#renatereinsve — Public Fediverse posts

https://www.europesays.com/cz/247563/ RECENZE: Film Fjord je strhující drama o tom, že jediná pravda neexistuje #CristianMungiu #Entertainment #FilmFjord #RecenzeFilmů #RenateReinsve #SebastianStan #Zábava

https://www.europesays.com/cz/246377/ Jsou jen silně věřící, nebo už týrají děti? Film Fjord přibližuje kontroverzní zásah norské sociálky #Barnevernet #církev #Děti #Entertainment #MezinárodníFilmovýFestivalKarlovyVary(KVIFF) #Norsko #RenateReinsve #Rodina #Rumunsko #SebastianStan #Soud #TadyVary #Týrání #úřad #Zábava

More than anything else, this film does bring up a lot to consider.

#SebastianStan and #RenateReinsve are both terrific in this film. #Fjord #FjordMovie #FjordFilm #MovieReview #MovieReviews #FilmReview #FilmReviews 2/2

https://www.europesays.com/se/410704/ Nio produktioner i Västsverige hösten 2026 #Entertainment #FilmIVäst #fjällbacka #GustafSkarsgård #Hundarna #JohanFalk #RenateReinsve #SE #Sune #Svenska #Sverige #Sweden #Swedish #Underhållning

https://www.europesays.com/no/367700/ Filmanmeldelse: Herlig spilt om norske søstre på Granka – adressa.no #Anmeldelse #Entertainment #Filmanmeldelse #GranCanaria #Kino #LillianMüller #NO #Norge #NorskFilm #Norway #RenateReinsve #syden #Underholdning

https://www.europesays.com/hu/259982/ Az év egyik legjobb filmje végre otthon is megnézhető #ElleFanning #Entertainment #Érzelmiérték #film #filmkritika #HU #Hungarian #Hungary #IngaIbsdotterLilleaas #JoachimTrier #Magyar #Magyarország #Norvégia #oslo #RenateReinsve #StellanSkarsgard #Szórakozás

BACKROOMS (2026).
PERDERSE EN UN LABERINTO DONDE LA REALIDAD DEJA DE OBEDECER A SUS PROPIAS REGLAS
Backrooms (2026) es la rompedora e incómoda ópera prima de terror de Kane Parsons. Chiwetel Ejiofor y Renate Reinsve protagonizan una inquietante inmersión en los espacios liminales de A24. 👇
https://nuevoimagenesdeactualidad.blogspot.com/2026/09/backrooms-2026-perderse-en-un-laberinto.html
#cine #cinema #chiwetelejiofor #renatereinsve

https://www.europesays.com/no/365632/ Alternative Norge – VG #Drama #Entertainment #Filmanmeldelse #GranCanaria #kunst #LillianMüller #Mor #NO #Norge #Norway #RenateReinsve #RubenÖstlund #Satire #teater #Underholdning

https://www.europesays.com/no/364681/ Eiker, Nyhet | Rekord for Renate Reinsve #art #eiker #Entertainment #NO #Norge #Norway #nyhet #RenateReinsve #story #Underholdning

https://www.europesays.com/no/364037/ Rekordsterkt fra Reinsve – E24 #Cannes #Entertainment #NO #Norge #Norway #Oscar #RenateReinsve #Underholdning

TIFF 2026 Review: Fjord - "What powers the film is the subtle performances from Renate Reinsve and Sebastian Stan." Read it here https://bit.ly/4xCb9tR by @petdochill

#Fjord #film #SebastianStan #RenateReinsve #FjordFilm #Norway #TIFF #TIFF2026 @TIFF_NET

Film Review: FJORD: A Powerful Examination of Family Values with Great Performances [NYFF 2026]

Link: https://film-book.com/film-review-fjord-a-powerful-examination-of-family-values-with-great-performances-nyff-2026/?fsp_sid=254986

#AdrianTitieni #AnneKokkinn #ChristianRubeck #CristianMungiu #EllenDorritPetersen #FilmFestival #Fjord #HallgjerdByrkjeland #HenrikkeLundOlsen #LisaCarlehed #LisaLovenKongsli #MarkusScarthTønseth #Neon #NewYorkFilmFestival #RenateReinsve #SebastianStan #VanessaCe...

‘Fjord’, filme vencedor da Palma de Ouro em Cannes, ganha trailer e data de estreia; confira

https://fed.brid.gy/r/https://rollingstone.com.br/cinema/fjord-filme-vencedor-da-palma-de-ouro-em-cannes-trailer-data-de-estreia/

MIA HANSEN-LØVE LLEVARÁ LA VIDA DE MARY WOLLSTONECRAFT AL CINE CON RENATE REINSVE
Renate Reinsve protagonizará If Love Should Die, el nuevo drama de época de Mia Hansen-Løve sobre Mary Wollstonecraft, pionera feminista y madre de la autora de Frankenstein. 👇
https://nuevoimagenesdeactualidad.blogspot.com/2026/09/mia-hansen-lve-llevara-la-vida-de-mary.html

#cinw #cinema #miahansenlove #renatereinsve

https://www.europesays.com/no/347447/ Eiker, Film | Renate Reinsve klar for ny storfilm #art #eiker #Entertainment #Film #kultur #NO #Norge #Norway #RenateReinsve #story #Underholdning

Mia Hansen-Løve’s Mary Wollstonecraft Picture Unveils Cast

EXCLUSIVE: Renate Reinsve has been officially confirmed for the role of Mary Wollstonecraft in Mia Hansen-Løve’s epic and intimate period drama If…
#NewsBeep #News #Movies #AU #Australia #Entertainment #France #Goodfellas #IfLoveShouldDie #JohnnyFlynn #MaryWollstonecraft #MiaHansen-Lu00f8ve #RenateReinsve #TIFF #TIFFMarket #VickyKrieps
https://www.newsbeep.com/au/883520/

https://www.europesays.com/ie/677261/ Mia Hansen-Løve’s Mary Wollstonecraft Picture Unveils Cast #Éire #Entertainment #france #Goodfellas #IE #IfLoveShouldDie #Ireland #JohnnyFlynn #MaryWollstonecraft #MiaHansenLu00f8ve #Movies #RenateReinsve #TIFF #TIFFMarket #VickyKrieps

https://www.europesays.com/no/347173/ Renate Reinsve får hovedrollen i ny engelskspråklig storfilm #Entertainment #Film #MiaHansenLøve #NO #Norge #Norway #RenateReinsve #Underholdning #vg:AI

Renate Reinsve, Johnny Flynn & Vicky Krieps Set For Mia Hansen-Løve’s Mary Wollstonecraft Picture ‘If Love Should Die’ As Goodfellas Boards Sales – TIFF
#Casting #Festivals #News #France #Goodfellas #IfLoveShouldDie #JohnnyFlynn #MaryWollstonecraft #MiaHansenLøve #RenateReinsve #TIFF #TIFFMarket #VickyKrieps

https://deadline.com/2026/09/hansen-love-reinsve-flynn-krieps-wollstonecraft-love-die-1237070210/

Cristian Mungiu Is Glad You’re Arguing About ‘Fjord.’ Just Don’t Assume His Politics
#MovieFeatures #Movies #Cannes #CristianMungiu #Fjord #RenateReinsve #SebastianStan #Telluride

https://www.hollywoodreporter.com/movies/movie-features/cristian-mungiu-fjord-telluride-feature-1236692303/

https://www.europesays.com/no/343145/ Gnistrende god, usedvanlig interessant – VG #Cannes #Drama #Entertainment #Evangelisering #Film #Filmanmeldelse #gullpalmen #kulturkrig #naustdal #NO #Norge #Norway #RenateReinsve #Romania #SebastianStan #Underholdning

https://www.europesays.com/ro/286880/ „Fjord”, filmul lui Cristian Mungiu, nominalizarea României la Premiile Oscar 2027. Decizia, luată în unanimitate #CristianMungiu #Divertisment #Entertainment #FestivalCannes #FilmulFjord #Fjord #FjordPremiileOscar #NominalizareFjord #Norvegia #PremiileOscar #RenateReinsve #RO #Română #Romania #Romanian #SebastianStan

Romania Picks Cannes Winner Fjord as 2027 Oscar Contender

Romania has picked its Oscar contender, selecting Cristian Mungiu‘s Fjord starring Renate Reinsve and Sebastian Stan to be its official selection for the…
#Romania #RO #Europe #Europa #EU #cannes #cristianmungiu #international #oscars #RenateReinsve #romania #SebastianStan #stiri
https://www.europesays.com/3230361/

Romania Picks Cannes Winner Fjord as 2027 Oscar Contender https://www.byteseu.com/2332557/ #Cannes #CristianMungiu #international #Oscars #RenateReinsve #Romania #SebastianStan

https://www.europesays.com/3230361/ Romania Picks Cannes Winner Fjord as 2027 Oscar Contender #cannes #CristianMungiu #international #oscars #RenateReinsve #romania #SebastianStan #stiri

Oscars: Romania Picks Cannes Winner ‘Fjord’ as Best International Feature Contender
#MovieNews #Movies #Cannes #CristianMungiu #International #Oscars #RenateReinsve #SebastianStan

https://www.hollywoodreporter.com/movies/movie-news/oscars-2027-romania-fjord-renate-reinsve-sebastian-stan-1236689238/

Joachim Trier’s ‘Sentimental Value’ Drives Arthouse Success From Taiwan to Romania as Distributors Reveal Nordic Playbook
#Variety #Global #MarketsFestivals #News #HaugesundFilmFestival #HlynurPálmason #JoachimTrier #NewNordicFilms #NorwegianInternationalFilmFestival #RenateReinsve #SentimentalValue #TheLoveThatRemains

https://variety.com/2026/film/global/joachim-trier-sentimental-value-hlynur-palmason-1236845133/

Sebastian Stan & Renate Reinsve in Norway in ‘Fjord’ Official Trailer

Sebastian Stan & Renate Reinsve in Norway in ‘Fjord’ Official Trailer by Alex Billington August 27, 2026Source: YouTube…
#Norway #NO #Europe #Europa #EU #CannesFilmFestival #cristianmungiu #fjord #fjordmovie #fjordtrailer #foreignfilms #indies #neonfilm #neonrated #Noreg #Norge #norway #nyheter #Palmed'Or #RenateReinsve #SebastianStan #towatch #trailer
https://www.europesays.com/3218865/

https://www.europesays.com/3218865/ Sebastian Stan & Renate Reinsve in Norway in ‘Fjord’ Official Trailer #CannesFilmFestival #CristianMungiu #fjord #FjordMovie #FjordTrailer #ForeignFilms #indies #NeonFilm #NeonRated #Noreg #Norge #norway #nyheter #PalmeD'Or #RenateReinsve #SebastianStan #ToWatch #trailer

https://www.europesays.com/3218865/ Sebastian Stan & Renate Reinsve in Norway in ‘Fjord’ Official Trailer #CannesFilmFestival #CristianMungiu #fjord #FjordMovie #FjordTrailer #ForeignFilms #indies #NeonFilm #NeonRated #Noreg #Norge #norway #nyheter #PalmeD'Or #RenateReinsve #SebastianStan #ToWatch #trailer

Sebastian Stan Is a Father Accused of Abuse in First Trailer for Palme D’Or Winner “Fjord”

NEED TO KNOW Sebastian Stan and Renate Reinsve play a married couple in Norway who are accused of…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Movies #CannesFilmFestival #CristianMungiu #Entertainment #Fjord #LisaLovenKongsli #marriedcouple #norway #RenateReinsve #SebastianStan
https://www.newsbeep.com/us/827869/

https://www.europesays.com/ie/659731/ Fjord’ Trailer: Sebastian Stan and Renate Reinsve’s Palme d’Or Winner #CristianMungiu #Éire #Entertainment #film #Fjord #IE #Ireland #Movies #RenateReinsve #SebastianStan #Trailers

Sebastian Stan & Renate Reinsve in Norway in ‘Fjord’ Official Trailer https://www.byteseu.com/2313039/ #CannesFilmFestival #CristianMungiu #fjord #FjordMovie #FjordTrailer #ForeignFilms #indies #NeonFilm #NeonRated #Norway #PalmeD'Or #RenateReinsve #SebastianStan #ToWatch #trailer

‘Fjord’ Trailer: Sebastian Stan and Renate Reinsve Battle the Backrooms of the Norwegian State in Palme d’Or Winner
#IndieWire #News #Trailers #CristianMungiu #Film #Fjord #RenateReinsve #SebastianStan

https://www.indiewire.com/news/trailers/fjord-trailer-sebastian-stan-renate-reinsve-1235213162/

Backrooms: Um Não-Lugar

BACKROOMS: UM NÃO-LUGAR
(Backrooms)

SINOPSE:
Uma transposição perturbadora do famoso folclore da internet para as telas de cinema. A trama se passa no ano de 1990 e acompanha Clark (Chiwetel Ejiofor), um arquiteto frustrado e proprietário de uma loja de móveis em crise no estado da Califórnia. Lidando com um divórcio doloroso e um sentimento esmagador de fracasso, Clark tenta consertar problemas elétricos constantes no porão de seu estabelecimento. No entanto, ao investigar uma falha estrutural na parede, ele se depara com uma fenda brilhante que rasga a própria realidade. Ao atravessá-la, ele é tragado para as “Backrooms”: uma dimensão infinita, sufocante e amarelada composta por corredores vazios, carpetes mofados e lâmpadas fluorescentes que zumbem sem parar. Quando um dos clientes de sua terapeuta Mary (Renate Reinsve) também desaparece nesse não-lugar onde o tempo e o espaço se distorcem, tem início uma jornada desesperada pelo desconhecido, onde a isolação psicológica e presenças ocultas ameaçam a sanidade de quem tenta encontrar uma saída.

Informações técnicas:
DIREÇÃO: Kane Parsons
ROTEIRO: Will Soodik, Kane Parsons
ELENCO: Chiwetel Ejiofor, Renate Reinsve, Mark Duplass, Finn Bennett, Lukita Maxwell, Avan Jogia, Katharine Isabelle
PAÍS/ANO DE PRODUÇÃO: EUA / Canadá, 2026
GÊNERO: Terror Psicológico / Ficção Científica / Horror Liminar
DURAÇÃO: 110min
DISTRIBUIÇÃO NO BRASIL: Imagem Filmes / Sofá Digital

Onde ver: Lançamento recente nos cinemas. Disponível para compra e locação digital nas principais lojas virtuais (como Prime Video e Apple TV).

https://www.europesays.com/no/326116/ «Affeksjonsverdi» ga kraftig inntektshopp for produsent – E24 #Bergen #Cannes #Entertainment #filmer #JoachimTrier #NO #Norge #NorskFilm #Norway #RenateReinsve #Underholdning

‘Sentimental Value’ Screenwriter Gets Backing For Next Directorial Feature
#MovieNews #Movies #EskilVogt #International #JoachimTrier #RenateReinsve #SentimentalValue

https://www.hollywoodreporter.com/movies/movie-news/sentimental-value-screenwriter-backed-to-direct-new-feature-1236673577/

Video Movie Review: SENTIMENTAL VALUE (2025): Moral Generosity Gives This Fractured Family Remarkable Depth

Link: https://film-book.com/video-movie-review-sentimental-value-2025-moral-generosity-gives-this-fractured-family-remarkable-depth/?fsp_sid=237990

#ElleFanning #IngaIbsdotterLilleaas #JoachimTrier #NewYorkFilmFestival #RenateReinsve #SentimentalValue #StellanSkarsgård #VideoMovieReview

Sentimental Value (Norwegian: Affeksjonsverdi)
#StellanSkarsgard #RenateReinsve #nowwatching

We both enjoyed the unique new horror film "BACKROOMS." It's the first movie I've ever seen in which the set was the main character. Intriguing from start to finish. #movie #movies #film #films #horror #horrorfilm #scary #scaryfilm #horrorfilms #scaryfilms #backrooms #liminal #liminalspaces #liminalspace #quirky #original #entertaining #edgeofonesseat #ChiwetelEjiofor #RenateReinsve #MarkDuplass #FinnBennett #LukitaMaxwell #avanjogia #RobertBobroczkyi #KristaKosonen #KaneParsons #furniture

Backrooms (2026) Review

"The Blair Witch Project" for agoraphobics.

There is a peculiar irony at the heart of Backrooms. The original phenomenon flourished because it offered the viewer almost nothing....

click link to read more https://thecraggus.com/2026/06/10/backrooms-2026-review/

#chiwetelejiofor #finnbennett #horror #kaneparsons #lukitamaxwell #markduplass #renatereinsve

https://thecraggus.com/2026/06/10/backrooms-2026-review/

Critique | BACKROOMS de Kane Parsons

On le sait, le concept de Backrooms est né sur internet, YouTube plus exactement, et provient d’une série de photos et vidéos de style documenteurs explorant des lieux étranges, situés dans un entre-deux spatio-temporel indéfini, sorte de pièces vides et inoccupées semi-réalistes, jouant sur un léger décalage pour créer la tension, l’inquiétude, le malaise. L’adaptation cinématographique par Kane Parsons lui-même, jeune YouTubeur d’une vingtaine d’années, créateur de ce représentant des « creepypasta », sortes de légendes urbaines, joue avec la même jubilation et une angoisse identique sur la croyance du public pour ces espaces liminaires : et si c’était vrai ?

Clark est un architecte raté, récemment divorcé et alcoolique, qui lutte pour maintenir à flot son magasin de meubles au bord de la faillite. Il consulte régulièrement sa psychologue, Mary Kline, elle-même marquée par des traumatismes d’enfance liés à l’agoraphobie de sa mère et à la destruction de sa maison familiale. Alors que Clark enquête sur des coupures de courant répétées et une facture d’électricité anormalement élevée, il est témoin de phénomènes électriques inhabituels qui le conduisent au sous-sol. Il y découvre une étrange fissure dans un mur et, en le traversant, se retrouve dans les Backrooms.

La perte des repères

Backrooms s’ouvre par une séquence en found-footage déjà diablement efficace, alors qu’elle plonge le spectateur dans un environnement totalement inconnu, suivant le point de vue d’un personnage pas moins mystérieux. A peine le film a-t-il débuté que déjà, on est paumé… mais accroché ! Ainsi, l’affaire est lancée. Avec une économie de moyens remarquable, le film a admirablement attrapé le spectateur par le col, par l’entremise d’éléments décalés : une mouette qui fait soudainement irruption et s’écrase contre les murs, des bruits angoissants, des meubles fusionnés avec les parois, et enfin l’apparition d’une silhouette menaçante. Pourtant, Kane Parsons choisit rapidement d’abandonner (temporairement) la caméra subjective pour déployer ensuite une mise en scène plus classique. Mais pas moins immersive et prenante. Comme s’il s’agissait pour lui de prouver que l’étrangeté de son concept pouvait survivre aux moyens immersifs et prétendus plus authentiques du found-footage. La présentation des personnages principaux (Clarke, sa psy, ses deux employés) est un modèle d’efficacité et de mise en place. Ce qui renforce l’immersion, au même titre que la présentation des trois ou quatre lieux de l’histoire. Et l’angoisse peut alors monter et fonctionner à plein régime.

Ce n’est pas toujours simple d’expliquer pourquoi et comment un concept fonctionne. Celui de Backrooms se suffit en lui-même pour titiller l’intérêt du spectateur, l’intriguer. Parsons aurait pu s’en contenter, de manière un peu facile et paresseuse. Mais il assure de ne pas lasser en dépliant son intrigue avec une minutie qui force le respect. Pour cela, le réalisateur s’appuie sur une direction artistique remarquable, faussement simpliste et qui, au contraire, laisse à découvrir un environnement anxiogène et étouffant, au sein de ces bureaux et autres lieux désaffectés. Le travail sur le son est également brillant et essentiel, entre les bourdonnements de néons et autres variations sonores ambiantes, auxquelles s’ajoutent les musiques composées par Kane Parsons lui-même et Edo Van Breemen.

Délicieusement anxiogène

Entre l’univers de David Lynch et les jeux vidéos, la plus grande réussite du film réside dans sa capacité à instaurer une anxiété horrifique et viscérale sans recourir massivement aux jump-scares. Qu’est-ce qui régit cet univers qui se déplie tel un labyrinthe sous nos yeux et face à nos cerveaux en ébullition ? On ne le saura jamais réellement. Alors que le film bifurque à sa moitié, un début d’explication psychanalytique semble sur le point d’être dévoilé, mais c’est pour mieux perdre le spectateur dans l’univers sensoriel horrifique des Backrooms. Capable de susciter l’effroi avec trois fois rien, ou en présentant plein cadre des créatures que seul un cauchemar peut façonner, Backrooms est un premier long-métrage d’une maîtrise assez folle, qui ouvre les perspectives cinématographiques en termes de gestion de l’espace, tout en mettant en abyme la direction artistique et la conception de ses décors, stupéfiants par leur fausse simplicité. Le film répond également à une forme d’angoisse actuelle liée à la déshumanisation et au sentiment d’aliénation sociale, tout comme il touche une corde sensible sur la solitude et la peur de l’échec. La fin, très ouverte, s’avère suffisamment cryptique et mystérieuse, pour ne pas gâcher l’expérience. Au contraire. Et aussi ouvrir vers une suite inévitable. A noter l’existence d’une version plus longue de 16 minutes d’images post-générique, qui vient compléter la séquence inaugurale, et ainsi fermer la boucle. Tout en enrichissant davantage encore le mystère…

⭐⭐⭐⭐⭐

BACKROOMS. De Kane Parsons (USA – 2026).

Genre : Thriller, science-fiction, horreur. Scénario : Will Soodik, d’après la web-série créée par Kane Parsons. Directeur de la photographie : Jeremy Cox. Interprétation : Chiwetel Ejiofor, Renate Reinsve, Ember Ambrose, Mark Duplass, Finn Bennett, Lukita Maxwell, Avan Jogia… Musique : Kane Parsons et Edo Van Breemen. Durée : 111 minutes (version longue 127 minutes).
Distribué par Metropolitan FilmExport (17 juin 2026).

And Renate Reinsve is on an amazing roll recently!

I've only seen her before in The Worst Person in the World (she was good, the movie's decent), but know she is generally well-regarded and was highly praised for Sentimental Value.

She seems to choose projects that have some unique aspects, like A Different Man.

#Backrooms #horror #movie #movies #film #cinema #supernatural #SciFi #ScienceFiction #RenateReinsve #actor #TheWorstPersonInTheWorld #SentimentalValue #ADifferentMan

‘Fjord’ Qualifies for Oscars’ International Feature Category After Questions Over Amount of English Dialogue (EXCLUSIVE)
#Variety #Awards #News #Fjord #Oscars #RenateReinsve #SebastianStan

https://variety.com/2026/film/awards/fjord-oscars-international-feature-english-qualifies-1236800216/

‘Fjord’ Qualifies for Oscars’ International Feature Category After Questions Over Amount of English Dialogue (EXCLUSIVE)

https://web.brid.gy/r/https://variety.com/2026/film/awards/fjord-oscars-international-feature-english-qualifies-1236800216/

‘Fjord’ Qualifies for Oscars’ International Feature Category After Questions Over Amount of English Dialogue (EXCLUSIVE)

https://fed.brid.gy/r/https://variety.com/2026/film/awards/fjord-oscars-international-feature-english-qualifies-1236800216/

I really liked the film, and there's a lot to unpack and unravel and dive into. The reveal of more details about the characters is done really well.

In addition to the thematic elements of the film are the outstanding performances, mostly from #ChiwetelEjiofor and #RenateReinsve , both of whom I really like. Their performances serve to cement you into the story, and it's a testament to the story and the filmmakers that they were able to attract talent like them. 2/3

Żółta tapeta, buczenie jarzeniówek i obłęd. Internetowy fenomen „Backrooms” trafia na ekrany kin

Zapomnijcie o potworach z szafy, wampirach czy seryjnych mordercach w maskach. Współczesna groza rodzi się w pustych, pozornie zwyczajnych przestrzeniach.

Do polskich kin wchodzi właśnie „Backrooms. Bez wyjścia” – wyczekiwana adaptacja jednej z najsłynniejszych internetowych legend miejskich. To horror, w którym największym wrogiem jest niekończąca się monotonia.

Zaczęło się od jednego, niepozornego zdjęcia opublikowanego w sieci: puste pomieszczenie wyłożone starą, żółtą tapetą, oświetlone archaicznymi świetlówkami jarzeniowymi. Ten prosty obrazek wywołał w internautach z całego świata dziwne uczucie niepokoju i fałszywej nostalgii (tzw. zjawisko liminal spaces). Z czasem wokół fotografii narosła potężna mitologia opowiadająca o alternatywnym wymiarze pełnym niekończących się, identycznych korytarzy i niewidzialnego zagrożenia. Teraz ten fenomen, wygenerowany całkowicie przez społeczność internetową, doczekał się wielkobudżetowej ekranizacji.

Z internetowej legendy na wielki ekran. Słynna creepypasta „Backrooms” doczekała się filmu

Labirynt na zapleczu salonu meblowego

Głównym bohaterem filmu jest Clark – zwykły sprzedawca mebli. Mężczyzna podczas rutynowej pracy w piwnicy swojego sklepu odkrywa wyrwę w rzeczywistości, która przenosi go do tytułowych Backrooms. To labirynt niekończących się, sterylnych pomieszczeń, w których czas i logika przestają działać według znanych nam zasad. Im głębiej zapuszcza się w tę tajemniczą przestrzeń, tym silniej zaciera się granica między rzeczywistością a psychodelicznym koszmarem. Nie wiadomo, czy kolejna ściana to po prostu ściana, czy śmiertelna pułapka.

Twórcy postawili na nieoczywisty i bardzo mocny casting. W głównych rolach na ekranie zobaczymy Chiwetela Ejiofora (nominowanego do Oscara za „Zniewolony. 12 Years a Slave”) oraz znakomitą Renate Reinsve (laureatkę Złotej Palmy za „Najgorszego człowieka na świecie”). Oboje próbują zachować zdrowe zmysły w miejscu, w którym nie sposób zaufać ani własnym oczom, ani pamięci. Co ciekawe, za kamerą stanął Kane Parsons – twórca viralowych filmów krótkometrażowych w uniwersum Backrooms, które na YouTubie wygenerowały ponad 100 milionów wyświetleń.

Warszawska premiera i stany lękowe

Uroczysta polska premiera filmu odbyła się w czwartkowy wieczór w warszawskim Kinie Helios w Blue City. Wydarzenie przyciągnęło miłośników kina grozy, twórców internetowych oraz przedstawicieli mediów (na czerwonym dywanie pojawili się m.in. Sebastian Machalski, Joanna Majstrak, Bilguun Ariunbaatar, Janusz Walczuk czy Maria Jeleniewska).

Kino zrezygnowało z tradycyjnych „straszaków” na rzecz gęstej, hipnotycznej atmosfery, która mocno rezonowała z widzami po seansie. Pierwsze opinie wychodzących z sali gości mówią same za siebie:

„Te korytarze, monotonne światła i cisza powodują, że widz czuje fizycznie narastający niepokój”.

„Do tej pory nie doszłam do siebie”.

„Kiedy wyszłam z seansu, pierwsze, co powiedziała do przyjaciela, to to, że moje stany lękowe dostały stanów lękowych”.

Gra miejska dla odważnych

Wielkoekranowej premierze towarzyszy również lokalna akcja promocyjna dla fanów w Warszawie. Jeszcze dziś (20 czerwca) odwiedzający centrum handlowe Złote Tarasy mogą wziąć udział w interaktywnej grze miejskiej inspirowanej niepokojącym światem filmu. Na uczestników, którzy odnajdą wszystkie wyznaczone punkty i prawidłowo odpowiedzą na pytania, czekają darmowe bilety na seans.

Film „Backrooms. Bez wyjścia” (w dystrybucji Monolith Films) można od dziś oglądać wyłącznie w kinach na terenie całego kraju. Jeśli szukacie kina grozy, które zamiast tanich sztuczek oferuje duszący, surrealistyczny obłęd – to pozycja obowiązkowa.

Filmy i seriale:
»Backrooms. Bez wyjścia«

W piwnicy salonu meblowego pojawia się przejście do przerażającego, równoległego świata.

https://www.fahrenheit.net.pl/film/backrooms-bez-wyjscia/

#Fahrenheit_zin #FinnBennett #horror #LukitaMaxwell #film #AvanJogia #ShawnLevy #RobertoPatino #JamesWan #DanLevine #ChiwetelEjiofor #Bezwyjścia #EdoVanBreemen #MichaelClear #KaneParsons #BackroomsBezwyjścia #Backrooms #WillSoodik #JeremyCox #RenateReinsve #MarkDuplass

Backrooms (Film)

What Is It?

The 2026 American science fiction psychological horror movie Backrooms.

https://www.youtube.com/watch?v=0HjdiohVOik

https://www.youtube.com/watch?v=2z6a6NUFlsU

This is how Wikipedia describes this movie:

Backrooms is a 2026 American science fiction psychological horror film.[6]

Directed and co-scored by Kane Parsons (in his feature-length directorial debut) and written by Will Soodik.[7][8]

It is based on Parsons’s web series and inspired by the “Backrooms” creepypasta.

In the film, Clark (Chiwetel Ejiofor), a furniture store owner, and Mary (Renate Reinsve), his therapist.

Discover a dimension of seemingly endless liminal spaces accessed through the basement of the store.

Mark Duplass, Finn Bennett, and Lukita Maxwell also star.

After uploading the web series in January 2022.

Parsons was approached by several studios about potentially adapting his series into a feature film.

In February 2023, it was officially announced that work had begun on a film adaptation of the Backrooms.

Based on Parsons’s videos, with Parsons directing.

Roberto Patino was initially set to write the screenplay, but was replaced by Will Soodik.

Filming began in the summer of 2025 and concluded in August 2025.

Backrooms premiered at the Aero Theatre in Los Angeles on May 7, 2026.

And was theatrically released in the United States by A24 on May 29.

The film received positive reviews from critics and has grossed $140.4 million worldwide.

Becoming A24’s biggest opening and domestic box office performance.

And making Parsons the youngest filmmaker to reach number one at the American box office.

As well as becoming the third-highest-grossing horror film of 2026.

Cast

Krista Kosonen as Nora Kline, Mary’s mother[13][14]

Chiwetel Ejiofor as Clark, a furniture store owner and failed architect[9]

Renate Reinsve as Dr. Mary Kline, Clark’s therapist[10]

Mark Duplass as Phil, an Async scientist and Backrooms researcher[11]

Finn Bennett as Robert “Bobby” Franklin, Kat’s boyfriend[9]

Lukita Maxwell as Kathrine “Kat” Taylor, Clark’s employee and Bobby’s girlfriend[9]

Avan Jogia as Naren Warne, an Async explorer of the Backrooms

Robert Bobroczkyi[12] as Pirate Clark, a monstrous entity resembling Clark in a pirate costume that inhabits the Backrooms

Directed byKane ParsonsWritten byWill SoodikBased onBackrooms
by Kane ParsonsProduced byJames Wan
Michael Clear
Roberto Patino
Shawn Levy
Dan Cohen
Dan Levine
Osgood Perkins
Chris Ferguson
Peter Chernin
Jenno Topping
Kori AdelsonStarringChiwetel Ejiofor
Renate Reinsve
Mark Duplass
Finn Bennett
Lukita MaxwellCinematographyJeremy CoxEdited byGreg NgMusic byEdo Van Breemen
Kane ParsonsProduction
companiesNorth Road Films[a]
21 Laps Entertainment
Atomic Monster
Phobos
Oddfellows Entertainment[1]Distributed byA24Release datesMay 7, 2026 (Aero Theatre)
May 29, 2026 (United States)Running time110 minutes[2]CountryUnited StatesLanguageEnglishBudget$10 million[3]Box office$140.4 million[4][5]

https://www.youtube.com/watch?v=lrzdr78XK2Y

https://www.youtube.com/watch?v=gmFO_jwJIh4

My Thoughts

When my brother GC and I heard that Kane Parsons (Kane Pixels) was getting to make a Backrooms movie.

That would be distributed by A24 to movie theaters / the cinema.

We knew that we would probably watch it.

Because we follow his YouTube channel, and we have seen most of his short films about The Backrooms.

https://www.youtube.com/playlist?list=PLVAh-MgDVqvDUEq6qDXqORBioE4Yhol_z

As well as various other people’s unique takes on The Backrooms with their own short films on YouTube.

So we wanted to go out and support a YouTuber making his first major movie.

I did not realize how young he was until I heard it on the news.

Congratulations, young man, for achieving so much, and I look forward to your future projects.

This movie is not for everyone. Do not watch it when you are tired and distracted, et cetera.

Watch it when you are in the mood for a slower-paced indie movie with a liminal space.

I watched this on Sunday, May 31, 2026, at the Regal movie theater in the city of L.

With my brother GC, my brother CC, my brother KDC, and my sister-in-law KC.

Unfortunately, this movie did not stick to his usual formula for The Backrooms.

Which is first-person, found footage, and an exploration of the liminal space known as The Backrooms.

I wish that would have been the main focus of this movie.

Chiwetel Ejiofor and Renate Reinsve had good performances.

I hope to see Renate Reinsve in another movie or TV show in the future.

But I wish that they had spent more time exploring The Backrooms.

I also wish that we would have seen more unique areas in The Backrooms.

I also wish that a certain entity had either stayed in the shadows or that it did not look as goofy.

My brother GC and I did not like this movie as much as we had expected.

Because it was slower than expected and did not follow The Backrooms formulas as much as expected.

It was not bad, and I do want to watch it again when it is available at home.

Because I think that this might be a movie that I will like better on the second viewing.

Because when I left the movie theater / cinema, I was not exactly sure how I felt about this movie.

So I need to see it again.

Under more comfortable conditions, like at home when I am in the mood for this type of movie.

The rest of my family who watched it with me, besides my brother GC, did not like this movie.

But KDC and KC have disliked almost every movie that I have watched with them so far, so this is nothing new. :D

I would still recommend this movie to people who want to watch a movie like this.

I would rate it a 3.5 out of 5.

The end,

• John Jr

What Our Theater Added After the “Backrooms” End Credits

https://midlifecrisiscrossover.com/2026/06/14/what-our-theater-added-after-the-backrooms-end-credits/

‘The Backrooms’: How a teenager’s creepy YouTube series became the year’s most anticipated horror

https://fed.brid.gy/r/https://interaksyon.philstar.com/hobbies-interests/2026/06/01/314152/the-backrooms-how-a-teenagers-creepy-youtube-series-became-the-years-most-anticipated-horror/

Movie TV Tech Geeks #MovieNews #Backrooms #RenateReinsve ‘Backrooms’ Makes A24 History in Record-Breaking Box Office Debut http://dlvr.it/TSpJ24

Film Review: BACKROOMS (2026): A Work of Genius Handled with Terrifying Precision

Link: https://film-book.com/film-review-backrooms-2026-a-work-of-genius-handled-with-terrifying-precision/?fsp_sid=206717

#A24 #AvanJogia #Backrooms #CalixFraser #ChiwetelEjiofor #EmberAmbrose #FinnBennett #KaneParsons #KatharineIsabelle #KristaKosonen #LukitaMaxwell #MarkDuplass #MovieReview #NatalieMoon #PatrickBaynham #PeterNew #PhilipGranger #RenateReinsve #RhiannonRoberts #RobertBobroczkyi #SarahHayward #...

Movie TV Tech Geeks #MusicFeatures #Backrooms #RenateReinsve What the Hell Are the ‘Backrooms’ Monsters Anyway? http://dlvr.it/TSmvhD

Backrooms review – Kane Parsons’ icily disturbing horror rewrites the genre rulebook https://www.theguardian.com/film/2026/may/27/backrooms-review-kane-parsons-icily-disturbing-horror-rewrites-the-genre-rulebook #Film #HorrorFilms #Youtube #ChiwetelEjiofor #RenateReinsve #Culture #Technology

‘Backrooms’ Review: Experimental Horror Comes Out of the Margins in Kane Parsons’ YouTube-Gone-A24 Head Trip
#Variety #Reviews #Backrooms #ChiwetelEjiofor #KaneParsons #RenateReinsve

https://variety.com/2026/film/reviews/backrooms-review-chiwetel-ejiofor-kane-parsons-1236758845/

‘Backrooms’ Review: Kane Parsons’ Freaky Liminal Horror Is Both Mind-Bending and Brain-Freezing
#IndieWire #Criticism #Movies #Backrooms #Film #KaneParsons #RenateReinsve #Reviews

https://www.indiewire.com/criticism/movies/backrooms-review-kane-parsons-a24-1235196393/

‘Backrooms’ Review: Chiwetel Ejiofor and Renate Reinsve Get Lost in A24’s Creepy but Underbaked Liminal Horror
#MovieReviews #Movies #A24 #Backrooms #ChiwetelEjiofor #KaneParsons #RenateReinsve

https://www.hollywoodreporter.com/movies/movie-reviews/backrooms-review-chiwetel-ejiofor-renate-reinsve-1236605400/

‘Backrooms’ Review: Chiwetel Ejiofor And Renate Reinsve Open The Door To Terror In You Tuber Kane Parson’s Eerie Feature Debut
#News #Reviews #Backrooms #ChiwetelEjiofor #KaneParsons #MarkDuplass #RenateReinsve

https://deadline.com/2026/05/backrooms-review-chiwetel-ejiofor-renate-reinsve-horror-1236921788/