTRACK, zum #ESERO und zum Navigation Support Office.

2/2

In dieser Episode gibt es Interviews und Aufnahmen zum #ESOC, zum Hauptkontrollraum, zur #Rosetta-Mission, zu Engineering models, zum Bodenstationsnetzwerk #ESTRACK, zum #ESERO und zum Navigation Support Office.

2/2

In dieser Episode gibt es Interviews und Aufnahmen zum #ESOC, zum Hauptkontrollraum, zur #Rosetta-Mission, zu Engineering models, zum Bodenstationsnetzwerk #ESTRACK, zum #ESERO und zum Navigation Support Office.

2/2

In dieser Episode gibt es Interviews und Aufnahmen zum #ESOC, zum Hauptkontrollraum, zur #Rosetta-Mission, zu Engineering models, zum Bodenstationsnetzwerk #ESTRACK, zum #ESERO und zum Navigation Support Office.

2/2